For the Eugene artist, the completed physical end product is terra cotta functional ceramicware — platters, plates, vases, candlestick holders, mugs — inspired by historical folk pottery as well as the works of 19th century Old Masters painters. Briggs began incorporating imagery on her work 15 years ago when she observed how brush marks and drip lines formed impressions of landscapes. It was a short, but significant, step to drawing period images on her work, adding to its sensation of timelessness and meaning.
She focused upon the 19th century landscape for its calming, romantic element, likening the feeling to that inspired by a country drive.
“I find rural life and nature to be calming and beautiful. By using that imagery on my work, I hope it brings a sense of calmness to those who encounter it.
The very choice of terra cotta — known as poor man’s clay because it is not as dense and white as porcelain — is deliberate, with Briggs being drawn to its rustic quality and unexpected, but welcome, irregularities. It is of the earth, after all, just like gardening.
In the end, Briggs says, that’s what it’s all about: the earth, and beautiful places, and exquisitely shaped ceramics that capture that beauty and encourage those who see the work.
“My work is not about politics or social commentary.
“It is simply meant to serve as a window into a peaceful place.”