acrylic pour abstract painting home decor art joyce klassen walla

Acrylic Pour — The Happy Abstract Art of Joyce Klassen

acrylic pour abstract painting home decor art joyce klassen walla

Acrylic Pour 9, original painting by Walla Walla artist Joyce Klassen

We’ve all heard of peculiar artists and capricious ones, edgy sculptors and angry painters, those who love to offend and shock, unsettle or antagonize. They are the stuff of movie fantasia and social media hype.

acrylic pour abstract painting home decor art joyce klassen walla walla

Acrylic Pour 5, original painting by Walla Walla artist, Joyce Klassen

But in the real world, populated by real people,  there is another kind of artist: a happy person, loving what they do, creating with the idea of making others happy as well. Fitting into this paradigm is Joyce Klassen, a Walla Walla artist who has worked in everything from watercolor realism to her present abstract acrylic pours. She uses words like “fun,” “rewarding,” and “beautiful” when she talks about her art, as well as life itself.

“I’ve been interested in art since I was in preschool when I cut up my mother’s Simplicity patterns to make my own paper dolls and dress them in pieces of fabric — I only did that ONCE!” Klassen remembers.

This is a person who launches into the room with a smile, who experiments with new techniques and recognizes that failure is as much a part of success as, well, success is. It’s an attitude worth honing when it comes to the challenge of acrylic pour, a process that involves layering multiple colors of paint in a cup and cascading it onto the canvas:

Fun, Caution, Wisdom

The FUN comes from quickly flipping the cup upside down.

The CAUTION demands that the artist upright the cup quickly, then tilt the canvas back and forth so the colors run from top to bottom and side to side.

The wisdom of EXPERIENCE shouts “Stop!” when the pattern looks just right.

“Knowing when to stop is the secret to a successful acrylic pour,” Klassen explains. “Once you have learned to do this — EXPERIMENT and come up with your own unique method.

acrylic pour abstract painting home decor art joyce klassen walla walla

Acrylic Pour 6, original painting by Walla Walla artist Joyce Klassen

“When you find something that really works for you, keep it a secret! You want this to be your creation.”

Acrylic Pour Discovery

Klassen discovered acrylic pour literally by accident when she spilled mixed paint on a surface. Fascinated by the resulting texture, color formation and shape, she researched the technique, spending “hours and hours” learning from YouTube.

“I’ve done many forms of art, but I think I love this one the very best because I get so excited as I watch the colors evolve and mix — it often gives me terrific surprises.

“If the surprise happens to not be a good one, I simply wash it down the drain (followed by a healthy dose of drain cleaner) and start over. It’s a ‘Can’t Lose’ process.”

Acrylic Pour: Breaking and Following Rules

As Klassen is discovering, acrylic pour painting involves breaking the rules at the same time one adheres strictly to them, celebrating spontaneity in perfect proportion to meticulous thought. In some ways, this mirrors the yin-yang relationship she enjoys with her husband Randy, also an artist, but in a polar opposite sort of way:

acrylic pour abstract painting home decor art joyce klassen walla walla

Acrylic Pour 1, original painting by Walla Walla artist, Joyce Klassen

She does abstract; he paints realism.

She’s messy; he’s neat.

She takes up three quarters of their shared studio; he carved out a small space against the window, just enough for his easel and palette.

“When I work on encaustic, he leaves when I light the blow torch.

“When I work on acrylic pour, he covers his work and leaves to avoid the mess.

“He has to find a lot of errands to run .  .  . ”

Oddly, for a person who describes her creative process as messy, Klassen spends a lot of time cleaning their house, because both she and Randy sell from the studio within their home.

“We never know when someone might ‘drop in’ to view the art. We love to share a glass of our local wine as we go from room to room looking at art.

“I’m often told that a viewer is amazed that I work in such a messy art form while still being such an intense ‘neatnik.'”

acrylic pour abstract painting home decor art joyce klassen walla walla

Acrylic Pour 8, original painting by Walla Walla artist, Joyce Klassen

Helping the Homeless

When she isn’t creating in the studio — something that can happen anytime of the day or even at 2 a.m. if she finds she can’t sleep — Klassen works with the homeless through the Walla Walla Alliance for the Homeless, coordinating the weekly shower project held Mondays at the Pioneer United Methodist Church.

She and her crew of 10 volunteers serve the needs of 10 to 17 people who would otherwise have nowhere else to shower, providing basic toiletry needs along with clean socks, underwear, and other clothing.

It’s all part of a happy artist’s life — giving, experimenting, dreaming, doing, making a mess and cleaning it up. With so much creativity and beauty, there is no place for angst, anger, shock, or awful.

“I love to watch ideas and colors evolve.

“And I love it when someone looks at an acrylic pour that I’ve done and sees something totally different than what I do — it’s almost like playing the game of ‘find Waldo.’

“Art should be rewarding, and especially, fun!”

Wenaha Gallery

Joyce Klassen is the featured Art Event artists at Wenaha Gallery from Monday, September 24, 2018, through Saturday, October 20, 2018.  She will be at the gallery Saturday, October 6, from 10 a.m. to 2 p.m., as part of Wenaha Gallery’s Autumn Art Show, which also features jewelry artist Venita Simpson, a tribute to the late astronaut/artist Alan Bean, and a talk and visit by retired astronaut Dottie Metcalf-Lindenburger.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

slab built curved pottery out of box dave raynalds

Out of the Box — The Slab Built Ceramic Pottery of David Raynalds

slab built curved pottery out of box dave raynalds

Curves and eclectic shapes don’t fit into a square box — Salt Cellar, slab built pottery by Portland ceramicist, Dave Raynalds

It doesn’t matter how big the box is: human beings simply don’t fit in them.

Creativity, experimentation, exploration — these elements rage against the sides of the box until they knock them down, freeing the spirit within. And the more stubborn and determined the person, the more he or she resists the box — and the more interesting their story.

floral slab built pottery ceramic platter dave ranyalds out of box

Floral Platter, slab built ceramics with a painterly flower glaze, by out of the box ceramic artist, Dave Raynalds of Portland.

So it is with Dave Raynalds, a Portland potter who specializes in slab ceramics, a technique that involves hand-shaping slabs of clay into finished platters, plates, and bowls.

Not a Box: Slab Built Ceramic Shapes

“All my work is slab built,” Raynalds says. “I prefer the spontaneous, loose, lively and organic shapes that slab building can give.”

Raynalds first experimented with the slab ceramic technique in college, when he took an art class every term, from drawing to macrame. During his pottery class, he created a vast and impressive array of items, all slab built, and then was mildly . . . irritated when he received a lower grade because he had done no wheel work. It was 40 years later that persistent insistence by his wife, enrolled in a pottery class at the Multnomah Arts Center, convinced Raynalds to give it another try.

“I knew I would love it, but I didn’t want to intrude on her thing,” Raynalds explains. “It didn’t take much convincing, though, and now we both spend four or five days a week at the studio at the center.”

Inspired by Betty Feves

globe round sphere slab built pottery ceramic dave raynalds out of box

You can’t get much further from a box shape than a round globe — Globe, slab ceramic pottery sculpture by Portland artist Dave Raynalds.

Raised in Pendleton, Raynalds attended junior high and high school when Betty Feves, the nationally famous ceramicist and musician, was on the school board, so all through his pre-college schooling, he received excellent education in the arts, due to the district’s commitment to providing it. In college, he took his degree in geology, and because of his tendency toward kicking the box, embarked upon a career as a cabinet maker, or as he puts it,

“I got into woodworking by buying so many woodworking tools that I had to turn professional. I worked as a cabinet maker for 30 years.”

Now retired from cabinet making, Raynalds incorporates his woodworking experience into  his pottery, as he takes a woodworker’s approach to clay using similar building techniques.

Out of the Box Woodworking Tricks for Slab Built Ceramics

“Many woodworking tricks translate well to slab-built ceramics. But unlike wood, if you cut something too short, you can add more clay and move on.

“Clay lends itself to more organic shapes than wood. This appeals to me because complex shapes and curves can be generated very fast, as opposed to wood.”

paper doll platter slab built ceramic pottery dave raynalds not box

Even shapes that are polygons aren’t conformed to the square box — Paper Doll Platter — slab built ceramic pottery by Portland ceramicist, Dave Raynalds

His geology studies come into play with painting watercolor landscapes, a pursuit he adopted five years ago on a canoe trip in Utah, complete with sketchbook and portable paints. And coming full circle, the painting incorporates back into the slab ceramics, as he chooses and uses glazes and creates designs. Nothing is isolated, and no experience is wasted.

“I am a born tinkerer and maker,” Raynalds says. “I’ve made my own recumbent bicycle, a replica of an Aleutian skin kayak, a ten-foot computer-controlled telescope, and many other gadgets.

“I enjoy sewing my own camping equipment — panniers, backpacks — as well as participating in family quilting round robins. As a cabinet maker, I worked for artists making large installations and custom framing.

“I was one of the first bicycle messengers in Portland, and have crossed the country twice on my bicycle.”

Eclectic, Unique, Out of the Box Resume

It’s an eclectic, highly personalized resume, one that evidences the owner’s willingness to try not only new, but seemingly unrelated things. For instance, regarding being a bicycle messenger, something many people have encountered only through Kevin Bacon’s 1986 movie, Quicksilver, Raynalds says,

“I got the job from an ad in a newspaper. At that time, there were no bike messengers except an old guy who delivered office supplies.

blue platter slab built ceramic pottery dave raynalds

Blue Platter, slab built ceramic pottery by Portland artist, Dave Raynalds, incorporating painting of non-traditional designs into the artwork

“I delivered mostly legal papers, real estate documents, and blueprints on a one-speed Schwinn with coaster brakes. I did this for four years.”

Citing Goodwill as a favorite source for texture materials and tools for his work, Raynalds creates his own molds and stamps to embellish his pottery, with the focus on each piece being as highly individual as its creator.

“While I was a cabinet maker, I tried to do high end work, or interesting work,” Raynalds says. As a potter, “I rarely make commissions or sets of things — I would be bored if I have to make something twice.”

Always a Surprise: Slab Built Ceramic Art

Tinker. Tailor. Potter Guy. Dave Raynalds is as eclectic, and unexpected, as the art he creates. And because he refuses to acknowledge the box, much less crawl into it, the end result often comes as a surprise to the artist himself.

“I usually have some vague idea about what I want to make when I start a project, but this can change as I progress.

“Many times the finished project is not recognizable from the starting ideas as other ideas are presenting themselves.”

Out of the box.

Wenaha Gallery

Dave Raynalds is the featured Art Event artists at Wenaha Gallery from Monday, September 10, 2018, through Saturday, October 6, 2018.  

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

Tobias Sauer

Tobias Sauer

As a child, raised in the Montana outdoors, Tobias Sauer and his father biked, hunted, kayaked, and hiked; evenings, he joined his artist mother in trying to paint what he had experienced that day, frequently getting frustrated when what he saw in his mind did not make it successfully onto canvas.

“These are 40-year-old artist’s hands,” his mother would tell him. “You have little 5-year-old hands. When you have 40-year-old artist’s hands, you’ll be able to make it look just right, too.”

Long before those hands could be 40, however, it looked like the dream had died.

“I started off as an art major in college, but quickly became disillusioned with the emphasis of abstract expressionism and the lack of instruction in form and technique,” the Coeur d’Alene, Idaho, oil painter says. “I graduated in environmental science and worked in that field for years.”

Though he tried to continue painting, an injury followed by surgery and a series of painful life events drove him into what he calls a personal “wilderness,” one that drained him of time and energy, of dreams and the desire to create.

Tobias Sauer

big sky mustangs dream old west montana horses tobias sauer

Montana Dreams — The Western Art of Tobias Sauer

big sky mustangs dream old west montana horses tobias sauer

Big Sky Mustangs, capturing the old west and the new, by oil painter Tobias Sauer. Sauer’s childhood dreams, while growing up in Montana, were to be a full time painter, and he is turning this dream into reality.

Dreams. Goals. Aspirations.

All humans have these, born within our childhood when we don’t realize how impossible what we want to do actually is. Some people abandon these dreams entirely, citing the need to be “realistic,” but others, who combine realism with hope, hard work, and a stubborn tenacity to get up when they’re knocked down, keep chipping away, moving forward, walking steadily toward that dream.

ogalala cowboys horses night dreams tobias sauer western art

All Night to Ogalala, oil painting by Coeur d’Alene artist Tobias Sauer, who is turning his childhood dreams into a very realistic art career.

Tobias Sauer is one of these people. As a child, raised in the Montana outdoors, he and his father biked, hunted, kayaked, and hiked; evenings, he joined his artist mother in trying to paint what he had experienced that day, frequently getting frustrated when what he saw in his mind did not make it successfully onto canvas.

“These are 40-year-old artist’s hands,” his mother would tell him. “You have little 5-year-old hands. When you have 40-year-old artist’s hands, you’ll be able to make it look just right, too.”

Dreams Die before They Live

Long before those hands could be 40, however, it looked like the dream had died.

“I started off as an art major in college, but quickly became disillusioned with the emphasis of abstract expressionism and the lack of instruction in form and technique,” the Coeur d’Alene, Idaho, oil painter says. “I graduated in environmental science and worked in that field for years.”

Though he tried to continue painting, an injury followed by surgery and a series of painful life events drove him into what he calls a personal “wilderness,” one that drained him of time and energy, of dreams and the desire to create.

herdsire cow bull livestock cattle Montana rancher's dreams tobias sauer western art

Herdsire, embracing the rancher’s dreams of the future herd. Oil painting by Coeur d’Alene oil painter Tobias Sauer

But he kept chipping away, continuing to get up each time he was knocked down. After a long hiatus from painting, Sauer found an old watercolor set while going through his storage unit, and gave it a try.

“I wondered if I could still paint, or if I had lost it all . . . but you know, after all that time of not painting, I had somehow gotten better. It was the weirdest thing, and I still can’t figure it out — I don’t know if it was that suffering or just age had made me a more mature artist, or just a more patient person.”

Visions of Montana

Whatever it was, it impelled him forward, and Sauer found that his hands — still not yet 40 — were capable of making things look just right. Bison, elk, moose, cowboys, mountains, meadows — Sauer draws, literally, upon the scenes of his Montana childhood in celebrating both the Old West and the New.

“I grew up in Charlie Russell country, and I grew up wanting to ranch,” Sauer says. “My heroes were cowboys. I loved rodeo, ranching, and outdoors, and since I couldn’t live the life of a cowboy, I like to paint it.”

intense montana mountain lion puma wildlife cat western art tobias sauer

Intense, a moment of big cat reflection and dreams by western artist Tobias Sauer.

As paintings began to sell, Sauer gained confidence along with skill, and he soon entered the world of major juried and invitational shows: The Cowboy Classics Western Art Show in Phoenix, Arizona; Heart of the West in Bozeman, Montana; Miniatures by the Lake in Coeur d’Alene, Idaho; The Oldfield Art Show in Puyallup, Washington; and, appropriately, The Russell Exhibition and Sale in Great Falls, Montana.

Because he is gregarious and enjoys connecting with clients and art lovers, Sauer attends many of these shows in person, traveling back to back from March through September with his wife in a camper trailer.

The Reality of Living Dreams, In and out of Montana

“I see new places, go to places I never thought I’d go to,” Sauer says.

“I like the personal connection with the collectors and the feeling that the collector is buying a part of me.

“I also travel to workshops because I want to seek out the best artist to study from for the kind of work I want to do, and the artist who will most likely help me with specific goals I am trying to achieve.”

office space Montana cowboys herding cattle livestock cows western art tobias sauer

Office Space, embracing the dreams of office workers everywhere, by western artist Tobias Sauer of Coeur d’Alene, ID.

And then, when he isn’t traveling, Sauer is painting, marketing, blogging, connecting with collectors and galleries who are increasingly noticing his work. He presently sends his art to galleries in Sedona, Arizona; Coeur d’Alene and Moscow, Idaho; Whitefish and Billings, Montana; and, most recently, Jackson, Wyoming, resulting in his paintings residing in homes throughout the nation, west and east, north and south.

Dreams Achieved

It’s a lot of work for those not quite yet 40-year-old hands, but Sauer delights in the busy schedule, in the challenge, in the fulfillment of dreams that are very much imbued with reality. Because achieving dreams is not necessarily unrealistic:

“I thought an art career would be like the closing credits of Little House on the Prairie, with Laura Ingalls running through a beautiful field without a care in the world, but it’s not like that,” Sauer observes.

“It’s hard, stressful, nerve-wracking, self-esteem killing, and filled with deadlines and insecurity.

“But I wouldn’t trade it for the world. It’s the most rewarding thing in my life outside of my marriage and my daughter.”

Wenaha Gallery

Tobias Sauer is the featured Art Event artists at Wenaha Gallery from Monday, August 27, 2018, through Saturday, September 22, 2018.  

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

happy place necklace earrings murano lampwork glass bead jewelry venita simpson

Murano Glass — The Lampwork Jewelry of Venita Simpson

happy place necklace earrings murano lampwork glass bead jewelry venita simpson

Happy Place, lampwork Murano lampwork glass beaded necklace and earrings by Richland jewelry artist, Venita Simpson

It started out as a palette full of wood and screws and instructions, delivered from Costco. By the time Venita Simpson had finished with it, however, the 80-square foot storage shed had turned into a fairy tale cottage, its inside painted cheery yellow, the path leading up to it bedecked with flowers, windows and glass door inviting in light and view.

desert sand necklace earrings jewelry murano lampwork glass beads venita simpson

Desert Sand, necklace and earrings set by Richland jewelry artist Venita Simpson, featuring handcrafted lampwork beads from Murano glass.

“It’s a sanctuary to leave the world behind and become the artist I dreamed of being for a long time,” the Richland jewelry artist says of her DIY studio. A computer programmer for more than 30 years, Simpson turned to glass jewelry making in 2006 as a mental antidote to the rigidity required by high tech. Now retired from programing, Simpson spends uncounted hours in her studio sanctuary, fashioning her own one of a kind beads using Murano glass from Italy and a flame torch.

Lampwork Murano Glass Beads

Employing a technique called lampwork, Simpson melts the glass at temperatures reaching 1200 degrees. She then forms the molten glass into shapes by using tools and hand movements. The beads are then placed in a kiln to anneal, or gradually cool.

“Working with molten glass requires a steady hand, attention to detail, and a healthy respect for a 1200 degree torch,” Simpson says. “Mixing colors and chemistry of glass results in wonderful reactions in the glass.”

You only burn yourself once, she adds.

sandstone turquoise desert earrings necklace jewelry lampwork murano glass bead jewelry Venita Simpson

Sandstone Turquoise Desert, necklace and earring set by jewelry artist Venita Simpson of Richland, WA, featuring handcrafted, lampwork Murano glass beads

After creating a series of beads using lampwork from the Murano glass, Simpson assembles the finished pieces, generally consisting of necklace and matching earrings, in a spare room in her home. Seasonal colors drive her design and color choices, and she showcases the finished work at Girls Night Out parties in her own home of that of others.

Murano Beads at Girls Night Out

“I’ve sold my work at craft fairs, but I really enjoy explaining my process in a more casual setting,” Simpson says. “I love bringing people into my studio so they can see first hand how the glass is melted. Girls Night Out is a way to bring women together in my home, to enjoy each other’s company, network, and have a great glass of wine.”

The glass that forms the basis for Simpson’s unique accessories is made only in Murano, Italy, a Venetian island that has specialized in the process for centuries. The beads adorn not only the necks and ears of  varied clients — “I like to travel and have been known to sell my jewelry right off my neck to a flight attendant or two!” — but also those of children battling a serious illness, through a program called Beads of Courage at the Children’s Hospital in Orange County, CA.

dreamy blues necklace earrings murano lampwork glass beads jewelry venita simpson

Dreamy Blues, necklace and earring jewelry set by Richland artist Venita Simpson, featuring her handcrafted lampwork, Murano glass beads

“Each time the child goes in to receive a shot, an appointment, surgery, x-rays etc., they are able to choose a bead and add to their necklaces to show how each milestone gave them hope,” Simpson explains. “Some of these treatments were painful episodes, but each bead told a story of the brave children and their courageous achievement.”

Since moving from California to the Tri-Cities, Simpson has also donated her Murano lampwork glass beads to Beads Behind Bars at the Benton Franklin Juvenile Detention Center, which, in coordination with Allied Arts of Richland, provides incarcerated juveniles a creative outlet in learning to make jewelry.

murano glass lampwork bead jewelry necklace earrings Venita Simpson

Natural Wonder, necklace and earring set by Richland jewelry artist Venita Simpson, featuring lampwork Murano glass beads

Right Brain Left Brain

In between her career in computer programming and retirement, Simpson took time off to earn her certificate in commercial and residential interior design, and for several years freelanced and did side jobs in a field that used what she calls the right side of her brain. But finances called her back to full-time programming, and her left brain demanded total attention. With retirement, her full brain joins with hands and heart as she enjoys the slower pace of the Pacific Northwest, four definite seasons, and freedom from corporate life.

“Programming makes you very rigid in that you have to test for every scenario, test for every system hiccup, and document each step,” Simpson says of her former life. “I was process oriented, following strict specifications to complete tasks, so it’s been challenging to come out of the box sometimes.

“But since retirement, I’m making great progress with my imaginative side of my brain. Using both sides of my brain has become an asset, firing up both burners, so to speak.”

It’s a jewel of an opportunity.

Wenaha Gallery

Venita Simpson is the featured Art Event artists at Wenaha Gallery from Monday, August 13, 2018, through Saturday, September 8, 2018.  See a selection of Simpson’s work online for purchase at this link.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

ashton idaho silhouette sky storm clouds joyce anderson watercolor painting

Brilliant Clouds — The Watercolor Paintings of Joyce Anderson

glenns ferry cliffs storm clouds sky joyce anderson watercolor art

Glenns Ferry Cliffs — storm clouds in the sky, original watercolor painting by Walla Walla artist, Joyce Anderson

It is fortunate for Joyce Anderson that her latest series of paintings did not involve monsoons or hurricanes.

ashton idaho silhouette sky storm clouds joyce anderson watercolor painting

Ashton, Idaho Silhouettes — dramatic clouds sweeping over the landscape, original watercolor painting by Joyce Anderson of Walla Walla

Because the watercolor artist tends to get really involved with her subject matter, it was wet enough focusing on clouds, many of which were heavy with rain and portending inclement weather.

“Holy cow! We were in our tent trailer during many a torrential, drumbeat, wind-shaking, storm,” the Walla Walla painter says of a recent trip she took to Idaho and Wyoming with husband and fellow artist, Roy.  Other times they were outside, clad in waterproof ponchos as Anderson studied the sky, took notes, and captured reference material in preparation for a series of paintings based upon “spectacular skyscapes.”

“The series incorporates a cornucopia of colors and forms of clouds,” Anderson says, adding that she has spent so much time painting since the couple returned from their trip, that Roy has posted a picture of her on the refrigerator so that he can remember what she looks like.

Creating Clouds on Paper

“My self-set goal has been to use the white of the paper to give me the brilliant gilded edges (of clouds) rather than incorporate white paint,” Joyce explains. “At times it’s been like trying to manipulate a real cloud into a shape I wanted.”

impending storm rain clouds sky joyce anderson watercolor painting

Impending Storm — rain clouds in the distance — original watercolor painting by Walla Walla artist Joyce Anderson

Observing clouds, studying them, learning their names and attributes, wondering how their shapes will change, this is all part of capturing their essence on paper, creating a landscape into which the viewer enters and feels the very breeze on his or her face. After such an intense time of focus, Anderson says that she looks at weather, not to mention clouds, differently:

“I find myself easily distracted now when I see clouds . . . that’s not always good when I am driving.”

The Curious Artist

Doing any kind of art, Anderson feels, requires curiosity — the heart of the eternal student, even when one becomes a teacher. And as a teacher of watercolor for more than 36 years, Anderson has kept that eternal student vibrant and alive, imparting a love of the medium to adults through classes at Walla Walla Community College Continuing Education, Walla Walla Parks and Recreation, the Carnegie Art Center, Allied Arts of Tri-Cities, the Pendleton Center for the Arts, and more.

meadow pond storm sky rain clouds joyce anderson watercolor painting

Meadow Pond — sweeping clouds over a green landscape — original watercolor painting by Walla Walla artist Joyce Anderson

She has also volunteered at local schools, working with elementary students to integrate art with curriculum requirements. One of the best benefits of teaching children is the same as that of teaching adults: seeing the light go on, the face animate, as the student watches the magic of color on paper, and realizes that combining one line at a time will create any manner of subject.

“None of us need to know it all in order to try something new.”

Anderson has shown her work in regional juried shows, garnering Best of Show at the Allied Arts Juried Show in Richland in 2007, with the added bonus of the painting being sold to a private collector in New York.  She also has work in the city hall of Sasayama, Japan, Walla Walla’s “sister city,” as well a Spokane City Hall. The majority of her collectors live in the Pacific Northwest.

Painting Clouds at ArtPort

Both Joyce and Roy share a studio at the Walla Walla airport region, housed in one of the former military complex buildings. Announcing itself as ArtPort, which most people driving by interpret as Airport, misspelled, the building is large enough to accommodate both artists, and separately and together, the couple puts in hours of painting time each day. It changes the way she sees things, Anderson says.

“Not a day goes by that I don’t observe a subject that could become a painting — the interplay of colors in clouds, the effect of light or lack of, or the patterns of nature.

“Painting allows me to appreciate the ‘eye candy’ around each of us.”

Clouds of Beauty, All Around

But it isn’t just eye candy, she reflects, because the images of nature are more than just pretty scenes, superficial color that sparks a momentary interest, and no more. The images of nature provoke a sense of wonder, of contemplation, of appreciation for the world in which we live and breathe. And that is what she wants to viewer to take away with them when they see her latest series on clouds.

“The message I would like to extend with this display is to take a moment to truly observe the clouds in the sky, colors, shapes, designs, and patterns repeated in everything we see.

“Stop to appreciate what is all  around us.”

Wenaha Gallery

Joyce Anderson is the featured Art Event artists at Wenaha Gallery from Wednesday, July 18, 2018, through Saturday, August 25, 2018.  She will join two other artists, Batik watercolor artist Denise Elizabeth Stone and Garrett and Beth Lowe of Timber Bronze 53 home decor at the Summer Celebration Art Show Saturday, July 21, from 10:00 a.m. to 2 p.m. Free Artisan Treats will be provided, as well as a free Steve Henderson fine art note card to each visitor. 

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

farm pig farmstead home decor timberbronze wallowa

Bronze Home Decor — The Functional Artistry of Timber Bronze 53

farm pig farmstead home decor timberbronze wallowa

Farm Pig, home decor bronze doorbell from Timber Bronze 53 of Wallowa, Oregon

The next time you open the kitchen flatware drawer, take a look at the drawer pull.

Is it shaped like a Morel mushroom? Or possibly a mule deer antler? Life doesn’t have to consist of round knobs and square pegs, and for Garrett and Beth Lowe, owners of Timber Bronze 53 in Wallowa, OR, it doesn’t.

morel mushroom bronze home decor drawer pull timberbronze wallowa oregon

Morel Mushroom bronze home decor drawer pull by Timber Bronze of Wallowa, OR.

“We hand craft solid, cast-bronze hardware and decorative accessories for log, timber frame, and other rustic homes,” says Beth. “We’re presently developing a line of farmhouse and rustic chic decor for a growing market.”

Timber Bronze Home Decor

A fifth-generation Wallowa resident, Beth moved back to the area with Garrett five years ago, and the couple looked for a business they could develop and expand in addition to their day jobs at a commercial fueling business in Wallowa. When they discovered Timber Bronze 53, a then ten-year-old company catering to the fast-growing home decor industry, they knew they had found their niche: a blend of art, home design, intense craftsmanship, and potential for continuous advancement.

There was also a huge learning curve, because hand crafting items in bronze — from doorbells to drawer pulls, from custom drapery posts to hat hooks, is not for the dilettante. The couple inherited an inventory of more than 60 different doorbell and knocker styles, plus 80 styles of door and drawer accessories for kitchen and bathroom cabinets. Quite fortunately, the original owner — who put the Lowes through an intense training period covering the processes he had developed over the years — was also extraordinarily organized:

“He included Excel spreadsheets that had everything from a customer’s birthday to how long it should take to put a screw in a hole,” Garrett says.

Wayfair, Amazon, Houzz

pine cone bronze home decor doorbell timberbronze

Pine cone bronze home decor doorbell, handcrafted by Timberbronze of Wallowa, OR

Within a short time of taking over the business, Beth and Garrett secured contracts from Wayfair, Houzz, and Amazon, the result of what Garrett calls a combination of chance and social media.

“Our oldest son was messing around with Twitter, I think — maybe Instagram — and somehow whatever he did caught the attention of one of the senior buyers at Wayfair. It wasn’t long after that that Houzz called, and not much longer after that I got a call from Amazon,” Garrett recalls.

“We’ve been quite fortunate.”

But fortune is only part of any human’s story, and Garrett and Beth, the latter who holds a degree in Kitchen and Bath Design from the Art Institute of Pittsburgh, juggle everything from production to shipping, from marketing to artistic design. Originally housing their business in an old hardware store — “complete with bats, creaky sloping floors and LOTS of character” — the couple presently manufactures out of several former farm buildings, including an old milking barn that also used to house pigs.

antler bronze home decor drawer pull timber bronze

A side view of handcrafted bronze antler drawer pull by Timber Bronze of Wallowa, OR

Creating Bronze Home Decor in an Old Dairy Barn

Oddly, it hosts the perfect temperature-controlled setting, Garrett explains, to create the lost wax castings that are the first part of a multi-step process requiring 5-6 weeks to complete. After creating the cast for a specified item, the couple takes the mold to Valley Bronze, a world-class bronze foundry 25 miles away in Joseph, OR. There begins an eight-step, three-week process to pour the design.

The couple then transports the newly bronzed units back to Wallowa, where they apply a decorative patina adding a deeper richness to the golden hue of the bronze. A protective coating ensures that the items successfully endure heavy or outdoor use.

In addition to selling through Wayfair, Amazon, and Houzz, the Lowes handle increasing orders for reproduction work — pulls for antique furniture — as well as custom design.

“We recently finished a job for a woman in the Midwest that included custom refrigerator, freezer, wine cooler, and dishwasher handles,” Garrett says. “That order also included 8-inch custom-made twig handles and about 100 pine cone knobs.”

Functional Artistry in Bronze Home Decor

So the drawer pull on your kitchen flatware drawer has the potential to not only be useful, but beautiful as well, a functional artistry that adds a unique touch to everyday life. For Garrett and Beth, providing such functional artistry is their unique, customized niche, and they fill it in a signature, distinctive manner.

“I think that just the fact that we strive to work off of solid business principles — not grow too fast, not spend money we don’t need to — things like that help set us apart,” Garrett says.

“We have products that fill a want, need or desire for the client, and we are continuing to branch out and step out somewhere into the unknown. We’re not afraid to tackle new things.”

 

Wenaha Gallery

Garrett and Beth Lowe of Timber Bronze are the featured Art Event artists at Wenaha Gallery from Monday, July 16, 2018, through Saturday, August 11, 2018.  The Lowes will join two other artists, Batik watercolor artist Denise Elizabeth Stone and Joyce Anderson Watercolors, at the Summer Celebration Art Show Saturday, July 21, from 10:30 a.m. to 2 p.m. Free Artisan Treats will be provided, as well as a free Steve Henderson fine art note card to each visitor. 

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

open meadow bird flying batik watercolor painting denise elizabeth stone

Batik Beauty — The Watercolor Paintings of Denise Elizabeth Stone

open meadow bird flying batik watercolor painting denise elizabeth stone

Open Meadow, original batik watercolor of bird in flight, by Wenaha Gallery artist Denise Elizabeth Stone.

An artist’s creativity is not limited to what they do, but also where and how they do it. And while a separate, spacious studio is ideal, it is not always reality.

birds flying tall grass swamp herons batik watercolor painting

Birds in the Tall Grass, batik watercolor painting by Wenaha Gallery artist, Denise Elizabeth Stone

“I’ve worked at kitchen tables, office desks, and on the back porch at various times, with all the accompanying frustrations of clearing and  moving around for other activities, such as dinner,” says Denise Elizabeth Stone, a painter whose preferred medium, batik watercolor, demands substantial space and time.

“Batik watercolor is a long process, involving many steps and materials,” the LaGrande, OR, artist continues.

“Painting is done on Asian papers, then it is waxed with beeswax or paraffin, crumpled, inked, and the wax is ironed out. The paper is absorbent, so it is challenging to paint on, rather like painting on tissue paper.

“For many paintings, there may be multiple waxing and painting stages, so it requires much thought and planning to map out the process each time.”

It’s no understatement to say that she doesn’t want to put away the latest project with every meal. Fortunately for Stone, the house in which she now lives includes a 20 x 20 foot room that housed the original owner’s basement art supply shop:

“When I first walked into the space it was as though I heard my art future calling to me!”

The Clarion Call of Batik Watercolor

Actually, Stone’s art future has been calling to her for a long time, beginning in her childhood, when she drew, doodled, colored and, upon entering her “tiny” high school, signed up for the first art class it ever offered. The daughter of a photographer, Stone relied upon the camera as her creative outlet for years, at the same time exploring collage, ceramics, pastel, and traditional watercolor through classes, working with art partners, and self instruction. She found her niche more than 10 years ago when she discovered batik watercolor, partnering with three professional artists with whom she painted twice a month, as well as joined in group shows under the name of the Batik Convergence.

crow blackbird profile batik watercolor painting denise elizabeth stone

Crow, original batik watercolor painting by Wenaha Gallery artist, Denise Elizabeth Stone of LaGrande, OR.

“Lucky me! I had three teacher-mentors who encouraged, critiqued, and prodded me to develop not only artistic skills, but also my own artistic voice.”

Stone’s artistic voice sings heavily of nature, the environment, Earth, and landscapes, subject matter she finds compelling because it touches the lives of everyone who walks, and breathes, and lives on the planet. Initially focusing on what she calls the Divine Feminine (“This was during my Goddess period”), Stone seeks to convey a feeling of reverence — not religious, but sacred —  encouraging a sense of respect for life and the landscape.

For her Art Event at Wenaha Gallery through July 28, Stone is focusing on birds, in honor of the 100th anniversary of the International Migratory Bird Treaty, one of the earliest efforts to protect birds.

The Long Road to Full-Time Artist

Stone describes herself as taking a long time on the road to full-time artist, a scenic journey winding through the fields of science, spirituality, and psychology. A retired psychotherapist, Stone is fascinated by the language of metaphor, symbol, and archetype,

swimming heron bird in pond raining batik watercolor painting

Swimming, original batik watercolor painting by Wenaha Gallery artist, Denise Elizabeth Stone.

and incorporates a universal symbology — which speaks to the intuitive, as opposed to conscious level — in her work.

“Each painting tells a story, perhaps my story or yours, or maybe a story of human experience.

“Sometimes I begin with the story in mind, but more often the story emerges as part of the creation process.”

Stone has exhibited her work at solo and group shows throughout Central and Eastern Oregon. At one of the first shows she entered, Art at the Crossroads in Baker City, she not only garnered People’s Choice, but sold the painting that same night. Despite an appreciable list of awards and honors since then, that memory remains one of her fondest.

The Unpredictability of Batik Painting and Life

Because of the nature of batik painting, nothing about the process is predictable, but for Stone, the unexpected  is part of the journey. You do your best, turn mistakes into opportunities, and accept that not everything is under your control.

“Potential perils hide in each step, so success or failure is not apparent until the final stage.

“The end product, when everything comes together and the batik goddess smiles, is unusual and compelling, with its crackly-textured surface and intense, saturated colors.”

That does, indeed, sound a lot like life.

Wenaha Gallery

Denise Elizabeth Stone is the featured Art Event artist at Wenaha Gallery from Monday, July 2, 2018, through Saturday, July 28, 2018.  Stone will join two other artists, Garrett Lowe of Timberbronze home decor and Joyce Anderson Watercolors, at the Summer Celebration Art Show Saturday, July 21, from 10:30 a.m. to 2 p.m. Free Artisan Treats will be provided, as well as a free Steve Henderson fine art note card to each visitor. Stone is donating ten percent of her sales from her Art Event and show to bird and habitat preservation organizations.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

two parakeets wood carving sculpture tupelo jerry poindexter

Carving Birds — The Creative Wings of Jerry Poindexter

two parakeets wood carving sculpture tupelo jerry poindexter

Two Parakeets, original bird carving in Tupelo wood by Spokane artist Jerry Poindexter

When it comes to carving birds, accuracy matters — a lot. Size, shape, color, the creature’s unique attributes — achieving these elements takes a blend of artistic skill and the scientific mind, the willingness to observe, take measurements, record data, and check and recheck the facts. And that’s before the very first cut is made on the wood.

bird carving tupelo wood sculpture jerry poindexter

Bird carving by Jerry Poindexter, woodworker artist from Spokane, WA

For artist Jerry Poindexter, who has been carving birds for more than 20 years, the success of the final sculpture depends upon this preliminary research, and before he embarks upon a project, he gets his hands on some study skins: actual birds, many killed by hitting windows or being hit by cars, dried and preserved, sometimes stuffed with cotton but other times not. Generally not mounted, the skins are stored in trays at places such as Eastern Washington University in Cheney, where Poindexter has spent hours drawing, measuring, and drafting patterns for carving.

After nine years, Poindexter  compiled 50 of these measured drawings, complete with coloration notes, into two books, Songbirds I and Songbirds II.

Drafting Patterns for Carving Birds

“The thought of publishing the books started in 2002 when I carved my first bird for the Ward’s World Championships in Ocean City, Maryland,” the Spokane woodcarver says. “It was after seeing the way people were carving their birds, some of which were too big, and others with the color not even close to the actual bird.

quail tupelo wood carving sculpture Jerry Poindexter

Quail wood carving in Tupelo Wood by woodcarver artist Jerry Poindexter of Spokane, WA

“Carvers had been asking me for my measured drawings at classes that I taught, and at the time I was giving them away.”

Poindexter attracted the eye of the carving world early on, when he entered a bird that no one had seen before at Ward’s, an international event which focuses exclusively on bird carvings.

“The bird was a Varied Thrush, which is well known in the West, but not in the East,” Poindexter says. “I did a half size and was awarded third in the world.” He was also approached by Wildfowl Carving Magazine, which took him on as a regular columnist addressing paint notes and bird measurements.

Judging Carvings as Well as Creating Them

For many years Poindexter has also served as judge at various shows throughout the Pacific Northwest, and is both a regular juror and contributor at the Columbia Flyway Wildlife Show in Vancouver, which attracts fish, wildlife, and bird carvers from throughout the Western United States and Canada. He has sold work to private collectors in Canada, Germany, Arizona, Kansas, Iowa, Ohio, North Carolina, and throughout the Pacific Northwest.

snowy white owl bird carving tupelo wood sculpture jerry poindexter

Snowy White Owl wood carving in tupelo by woodcarver artist Jerry Poindexter of Spokane, WA

One commission he did for a collector is especially memorable. At a carving show, a man asked how much Poindexter would charge for carving a half-size barn own. Poindexter quoted a price, the man nodded, and walked away. Well, that’s that, Poindexter thought.

“One day, there’s a knock on the studio door, and here was the man holding a piece of firewood. He wanted to have the owl placed on the wood so that he could rotate the owl for different presentations.”

Before leaving, the man pointed to a hole in the firewood and said that he wanted to see a mouse coming out that hole, and the owl appearing to see it. Poindexter agreed, mentally running over the added complexity and difficulty that this would add to the piece.

“When he arrived to pay and said, ‘How much?’ I told him that the owl was now free, but the cost of the mouse would be the original cost we had discussed.”

parrot wood carving tupelo sculpture jerry poindexter

Parrot wood carving from tupelo wood by artist Jerry Poindexter of Spokane, WA

The man not only agreed to the price, but commissioned a second piece.

Carving for Work and Pleasure

Carving started for Poindexter as a hobby, something to do after retirement, and in his early years he created Santas, bears, deer, fish, and even Nativity scenes, but once he discovered birds, he knew he had found his niche. It’s the motion, the texture, the variety and the coloration that draws him to  the world of birds, and it is a place well worth being. There are so many birds, so many projects, that he never runs out of something to create.

“If I kept a count of the number of birds I’ve carved, or the amount of time I’ve spent carving — something I did once and will never do again — I might have quit.

“But carving for yourself is pleasure.”

Purchase Jerry Poindexter’s art online at this link.

 

Wenaha Gallery

Jerry Poindexter is the featured Art Event artist at Wenaha Gallery from Monday, June 18, 2018, through Saturday, July 14, 2018.  

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Kirk Campana

Kirk Campana

Although the terms “medical school” and “spare time” generally have nothing to do with one another, Kirk Campaña never let this get in the way.

Presently an urgent care physician in Eagle, ID, Campaña is also an artist. Recalling those grueling, grinding med school days, Campaña says that, despite the heavy workload, he recognized he was unhappy if not making art, so he somehow always found the time.

“No matter where my personal life, education, training, or professional career took me, I have found that I need to make art,” Campaña says. “While studying biophysics at UC Berkeley or studying medicine at UCLA, I found time to take art classes or make art on my own.”

From a child, Campaña has always liked to paint, draw, and build things, and as an adult his artistic portfolio includes pastel, oil, and watercolor painting, as well as steel sculpture.

“I think art is a universal tool that humans practice in order to process and understand one’s world and self,” Campaña observes. “Although all of us explore this in childhood, most individuals have given up this practice as adults.

“I never did.”

As a physician, Campaña draws upon his knowledge of human anatomy for his figurative painting and sculpture. As a family man involved in his daughters’ livestock 4-H projects — the family is raising its second steer, third generation of St. Croix sheep, and a dozen laying hens — he expresses the beauty and complexity of the world through his landscape art. Nature in all her forms inspires him to spend time creating in his studios — a bonus room above the garage for painting and a shop attached to the house for sculpture.