Tom Schirm

Tom Schirm

Schirm, a habitat biologist for the Washington Department of Fish and Wildlife in Columbia, Garfield, and Asotin counties, has spent 35 years of his professional career protecting fish and wildlife. For this reason, many of his fish stories have to do with poachers. Lately, however, an increasing number of his tales have to do with the more pleasant topic of woodcarving. Schirm uses his knowledge of fish, their habitat, and their unique markings, and turns this into sculpture.

Using both hand and power tools, Schirm works with exotic sounding woods like tupelo, jelutong, or basswood. Prized for their softness for carving, they are also prone to splintering. This adds to the challenge and beauty of the final work, Schirm says.

Scraps Schirm converts into rocks and other habitat components. The finished markings – a detail to which Schirm pays assiduous attention – he hand paints and airbrushes in acrylic paint.

Tom Schirm

rainbow trout fish carved wooden sculpture art tom schirm

Fish Tales: Wooden Sculptures by Tom Schirm

When Tom Schirm tells a fish story, it’s not your usual Big One That Got Away tale.

Schirm, a habitat biologist for the Washington Department of Fish and Wildlife in Columbia, Garfield, and Asotin counties, has spent 35 years of his professional career protecting fish and wildlife. For this reason, many of his fish stories have to do with poachers. Lately, however, an increasing number of his tales have to do with the more pleasant topic of woodcarving. Schirm uses his knowledge of fish, their habitat, and their unique markings, and turns this into sculpture.

golden trout fish wooden sculpture tom schirm

Golden Trout, wooden fish sculpture by Walla Walla artist Tom Schirm.

It all started in the mid-1990s when Schirm was working as a game warden in Wyoming.

Fishing for a Hobby

“A girlfriend asked if there was anything I would like to do as a hobby besides hunt and fish. Since I chased poachers, and dealt with hunting and fishing in my job all the time, she thought some other hobby might be good.”

So . . . Schirm decided to carve fish. He started with a book, bought by the girlfriend, by Bob Berry, considered the father of the fish carving art form.

“I played around with it for many years, but started to get serious about improving and carving more compositions in 2008,” the Dayton artist says.

Using both hand and power tools, Schirm works with exotic sounding woods like tupelo, jelutong, or basswood. Prized for their softness for carving, they are also prone to splintering. This adds to the challenge and beauty of the final work, Schirm says.

Scraps Schirm converts into rocks and other habitat components. The finished markings – a detail to which Schirm pays assiduous attention – he hand paints and airbrushes in acrylic paint.

Depending upon the sculpture size, each lifesize fish takes anywhere from 60 to 200 intense, careful, concentrated hours. Working primarily on commission, Schirm has sold works to collectors throughout the Pacific Northwest, as well as Wyoming and Iowa.

Rescuing a Prized Catch

“I remember one buyer who came to me with a damaged taxidermy mount of a big Smallmouth Bass his father had caught many years before,” Schirm says.

“Most of the fins were broken or missing, and his father had thrown it away.

“He took it from the garbage and asked if I could replicate it in wood, and do a composition including the lure his father had caught it with.

“It was about a 7-pound Smallmouth Bass. I broke two saw blades and nearly burned up my band saw cutting such a thick fish shape out of the block of wood.

“However, it turned out well, and his father was surprised and happy.”

white sturgeon fish wooden sculpture tom schirm

White Sturgeon, wooden fish sculpture by Walla Walla artist Tom Schirm

Five years ago, Schirm tested the waters, so to speak, of woodcarving competitions, and the result has been one to please both fisherman and artist. At his very first competition, the Artistry in Wood Show in Kennewick, Schirm walked away with First Place in Class, Best of Division, and the People’s Choice Award.

Shortly thereafter he entered national shows. In 2017 at the World Fish Carving Championships, sponsored by the leading taxidermy journal, Breakthrough Magazine, he garnered first, second, and third place prizes. This spring at the same competition, Schirm’s Westslope Cutthroat Trout took the Open (Top Level) Decorative Lifesize, Third in the World Award.

Westslope cutthroat trout sculpture tom schirm

The Westslope Cutthroat Trout wooden fish sculpture, winner of multiple national awards, by Tom Schirm

“One Special Fish”

The prizes for the Westslope Cutthroat Trout are especially meaningful because of another fish story in Schirm’s repertoire. Created for a colleague, the sculpture was meant for the colleague’s wife who had always wanted such an artwork, but unexpectedly passed away before it could be completed. Schirm borrowed the piece back for the 2018 and 2019 competitions.

“That’s one special fish,” the sculpture’s owner says.

Over the years, Schirm has carved 103 fish, and he is nowhere near being done – neither with the carving nor the entering of competitions. His next major goal is to win Judge’s Choice and Best of Show at a future World Fish Carving Championship.

But his constant goal, with each and every composition, is to re-create a snapshot in time of the fish within its natural environment.

“I want to show the beauty of nature and the complexity of creation,” Schirm says.

“My goal is to create the finest examples of fish sculptures I can.

“I enjoy it when someone thinks a composition is a real fish, or when a customer smiles with happiness when they receive their fish sculpture.”

Those are fish stories well worth telling.

Wenaha GalleryTom Schirm is the Featured Art Event from Monday, June 17, through Saturday, July 13 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

Summer Barcenas

Summer Barcenas

Summer Barcenas is a lifelong Walla Wallan who visually chronicles her European travels in acrylic paint on big, big canvases.

“The main theme of my art is wanderlust,” Barcenas says. “I want to open people’s minds to the journey, the exploration, and the beauty of each culture, country, and place.”

Bitten by the travel bug when her family uprooted itself  to journey throughout Europe for two years, Barcenas returned for another year as an exchange student in France. During her sojourn there she haunted the LouvrePicasso, Matisse, and Magritte museums. She sought out perches over picturesque landscapes, where she opened her sketchbook, and drew.  She took endless photos of everything, with the intention of recreating the feeling, the emotion, and the color of her experience so that others, too, could experience it.

Summer Barcenas

Motovun europe city acrylic painting flowers summer barcenas landscape travel

Travel the World — Summer Barcenas Paints Europe

Motovun europe city acrylic painting flowers summer barcenas landscape travel

Motovun, original acrylic painting by Walla Walla artist Summer Barcenas, chronicling her European travel

Travel changes things.

Stop and think about where you live — Walla Walla, Dayton, Waitsburg, the surrounding areas. This is home. But for others passing through, it’s a destination spot, a place to vacation, a tourist experience. What’s ordinary and everyday for us is new and exciting for them.

Andalucia europe travel city buildings acrylic painting summer barcenas

Andalucia, original acrylic painting by Summer Barcenas of Walla Walla, painting her travel images of Europe

Capturing that ordinary and everyday, in conjunction with new and exciting, is the artistic challenge for Summer Barcenas, a lifelong Walla Wallan who visually chronicles her European travels in acrylic paint on big, big canvases.

“The main theme of my art is wanderlust,” Barcenas says. “I want to open people’s minds to the journey, the exploration, and the beauty of each culture, country, and place.”

Bitten by the travel bug when her family uprooted itself  to journey throughout Europe for two years, Barcenas returned for another year as an exchange student in France. During her sojourn there she haunted the Louvre, Picasso, Matisse, and Magritte museums. She sought out perches over picturesque landscapes, where she opened her sketchbook, and drew.  She took endless photos of everything, with the intention of recreating the feeling, the emotion, and the color of her experience so that others, too, could experience it.

After Travel: She Wanted Two Things

And by the time she returned to Walla Walla, she wanted, really, only two things:

“I requested to be met with dill pickles and thin mints.”

bicycle flowers buildings fence europe acrylic painting summer barcenas

Bicycle and Flowers, original acrylic painting of her travel Europe experience, by Summer Barcenas of Walla Walla

That’s one, even though it’s sort of two.

The second thing she wanted was retreat to her art room and paint.

“When people look at my art, the bright colors, textures, and strokes of the paint, I want them to feel something,” Barcenas explains.

“I want them to feel the emotion that I pour into each painting, because every piece of art is dedicated to a moment in my life when I was full of emotion.

“Awe, wonder, excitement, tranquility, everything. I want people to feel those emotions, to step into that painting and experience it for themselves.”

Painting, and Dreaming about Travel, from Childhood

Barcenas has been drawing, sketching, painting, and creating from childhood. Her decision to paint large came about when she was raising money for her travel exchange student year. That’s when her mother, whom Barcenas describes as having a “go big or go home” attitude, purchased 25 canvases up to 5 x 4 feet in size.

downtown europe travel buildings acrylic painting summer barcenas

Downtown, original acrylic painting by Walla Walla artist Summer Barcenas

“I tried my luck on a canvas working for the first time with acrylic paints and a surface that big. I repainted the painting six times.

“When I finally had an art show at age 17 to raise money for my year abroad, that painting was the first to sell.”

Through her paintbrush, Barcenas believes, she can travel anywhere. Describing painting as not a hobby, but a way of life, Barcenas mentally returns to the places she has seen, discovering, during this revisit, things that she didn’t fully appreciate before.

“As I paint, I am mesmerized by the beauty I may have missed. I recreate these places that I long to travel back to, painting them exactly as they were on the most perfect of days.

“So later, I can stare at my canvas and remember.”

Being an Artist

The very process of painting is one of exhilaration and satisfaction, Barcenas says. Each stroke of paint on canvas adds to the story that the artist is painting, and the possibilities of what and how to paint are endless.  This is the “rush” of being an artist.

“Being an artist isn’t easy,” Barcenas says. “But it’s not always a choice. It’s who you are.

“Creating art is what fuels your soul, and you can’t imagine doing anything else. That’s how it is for me.

“It’s how I’m wired, and I wouldn’t change it for the world.”

Wenaha GallerySummer Barcenas is the Featured Art Event from Monday, June 3 through Saturday, June 29 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

feathered seed jar pottery dennis zupan artist teacher

Teacher, Potter, Advocate — Dennis Zupan Uses His (Right) Brain

feathered seed jar pottery dennis zupan artist teacher

Feathered Seed Jar, Carbon Imprint by lifetime pottery teacher and artist, Dennis Zupan

Dennis Zupan was on the exam table for an endoscopy, when the doctor glanced at the chart.

“He was pulling on his gloves before my lights went out when I heard, ‘Ah . . . Mr. Zupan. I have been waiting for this.'”

pottery pot abstract glaze teacher dennis zupan artist

Abstract, pottery by lifetime artist and teacher Dennis Zupan

It wasn’t the first time that the retired teacher of pottery and jewelry ran into a former student. Another time Zupan was pulled over by security in the parking lot at the community college where he was teaching.

“With red lights flashing and a uniformed officer at my window, I heard, ‘Hi, Mr. Zupan. It’s me, Jonathan. I thought that was you. I just wanted to say hi.'”

Saying Hi to the Teacher

That’s what students wanted to do: just say hi and thank you to a man who not only taught them about an ancient and enduring art form, but who also believed that students have a right to learn in an environment best suited to their way of thinking. For Zupan, this comes down to right brain (creative) versus left brain (analytical) thinking. The latter, he feels, has overwhelmed the school system. It’s to the point that there is no refuge for those who are interested, and excel, in the arts.

“According to all the left-brained people in charge of our education needs, right brained thinking is wrong,” Zupan, who taught arts for 30 years Provo High school, says.

green raku pottery fired dennis zupan artist teacher

Green Raku, Fired, by lifetime pottery teacher and artist Dennis Zupan

“All the process and results that make a right brained person function needed to be sanitized into a left-brain format so it could be understood and validated in their left-brain world.”

Instead of actually learning to draw or make a pot, Zupan continues, students are channeled into classes on art theory, history, appreciation, aesthetics, critique, and analysis — all elements that come naturally to a right-brained artist over time as they strive to perfect their art. The result, Zupan mourns, is that “the refuge class for right brained students is gone, replaced by another list of left-brain tasks.”

Right-brain Teacher

Promoting art is a lifestyle for Zupan, who now lives and creates both pottery and jewelry in Richland. While in Utah he taught art at community education classes in the evenings, during summer school, at workshops with Boy Scouts, Girl Scouts, and 4-H. He conducted university and college classes. And he participated in some unique opportunities to work with ancient pottery techniques.

pit fired pottery feathers dennis zupan teacher artist

Pit Fired Pot with Feathers by retired teacher and lifetime artist Dennis Zupan

One of these opportunities was through the Colorado Archeologist Group, National Geographic Magazine, and Mesa Verde National Park. They joined together to replicate Anasazi (Southwest Pueblo people) pottery making and kiln firing. Zupan was one of 20 potters asked to replicate pieces, with each step documented as if were being done 1300 years ago.

Another time he partnered with the Church of Jesus Christ of Latter Day Saints in creating a series of Bible-based films on the New Testament era.

“At that time in history, a potter’s work was essential and found in every aspect of everyday living,” Zupan says. “Cooking, serving, lamps, and storage containers all came from the potter’s shed.” With three other potters, Zupan created hundreds of pieces for the films.

A recipient of numerous state and national teaching awards, Zupan says he approached teaching art as an artist and not an educator.

Teaching Future Artists

“I was sharing art methods and marketing to potential future artists,” he explains.

Because, when it comes to art, it’s not the theory, it’s not the analysis, it’s not the endless talking about it that matters: it’s the finished work of art. And achieving a beautiful finished work of art takes the hands, the soul, and the skill of an artist.

“I enjoy the challenges of working with a piece of clay because there are no limits to the possibilities,” Zupan says. “I often push clay to its edge of failure.

“There is always an air of excitement opening a kiln — the patterns on the pottery are created in the kilns. Raku glazes always have a bit of chance happenings to them; the same is true in a pit fire.

“They cannot be totally controlled or replicated. They can be truly exhilarating.”

Exhilarating. That’s a worthwhile goal to aspire to, and it is one Zupan has spent his life teaching students to reach for, and to find.

Which is probably why they go out of their way — wherever they are — to say, “Mr. Zupan, hi. Do you remember me?”

Wenaha GalleryDennis Zupan is the Featured Art Event from Monday, May 20 through Saturday, June 15 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

cow baby calf farm animal david partridge oil painter artist

Partridge and Soap — Overcoming Obstacles & Creating Art

cow baby calf farm animal david partridge oil painter artist

Cow, original oil painting by Walla Walla artist David Partridge. In addition to painting, Partridge also creates metal sculpture, woodcarving, and tooled leatherwork.

David Partridge’s 60 years (and counting) as an artist started with a fourth grade art assignment and a bar of soap. Or rather, the lack of a bar of soap.

“We were told to carve a buffalo out of soap, but my family did not have the money for a bar of Ivory Soap,” the Walla Walla oil painter recalls of his childhood in rural Idaho.

“The teacher, Mrs. Hill, wanted to know what I was going to do for a grade. I told her I was going to do a painting of a buffalo.”

hooked fish spotted trout david partridge oil painting art

Hooked Fish, original oil painting by Walla Walla artist, David Partridge.

“Amazed” upon seeing the completed watercolor, Mrs. Hill framed and hung the work in the school trophy case for a year. Partridge, encouraged and emboldened by the experience, began incorporating art studies and artwork in all his grade school and high school classes. As an adult in the early 1960s, he took advantage of two six-month tours for the Navy in Naples, Italy, to learn oil painting techniques from local artists.

Millwright Partridge

And then later, during a 33-year career as a journeyman millwright with Boise Cascade, he honed his art skills, both two- and three-dimensional, at every opportunity.

“The meaning of the word ‘millwright‘ comes from making the mill right, so my job was to keep Boise Cascade running properly and to fix anything that was broken,” Partridge explains. The welding skills he developed to both fix broken things and create new ones — such as catwalks and handrails — now translate into metal art sculptures, many of which incorporate horseshoes in their design.

Colleagues and management at the mill, when they noticed Partridge’s ability to draw, increasingly approached him with art-based projects and jobs.

colorful bear animal wildlife david partridge oil painting artist

Colorful Bear, original oil painting by David Partridge of Walla Walla.

“Boise Cascade commissioned me to do as many paintings as I could do in thirty days for the new human resource building,” Partridge remembers. They also commissioned him to paint a mural depicting how paper is made, create coloring books for children on safety issues at the mill, and develop the image for Gus the Goose, the mascot for the Wallula Paper Mill. Engineers at the plant asked him to make drawings of projects so they would have an idea of what the job would look like when it was done.

Painting Partridge

Outside the mill, Partridge painted western landscape and wildlife scenes, which he showed and sold throughout the Northwest. In the 1990s, he joined a group of artists who worked with the late Idaho artist Robert Thomas to paint the murals on Main Street in Dayton. Upon retirement from Boise Cascade, Partridge plunged full time into art, varying what he does with the seasons: in the winter, he paints, carves wood, and tools leather; in the warm months he welds, sculpts, and builds covered wagons reflecting the 19th century. His latest summer project is a doctor’s buggy fashioned from white oak. The wheels, made out of hickory, took two years to complete.

barn country farm ranch rural david partridge oil painting art

Barn, original oil painting by Walla Walla artist David Partridge.

“I like to change what I do so I don’t get tired of the same medium,” Partridge says.

Hundreds of Paintings

Over the years, Partridge estimates, he has done hundreds of paintings, including a large image of an elk that hung for years at the former Walla Walla Elks Lodge on Rose Street. Locally, he has shown at various Walla Walla businesses and The Little Theatre, and served as a coordinator for a Fort Walla Walla western art show. His most memorable award to date is the Grumbacher Award for best use of color, which he received at a Milton-Freewater art competition.

But what is most satisfying, Partridge says, is challenging himself to do new things and create artwork that others enjoy.

“To brighten just one person’s day with a form of art — that is why I paint. I love having the opportunity to take a small portion of what surrounds us every day and put it on canvas for people to enjoy.”

And to think that it all started, really, because of an inability to buy a bar of soap, and Mrs. Hill’s insistence that the problem, somehow, be solved.

Whatever happened, by the way, to that very first painting that launched it all?

“I gave it to Mrs. Hill.”

Wenaha GalleryDavid Partridge is the Featured Art Event from Monday, May 6 through Saturday, June 1 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

polymer clay bead jewelry nostalgia journals dawn moriarty

Nostalgia Journals and Chic Jewelry — The Art of Dawn Moriarty

polymer clay bead jewelry nostalgia journals dawn moriarty

Jewelry and Nostalgia Journals by Dayton artist Dawn Moriarty

Yard sales are places to find unexpected treasures, but when I stopped at one last year I never knew the treasure I found would be a new artist for Wenaha Gallery. I mean, I was just looking for little boy baby clothes.

There weren’t any. But what there was were colorful, unique, and trendy necklaces and earrings — an entire tableful.

“Did someone make these?” I asked two women sitting in chairs nearby.

necklaces beads gems jewelry dawn moriarty dayton

A selection of necklaces and earrings by Dayton artist Dawn Moriarty

“She did,” one replied, nodding toward the other. “She creates all this amazing jewelry and didn’t know where to sell it. I said I’d put it in my yard sale.”

And so I discovered Dawn Moriarty, a geriatric nurse at Booker Rest Home in Dayton, WA, who prolifically fashions in her spare time not only chic jewelry, but nostalgia journals assembled from repurposed paper products. She works out of a “woman cave” studio in the basement of her home, and many years ago turned to both jewelry and paper crafts as a means of bringing a peaceful balance to her life.

Not wanting to fuss with a website or Etsy store, she stored her art in boxes. When one was full, she took it to work and sold to friends and coworkers.

“The positive feedback there would ‘fuel my fire’ and keep me inspired to create,” the Dayton artist says.

Selling Nostalgia Journals and Jewelry to Co-Workers

But at some point, there was more artwork than co-workers, and Moriarty looked around for other places to share her wares: hence, my fortuitous discovery at the yard sale. An added bonus were the nostalgia journals, a high-demand item that Moriarty brought into the gallery on a whim, unsure of how they would be received.

“She asked me, ‘Do you think anyone would be interested in these?'” gallery framer Savonnah Henderson recalls. “I said, YES! Do you think you can keep us supplied?”

nostalgia journals vintage notebooks repurposed paper

Vintage style nostalgia journals by Dayton artist Dawn Moriarty incorporate all forms of repurposed paper, textiles, and lace

Quite fortunately, Moriarty loves spending time in her woman cave, dividing time between the journals, jewelry, and yoga. When she isn’t in her domestic subterranean environment or working, she’s on the hunt, scouting out raw materials. This activity she describes as being as fun as creating the art.

“To find the material for my journals, I go to antique stores, junk shops, yard sales, estate sales, secondhand stores, library sales — anywhere I might find objects that I can re-purpose and reuse,” Moriarty explains.

“Once in an antique store in La Grande, OR, I found an 1889 original almanac, and in the spine was an old sewing implement, kind of flat, metal with engraving on it and some brown wool thread in the eye — it’s beautiful!

“I look for used paper products from tags, receipts, stationery, old sewing patterns, diaries, textbooks, ledgers, and so on. I also look for vintage textiles from fabrics to trims and lace.

field notebook nostalgia journals dawn moriarty

Field notebook nostalgia journals by Dayton artist Dawn Moriarty feature soft, flexible covers

“I use rusty metal bits, broken watches, the list goes on and on, and it’s a never ending treasure hunt.”

Vintage Chic and Fashionable Nostalgia

That’s just for the journals. For the jewelry she routs out vintage glass and metal beads — she has a selection that were once on a beaded curtain in an old shop in Seattle. Gems and semi-precious stones she sources from Shipwreck Beads in Lacey, WA, where she makes a yearly trip to stock up. And the polymer clay beads she creates in her woman cave, a happy place of relaxation and inspiration.

“Working with polymer clay is a great stress reliever. There is a lot of squishing and squeezing going on.

“Then you take your lumps of conditioned clay and mix, twist, layer, and press to create something pretty.”

Each piece, whether jewelry or nostalgia journal, is a statement, Moriarty says, and the basis of that statement is the vintage status of the materials she uses. Not only does this ensure that each piece is one of a kind, never to be replicated anywhere, it also adds feeling, significance, and humanity.

“I love knowing that each piece has a history,” Moriarty says. “I wonder about the lives that it touched. There’s a connection to the sentimental value of each item, whether it’s jewelry or a journal.

“And with the journals, it’s an awesome feeling knowing that there are people out there writing down their thoughts and storing their memorabilia in books I created.”

Wenaha GalleryDawn Moriarty is the Featured Art Event from Monday, April 22 through Saturday, May 18 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

 

Sentinel gap camera photo landscape eastern-washington columbia river john clement

Camera Magic — The Photography of John Clement

Sentinel gap camera photo landscape eastern-washington columbia river john clement

Sentinel Gap, capturing the Eastern Washington landscape on camera by John Clement, Kennewick photographer

Everyone has a camera these days.

Whether it’s at an office party or the family Thanksgiving dinner, many people have been buttonholed by an enthusiastic traveler’s  sharing a (seemingly endless) collection of photos. It doesn’t take long to realize that enthusiasm does not always equate with expertise, and while anyone can press a button, far fewer people know how to capture a moment, a memory, and an emotion.

“The challenge of being a photographer is capturing the images that I have created in my mind’s eye — capturing an emotion that connects someone with that image and draws them into it,” says Kennewick photographer John Clement, who has had a camera in his hand for more than 49 years now and counting.

paris france eiffel tower camera photo art john clement travel city

The Eiffel Tower, by John Clement, photographer and camera artist from Kennewick, WA

“Finding those type of images takes lots of planning, prayer, and knowing your landscape locations. It’s understanding how and when the weather, the light, and the subject all work together for that moment in time, never to be repeated. There is so much to this side of the story . . . ”

He Borrowed His First Camera

Clement’s story started in 1970 at Central Washington University in Ellensburg, where he double majored in geology and geography. Needing an elective class to fill a gap in his schedule, he chose photography — although to get through the class he had to borrow a camera because he didn’t own one.

“But I was hooked,” he said. He spent five years with a church pictorial directory company in St Louis, and another five with Battelle in Tri-Cities doing lab and photography assignments. On the side, he shot landscapes and marketed his work, and in 1980, left Battelle to venture out on his own.

“I’ve been really blessed in this business by faithful clients and opportunities to try new ventures in photography,” Clement explains. “I’ve been involved in book publishing, calendars, multimedia production, and scouting movie locations for clients in California.

“I have clients all around the world, and have prints in more than 80 countries.”

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Morning, capturing on camera that moment in the morning, by photographer John Clement of Kennewick, WA

Clement’s photos have garnered more than 65 regional, national, and international awards, including first place at the National Park Service’s National Natural Landmark Photo Competition. He has been published in Country Music and Northwest Travel Magazines, and one of his prints hangs in the permanent collection of the International Hall of Fame of Photography in Missouri. He installed 17 of his works as murals at the Century Link Field in Seattle, home of the Seahawks and the Sounders, and an additional 17 as 4×8 glass panels at the recently remodeled Pasco Airport. Last year he completed a major project at the Othello Medical Clinic where nearly 200 images — ranging in size from 24 inches to 35 feet — decorate the facilities.

Traveling with Family and Camera

For 20 years, Clement operated a gallery at the Columbia Center Mall in Kennewick, but closed it in 2005 so that he could devote more time to traveling with his wife, Sharon, and capturing landscapes on camera from different locations. The past several years, he has traveled regularly to the Midwest with his daughter, Colleen, for storm chasing. (“My interest is in the big skies and the landscape.”) Other travels have taken him to Russia, China, continental Europe and the British Isles, “with more to come, Lord willing.”

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Vineyards, by camera and photography artist John Clement of Kennewick, WA

“I have thousands of stories — some funny, some serious, and some scary,” Clement says. “When you do what I do, you can get into some interesting situations, places, and crazy scary weather.” One major memory is the time he lugged his 42 pounds of camera equipment onto a four-foot wide, mid-range ledge at Palouse Falls. Without warning, a baseball-sized rock hurtled from above, barely missing him.

“Quit throwing rocks! There are people below you!” Clement shouted to the voices overhead. The next voice he heard was that of an upset mother yelling, “I told you not to throw rocks, didn’t I?” There was a slap, a wail, and then silence. But at least there were no more rocks. Clement stayed on the ledge, unmolested from above, for four hours, waiting until the light and the sky were just the way he wanted.

Camera and the Artist’s Eye

“This world is a wonderful place of color, textures, lines, and patterns,” Clement says. “When some or all of these elements come together in the right light, they can stir the emotions to stop and think.”

It’s his job, he says, to capture that moment on camera, and translate it visually into an image that speaks to the heart as well as the eye.

“I believe God has given each one of us a gift to share with others,” Clement says.

“My gift is seeing his wonderful creation in a unique way that communicates His love for all of us — through what He has created for us to see.”

Wenaha GalleryJohn Clement is the Featured Art Event from Monday, April 8through Saturday, May 4at Wenaha Gallery. He will be at the gallery Saturday, April 13, from 10 a.m. to 2 p.m. for a special Spring Art Show, where he will be joined by Milton-Freewater steel sculptor Anne Behlau and Dayton jewelry and nostalgia journal artist Dawn Moriarty.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

Anne Behlau

Anne Behlau

A retired registered nurse, Behlau grew up on small farms, and has been involved with animals all her life. As a young adult she moved to Dayton and raised four children on a 100-acre farm on the North Touchet, and after the kids grew and flew, went back to school for her RN degree.

After 27 years of working in the medical field, she retired and turned to the welder, torch, and blacksmith forge. She now also trolls through salvage yards, junk piles, yard sales, and farms looking for metal materials to transform into her art.

“My father was a blacksmith and farrier,” Behlau explains. “My brothers continued the tradition as well as my nephew.

“Since there was such a strong family tradition of blacksmithing, I was drawn to metal work utilizing welder, torch, and forge.”

There is a learning curve, she says. In the three years she has been honing her skills with her tools, she has encountered challenges along the way.

“Working with red hot metal can be tricky and painful at times if you are not careful,” Behlau says. “The upside of working with metal is that, unlike with wood, if you cut it wrong or put it together wrong, it is very forgiving.

“It can be cut apart and rewelded until it looks how you want it. It just takes patience and persistence . . . which I have a lot of.”

Anne Behlau

Metal (and Horse) Lover: The Steel Sculpture of Anne Behlau

forkupine porcupine fork steel metal sculpture anne behlau art

Forkupine — a metal sculpture of a porcupine fashioned from forks. Steel metal sculpture by Anne Behlau of Milton-Freewater, OR

If you ever have a run-in with a porcupine, you’ll probably remember the experience. Anne Behlau certainly has.

“When I was a six-year-old child, a porcupine came into the tent I was sleeping in with my brother on a mountain pack trip,” the Milton-Freewater metal artist recalls.

“It ate the tops out of my cowboy boots.”

horse equine metal steel sculpture anne behlau art

Metal Horse, steel sculpture art by Milton-Freewater artist Anne Behlau

Years later Behlau, who creates steel sculpture from found, repurposed, and recycled metal, fashioned a forkupine, a whimsical, 3-D statuette of a porcupine created from forks.

A Family History of Metal and Blacksmithing

A retired registered nurse, Behlau grew up on small farms, and has been involved with animals all her life. As a young adult she moved to Dayton and raised four children on a 100-acre farm on the North Touchet, and after the kids grew and flew, went back to school for her RN degree. After 27 years of working in the medical field, she retired and turned to the welder, torch, and blacksmith forge. She now also trolls through salvage yards, junk piles, yard sales, and farms looking for metal materials to transform into her art.

“My father was a blacksmith and farrier,” Behlau explains. “My brothers continued the tradition as well as my nephew.

“Since there was such a strong family tradition of blacksmithing, I was drawn to metal work utilizing welder, torch, and forge.”

There is a learning curve, she says. In the three years she has been honing her skills with her tools, she has encountered challenges along the way.

Red Hot Metal

“Working with red hot metal can be tricky and painful at times if you are not careful,” Behlau says. “The upside of working with metal is that, unlike with wood, if you cut it wrong or put it together wrong, it is very forgiving.

small scotty dog animal sculpture metal steeel anne behlau art

Small Scotty Dog, metal sculpture by Anne Behlau, artist from Milton-Freewater, OR

“It can be cut apart and rewelded until it looks how you want it. It just takes patience and persistence . . . which I have a lot of.”

Citing a love for all things cowboy, Behlau expresses enthusiasm for creating metal sculptures of horses, ranging from the whimsical to serious.

“I have a lifelong love for horses. I’ve competed in horse shows, trained horses, team roped, barrel raced, and ridden in endurance rides.”

While raising her children, she threw herself and them into 4-H and FFA. Nowadays, that love for horses comes out in the work of her hands.

metal rose steel sculpture art anne behlau

Yellow Rose, metal sculpture by Milton-Freewater artist Anne Behlau.

Behlau does not limit herself to equine subjects, however. All farm and ranch animals, as well as porcupines, attract her interest, along with flowers, people, and graphic design shapes. Her two Scotty dog pets provide constant inspiration, and she has created a 30-pound Scotty sculpture using sections of heavy walled metal pipe, as well as a tiny Scotty, fashioned from a railroad spike. People who see both sculptures express surprise over what makes up the finished product.

Turning Metal Scraps into Art

From forks to garden tools, from scraps of farm machinery to old horseshoes, they all find themselves with new life in a new shape, after a little bit (or quite a lot, actually) of heat and inspiration. What Behlau ultimately creates depends upon the materials she has gathered, along with ideas she picks up from the Internet, personalized by her own spin.

Working out of an unattached shop/garage at her Milton-Freewater home, Behlau markets her work as Anvil Annie Metal Art. She has sold her pieces as a vendor at festivals, through her Facebook page, and at Hamley & Company Saddle and Western Store in Pendleton, OR. Learning as she goes with “a little instruction along the way,” she never quite knows what she will make next, but is certain that it will reflect her love for country and for country life: its people, its animals, its lifestyle.

“My art,” Behlau muses, “is inspired by things that are deep in my heart.”

Wenaha GalleryAnne Behlau is the Featured Art Event from Monday, March 25 through Saturday, April 20 at Wenaha Gallery. She will be at the gallery Saturday, April 13, from 10 a.m. to 2 p.m. for a special Spring Art Show, where she will be joined by Kennewick photographer John Clement and Dayton jewelry and nostalgia journal artist Dawn Moriarty.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.