Eclectic and Diverse — The Paintings of Todd Telander

russel creek fields walla walla oil painting todd telander

Russell Creek Fields, original oil painting by Todd Telander, guest artist at Wenaha Gallery

Flexible. Adaptable. Supple.

While these sound like requirements for a CrossFit athlete, they aptly describe the attitude of an artist, specifically, Todd Telander of Walla Walla.

red vineyard river landscape todd telander walla walla

Red Vineyard by the River by Todd Telander

The painter and illustrator — who specializes in everything from commercial illustration to teaching art students from 10 to 80 years old — toggles back and forth between tasks with irrepressible fluidity, one moment brushing  oil-painted cows onto a loose, almost abstract background, the next finessing exquisite detail on a falcon for a birder’s field guide.

Telander, who completed a graduate-level program in scientific illustration at the University of California in Santa Cruz, has been combining two seemingly disparate disciplines — science and art — for the last 25 years. Working as a freelance artist on a national and international level, Telander has undertaken commissioned works for Greenpeace, the Maui Ocean Center of Hawaii, the Denver Zoo in Colorado, the University of Chicago Press, and the Golden Gate National Parks Association in California, among many, many others.

Travel research for commissions has taken Telander as far as New Zealand to study a Northern Gannet colony, as well as closer to home: the Puget Sound Islands to study Herring Gulls; the Rocky Mountains for elk; the Platte River of Nebraska for Sandhill Cranes. A longtime birder, Telander found that the research needed to accurately render images to the exacting standards of commercial clients translated well to other subject matter, and part of completing a commission may include fashioning 3-D clay sculptures of the subject to see how light will fall on an object from different angles.

Pinot Gris winery vineyard landscape oil painting todd telander walla walla

Pinot Gris by Todd Telander

It requires precision, attention to detail, and a scientific mind.

But other times, as Telander approaches his fine artwork of representational yet impressionistic landscapes, malleability and elasticity elbow their way to the forefront, resulting in paintings that are spacious, airy, soft, and textural, with sweeping brushstrokes and an eye for light, movement, and emotion.

“If my art makes a statement, it is up to the viewer to decide,” Telander says. “But for me I promote peace, contemplation, beauty, and solidity, and I suppose I like to share my vision of these things with others.”

Telander finds inspiration from the natural world, and since moving to the valley 13 years ago with his wife, Kirsten, Telander has explored an area that he says felt immediately like home, because it reminded him of his hometown of Chico in Northern California: he loves the open space, the agriculture, nearby mountains, and college town atmosphere.

Behind Tree landscape oil painting todd telander walla walla

Behind the Tree by Todd Telander

“There is an astounding amount of visual interest here,” he says.

Locally, Telander has worked with various wineries in creating labels for their runs, and images of his paintings grace bottles from Goose Ridge, Woodward Canyon, Figgins, Dowsett Family, and Seven Hills. He has also, through commercial commissions as well as the unavoidable interaction with them in a rural setting, developed a fondness for cows. An especially arresting piece is Cows in the Snow, featuring a lone figure separated off from the herd, staring boldly into the face of the viewer.

Cows in the Snow Todd Telander oil painting walla walla landscape

Cows in the Snow by Todd Telander, original painting, sold

A typical day may find Telander out in, literally, the field, sketchbook in hand, then back to the home studio — “A wonderful space with skylights, a cement floor, an antique curved-glass bookcase, and French doors leading out to our garden” — where he guides that session’s 6 or 7 students through the intricacies of classical, representational painting of still life, landscape, and portraiture. Then it’s off to Colville Street in Walla Walla for some time at the Telander Gallery, which he and Kirsten opened in 2013.

Telander licenses his work through McGaw Graphics of New York, and his original work resides across the continent.

“I appreciate each and every collector,” he says. “One of my more meaningful sales was a painting of Sandhill Cranes to Estelle Leopold, the daughter of the famed writer and conservationist Aldo Leopold,” considered by many to be the father of wildlife ecology, and instrumental in the founding of the U.S. wilderness system.

Awards for Telander include first place and Best of Show at the Wallowa Valley Festival of Arts (Joseph, OR); and the Pendleton Center for the Arts; as well as a an Artist in Residency at Rocky Mountain National Park and a scholarship to study under master painter Ray Vinella at the Taos Institute of Arts.

But while awards and acclaims are gratifying, Telander muses, they are in the end only temporary.

It is the work that matters: inspiration, light, atmospheric effect, the reaction of viewers and clients. These have staying power.

“I work to continue providing provocative, inspiring work at every step.”

Wenaha Gallery

Todd Telander is the Featured Pacific Northwest Artist at Wenaha Gallery from Monday, April 10 through Saturday, May 6, 2017.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

Conversation fish james christensen wenaha gallery

Seriously Fantastic — The Art of James Christensen

Waiting Tide Everyman James Christensen Wenaha Gallery

Waiting for the Tide by James Christensen

He was whimsical. He was serious.

He painted religious themes. But his trademark image was a floating or flying fish, often on a leash.

He knew his Shakespeare. And he celebrated his Everyman, too — the podgy, humpback character who represented the imperfections in all of us.

lawyer adequately attired print james christensen wenaha gallery

A Lawyer More Than Adequately Attired by James Christensen

James Christensen, the renowned fantasy artist inspired by the world’s myths, fables, and tales of imagination, left his mark on the art world, and the world in general, during his long and illustrious career of painting “the land a little to the left of reality.” His passing this January from cancer left collectors and lovers of his work saddened and bereft, as expressed by Todd Fulbright of Redmond, WA, who with his wife Jackie owns nearly 20 of Christensen’s art prints and porcelain figures:

“He will be missed by his family — a great father and husband and grandfather. For my own selfish reasons as an admirer of his work, I always looked forward to his next project.

“What a great imagination, and what fun characters he created!”

Among his many fans, Christensen’s creative genius is undisputed, but for those who had the privilege of meeting the artist in person, the experience has added even more dimension, personality, and warmth to their treasured collections.

“James was brilliant in his humor and intellect as it was ever present in his art,” says Dayton resident Lorrie Bensel, who used to gaze at Christensen’s window display at Wenaha Gallery in Dayton, and dream about some day buying one of the artist’s prints. Little did she foresee that, not only would she own  a number of those prints, but would also meet Christensen in person, during a time when the artist visited the gallery and Bensel worked there.

Pink Ribbon woman in dress james christensen wenaha gallery

Pink Ribbon by James Christensen

“He made you feel like an old friend even upon a first meeting.”

Lael Loyd, present manager of the gallery, agrees, remembering her first meeting with Christensen in 2005, which was also her very first major artist show.

“I was so nervous!” Loyd recalls. “I stayed late to clean the floors the night before the show while Ed and Pat Harri, the owners of the gallery, went to pick up Christensen and his wife Carole at the Walla Walla Airport.” Loyd’s mind raced with Christensen images, embedded through weeks of preparing for the show, and she dreaded — but still hoped for — the possibility that Christensen would pop by that night.

“Sure enough, he did!

“He walked in and immediately put me at ease. The next day, when he came in for the show, it was like we were old friends.”

Shakespeare world is a stage james christensen wenaha gallery

All the World’s a Stage by James Christensen

A talented but regular guy, as Loyd phrases it, Christensen explained to her that he had worked out a system with his wife, Carole, to “rescue” him from being buttonholed in the corner by enthusiastic fans, an occurrence which was not unusual because he didn’t know how to extricate himself without hurting feelings. When he tugged on his ear, Carole was to come over and move things along.

“At one show, James told me, a person was going into great detail telling about a dream he had, and how the artist should create a painting from this dream. After a few minutes, James tugged on his ear. No Carole.

“He tugged harder. Still no Carole.

“Finally, with both hands, he tugged frantically to catch her attention. He wasn’t sure that she hadn’t seen him the first time, but this gave me insight into his sense of humor, their relationship, and his reliance on her to help all go smoothly.”

Conversation fish james christensen wenaha gallery

Conversation Around Fish by James Christensen

Christensen, who began his career as a junior high school art teacher — slipping in freelance illustration and selling at sidewalk art fairs while raising a young family — lived to enjoy international acclaim. From winning all the professional art honors the World Science Fiction and Fantasy Convention can bestow to appearing on an episode of ABC’s Extreme Makeover: Home Edition (in which he created a picture featuring a member of the family), Christensen never lost sight of the ordinary, regular person, and never doubted he was within their ranks.

“Believing is seeing,” was his philosophy, as he sought to teach people to use their imaginations to overcome the problems and stresses of living life. If Everyman could find a way, so could they.

“He will be sorely missed by many, as he touched many lives with his art and soul,” Bensel says.

Loyd agrees. “He helped me see life through a different pair of eyes.

“He will be missed, but more than that, he will be remembered and live on.”

Wenaha Gallery

Wenaha Gallery is holding a special Tribute to James Christensen Saturday, April 1, from 1 to 4 p.m., and invites all Christensen fans, long-time and brand new, to visit and view Christensen’s art. During the Tribute, as well as for Christensen’s month-long Art Event (March 27 – April 22), the Gallery will display every single Christensen artwork, porcelain, book, DVD, and puzzle in its collection, with many being discounted on April 1, only.

Also on April 1 is a special art show for Pamela Claflin of Kennewick, WA. Claflin’s richly colored oil paintings capture the unique landscape of the Pacific Northwest. The artist will be on hand to meet and greet, and free refreshments are provided.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit the gallery today!

 

 

Painting In the Zone — Nature and Wildlife by Pamela Claflin

Lone Poplar oil painting Pamela Claflin nature meadow tree clouds

Lone Poplar, original oil painting of nature and meadow, by Pamela Claflin

Pamela Claflin loves to paint with friends, even though once she gets the brushes out, she stops talking to them.

Upon entering “the zone,” Claflin focuses on the task at hand and the scene in front of her, to the point that she — very very literally — notices nothing else.

Along the Stream Pamela Claflin nature stream wenaha gallery

Along the Snake River, original oil painting of nature and stream by Pamela Claflin

“One time, while painting in the Ochocos, I set up my metal easel and tripod on a bed of rocks in the middle of the creek,” Claflin remembers. “I painted for a couple of hours, and when I showed up for lunch my friends asked me, ‘What did the three cowboys say to you when you were  painting?’

“I said, ‘WHAT three cowboys?’

“They said, ‘The three fellas who waded out into the creek and stood a few feet behind you to watch you paint.’

“I was flabbergasted. I didn’t even know they were there.”

That’s being “in the zone,” and it’s also the principal reason why Claflin never goes painting by herself. Claflin, an oil painter of wildlife and the outdoors who incorporates plein air (outdoor painting), studio work, and reference photography, considers her weekly outdoor sessions with friends a form of ongoing schooling, added to a yearly weeklong workshop she takes from nationally known artists.

Dusk on the Saddlebacks original oil painting Pamela Claflin nature trees meadows hills

Dusk on the Saddlebacks, original oil painting of nature and trees by Pamela Claflin

She began her art journey under the tutelage of Del Gish, an impressionist who studied under Russian Master Painter Sergei Bongart, and she took seriously Gish’s admonition to paint from one’s heart.

“I believe that to this day,” Claflin says, adding that, during the time she owned the Mockingbird Gallery in Bend, OR, from 1989 to 2007, she sought out other artists who ascribed to this maxim as well.

Now, the Kennewick artist — who sold the gallery for the sole reason of embarking upon full-time painting — enters her work in museum and gallery shows throughout the nation, one of the most recent being the American Impressionist Society Show in Kirkland, WA, where she received Second Place for the Members’ Outdoor Paint Event.

Known among her friends as the “wildlife spotter,” Claflin believes that maintaining an observant eye is the key to finding subject matter to paint, and while she may be oblivious to her surroundings when she’s in the zone, when she’s on a hike, seeking reference material for future paintings, she’s 100 percent attuned to her surroundings.

Wild stallion horse original oil painting by Pamela Claflin

One Long, Last Look at His Father’s Herd, original oil painting of nature and young stallion horse, by Pamela Claflin

“Nature has its colors . . . wildlife has its colors. When I am out in nature and see a color that doesn’t blend, my head perks up and I look to see what it is.

“A stump that is too dark turns out to be a black bear drinking at a creek.

“A blonde ‘rock’ turns out to be a lone pronghorn.

“A dead tree branch turns out to be antlers of a very old elk who ends up eating the last apple in my backpack.”

Once, while traveling to Taos, NM, Claflin spotted a herd of wild horses, noticing a young stallion being pushed from the herd by an older stallion of the same color, which Claflin deduced to be the young one’s father. After being repeatedly driven away, the young horse stopped, squared up his body as if to take a deep breath, and stared at the herd.

“I photographed him at the moment and did a painting of him entitled, ‘One Long, Last Look at His Father’s Herd,'” Claflin says.

“I believe that if one is to paint life images of nature, one must spend time outside observing and painting.”

Because the outdoors is unpredictable, Claflin believes in being prepared as well, making sure that her car is within easy reach of the chosen painting site. That way, when marble-sized hail falls, or the wind incessantly blows down the easel and declares itself the winner, or yellow jackets take offense at a perceived intruder, it’s easy to pack up and move.

On studio days, it’s warm, dry, and insect-free.

Claflin’s work is in collections throughout the U.S., Canada, and England, and she herself maintains a collection of other artists’ work as well. One these pieces, her first sculpture purchase made in 1987, is by Klamath artist Jim Jackson, and is entitled “Seeking a Vision.” It is, she asserts, aptly named.

“It is a clay, robed figure with his head tilted towards the sky with his eyes, closed,” Claflin explains.

“I have kept that sculpture in my paint room ever since, and it constantly serves as an inspiration for me.”

Wenaha GalleryPamela Claflin is the featured Pacific Northwest Art Event artist from Monday, March 13, through Saturday, April 8. There is a special Art Show honoring Claflin Saturday, April 1, 2017, with the artist being on hand to meet and greet from 1 to 4 p.m. Also occurring at the same time is a Tribute Art Show of work by the late James Christensen.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit the gallery today!

 

 

 

 

Bronze, silver, ruby, and moonstone necklace by Rachelle Moore, guest artist at Wenaha Gallery

Bright, Shiny Jewelry — The Corvidae-Inspired Art of Rachelle Moore

Bronze, silver, ruby, and moonstone necklace by Rachelle Moore, guest artist at Wenaha Gallery

Bronze, silver, ruby, and moonstone necklace, jewelry by Rachelle Moore, guest artist at Wenaha Gallery

Crows, ravens, jackdaws, magpies — while members of the Corvidae family are notorious for raucous dissonance, they also possess a captivating charm that invites jewelry maker Rachelle Moore to their fan club:

They like shiny things.

Bracelet incorporating bronze and hessonite nuggets by Rachelle Moore

Bracelet incorporating bronze and hessonite nuggets, jewelry by Rachelle Moore

“I love shiny things!” the Kennewick artist exclaims, explaining why she named her business Corvidae Fine Art, reflecting a lifelong enthrallment of birds with their refinement and intelligence. “Sparkles and elegant jewelry and gem and mineral specimens of hematite, selenite, and quartz are always trying to take over the surfaces of my work space.

“I can lose countless hours to the joy of crafting in silver or bronze metal, making mini enduring wearable sculptures to combine with sparkling gemstones. I like to imagine these will exist and be enjoyed for many years,” Moore says.

Because like many humans on the planet, Moore does not find herself with actual countless hours, she efficiently juggles the ones she has, incorporating a full-time job as a nurse and subsequent 90-minute commute back to her rural studio space/apartment on Weston Mountain with her art business.

Grey Faceted Hawks Eye Drops earrings by Rachelle Moore

Grey Faceted Hawks Eye Drops earrings, jewelry by Rachelle Moore

Creativity with both time and physical materials is a skill she learned young, from a child homeschooled in the mountains with her siblings, and refined in her late teens, when she started crafting earrings, beaded hair pins, and accessories to help pay for college.

“This was so successful and enjoyable that I started my own small business in 2007 selling my jewelry,” Moore says.

“I have been artistic for as long as I can remember.

“I suppose what started it was wanting to capture and save some of the beauty around me.”

Feeding her appreciation of beauty was a voracious appetite for reading, and Moore spent (and still spends) hours consuming “marvelous stories” such as Treasure Island, The Count of Monte Cristo, and the Game of Thrones, Lord of the Rings, and Narnia Chronicles series.

Fine silver vine chandelier earring with phrenite bunches by Rachelle Moore

Fine silver vine chandelier earring with phrenite bunches, jewelry by Rachelle Moore

“These books among others helped inspire my love of adventure, travel, and trying to capture those fantastic images in my imagination to share in one form or another,” Moore says.

“Many of the pieces I have made, I picture in my head as part of a bigger, fantastic world.”

Moore sells her work on her etsy shop, under the name CorvidaeFineArt, and has participated in ArtSquared, ArtWalla’s annual fundraiser benefiting area arts education, and the Walla Popup Juried Art Show, as well as kept a booth at the Walla Walla Farmer’s Market. She also creates customized commissioned pieces, which she describes as her most rewarding, yet stressful projects.

“I remember a custom commission I did of a bronze sculptured and carved dragon necklace with many rubies and sapphires. I wound myself up wondering if the customer would like the character of the dragon as I created the layers and the dragon came to life.

Rectangular pounded pendant necklace with sapphire roundels, jewelry by Rachelle Moore

Rectangular pounded pendant necklace with sapphire roundels, jewelry by Rachelle Moore

“In the end, my customer loved the piece, and I have seen her wearing it so many times. It makes me happy to know she enjoys wearing it.”

Moore makes a point of not replicating or repeating her designs, because she values the individuality and uniqueness of something that is handmade. And while this is time consuming, the end result is something both she, and the wearer, feel incredibly good about.

“If someone owns a piece of my jewelry, it will be something special and a little different than what anyone else has.”

Working with precious metals and components that require torch firing or time in a kiln at 1200-1600 degrees is a lesson of rolling with the unexpected. Holding her breath upon opening the cooled kiln, Moore never knows if a piece will emerge as planned, not quite as planned — “There’s always a risk of random inclusions . . . having caused a small explosion or microscopic cracks” — or better than planned, the artist’s equivalent to Christmas morning, any time of year.

This is a fitting analogy, because to Moore, art is a gift that is part of her life, no matter where she lives, and no matter what else she does. It neatly compliments her career as a registered nurse, in which each patient requires a balance of time, energy and dedication.

“At the end of each work day I take home a sense of connection and peace in knowing I worked hard to make a positive difference in another human’s life while they were in a challenging part of their life.

“Having art to make on my days off is a welcome change of pace and a different kind of challenge.”

Wenaha GalleryRachelle Moore is the featured Pacific Northwest Art Event artist from Monday, February 27, through Saturday, March 25.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit the gallery today!

 

 

Blues, encaustic painting by Walla Walla painter Lauri Borer, guest artist at Wenaha Gallery

Kindled by Encaustic — The Paintings of Lauri Borer

Blues, encaustic painting by Walla Walla painter Lauri Borer, guest artist at Wenaha Gallery

Blues, encaustic painting by Walla Walla painter Lauri Borer, guest artist at Wenaha Gallery

While Lauri Borer did not learn all she really needed to know in kindergarten, she did pick up a lot from the world of Walt Disney. The Walla Walla artist, before she moved to the Land of Many Waters in 2005, lived in Florida and worked with merchandising and human resources at the Walt Disney Company.

Who'll Stop the Rain Encaustic landscape painting by Walla Walla artist Lauri Borer

Who’ll Stop the Rain Encaustic landscape painting by Walla Walla artist Lauri Borer

“It’s worth remembering the characteristics that made me successful in my positions there,” the painter — who specializes in hot wax (encaustic) creation — describes how she applies past experiences to present endeavors. “Show up every day and do the work. Be flexible and open-minded. Don’t give up when something doesn’t work.

“Call it a lesson, not failure.”

Borer, who has been creating art since she was 7 and holds a fine arts degree from the University of South Florida in Tampa, focuses on the landscapes of wherever she finds herself, capturing that world in both representational and abstract formats.

Currently, that capture employs “the seductive mediums of encaustic painting and oil and cold wax,” Borer says, explaining encaustic as an ancient art form dating back to at least ancient Greece.

“The derivation of the word is from the Greek word enkaustikos which means to burn in. Heat is necessary to call the work encaustic as opposed to painting with cold wax.”

Mixing molten beeswax with damar resin – a hardening agent which increases the melting point of the wax — Borer paints on wood substrates that do not flex and thereby cause the cooled wax of the finished work to crack. Her preferred surface shape is square, a non-traditional dimension that adds a sense of stability, solidity, and balance.

Nailed It, Encaustic landscape painting by Walla Walla painter Lauri Borer

Nailed It, Encaustic landscape painting by Walla Walla painter Lauri Borer

“The versatility of the medium is unlimited,” Borer says.

“Paintings can be finished to a smooth polished surface; transparent layers reveal colors and dimension as wax cures and hardens over time.

“Textures can be created, marks made with ink or graphite, ephemera added . . . on and on.”

Frequently, she finds a work takes on a life of its own, starting initially with her plan for its existence, but resulting in something pleasingly, uniquely different.

“One of the paintings that I had in the last show in Joseph (Wallowa Valley Valley Festival of Arts) began its life as a very realistic landscape — it looked exactly like the photo from which I drew my inspiration.

Lauri Borer's encaustic artwork in the permanent collection of The Encaustic Art Institute, Santa Fe, NM

Lauri Borer’s encaustic artwork in the permanent collection of The Encaustic Art Institute, Santa Fe, NM

“But the photo was perfect — it didn’t need to be copied.

“So I scraped and moved the paint around until it was almost broken, a de-constructed and abstract interpretation of a Hell’s Canyon sunset.”

In addition to creating her artwork, Borer draws upon her organizational skills to showcase area and regional art, encouraged by the first person she met in Walla Walla, former area artist Bonnie Griffith, to volunteer at the Carnegie Art Center, then active as a community gallery.

“I became part of the gallery committee responsible for hanging the shows each month, and became close friends with Bonnie and the other committee members, M’Lisse Moerk and Dianna Woolley.

“I found my tribe.”

To Sleep, Encaustic painting by Walla Walla artist Lauri Borer

To Sleep, Encaustic painting by Walla Walla artist Lauri Borer

Later, Borer jumped into ArtSquared, Art Walla’s annual fundraiser benefiting arts education, becoming active on the committee from the event’s inception in 2013, and from there, joined a series of local artists producing a regular winter group show at CAVU Cellars.

“Half a dozen artists of various mediums share our work in a lively, colorful, and diverse, yet cohesive show.”

Presently showing at Wenaha Gallery, Borer is preparing for a summer exhibition at Initial Point Gallery in Meridian, Idaho. With artworks found in personal and corporate collections throughout the U.S., Borer has participated in juried shows in the Pacific Northwest; Santa Fe, NM; California, and Montana. One of her pieces is in the permanent collection of the Encaustic Art Institute in Santa Fe.

She’s busy, active, moving, creating, snapping reference photos with an enthusiasm and diligence that even has her husband alert to a potential painting.

“He’s become an expert at quickly pulling over or spotting vistas he knows I’ll want to capture.

“I see ideas for paintings everywhere, even abstract paintings.”

In the spring, summer, and early fall the couple goes fly-fishing (with camera) on the Wallowa River. Summer finds them (with camera) on their small boat on the Snake River, fishing for bass and scavenging for flotsam for Borer’s art. All year round is studio time, and studio time is creation time.

“I paint landscapes because I love nature,” Borer says.

“From wide vistas to macro views, towering mountains and crashing seas, stormy lines of hurricane clouds and endless blues of a summer sky — it’s all inspiration.”

Wenaha GalleryLauri Borer is the featured Pacific Northwest Art Event artist from Monday, February 13, through Saturday, March 11.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit the gallery today!

 

 

Ceramic leaf dishes by Jane Holly Estrada

Falling Leaves and Radiochemistry — The Ceramic Art of Jane Holly Estrada

Ceramic leaf dishes by Jane Holly Estrada leaves

A series of ceramic leaf dishes by Jane Holly Estrada sits atop a granite Lazy Susan by Terry Hoon

In her day job, Jane Holly Estrada is a radiochemist, dealing with a concept — radiation — that many people rightly or wrongly associate with loooooooooong periods of time.

But when the white lab jacket is hung up at Pacific Northwest National Laboratory for the day, Estrada focuses strongly on the ephemeral, the temporal —  fleeting moments of transitory time in which she captures a moment in nature and transforms it into a state of permanence.

Gold bordered blue ceramic leaf (leaves) dish by Jane Holly Estrada

Gold highlights and a dotted border on an individual leaf dish by Jane Holly Estrada

Working in the field of ceramics, the Richland, WA, artist creates jewelry and shaped dishes inspired by the leaves of trees, but not just any leaves. Estrada’s window of time is a short one in autumn, after the leaves have fallen off the tree naturally but while they are still crisp enough to leave a literal impression upon clay.

“Each dish I make is created by pressing a real leaf into the clay and shaping it into a unique small dish, which is then painted with watercolor style underglazes,” Estrada explains.

“The dish is then glazed all over, fired, and painted with real gold and white gold accents.

“The final product is a mirror image of the now long-gone leaf, but embellished with swirls of color, texture, and metallic gilding.”

Set in a few clear sentences, the process seems straightforward and direct, but as with any area dealing with chemical and physical alteration — whether the matter has to do with art, science or a fusion of the two — things just aren’t that simple. Stuff happens.

ceramic and gold bead necklaces in blue and green by Jane Holly Estrada

Ceramic and gold bead necklaces in rich variants of blue and green, by Jane Holly Estrada

The biggest challenge of working with clay, Estrada says, is that no matter how careful the artist is during the process, there’s always a chance for the unexpected to occur. Work can crack if it dries too quickly, or even if it is gently bumped at the wrong time.

“Each trip through the kiln is a chance for cracking, warping, and even exploding,” Estrada adds. “Glazes can run, crawl, craze and drip — all things that can either ruin your work or make it amazing.

“Most of my pieces go through the kiln three to four times, each time a gamble.”

The upshot of it all is that even the most scientific of approaches can’t guarantee the outcome, but like life itself, that’s part of the challenge.

“The benefit is that if your work survives its creation process, it becomes a durable and lasting piece of art in a way that a more ephemeral piece of paper or canvas cannot compare,” Estrada observes.

A collection of painted rocks and mandala stones by jane holly estrada

A collection of painted rocks and Mandala Stones by Jane Holly Estrada

“Clay allows the artist to create a functional object that is equally an object of beauty.”

Estrada’s leaf-based clay dishes and jewelry imbue familiar colors of  forest, sky, and water– azure, turquoise, teal, beryl, emerald, verdigris, moss, jade — with gold and silver sparkle, resulting in an alchemy of Mother Nature with human skill and ingenuity. The finished pieces are delicate yet strong, possessing a tactility that encourages viewers to pick up, touch, hold, turn, brush, and feel.

Because each piece is fashioned from one single, unique leaf, Estrada’s artworks are literally one of a kind at the same time that they work well together as a set or a collection — in the same manner that leaves gather while retaining their individual attributes, as well as that of their creator.

“I am not a production potter, and I (like most artists) am not  looking to compete with the factories and big box stores,” Estrada says.

“My goal is to create small pieces of beautiful art that people can have in their daily lives. My jewelry is meant to be worn and the dishes to be used.”

Close up detail of glaze and gold luster of a ceramic leaf (leaves) dish by Jane Holly Estrada

Close up detail of glaze and gold luster of a ceramic leaf dish by Jane Holly Estrada

In addition to her ceramic leaf works, Estrada also paints mandala stones — smooth surfaced rocks embellished by a series of dots and color in a circular pattern. Estrada teaches the technique at Confluent, a non-profit organization in Richland that provides space and resources for community members to explore art, technology, and culture through community-based workshops and classes. She also participates in the center’s various art shows, and in the recent “Dreamers” exhibition won Best Overall piece in a public vote for her wood-substrate painting executed in the spirit of vintage post cards.

Incorporating art and science, temporal aspects and immutable, nature and fabrication, Estrada’s works are inspired by her love of water with its shifting shape, color, and ability to reflect light. And while she does not aim to make a statement, she believes that the final product is the statement itself, standing out for the time and detail that go into it.

“I’ve always loved science and trying to understand how the natural world works,” Estrada says.

“I believe that this shows through in my art.”

Wenaha GalleryJane Holly Estrada is the featured Pacific Northwest Art Event artist from Monday, January 30, through Saturday, February 25.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit the gallery today!

Librarian in the Studio — The Print & Printmaking Art of Anne Haley

Walla Walla Lettertype print by Anne Haley, guest artist at Wenaha Gallery

Walla Walla Lettertype print by Anne Haley, guest artist at Wenaha Gallery

It took 50 years, but  Anne Haley was finally able to take ninth grade shop class.

Of course, she was no longer in ninth grade, but that’s not such a bad thing: one time through on that is enough for most people. Instead, Haley plunged into college life, re-entering as an art student after a 32-year career in public librarianship, including 20 years as the Director of the Walla Walla Public Library.

Evening Sky, monoprint by Walla Walla artist Anne Haley, showing at Wenaha Gallery

Evening Sky, monoprint by Walla Walla artist Anne Haley

“I worked my fool ass off trying to keep up with twenty-year-olds,” the Walla Walla artist recalls. “It was the most difficult, but the most rewarding educational experience: I took classes in painting, photography, drawing, art history, sculpture, time arts, and printmaking.” Beginning at Walla Walla Community College and Walla Walla University, Haley finished out her studies at the Pacific Northwest College of Art in Portland, where she earned her Bachelor of Fine Arts (BFA) degree and solidified a focus on the medium that grabbed her passion: printmaking, specifically etching, letterpress, and lithography.

“I have always been involved and inspired by things tactile,” Haley explains, describing a shadow art career that started in first grade with finger paintings (“My mother saved those paintings”), moving on to jewelry and knitting in high school, stitchery at the first run in college, quilt making, and then the full art media foray of her second college adventure. During her library career, Haley called upon creative instincts to set up arrangements in display cases every month for 20 years, in addition to festooning annual reports and designing holiday banners, bookmarks, and informational flyers.

Harvest Ready etched print by Walla Walla artist Anne Haley, guest at Wenaha Gallery

Harvest Ready, etched print by Walla Walla artist Anne Haley

And then of course there’s her house, which she describes as “a giant art project.”

Within that giant art project is a whole-house studio that includes computers and digital printers in the second floor study, an etching/litho press in an old basement storeroom, and a treasure chest of letterpress type — many from the old press building of the Wenatchee World newspaper, founded in 1905 by Haley’s grandfather — jumbled in boxes and organized as Haley has time.

These relics from the bygone era of letterpress printing — which began with Gutenberg’s press in 1440 and was outmoded in the 1980s with the advent of digitalization — “have gone the way of the buggy whip,” Haley says.

“I have begged, borrowed, and bought letterpress type of various fonts and sizes — it doesn’t matter to me if I have a complete alphabet; I am interested in the shapes.”

Walla VIII letterpress print by Walla Walla artist Anne Haley

Walla VIII, letterpress print by Walla Walla artist Anne Haley

Haley incorporated these shapes in a series of works entitled Old Presses and New, celebrating both the modern and antiquated printing presses. Letterpress shapes also find their way onto 6 x 6 mini-works (Art Squared) and Havana Live, this latter featuring multi-media artworks based on three trips Haley has made to Cuba.

In addition to letterpress, Haley creates etched prints (fashioned from metal plates on which the design has been incised by acid), lithography (printed from a flat surface treated to repel the ink except where it is desired to be printed), digital prints, and monotype (a single, unique print created when metal or glass plates are coated with ink, and the paper then pressed upon the surface). Often, she layers more than one printmaking medium in a multi-media fusion.

Other than monoprints, which as their name suggests are limited to a run of one, Haley creates editions of 5-10 prints, all as perfectly alike as she can make them. Afterwards, the plate from which the prints were made is struck so that no prints can be made thereafter.

A Quiet Conversation etched print by walla walla artist Anne Haley

A Quiet Conversation, etched print by Walla Walla artist Anne Haley

Collections of Haley’s work are at the Penrose Library of Whitman College in Walla Walla; the Clapp Library of Occidental College, Los Angeles; and Brown & Haley, the candy-maker and distributor, in Tacoma. She has held numerous solo, two-person, and group exhibitions throughout the Pacific Northwest and in Cuba, and was accepted into the Artlink National Print Exhibit at the Auer Center for Arts & Culture in Fort Wayne, IN. At the BFA annual show in the Pacific Northwest College of Art, her 6-inch by 2-inch piece was awarded juror’s pick, where it was hung between two gigantic paintings of 8-feet by 5-feet “that could be seen a block away.”

Small or large, Haley’s prints reflect the sense of the place where she lives, an agricultural town that maintains a visceral connection to the land that is not found in urban settings. They also reflect the human connection, a history of life that far transcends the technology of printing.

“I am committed to creating my work with love,” Haley says, “and hope that the viewer can sense this depth of feeling in the work that I make.”

Wenaha GalleryAnne Haley is the featured Pacific Northwest Art Event artist from Monday, January 16, through Saturday, February 11.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit the gallery today!

Handcrafted kitchenware by Walla Walla woodworker Mark Thomas

Natural Beauty: Handcrafted Kitchenware by Mark Thomas

Handcrafted kitchenware by Walla Walla woodworker, Mark Thomas

Handcrafted, natural kitchenware by Walla Walla woodworker, Mark Thomas

Buy local.

Live simply.

Choose natural.

Handcrafted kitchenware by Walla Walla woodworker Mark Thomas

Handcrafted, natural kitchenware by Walla Walla woodworker Mark Thomas

For some people, these are catchy slogans on a social media meme. For others, they are New Year’s resolutions. For woodworker Mark Thomas, they are normal aspects of everyday living. The “Good Life” to which many aspire is not an unreachable dream, requiring complicated formulas and collections of inspirational marketing materials, but rather, it comes about through quiet times in nature, good times with friends, awareness and appreciation for small, ordinary things.

“These things help slow life down,” the Walla Walla artist says.

“I like making things with my hands, including food. Most of the cooking in my household is done by me, and I own quite a few cookbooks.

“I have no formal training, and am not necessarily a good cook, but I enjoy it. I like making utensils that feel good to use, and perform well.”

And therein lays the impetus behind, and inspiration for, Thomas’s hand-crafted, fine art, naturally-based, utilitarian items made from wood: spoons, spatulas, boxes, small furniture pieces, jewelry, phone docks, and kale/herb strippers, this latter one of Thomas’s more enduring and endearing best sellers.

“I’m not sure why,” he confesses.  “Perhaps it is because people love kitchen gadgets and hate picking the leaves off of cilantro. It is the only item that I sit and down and make in large batches.”

Kale and herb strippers by walla walla woodworker Mark Thomas guest artist at Wenaha Gallery

Kale and Herb Strippers by Walla Walla woodworker, Mark Thomas, guest artist at Wenaha Gallery

Working from a studio that consists of half a two-car garage plus a spare room office in the house, Thomas uses the skills he learned as a fine artist — he holds a degree from Wright State University in Dayton, OH — to design ergonomic, comfortable to grasp items that are pleasing in shape, color, and feel. Each piece is as individual as the wood from which it is made, and a successfully finished artwork requires patience, skill, and acumen on the part of its creator.

“Working with a natural material can always be tricky,” Thomas says.

“Since a piece of wood was once a living, growing tree, no two pieces of wood are alike: this forces the craftsman to take special care when using hand tools. A moment of inattention or hurry can ruin a piece.”

At the same time, he adds, the very individuality of the wood inspires the artist to seek out its beauties and strengths.

Although Thomas has harvested and seasoned wood for use, he prefers to spend his time actively working the wood, and to this end, shops locally at Jensen Hardwoods in Walla Walla. Maple, cherry, and walnut are favorite choices for his kitchenware, all of which are finished by a customized recipe he created from sesame oil and beeswax, this last sourced from Octopus Garden Honey in Dayton, WA. Hours of research and multiple small batches resulted in a finish cream that not only protects the woodwork, but makes the hands happy as well.

Handcrafted wooden bracelets by walla walla woodworker Mark Thomas guest artist at Wenaha Gallery

Handcrafted wooden bracelets by Walla Walla woodworker Mark Thomas, guest artist at Wenaha Gallery

“Using the finish seems to keep my hands tough and calloused without being rough, scratchy, or leathery,” Thomas says.

“I cannot vouch for any medicinal properties of sesame oil or beeswax, but I have had numerous cancer patients say that it is the best thing they have found for treating the rashes on their hands from chemo.”

During the warmer months, Thomas shows and sells his work at the downtown Walla Walla Farmers Market, as well as the Richland Farmers Market on the Parkway. He also travels to craft shows in the Tri-Cities, Portland, Seattle and Spokane.

Describing his creative process as “rather varied,” Thomas explains that he is constantly trying new ideas, developing different designs, gently teasing new shapes and forms from the inspiration of each wood’s highly individual grain. The result is not just another spoon, but a spoon like no other spoon on earth. It is as individual as the person wielding it.

“I believe that finely handcrafted objects and the use of natural materials are important,” Thomas says.

“The work itself is very honest, and the finished objects tell the story of what the craftsman put into them.”

Wenaha GalleryMark Thomas is the featured Pacific Northwest Art Event artist from Monday, January 2, through Saturday, January 28.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit the gallery today!

Dayton Community Food Bank volunteers sort through boxes of food donations

Community Service, Vital Volunteers, & Generous People

Dayton Community Food Bank volunteers sort through boxes of food donations

Dayton Community Food Bank volunteers sort through boxes of food donations

It takes a special kind of person to volunteer at the Dayton Community Food Bank.

But not so uncommonly unreal that everyday humans need not apply. Indeed, regular, compassionate, intelligent human beings are what keep the food bank, which has been in operation for more than 30 years, successfully reaching out to some 550 Columbia county residents — 160 households — every Tuesday.

Unobtrusive from the outside, the Dayton Community Food Bank houses an array of products within

Unobtrusive from the outside, the Dayton Community Food Bank houses an array of products within

“What are the requirements to be a volunteer?” muses food bank coordinator Laura Thorn. “Being professional and having commonsense are very important, as well as being physically able to meet the demands of a variety of situations — there is no heat inside the building where we work, so it can be quite cold. There is also a need for strong backs — we’re looking for people who can lift between 20 and 50 pounds or more.”

One of those heavy-lifting people is Dayton resident Clarence Bartlett, who read about the organization in the paper seven years ago and decided to give it a try. Every week, he drives to Walla Walla and loads up 1000 pounds-plus of fresh and frozen perishables — provided through cooperation with Blue Mountain Action Council — drives it back, and unloads it in time for the two-hour Tuesday distribution window.

“Clarence is extremely dependable, and we love working with him,” Thorn says. “He shows up, every week, right on time, just like clockwork.”

Bags of food at the Dayton Community Food Bank await weekly distribution

Bags of food at the Dayton Community Food Bank await weekly distribution

Dependable. There for the long haul. Steadfast and constant.

Also fulfilling these requirements is Aleta Shockley, president of the food bank board of directors, and volunteer of such long-standing that she can’t remember when she first began.

“I started out when the food bank was in the basement of the Dayton Hospital,” Shockley remembers. “They were independent and very small, but they grew as they built connections with other community service, ministerial, and city organizations.” From the hospital the food bank moved onto Main Street where the Washington State University Extension Office presently resides, then off to the fair grounds where they spent a memorable number of years contending with the climate.

Wenaha Gallery celebrates a canned food drive, for the Dayton Community Food Bank, every January

Wenaha Gallery celebrates a month-long canned food drive, for the Dayton Community Food Bank, every January

“It . . . was COLD!” volunteer Ruth Janes recalls. She was remembering the winter of 2008: despite five space heaters, the ink in the pens froze, as did some of the food.

The next move, to the old fire station space on First Street, adjacent to City Hall, is still a bit cool in the winter, warm in the summer, but this does not daunt volunteers who unload boxes, organize food items, transport food to cars using a couple rundown grocery carts that see regular and innovative repairs, and serve community clients. Janes, whose first experience at the food bank was that brutal winter, considers her present job to be one of the most satisfying of all:

“I give out the fun items to clients, things that they may not expect, like the chips, cookies, candy and such. These are the extra things that come in that aren’t necessarily necessities, but they make a difference.”

Making a difference is what it is all about, observes Shockley, who in addition to being there on Tuesday distribution days and serving as the president of the board, writes grants and works tirelessly with other organizations in the community to secure funds and contributions. Relatively new to the mix is the Grocery Rescue Program, spearheaded by Second Harvest Hunger Relief Network, which serves Eastern Washington and Northern Idaho. The non-profit organization arranges pick-up of unmarketable but usable food — fresh produce, dairy products, and deli meats — from participating grocers, that it then delivers to a network of food banks.

Wenaha Gallery's annual canned food drive for the community food bank

Wenaha Gallery’s annual canned food drive

It takes a lot of people, a lot of organization, and a lot of human kindness to run a successful food bank, and all of the volunteers agree on one thing:

Dayton is filled with generous, warm-hearted, giving people.

“People of the county are so good to donate to the food bank,” Janes says. “So many businesses, banks, churches, schools, scouts, and others sponsor food drives, not to mention all the individuals that donate EACH MONTH in consistent financial support.”

Shockley agrees, citing the efforts of local churches, school, civic groups, health care professionals, businesses, and the senior center in meeting needs. Several organizations, she adds, focus on working with the children of the area.

“Vacation Bible School kids during the summer have giving and service as part of their curriculum. Adults pile the kids into a wagon and they all come down to the food bank with their canned goods and financial gifts. They get a tour and they can ask questions and learn more.

“They are the future down the road who will be volunteering and giving.”

 

Wenaha GalleryWenaha Gallery conducts its annual Canned Food Drive, supporting the Dayton Community Food Bank, from now through January 31, 2017. For every canned or non-perishable food or personal care item donated, the gallery offers $2 off custom framing, up to 20% off the total order.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

To learn more about the Dayton Community Food Bank, or to provide financial support, contact Laura Thorn at 509.382.2322 or Aleta Shockley at 509.382.2137.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit the gallery today!

This article was written by Carolyn Henderson and Lael Loyd.

 

Cowboy on horse roping calf by Sonya Glaus

Fish and Chips and Horses and Cows — The Oil Painting of Sonya Glaus

Cowboy on horse roping calf by Sonya Glaus

Roping, original oil painting by Sonya Glaus

Fish and Chips. Bogie and Bacall. Two-year-olds and Tantrums.

Some things just go together, irretrievably linked in our minds, and when we see one, we think of the other. So it is, for oil painter Sonya Glaus, with horses and cows, three words that blend into one when she speaks them.

Cattle Fording river stream original oil painting by Sonya Glaus

Cattle Fording, original oil painting by Sonya Glaus

“I grew up on huckleberries and horses, and spent many summer days riding the logging trails and hills around my Montana home,” the Waitsburg artist remembers. “My love of all things western is rooted in that childhood peppered with days spent on horseback out of range of humanity, and the natural draw toward the enduring combination of horse and cow.”

Upon moving from Missoula eight years ago, Glaus and her family immersed themselves in the horse races of the Walla Walla, Waitsburg, and Dayton areas. And while the bad news for Glaus is that the regional horse races no longer take place, the good news is that she has numerous photo references of the action. Inspired by the works of Sargent and Sorolla, as well as contemporary painters Richard Schmid and Carolyn Anderson, Glaus pushes color and texture to capture the sense of dynamic motion, focusing on the variations of light that make each image unique.

Girl sitting in chair with a red umbrella original oil painting by Sonya Glaus

Girl with a Red Umbrella by Sonya Glaus

“It is a constant challenge to get the paint to represent the amazing color that you see in real life,” Glaus says. “I do love color, and usually find that I like the bold color on a subject that morning and evening light accentuates.”

Ironically, Glaus began her art career in black and white, her earliest memories involving a pad of paper, some charcoal, and a campfire around which people sat, and Glaus sketched. The distinct shape and shadows cast by firelight captivated the young girl, and her fascination for light, perspective, and rendering began early.

“I think my early limitations to black and white rendering actually created a strength in drawing,” Glaus says. “I had a professor who was fond of saying that you can get the color wrong and make it work, but you can’t get away with poor drawing. Our eyes immediately recognize when something — especially people — is shaped wrong, but not necessarily when the color is a bit off.”

Racing man on horse at tracks original oil painting by Sonya Glaus

Racing, original oil painting by Sonya Glaus

Focusing on whatever she finds to be interesting or beautiful, Glaus divides her creative time between outdoor plein air and indoor studio work, although a “wild schedule” of raising kids, working, keeping the laundry under nominal control and a menagerie of animals fed, limits plein air. Add to this that her love for action is divided as well — between painting it, and doing it — requiring the constant demand that she make a choice.

“The last time we went to cow camp, I packed painting supplies and my camera, determined that I was going to let my girls ride and I WAS going to paint and take photo references.

“Well, they started sorting cow/calf pairs, and my resolve lasted all of about 30 minutes before I was compelled to snag a horse and start sorting.”

Mountains trees and fields original oil painting by Sonya Glaus

Mountains and Fields, original oil painting by Sonya Glaus

The next day’s choice was between painting and swimming in the creek.

“Getting into the zone for me requires being alone and not having anything else on my mind that I should or could be doing,” Glaus explains, adding that, while what is going on around her can be distracting, where she paints really isn’t an issue.

“The smallest studio I painted in was in a converted garage apartment. I added lights to the tiny broom closet it had, about 3 feet by 5 feet, just big enough to keep an easel and palette table in, with my chair outside the room and room to step back.

“I painted some good stuff in there!”

By comparison,  her present painting space — a room in her house — is palatial.

With a background in children’s book illustration, Glaus has sold her paintings in various galleries in Montana, as well as undertaken commissioned portraiture for individual clients. With no deep ulterior motives or messages to her art, the painter describes her goals as “pretty simple.”

“I hope that my paintings are enjoyed in whatever form that simplicity takes, whether it is an appreciation of the subject, the patterns of light, enhancement of a space, or some contribution to a general sense of peace and enjoyment.”

Wenaha GallerySonya Glaus is the featured Pacific Northwest Art Event artist from Monday, November 21 through Saturday, December 17. She will be at the gallery Friday, November 25, from 3 to 7 p.m., as part of the Christmas Kickoff Celebration. Joining her will be jewelry artist Lynn Gardner of Sandpoint, ID. Free refreshments will be served.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit the gallery today!

This article was written by Carolyn Henderson.