mushroom pickers women polymer clay imagination nancy gresham character dolls

Imagination Play — Artwork by Nancy Gresham

mushroom pickers women polymer clay imagination nancy gresham character dolls

Two friends picking mushrooms invoke a smile from the viewer. Character dolls require a keen eye, skillful hand, and a dose of imagination. Mushroom Pickers, polymer clay sculpture by Nancy Gresham

In the art world, what you paint on is called the substrate. Many times, this is canvas or panel, although parents of toddlers know that walls are also options. The major limitation, really, is that paint adhere to the surface, so one’s imagination is free to go wild.

And that’s what artist Nancy Gresham let her imagination do — go wild. While the White Bird, ID, painter uses traditional canvas, panel, or paper when she works in acrylics, watercolor, and colored pencils, she also accesses more untraditional fare: river rocks.

“I love painting on smooth river rocks,” Gresham says. “For some unknown reason, I actually prefer painting on rocks to canvas.”

heart hummingbird painted rock nancy gresham

With a dose of imagination and skill with the paintbrush, Nancy Gresham transforms a rock into a painted masterpiece. Heart Hummingbird rock painting by Nancy Gresham.

Now when Gresham says she paints on rocks, she means it: she creates intricate and detailed images of flowers, birds, butterflies, undersea gardens, and even commissioned pet portraits on rocks of all sizes, from those you can hold in your hand to her largest so far, a 50-pound rock with three dogs, surrounded by Asian lilies. Some rock art works are freestanding, others lie flat, and still others Gresham trims around the edges to make them stand upright. Finding them is the first step, then scrubbing them clean, letting them dry, and priming them before getting out the indoor/outdoor patio paint. A non-yellowing protective varnish is the final touch.

Using up Her “Stash”

“I started painting on rocks 10 years ago when a client made a special request. I found it addictive and so easy to take on trips for evening projects.”

Gresham, who readily admits that she is “an art supply hoarder,” is always looking for new and unique ways to use her stash, and that’s where that go-wild imagination comes in handy. About the same time she discovered rocks as substrates, she stumbled upon a block of polymer clay in her studio. It had been there a long time, and she decided she either needed to use it up or give it away.

pelican bird swimming rock painting nancy gresham

A pelican swims through its circular rock substrate space in Nancy Gresham’s rock painting.

“At the time, the Salmon River Art Guild, to which I belong, was getting ready for its Fall Regional Show, and we were considering removing the sculpture category due to a lack of sculptures. I brought up playing with clay to one of my art friends, and we decided to give it a try.”

Trying Something New

Though her first creation was “one of those masterpieces that live forever in the closet,” subsequent online research introduced Gresham to the concept of character dolls, creations in clay that reside within a certain environment or  setting that creates a story. Not only did Gresham use up the polymer clay in her stash, she now had reason to buy more:

fisherman polymer clay imagination sculpture nancy gresham

Using accessories that she creates from clay and other materials, Gresham creates an imagination story around each of her polymer character dolls. Catch of the Day, by Nancy Gresham.

“My character dolls are primarily created from imagination,” Gresham says. “I love them to be whimsical but somewhat believable.

“I love unique features and expression, everyday people such as the ’roundtable’ coffee drinkers who meet at the cafe and solve the problems of the world.”

Gresham incorporates her character dolls into specific sets revolving around a theme, such as the coffee drinkers, or people waiting at a bus station, a fisherman reeling in a big one, or two women searching for mushrooms. To this end, she also creates the necessary accessories, whether from polymer clay or carefully chosen, organic items, to complete the visual vignette.

“I build the story as I am creating the dolls,” Gresham explains.

Variety Inspires

One day, Gresham will focus on creating character dolls; on another, she paints rocks; on still another, she paints elephants on a Masonite board: “I bounce back and forth depending upon my mood and the commissions I receive.”

It’s all inspired by using up that “stash,” whether Gresham is painting on rocks, barn boards, saw blades, canvas, or anything else she can get her hands on.

“I’ve been fascinated with creating ‘stuff’ since the beginning of mud pies,” Gresham says.

“My creations begin with an object that strikes my fancy, and it grows from there. It may be a piece of driftwood, or an odd shaped rock.

“But once I get started, it just develops as I go.”

Wenaha GalleryNancy Gresham is the featured Art Event at Wenaha Gallery from June 21 through July 18, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

 

weather improvising plein air climate joan eckman

Improvising and Adapting — the Paintings of Joan Eckman

weather improvising plein air climate joan eckman

As any plein air painter knows, sudden changes in weather are an improvising factor that keep us from being static. Weather Moving In, original acrylic painting by Joan Eckman.

You’re taking a journey. You’ve packed your bags, and in short time, get to your destination. And then you discover that you forgot your toothbrush.

While it’s not a disaster, it is an inconvenience, and how far you are from a -Mart store determines how creative you get about improvising.

For Joan Eckman, an acrylic painter from Yakima, the destination was out in the boonies. And the brush, quite unfortunately, wasn’t just a toothbrush. But Eckman wasn’t about to let a major inconvenience become an overwhelming obstacle:

“I was on a plein air painting outing, and I had forgotten my brushes.

“So I wrapped a piece of paper towel around a pencil and painted with that along with a twig to make scratches and some detail lines. It turned out very loose and impressionistic.

Sun river naches woods forest joan eckman

It’s a quiet moment in the wilderness, far from the noise of the city. Sun on the Little Naches, original acrylic painting by Joan Eckman.

“And though it was nothing to brag about, I kept it as a reminder of what can be done, and because I actually like the spontaneity of it.”

Adapting to Change

Improvising, adapting, being willing to change are characteristic of Eckman. An avid enthusiast of the outdoors, Eckman found herself forced into temporary inactivity after a skydiving accident when she was 22 left her partially paralyzed. Rather than rail against fate, she turned fervently to art, focusing on detailed pencil renderings and watercolor paintings. This latter medium was easy for her to take on what she calls her meanderings, which she accomplishes with the aid of crutches and braces.

“I keep a backpack of art supplies for plein air outings,” Eckman explains. “Everything in it is small and lightweight, keeping the pack under 20 pounds for mobility.”

canyon morning improvising wilderness brushes joan eckman

Eckman was far away from a store when she found she had forgotten her brushes on a plein air outing. Improvising was the only solution. Canyon Morning, original acrylic painting by Joan Eckman.

Eckman, who uses a spare bedroom as her studio, has now moved on to acrylics, which she turned to when she became frustrated with not getting the detail and texture that she wanted with watercolor.

“However, there were many attributes that I loved about watercolor, so I chose acrylics as a medium that I could utilize in both those applications. I can get transparent glazes and texture. I’m still learning, and what a fun process it is.”

Right Brain, Left Brain Improvising

Like many artists, Eckman had to put full-time painting on hold while she and her husband raised their family and she pursued her career as the city clerk-treasurer of Connell, WA. Upon her retirement after 25 years with the town of Connell, Eckman and her husband resettled in the Yakima Valley, when she pulled art out of the backseat of the car and plunked it firmly in the front behind the steering wheel.

“My work as a city clerk/treasurer required such high left brain usage! It’s nice to pursue right brain activities to balance things out.

“I enjoyed my job, and now I have opportunity to pursue my art. Life is good.”

pond calm lilies mallards ducks joan eckman

Calmness and stillness reign in a peaceful moment on the pond. Mallards and Lilies, original acrylic painting by Joan Eckman.

Eckman regularly presents her work at various shows in the area, including the Larson Gallery Guild Members Show, the Annual Central Washington Artists Exhibit juried show, and the Oak Hollow Gallery Holiday Show, all in Yakima. She has also exhibited at Gallery One (Ellensburg); the BOXX Gallery (Tieton); and the Plein Air Washington Artists online show. Her sold work resides in the homes of collectors in Oregon, Washington, Idaho, Canada, and Washington, D.C.

Prose, Poetry, and Art

An integral part of Eckman’s creative process involves the use of prose and poetry to help her visualize what she is trying to say with any one artwork.

“My inspiration may come from a song, or even just a word. It may be a beautiful scene outside or a combination of all. Sometimes the picture idea comes first, and sometimes the picture idea develops around some words in my head, which then becomes part of the whole.” She places the prose and poetry journal entries on a note that she attaches to the back of the artwork, and also adds the information to the image description on its website page.

It all integrates, it all matters, and each brush stroke — whether it’s from a sable brush in the studio or improvising a pencil wrapped with a paper towel — is one step further on the artist’s, and viewer’s, journey. Nature is a great teacher, Eckman believes, and there are many life lessons to learn if we take time to ponder and observe the world around us.

“Our world is beautifully created, and we should be diligent caretakers of that.

“Each moment is not its own, not a means within itself, or of itself. It’s a culmination of events leading up to and beyond that moment — as is life.

“There is so much beauty around us and life lessons to be learned.

“Hang on to the beauty.”

Wenaha GalleryJoan Eckman is the featured Art Event at Wenaha Gallery from June 7 through July 4, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

 

butterfly crescent moon necklace magical felice wiens

Faerie Magic — The Eclectic Jewelry of Felice Wiens

butterfly crescent moon bracelet magical felice wiens

In addition to creating her magical, faerie-inspired jewelry, Dayton artist Felice Wiens also creates artistic photos showcasing the work Butterfly Crescent Moon Bracelet.

If you discovered that you could fly — not on a plane, but with faerie wings you suddenly found you possessed — would you do it?

And if you were given the opportunity to make yourself very small (with, of course, the ability to instantly change back) and fly from flower to flower in the garden, would you take it?

Felice Wiens would. The Dayton, WA, jewelry artist, who creates under the name The Eclectic Beader, thinks that the world is a bigger and deeper and richer place than what we’re taught to expect. Through her necklaces, bracelets, chakras, hair clips, earrings and more, she invites others to look beyond the ordinary.

Red Faerie Wings Resin Earrings Felice Wiens

Red Faerie Wings dangle elegantly from a bejeweled branch, as if the sprites had hung them up for the night. Hand-crafted jewelry by Felice Wiens.

“I have always been drawn to the magical,” Wiens says. “I’ve loved faeries since I was a little girl, and when I discovered that I could make magical pieces myself — pieces that others are drawn to — I knew I found what I wanted to do.”

A Creative Haven for Magic

Working out of a space she carved for herself in the basement (“The only downside is that our three pet cats will, every so often, wander into my space and walk across my work area”), Wiens has set up a creative haven filled with artwork, candles, finished jewelry, and all the raw materials she needs to make magic. There, she winds and weaves, constructs and fabricates, twists and intertwines semi-precious gemstones, Tibetan silver charms, beads, and bronze, copper, silver and gold-planted charms and chains into wearable jewelry art that transports the wearer to an enchanted forest or bewitching beach. The goal — for both her as the creator and those who purchase her jewelry — is peace, calm, tranquility, contemplation, imagination, meditation, and enchantment.

Green Butterfly Faerie Charm Felice Wiens

Green, with all its vibrancy and hearkening to spring, is a favorite color of Wiens. Green Butterfly with Faerie Charm Necklace by Felice Wiens.

“I currently work as a 911 dispatcher for Columbia County,” Wiens explains, “and while I enjoy the job, it is extremely stressful. Being able to go down to my workspace, light some candles, put on my Missing 411 podcast and just create jewelry helps to ground me.

“I think it’s very important to have a life outside of work.”

Faerie Wings from Resin

One of Wiens’ most popular creations has been her resin butterflies and faerie wings, which she hand-builds one at a time and colors using a mixture of translucent dyes and powder pigments. The wings require patience, concentration, and a deft hand, a combination that results in an art piece that is whimsical and fanciful: the exact emotions for which Wiens is striving. Along with the fancy, or more befittingly, integrated with it, is a strong element of spirituality. This, Wiens says, is intentional.

“I use gemstones — amethyst, aventurine, obsidian, lapis lazuli — that provide different healing properties as well as symbols with the charms.

Amethyst Fairy Moon Ear Wrap Felice Wiens

A selection of charms bedecks the Amethyst Faerie Moon Ear Wrap by Felice Wiens

“I fully believe that everyone should pick the path that works best for them. They should not shun others for choosing differently, or be shunned for choosing something different.

“The world we live in today is too focused on beating everyone down into submission. Or it bullies those who refuse to give in. It’s for that reason that I create things for people of all walks of life to enjoy.”

Inspired by Faeries and Family

As a child, Wiens discovered the Flower Faerie Books by Cicely Mary Barker, and she bought copies of those books for her own two daughters. Those books and other volumes of faerie art, as well as various websites and pages on the Internet, provide constant inspiration for new ideas, new patterns, new designs. So, also, do the encouragement of her daughters and husband:

“I am married to a wonderful man who has been very supportive of my ventures. And my daughters — they enjoy coming down to the studio to make jewelry with me. Just as often, however, they wait like vultures for a piece that doesn’t turn out so they can take it.”

Wiens has sold her jewelry worldwide through her Etsy shop, and she builds her brand by regularly and steadily posting on various social media sites. Lately, she has teamed up with social media influencers who promote her work.

With a family; an intense job; keeping fit through CrossFitting, biking, and paddle boarding; and, of course, making sure that the cats are content, she keeps busy without being stressed, because stress isn’t at all magical, fanciful, joyous, or good.

“I am humbled when people buy my work and leave a great review. It makes me happy to know that something I created has brought someone else joy.”

Because joy is what makes this world bigger and deeper and richer. And magical.

Wenaha GalleryFelice Wiens is the featured Art Event at Wenaha Gallery from May 24 through June 20, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

peaches colored pencil watercolor fruit art cheryl bush

Painting Beauty — The Artwork of Cheryl Bush

peaches colored pencil watercolor fruit art cheryl bush

A blend of media, Peaches features colored pencil and watercolor. Original mixed media painting by Cheryl Bush.

There aren’t a lot of people who have talked to someone who has met Charlie Chaplin, but Cheryl Ann Bush is one of those people.

The Yakima, WA, artist, who creates artwork in colored pencil, oil pastel, watercolor, acrylic, and pen and ink, remembers the time she met her great-grandfather Herman Steuernagel at a family reunion.

“I was in grade school,” she says. “My great-grandfather was a well-known artist in Germany before retiring to New York in 1910. When he was in Germany, he had done background sets for the theater, and when he relocated to New York, he did background sets for the silent movies. During that time, he met Charlie Chaplin.”

Apples fruit red delicious colored pencil painting cheryl bush

Bush enjoys the incredible detail that working in colored pencil brings. Apples — Nature’s Beauties, original painting by Cheryl Bush.

As the art director of the Pathe Film Company from 1909 to 1917, Steuernagel sold his theater sets worldwide, but what excited the young Cheryl most was that he was a painter.

“It was so special to be able to meet and share my love of art with him,” she says.

Paintings on the Walls

Growing up in a house with lots of art on the walls (Bush’s great aunt, Alice Leo Oldright, was also an artist, a landscape and still life painter who lived in Walla Walla from 1900 to 1921 and later moved to Utah) Bush developed an appreciation for representational art, and regardless of the medium she chooses, she focuses on the essence of her subject matter. It does not matter whether she is painting a landscape in acrylic or a cluster of apples in colored pencil. Each medium has its advantages and disadvantages, and she immerses herself in the uniqueness of each.

“I enjoy the precise detail that can be obtained with colored pencil. It can be tedious and time consuming, but the results are well worth the effort.

“Combining watercolor with colored pen, I believe, gives award winning results, which they literally did with Still Life in Red, White, Blue. That included red petunias from our garden. It received Third for watercolor at the Western Washington State Fair.

blue poppy flower petals oil pastel cheryl bush

The glow of light dances around the petals in Cheryl Bush’s oil pastel painting, Blue Poppy.

“Vine Ripened and Peaches featured colored pencil along with watercolor which gave the results I was looking for.”

Every Painting Has a Story

Not only the medium used, nor subject matter, enhance the story of each artwork, Bush adds. During the process of creating the artwork, life happens, and those moments of life incorporate themselves, visually or metaphysically, into the finished piece.  Bush recalls the time she was working on Hailey’s Dahlia, an oil pastel she focused on one summer.

haileys dahlia flower oil pastel painting cheryl bush

Named for Bush’s granddaughter, Hailey’s Dahlia celebrates the joy of life.

“At the time, my daughter was expecting her first child, and she was two weeks late. I joked that she was waiting for grandma to finish her piece.

“The day after I finished the artwork Hailey was born, so I named the piece for her.”

As an added bonus, the painting was accepted into the South Sound Four League Art Exhibit in Tacoma, where it won the Tacoma Mayor’s award.

Another piece, a charcoal of Mount Rushmore, was accepted into the Puyallup State Fair, a fact about which Bush was happy because it was the first show in which she publicly exhibited her work. She was even happier, however, when the drawing sold.

“I was so surprised I borrowed a Polaroid camera to take a picture of it on the gallery wall so I could have it for a portfolio.”

A Light Happy Space for Painting

Retired from a career in education, Bush is grateful that she is no longer restricted to vacation breaks for working on her art.  For years she set up her studio in a corner of the family room, but since moving to Yakima from Pierce County in 2014, she has worked out of a designated studio room in her house. Ledges on the wall hold finished paintings, and storage cabinets keep in one place all the accoutrements for artistic creativity. It is a light, happy space, and she spends many hours there. That happiness finds its way into her art.

“I believe that God has given us this beautiful world to enjoy, and I love to create works of art that reflect the beauty of His creation,” Bush says.

“It is rewarding when I can bring joy and a smile by bringing happy memories to mind with my work.”

Wenaha GalleryCheryl Bush is the featured Art Event at Wenaha Gallery from May 10 through June 6, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

illusion woodturned bowl basket louis toweill

Illusion Baskets — Woodturning Art by Louis Toweill

illusion woodturned bowl basket louis toweill

It looks like a woven basket, but is actually a painted, woodturned bowl. Aqua Terra Cotta Illusion Basket by Louis Toweill

In the right hands, by the right people, for the right reasons, illusion is a delightful thing.

For instance, when it comes to a news story, illusion has no place. At. All. But when it comes to a block of wood, illusion turns a bowl into a basket that isn’t a basket at all.

“They’re called Basket Illusion Pieces,” says Louis Toweill, a woodworker who creates bowls, platters, vases, even pens turned on a wood lathe. “They are woodburned with a pyrography tool and embellished with acrylic paint. The results are single pieces of wood that appear to be woven beaded baskets.”

mountain scene basket illusion woodturned bowl louis toweill

Toweill graphs out his designs on a software spreadsheet first, and then paints the pattern onto the cells of the bowl. Mountain Design Basket Illusion Woodturned Bowl by Louis Toweill.

Highly complex and time consuming, basket illusion pieces start out as bowls turned on a wood lathe. While the piece rotates, Toweill (whose name rhymes, appropriately, with bowl) shapes the horizontal grooves. Afterwards, he burns on the vertical lines, one ridge at a time, by hand with the pyrography tool. What results is a series of squares or cells covering the entire surface of the bowl. He then maps out a design for the piece, using a software spreadsheet as a form of graph paper.

Spreadsheet Design and Painted Wood

“I put in asterisks on the spreadsheet to mark the major elements of the design,” the Yakima, WA, artist explains, “and from that I start painting the cells on the actual bowl. You have to know exactly how many cells surround the piece (usually it’s 96), and then once you start painting, you have to be awful careful about counting — if you miss by one cell, you mess up everything. It’s very . . .  well, the best word for that part of the process is trepidating. I don’t think that’s an actual word, but it describes the feeling exactly.”

natural edge maple woodturned salad bowl louis toweill

Toweill’s non basket illusion pieces include this natural edge maple salad bowl.

Toweill, who started seriously creating woodturned art in 2000, had long been interested in illusion work but was daunted by the time required, as are many woodworkers, he adds. “A lot of people are interested in it, but don’t follow through because of that time factor,” he says. “I myself started an illusion piece way back in 2009, but set it aside. Finally, in 2020, I pulled it out and finished it.” Pleased with the design and feel of the finished piece, Toweill put aside his misgivings about the time factor and leaped into basket illusion.

“It’s very precise, but it’s also a little by the seat of your pants,” he observes.

Distilling Information

A member of the Mid-Columbia Woodturners, Toweill is receiving increasing requests from other woodworkers on the process. He is more than willing to share what he’s learned, he says; the problem is distilling so much information and actual work into the three-hours or so allotted for a presentation.

“It really is time consuming,” he says. “It’s hard to condense and fit it all in.”

Two Blues Basket Illusion Woodturning Bowl Louis Toweill

The color of the wood itself, left unpainted, gives the illusion of woven straw in a basket. Two Blues Bowl by Louis Toweill

The resulting artwork, however, is worth it — a wooden bowl that mimics the feeling and look of a woven basket, creating a fusion of medium that is unique, original, and unexpected. Sycamore, maple, and walnut are three of Toweill’s favored woods with which to work, and while he does purchase material for his woodturning creations, he prefers to find someone who has a tree they are downing and glean.

“A friend of mine had a sycamore tree and I have made bowls from that. I’ll also use wood from my own yard. I’m always on the lookout for wood.

“It’s serious challenge obtaining seasoned hardwood thick enough to make a piece of art. But wood is a great medium since it is so pleasant to touch and is very workable. It’s fun to see what shapes can be made from each block of wood.”

Full-time Retirement Work

Growing up with a background in logging and road construction, Toweill first used a wood lathe in high school wood shop in the early 1960s, but never used a lathe again until he bought an old one in the 1990s. He replaced it with a new model in 2000.

Upon retirement (he worked as an electrical engineer for Pacific Power and Light until 1992, then taught mathematics and business courses at various colleges as an adjunct faculty member until 2013) Toweill immersed himself full time into woodworking art. He displays his work in various retail art galleries and at festivals, shows, and other sales events. Twice he has shown his art at the American Association of Woodturners national symposiums.

Each artwork, illusion piece or not, is as unique as the tree from which it derives, Toweill says, and while the skill of the artist is a major factor in the finished artwork, the wood itself  has say in what it eventually becomes:

“There are innumerable numbers of tree species to work with, and each piece has its own unique grain pattern and color. One never knows what pattern will be revealed while turning.

“The beauty of wood inspires me.”

And, he hopes, inspires others as well.

Wenaha GalleryLouis Toweill is the featured Art Event at Wenaha Gallery from April 26 through May 23, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

 

 

cars books harri classic automobiles books

Chasing Cars — The Classic Automobile Book Collection of Ed Harri

cars books harri classic automobiles books

Ed Harri’s collection of books on classic cars is vast and varied.

Quiet people make the best listeners, because they’re not so busy talking that they don’t hear others speak.

Ed Harri, who with his wife Pat started Wenaha Gallery of Dayton 27 years ago, was such a person. Lawyer, university professor, family man, Ed — who passed away in March 2020 — was described as an exceptional listener. When he did speak, it was after much deliberation and thought. And people, sensing this, listened, because what he said was worth hearing.

“Ed was a student of life,” Pat says. “He had interests in many areas– people, art, books, and . . . cars.”

muscle cars legends book harri

Muscle Cars are the focus in this volume from the Ed Harri car collection

Growing up in Dayton in the 1950s, Ed lived in a town that looks very different from what it does today. One of those differences was a car dealership called Pool’s, located back then at the corner of Front and Main Street. On his way to or back from school, Ed stopped in regularly to look at the cars, talk to the dealers, and pick up any brochures or information available. Often the dealers saved aside auto manufacturers’ display books, and at the end of the season, gave the books and binders to Ed.

“He read magazines and books on cars, as well as talked to people, asked questions. He often knew more about the cars on the lots than the dealers did,” Pat said.

Cars: A Lifelong Passion

“It was just a passion with him when he was a little kid,” added CJ Horlacher, a longtime gallery associate who remembers the stories Ed told of growing up in Dayton. “He said that, before the new models came out, the dealerships plastered the windows with paper, and then they made a big deal about tearing off the paper to unveil the new models.

“He hung around and hung around and was right there on the spot when the moment came.”

corvette yellow car book harri

The Corvette is the focus in this volume from the Ed Harri car book collection

Ed preferred American-made cars of the 1950s, 60s, and 70s, Pat said, and his collection included real cars (“He had seven Cadillacs of various years”), the brochures, dealer display items, car magazines, model cars, car kits, die cast cars, and books, the latter which is the focus of an Art Event at Wenaha Gallery, but we’ll get back to that in a minute. From young boyhood on, Ed enjoyed putting together model cars, and when he passed on, Pat entrusted that collection to Savonnah Henderson, Wenaha Gallery associate and framer, to sell, one at a time or in batches, to car aficionados nationwide.

Model Kits and Coffee Table Books

“His collection included more than 600 kits, mostly from the 50s through the 70s, unbuilt, and then he had built around 600 model cars,” Henderson says. “His favorite model car was the 1968 Pontiac GTO — he built that at least 10 times, painting it differently each time, and I also sold six-eight unbuilt ones. He also had 300 die cast models as well, most of which we have sold.

“And now there are the books.”

cars book red harri collection automobiles

The title says it all in this volume from the Ed Harri cars collection of books

The books. Ed also collected car books, again favoring American models from the 50s through the 70s.

“He always had a love of books and would buy them whenever he had money,” Pat said. “Anytime we went to a bookstore (and he loved bookstores) we would check out the car sections. Some of his books he received as gifts, because it didn’t take long for our kids to know that a car book was a sure hit for birthdays and special occasions.”

Through the years, the gifts and purchases accrued until the couple had more than 20 large bookshelves in their home for Ed’s many interests. A number of those shelves held coffee-table-sized volumes on cars — Corvettes, Cadillacs, Porsches, Camaros, concept cars, dream cars, Fifties flashbacks — large, photo-filled tomes that Ed found relaxing to pore through after an intense day of teaching future attorneys.

The Golden Era of Automobiles

“He loved cars, and books were a natural extension of that,” Pat says. “His collection is like a timeline of the Golden Era of auto making. Like the model kits and die cast cars, we are making this collection available to car aficionados like Ed himself. He enjoyed talking to other car lovers, and he would be glad to know that others, who appreciate these cars the way he did, have an opportunity to add these books to their own homes. In Ed’s honor, we are having an Art Event of his automobile books.”

Ed was a quiet man, but he was deep, and the young boy of Dayton grew into a man who asked questions, listened to answers, and, when you caught him in the right mood, told stories of a little town where there used to be a car dealership called Pool’s. And there was a boy called Ed. And Ed loved cars.

Wenaha GalleryThe Ed Harri Classic Car Book Collection is the featured Art Event at Wenaha Gallery from March 29 through April 25, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Thursday, 9-4 Fridays, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

 

God never foget bible verse shawna wright birds watercolor

God Speaks and Birds Tweet — The Inspirational Art of Shawna Wright

God never foget bible verse shawna wright birds watercolor

The promises of God in the Old and New Testaments of the Bible are inspiration for Shawna Wright’s watercolor artwork. I Will Never Forget You, original watercolor painting by Shawna Wright

There is a tired old joke in church circles that goes like this:

“Watch out what you pray for, because God just may give it to you!” The idea is that God, like a genie in a fairy tale, enjoys a little flimflam.

But not all people see God in this light, and Shawna Wright, a Milton-Freewater, OR, watercolor artist, is one of them. Seven years ago, when she uttered a deeply heartfelt prayer:

bluebird everything possible god bible verse shawna wright

Shawna Wright knows from experience that Everything Is Possible with God. Original watercolor painting with Scripture verse.

“God, please give me something to do for You,” she didn’t know what the answer would be, but she knew it wouldn’t be bad, or wrong, or painful, or unpleasantly undesirable. She knew that it would be, like God, good. And it came about, slowly but determinedly, like this:

God Listened and Answered

For more than a year, she had been sending journal pages with Bible promises on them to her father — 1200 miles away — who was discouraged and in pain because of an accident. On his birthday, with the idea of making the page extra special, she painted a bird.

“My family and I were surprised at how well it turned out, and I knew in my heart something special had happened.”

That something special grew into a fast-track project (“I never do anything moderately; it’s either all or nothing!”) of Wright painting 11 more birds, with the idea of creating a calendar with images embellished by Bible verses. Those calendars took off like an eagle diving for a fish, and Wright has been so busy looking forward, that she hasn’t looked back.

joy morning songbird shawna write scripture

Joy Comes in the Morning, a promise of God painted by Shawna Wright in this original watercolor artwork.

“A ministry was born,” Wright says. “It is wrapped around the theme of Bible promises and that God can be trusted.

“The motto on my website is, ‘Encouraging people to take God at His word and equipping them with tools to encourage others.”

In addition to the calendars, which require 12 original paintings with verses each year, Wright has added note cards (God Tweets), bookmarks, refrigerator magnets, spiral journals, and art prints to her collection, and has sold her work throughout the U.S, as well as Norway, Great Britain, Canada, Australia, Uganda, and South Africa. Digitally, her art goes around the world daily, and Wright has been interviewed on many platforms where her story has been told and her art shared. Most recently, TCB Entertainment Network invited her to turn her devotional/blogs into a radio show, “Secure Under His Wings.”

Comfort from God

But while business success is exciting, Wright finds the ministry element more exciting still. And what makes Wright especially happy is when she is able to support other ministries by giving her work to them, so that they can pass it on to others.

brave not afraid god with you shawn wright birds

Do Not Be Afraid, a most excellent counsel for today’s world. Original watercolor painting by Shawna Wright.

“My cards, bookmarks, etc. are things I would have purchased in the past and given to those who needed encouragement,” Wright says. “Now I have the ability to make my own ‘tools’ of encouragement, and can afford to give much much more away than I would have ever dreamed of doing before. It is fun to support various ministries across the nation this way.

“Thousands of note cards have gone to both men and women’s prisons, women’s shelters, addict recovery centers, food banks, first responders, and places devastated by natural disasters.

“Bible promises comfort those who are hurting in a way that nothing else can.”

Encouragement to the Encourager

Nearly every day, Wright receives a note or email telling her how her art has encouraged the recipient or viewer. At one shelter for women in recovery, a young girl had trouble sleeping in a room by herself because of anxiety from her past. Her counselor put in a print of Psalm 4:8 — In peace I will both lie down and sleep, for you, O Lord, make me dwell in safety.

“It is gratifying to hear how God uses a Bible promise to encourage or comfort someone at just the right time.”

With expanding reach comes more work, Wright says, and she has hired someone to look after her bimonthly newsletter and website, as well as someone to deliver packages to the post office. A team of local volunteers helps assemble bookmarks and package cards. It is an impressive, and continuing, answer to Wright’s prayer.

“Little did I know when God inspired my prayer, ‘Lord, give me something to do for you,’ that the answer would be so big and far reaching,” Wright says.

“There is no better joy than being used as a messenger of comfort to a hurting world.

“To God by the glory!”

Wenaha GalleryShawna Wright is the featured Art Event at Wenaha Gallery from March 15 through April 11, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Thursday, 9-4 Fridays, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

 

sunflowers platter pottery judie beck

Beckoning Sunflowers — Pottery by Judie Beck

sunflowers platter pottery judie beck

An array of sunflowers adorns a pottery platter with handles by Judie Beck.

Oftentimes, parents groan when their child comes home from school with a “project.” We know, although some teachers apparently don’t, that there will be hours of parent-time required to help, and the very prospect is daunting.

But for Judie Beck, her son’s school project, years ago, made a major change in her life.

“His class was studying American Indians, specifically the Cherokee,” the Richland, WA, pottery artist remembers.

“He wanted to make a traditional house, in which the Cherokee used saplings that they wove together, plastered with mud and roofed with bark.

“We lived in Tennessee at the time and our soil was red clay. So we dug up clay, found some nice bendable twigs that he used as the saplings, and I helped him construct the house.

“Now I don’t garden because I hate getting dirt under my fingernails, but I thoroughly enjoyed helping him manipulate the clay.”

sunflowers mug pottery judie beck yellow happy

Mugs and bowls are among Judie Beck’s favorite pottery items to make. Sunflowers mug by Judie Beck.

So pleased was Beck by the experience that she mentioned it to a friend, who replied that she (the friend) had always wanted to take a class in pottery making from a local artist at the Oak Ridge Art Center in town. Two days later, after Beck had signed herself and friend up for the class, the friend’s response was,

“Oh my gosh! I was thinking I’d do it after the kids were grown!”

Functional Pottery with Sunflowers Design

Why wait? was Beck’s opinion, and she hasn’t stopped getting clay all over her hands ever since. (As an aside, her friend is now an instructor at the center, teaching pottery.)

Working out of a studio built into a section of her garage, Beck creates functional pottery from serving trays to lidded butter crocks, “just what I like, basically,” she explains.

“I’m always making mugs. And bowls — I love making bowls. Everyone needs bowls. Bowls hold just about anything.”

sunflowers spoons pottery serving judie beck

A series of small pottery spoons, with the sunflowers motif, by Judie Beck.

Beck’s main challenge doesn’t come so much from working with the clay — which potters know can be “fussy” during the kiln firing, when pieces can explode under the high heat — but rather, from the designs she incorporates onto the finished work. Describing herself as a person who couldn’t draw a straight line with a ruler, Beck credits her friend, Irina, with the latest design of a sunflower.

“Her initial reply was, ‘Just draw one; it’s easy,’ at which I laughed. So she drew one for me to use. She’s a fabulous artist and it probably took her less than five minutes to draw the original sunflower that I am now using on my work. I call it Irina’s Sunflower.”

Patience and Persistence

Transferring the image onto each piece is time intensive, Beck says. After finalizing the design, she effectively creates a transferable decal by tracing the image onto newsprint paper, then applying multiple layers and colors of underglazing, each of which needs to fully dry before the next application.

french lidded pottery butter crock judie beck

A French lidded butter crock with sunny yellow design by Judie Beck

When the transfers are finished she then makes the pottery pieces onto which the designs are to be applied, for example, the mugs. She throws multiple mugs, lets them dry to the proper stiffness (leather hard), makes the handles, trims the mugs, and then applies the transfers. It all takes patience, precision, and persistence.

Beck has sold her work throughout the country, including Tennessee, Georgia, Florida, Indiana, Arizona, and of course, Washington. Her work has been juried into the Allied Arts Gallery at the Park in Richland, where she sells through the gift shop. She also participates in festivals and fairs, focusing on three events per year: an April and October bazaar in Patterson, WA, and a November event at the Calvary Chapel in Kennewick, the Make a Difference Bazaar. Throughout the year she brainstorms on what people will buy for spring, fall, and Christmas, with some of her regular customers offering suggestions on what they want her to make.

Happy Pottery and Sunflowers

Beck also teaches classes, one on one, in her studio. Between the teaching, the three yearly events, and, of course, the actual making of pottery, she keeps plenty busy. It is a busy-ness that is satisfying, and crowning that satisfaction is knowing that the people who buy her work have an opportunity to enjoy it every day. That’s her goal: making people’s day better through pottery.

“I want my work to make people smile,” Beck says. “I want it to make them happy, every time they use it.”

That’s a good goal. And it all started with one of those school projects . . .

Wenaha GalleryJudie Beck is the featured Art Event at Wenaha Gallery from March 1 through March 28, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

buckskin appaloosa horse beaded suncatcher tamara reily

Winter Hawk — Beaded Jewelry by Tamara Reily

buckskin appaloosa horse beaded suncatcher tamara reily

In Native American culture, the horse represents strength, passion, and great energy. The color of the horse, also, plays a big role in its meaning. Buckskin and Appaloosa Horse Beaded Sun Catchers by Tamara Reily

Whether or not you like winter doesn’t change the weather. What does change is how you feel about it.

And while many people groan about the cold, the long nights, the snow that makes driving difficult, Tamara Reily rejoices in the season.

“I named my business Winter Hawk because I enjoy winter time,” the Dayton, WA, bead and leather artist says.

“I love the cold crisp mornings when the frost hangs thick in the air, and the earth mother is blanketed in a white winter coat of snow. It reminds me of Alaska and all the time I spent outdoors running my dog team, exploring the frozen white wilderness that surrounded our home.

“I always have a sense of contentment while being outdoors in the wintertime.”

snowy owl beaded blue white necklace tamara reily

The Snowy Owl represents spiritual growth, a deep change releasing a lower state of being and embracing a higher purpose. Snowy Owl Beaded Necklace by Tamara Reily.

Reily, whose heritage includes Pawnee, a Native American people who historically lived in what are now Nebraska and Kansas and later Oklahoma, also connects with the red-tailed hawk, which she says she knows as a brother.

“I love to watch the hawk fly above me high in the sky while I sit upon the earth mother. Whenever my heart is burdened with the stress life brings he flies out from the woods, finds me in my time of need. Just watching Hawk fly in circles and dip and dive takes my mind to another place, a place of peace.”

Many Animals — Much Symbolism

Another place Reily finds a sense of peace is her studio, where she creates bead and leatherwork art drawing upon the symbolism of not only the Pawnee people, but many other Native American groups of North America. In addition to fashioning numerous types of bags (medicine, gathering, pipe, tobacco) which we focused on in an earlier article, Finessing Ancient Skills in a Modern World, Reily also designs and makes necklaces, bracelets, and earrings incorporating the rich symbolism of Native American culture.

“The many animal patterns that I bead have certain symbolisms. I enjoy sharing what they are to help people learn and understand Native cultures.

“For example, there is the Snowy Owl, which represents spiritual growth. Seeing Snowy Owl represents deep change resulting in the releasing of a lower state of being and embracing your higher purpose.

“The Grey Wolf represents loyalty and success. It is powerful, and heals humans who are sick. Grey Wolf is also a teacher, pathfinder, and survivalist.

sunrise beaded necklace summer winter colors tamara reily

The Sunrise Necklace incorporates the colors of dawn, which warm both summer and winter. By Tamara Reily

“The Tlingit (pronounced Klinket) Bear, as a spirit totem, as a power animal, can help teach you to trust your instincts and let go.

“And then there is the Horse, which symbolizes strength, passion, and great energy. In the Native American culture they also represent wealth and power.

“You will see a lot of my necklaces and patches with these animal totems on them.”

Winter Mountain Snow

Raised in Walla Walla, Reily has somehow or another managed to live in or near the mountains with appreciable winter snow. Years ago, she raised her children in the Yaak, a remote area of Montana, where she also began seriously beading (“working under lantern light as the long winters came and went”). From there she moved to Alaska to become a recreational dog musher, spending many winter nights running through the Alaska wilderness while the Northern Lights danced above her head.

Tlingit Bear beaded necklace tamara reily

The beaded Tlingit Bear Necklace honors the bear, a teacher who is often misunderstood. Bear is friendly, a symbol of strength learned, humility, and motherhood. By Tamara Reily

And in Dayton, in that studio of refuge, she surrounds herself with a “chaotic, creative mess.

“My studio is a small bedroom in the back of the house, where I put a small rolltop desk in a corner of the room. It has lots of drawers to put my treasures I have collected for years to use in my artwork.

“The beads I’m using for a project are spread all over the desk. Piles of leather and containers of crow beads and wampum sit near the desk. Drawers and containers of beads are in every nook and cranny of the desk. Even a few of my favorite rocks sit atop the desk.”

Every piece she creates has meaning, Reily says. And every piece represents a proud people whose culture should be remembered and honored.

Honoring a Proud People

“My people who passed on before me were from the Pawnee tribe, and making items from this tribe makes my heart happy.

“My pride for the Native Americans shows in my many items I make or bead.”

And although the winters of Dayton are milder than what Reily encountered in Montana or Alaska, it is the perfect place for doing what she does now, regardless of the season. All year round she beads. In the spring she sets up a tipi in her yard and invites people from throughout the area to gather and talk, teach, and share each other’s culture with one another. And every day, in every season, she finds opportunity to appreciate life, breath, and earth.

“Touch Mother Earth as much as you can. The soil is where we came from, and it is where we will go.

“We are a part of all things.”

Wenaha GalleryTamara Reily is the featured 3D Art Event at Wenaha Gallery from February 1, 2022 through February 28. Her 2D work, which includes leather and beadwork bags, is featured through February 14.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

beadwork leather feathers haida indigenous art raven

Beadwork: Tamara Reily Finesses Ancient Skills in a Modern World

beadwork leather feathers haida indigenous art raven

Raven Holding the Moon — beadwork on brain-tanned leather, with feathers, by Tamara Reily

We have no choice about who we are when we are born: our ancestry, the color of our skin and hair and eyes, who our parents are.

It’s what we do with what we have that we can be blamed for or praised for, if blame or praise are necessary. For many people, including many artists, there is a drive deep down that impels them to walk a certain path and reach for a specific goal, regardless of whether or not they are “supposed” to feel that way.

“Have you ever felt a calling that you just had to follow?” asks Tamara Reily, a “mountain woman at heart” who has been creating beadwork and leatherwork for more than 40 years. Some would say that, because the Dayton, WA, artist is Pawnee (an indigenous group of people native to the Oklahoma region), she does this because it is in her blood. Others would argue that because she is not full-blooded Pawnee, she should not pursue the path she does. Still others, a small but not vocal enough minority, would observe that it’s nobody’s business to dissect the inner workings of an individual human soul. Reily does what she does because, deep down, she feels a connection to the people of her past.

beadwork scabbard knife deer antler indigenous tamara reily

A deer antler skinning knife. The fully beaded scabbard is made from brain-tanned deer leather and deer horn, by Tamara Reily

“My family line follows many paths — Native American Pawnee, French, and Dutch. As a young adult I found out my grandfather was Pawnee but not a full-blood; that comes from my great grandma — she was a full-blood Pawnee.

“I always knew this, from way down deep inside me.”

Mountain Living and Beadwork

From the time she was a child, Reily has pursued a path of being outdoors, learning from nature, studying the ways of the Pawnee, growing toward and into the person she feels within her heart that she is meant to be. She raised her three children in the mountains of Montana in an area called the Yaak, where the family had no running water, electricity or phone. At the age of 40, she moved to Alaska to become a dog musher. While there, she was invited to be a drum leader, and traveled around with other musicians to powwows and gatherings. Wherever she has lived she has set up space for beadwork and leatherwork, focusing on both traditional techniques as well as fusions of design representing both old and new.

“My beadwork and leatherwork represent a proud people to me, whose culture should be honored. For example, the many types of leather bags I make have a different purpose in the everyday life of the Native people. There are gathering bags, medicine bags, pipe bags, tobacco bags. I try to make each as traditional as possible and do it with respect and honor.”

black horse spirit beadwork bag tamara reily

The black horse spirit, according to Reilly, symbolizes strength and passion that will carry through the most difficult times. Spirit Horse Beadwork Bag, hand-crafted by Tamara Reily.

Reily sells her work at powwows and craft festivals in Montana, Alaska, Oregon, and Washington. She noticed that in many of the places where she sells, she is one of the few offering beadwork, which she believes is a dying art.

“Beadwork is hard to make and very time consuming, and it takes a lot of patience. Each piece of work is time and history repeating itself, honoring my native culture.”

Rich History Based upon Ancient Wisdom

The various motifs she creates have individual stories, rich histories based upon ancient legend that has been passed down through generations. For example, her Mishibeshu Beadwork Pipe Bag pattern features the “underwater lynx” known to the ancient Ojibwe as one of the great powers of Lake Superior. A representation of water and waves rests near his feet. Beneath that is a “shield” with a portrait of two women, symbolic of strength and continuity. Seven feathers at the bottom represent Reily (whose gifted name is Painted Feather) and her six siblings.

mishipeshu pepe beadwork bag ojibewe tamara reily

Incorporating numerous motifs, the Mishipeshu Pipe Bag draws upon the legends of the ancient Ojibewe on Lake Superior. By Tamara Reily

She is not bound to one inflexible interpretation of an animal or a symbol, she adds, because the indigenous people of North America were not so bound:

“Consider the turtle, a sacred creature among Native American tribes. Each tribe has a cultural view of the turtle, slightly different. The deeper meaning, however, remains the same.

“To me the meaning signifies good health and long life. So when I gift or sell a turtle rattle I am also gifting good health and long life.

“Turtle also teaches us to walk our paths in life in peace. I always teach this in ceremonies: walk in peace.”

No End of Ideas

With a never ending list of things she likes to make, Reily foresees that she will be creating beadwork “forever.”  And that is a path she makes a choice to walk. It is part of her belief system, one that defines the steps that she takes:

“Follow one path no matter where it leads you. This is your journey in life. You have been down it before, and you have a chance to find yourself.”

It’s the choices we make that shape who we are.

Wenaha GalleryTamara Reily is the featured Art Event at Wenaha Gallery from January 18, 2022 through February 14.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.