Childhood Christmas gifts create lasting memories. Often, they even shape our future. And so it was for ceramic artist Shelia Coe . . . sort of. It just took a little longer than her mother, whose biggest desire was that her daughter grow up to be an artist, envisioned.
“My mother was a frustrated artist,” Coe remembers. “With six children, she didn’t have much time to pursue art, but she tried to channel me into becoming an artist. To that end, she bought me art supplies for every holiday, and dragged me along on her trips to paint barns and still lifes.”
Like so many things we plan for and try to direct, however, the future turned out differently, and instead of using her hands to wield a paintbrush or palette knife, Coe picked up the tools of dentistry, practicing the profession for more than 34 years.
“My mother was disappointed when I was accepted into dental school,” Coe says. “She said something like, ‘If you have to do something in the health field, couldn’t you at least be a medical illustrator?’
“I’ve gotta laugh at how it’s all turned out, and if she’s looking down, she’s probably happy to be getting her wish for me.”
Looking for a Creative Outlet
The latter part of those 34 years in dentistry, Coe spent in Walla Walla at a private practice, finishing out the final six of her career at Yellowhawk Clinic in Pendleton for the Confederated Tribes of the Umatilla. Upon retirement, she found her hands and mind seeking a creative outlet, and when the women in her spinning class at the YMCA suggested taking a sculpture class by Walla Walla artist Penny Michel, Coe decided to give it a try.
“After the first class, I was hooked.
“For a week I could hardly sleep, thinking of all the things I wanted to try to make.”
Fortunately, her sleep patterns have returned to normal, with the added bonus of Coe continuing to explore a variety of subject matter, from people to animals to design work. The possibilities are endless, because Nature herself never runs out of providing ideas.
“I love nature, and as a child was always drawing horses and animals of all kinds along with plants — for awhile I wanted to be a botanist.
“So all kinds of things in nature inspire me, and oftentimes it can be a drawing or a photo, or the animal itself.
“I have made llamas, deer, horses, cows, fish, and sheep on a hill. I recently finished a horse that is 20 inches tall and 15 inches wide — the largest piece I have ever made.”
An Unusual Studio
Coe’s studio is split between Michel’s studio for classes and firing, and Coe’s home utility room and kitchen. And while the kitchen and laundry rooms are not generally associated with the wild, exuberant, abounding world of nature, they are good places to capture it. Kitchen implements, basic tools, and simple elements of nature — like pine cones, for texturizing — create mesmerizing effects when wielded in the right hands, and what hands are more accustomed to fine, precision work than that of a dentist?
“Sculpture, like dentistry, demands the use of the hands — but with loads more creative freedom (of course),” Coe observes.
Creative freedom or not, clay has its own rules, and part of learning to work with it is respecting its properties, taking the scientific approach to art, so to speak. Observation, theorization, deduction, experimentation, and the willingness to learn from failure all come into play, and Coe willingly gives time to each.
“My favorite part of creating sculpture is figuring out the structural and engineering aspect of each piece,” Coe explains. “It is not always easy to get the clay to do what you want it to.
“Glazing is also a challenge because they never look the same once they are fired. In fact, even the same glaze will look different depending upon its thickness and its position in the kiln. Glazes are very finicky.”
A member of ArtWalla, Coe takes advantage of classes, both in the area and out, to finesse and further her skills. An avid traveler, she also maintains a collection of her own, picking up pieces by local artists from areas such as Palau, Yap, Tibet and Tunisia as well as more mainstream destinations.
In the end, everything works together when it comes to art, life, and dreams. It may have taken awhile to get to the art part, but all the time Coe spent as a dentist shaped her hands to a fine and acute sensitivity, and sensibility.
Her mother would be pleased.
Shelia Coe is the Featured Pacific Northwest Artist at Wenaha Gallery from Monday, June 19 through Saturday, July 15, 2017.
Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail firstname.lastname@example.org. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.