spring snow winter memories tulips flowers valerie stephenson photography

Memories of Life: Photography by Valerie Stephenson

harvest memories sunset wheat farmland valerie stepheson photography

Memories of summer transition into fall in Before the Harvest, a photographic capture of life by Valerie Stephenson

We live life day by day, as opposed to a year at a time. Because of this, we assume that the everyday things we did yesterday we’ll do today, and then tomorrow. We won’t forget.

But that’s not the way it is. A year later, two years later, ten, we’re no longer doing the everyday things that we thought would never end. Too often, the only remembrance we have of them is our memory.

Photographer Valerie Stephenson wants to provide something more tangible than memories. Driven by the idea of catching life in its moments, the Burbank artist, who lives just above Sacajawea State Park over the Snake River, works with individual clients to capture vignettes of their day, in effect creating a visual journal of a slice of their lives.

spring snow winter memories tulips flowers valerie stephenson photography

The last memories of winter dance across the tulips of spring in Spring Snow, photography by Valerie Stephenson.

“These types of photos are cherished many years down the road, especially the everyday memories,” Stephenson says. “Because these moments are so everyday, so expected, we don’t realize that we don’t have a photo of them — like reading a book with our child, or the decorations in grandma’s house, a childhood spot by the lake, or the neighbor lady we grew up next to and talked with.

“Often we don’t have those memories captured before the seasons permanently change. I aim to provide a customizable photography experience, one built around a person’s unique story and capturing memories that will be important many years down the road.

“And then when we see these photos, they bring an array of feelings — like thankfulness, joy, wonder — at being able to relive those moments.”

Moments and Memories to Hang Onto

As an example, she described a photo shoot she did with a nephew and his uncle on the family ranch. Before this session, there were no photos of the uncle doing what he had done his whole life on the ranch, and there were no photos of the nephew who spent his childhood summers there working with his uncle. Though she couldn’t go back to the nephew’s childhood, she could capture the essence, the moment, the memories of what the two did every day.

peacock feather green glowing bird valerie stephenson photography

The luminous glow of a peacock’s feather adds a sense of mystique to beauty in Feather Glow by Valerie Stephenson

“The photographs enable us to relive, rewrite, and preserve some of the things we hold dearest in life,” Stephenson says.

When she isn’t doing commissioned photo shoots of people’s lives and memories, Stephenson is outside with her camera, capturing Nature, and her day to day moments. An outdoor enthusiast, Stephenson is a lifelong forager of wild edibles and medicinals, as well as a participant in numerous sports — backpacking, canoeing, road biking, skiing, snowboarding. With a Bachelor’s Degree in Outdoor Recreation, she has a long and varied career of leading and teaching others in these areas.

“I have always found my peace outside, and I enjoy doing most things outdoors,” she says.

“I enjoy most things that go back to a simpler, hands on, more family oriented way of life. That is what I am aiming to capture in my photography — relationships, the emotion of the moment, the wrinkles, the honesty.”

Words to Accompany Photography

power sea memories splash surf rocks ocean valerie stephenson

The Power of the Sea lies not only in the majesty of the ocean, but in its tug upon the memories of those who once visited or lived there.

One of her dreams is to write devotionals that are enhanced with her photography. In them, she wants to include science along with scripture because God, she believes, is the author of both.

“I have been doing lay counseling since I was very young. It involves listening to others, being there as they go through what they’re going through, sharing what I have learned in life. The devotionals are a way of combining visuals with words to create a statement of hope and encouragement.”

Good, bad, funny, sad, light, dark, colorful, grayscale — life is all of these, Stephenson believes, and like a path in the forest, it unfolds before us as we walk, each day, on our journey. There’s so much to it that it’s hard to maintain perspective, keep it fresh in our mind before another experience, another place, another element comes to the forefront. Photography enables us to stop each moment and make a tangible, visible image we can hold onto, hang on our wall, reflect upon before we take the next step.

“Printed photos in my hands bring me back to the moment, the memories, and the feeling,” Stephenson says.

“That’s where I want my photos to take people — to a place they want to be.”

Wenaha GalleryValerie Stephenson is the featured Art Event at Wenaha Gallery from August 23 through September 19, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

weather improvising plein air climate joan eckman

Improvising and Adapting — the Paintings of Joan Eckman

weather improvising plein air climate joan eckman

As any plein air painter knows, sudden changes in weather are an improvising factor that keep us from being static. Weather Moving In, original acrylic painting by Joan Eckman.

You’re taking a journey. You’ve packed your bags, and in short time, get to your destination. And then you discover that you forgot your toothbrush.

While it’s not a disaster, it is an inconvenience, and how far you are from a -Mart store determines how creative you get about improvising.

For Joan Eckman, an acrylic painter from Yakima, the destination was out in the boonies. And the brush, quite unfortunately, wasn’t just a toothbrush. But Eckman wasn’t about to let a major inconvenience become an overwhelming obstacle:

“I was on a plein air painting outing, and I had forgotten my brushes.

“So I wrapped a piece of paper towel around a pencil and painted with that along with a twig to make scratches and some detail lines. It turned out very loose and impressionistic.

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It’s a quiet moment in the wilderness, far from the noise of the city. Sun on the Little Naches, original acrylic painting by Joan Eckman.

“And though it was nothing to brag about, I kept it as a reminder of what can be done, and because I actually like the spontaneity of it.”

Adapting to Change

Improvising, adapting, being willing to change are characteristic of Eckman. An avid enthusiast of the outdoors, Eckman found herself forced into temporary inactivity after a skydiving accident when she was 22 left her partially paralyzed. Rather than rail against fate, she turned fervently to art, focusing on detailed pencil renderings and watercolor paintings. This latter medium was easy for her to take on what she calls her meanderings, which she accomplishes with the aid of crutches and braces.

“I keep a backpack of art supplies for plein air outings,” Eckman explains. “Everything in it is small and lightweight, keeping the pack under 20 pounds for mobility.”

canyon morning improvising wilderness brushes joan eckman

Eckman was far away from a store when she found she had forgotten her brushes on a plein air outing. Improvising was the only solution. Canyon Morning, original acrylic painting by Joan Eckman.

Eckman, who uses a spare bedroom as her studio, has now moved on to acrylics, which she turned to when she became frustrated with not getting the detail and texture that she wanted with watercolor.

“However, there were many attributes that I loved about watercolor, so I chose acrylics as a medium that I could utilize in both those applications. I can get transparent glazes and texture. I’m still learning, and what a fun process it is.”

Right Brain, Left Brain Improvising

Like many artists, Eckman had to put full-time painting on hold while she and her husband raised their family and she pursued her career as the city clerk-treasurer of Connell, WA. Upon her retirement after 25 years with the town of Connell, Eckman and her husband resettled in the Yakima Valley, when she pulled art out of the backseat of the car and plunked it firmly in the front behind the steering wheel.

“My work as a city clerk/treasurer required such high left brain usage! It’s nice to pursue right brain activities to balance things out.

“I enjoyed my job, and now I have opportunity to pursue my art. Life is good.”

pond calm lilies mallards ducks joan eckman

Calmness and stillness reign in a peaceful moment on the pond. Mallards and Lilies, original acrylic painting by Joan Eckman.

Eckman regularly presents her work at various shows in the area, including the Larson Gallery Guild Members Show, the Annual Central Washington Artists Exhibit juried show, and the Oak Hollow Gallery Holiday Show, all in Yakima. She has also exhibited at Gallery One (Ellensburg); the BOXX Gallery (Tieton); and the Plein Air Washington Artists online show. Her sold work resides in the homes of collectors in Oregon, Washington, Idaho, Canada, and Washington, D.C.

Prose, Poetry, and Art

An integral part of Eckman’s creative process involves the use of prose and poetry to help her visualize what she is trying to say with any one artwork.

“My inspiration may come from a song, or even just a word. It may be a beautiful scene outside or a combination of all. Sometimes the picture idea comes first, and sometimes the picture idea develops around some words in my head, which then becomes part of the whole.” She places the prose and poetry journal entries on a note that she attaches to the back of the artwork, and also adds the information to the image description on its website page.

It all integrates, it all matters, and each brush stroke — whether it’s from a sable brush in the studio or improvising a pencil wrapped with a paper towel — is one step further on the artist’s, and viewer’s, journey. Nature is a great teacher, Eckman believes, and there are many life lessons to learn if we take time to ponder and observe the world around us.

“Our world is beautifully created, and we should be diligent caretakers of that.

“Each moment is not its own, not a means within itself, or of itself. It’s a culmination of events leading up to and beyond that moment — as is life.

“There is so much beauty around us and life lessons to be learned.

“Hang on to the beauty.”

Wenaha GalleryJoan Eckman is the featured Art Event at Wenaha Gallery from June 7 through July 4, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

 

hiking mountains landscape forest woods pastel kingman

Determined and Persistent: Pastels by Marlene Kingman

hiking mountains landscape forest woods pastel kingman

Camping and hiking provide excellent opportunities for pastel artist Marlene Kingman to capture the landscape on paper. Hiking Trip, original pastel painting by Marlene Kingman.

You wouldn’t think it would be necessary to say this, but it is:

Not everyone likes doing the same things.

And if you don’t — when you don’t — fit into the paradigm that society or its establishments determines as the norm, you either have to be very determined (“difficult,” some people say) or go in a direction you don’t like. Artist Marlene Kingman opted to do the former.

“As early as elementary school, I realized that art and creativity were my preferred classes,” the Richland, WA, pastel and oil painter says.

“I tolerated math and science, but what I really focused on were the classes in art and music.”

coast bog marsh evening landscape forest kingman pastel

It’s a quiet moment, of of stillness and calm in Marlene Kingman’s original pastel painting, Coastal Bog Evening.

In a world where science, technology, engineering, and mathematics (STEM) stand on pedestals, Kingman’s statement verges on blasphemous, but throughout her life, she has remained committed to the world of art. It started with those elementary and later high school classes, when, along the way, an exceptional art teacher allowed her access to the studio while other children were at recess. Later, she studied Fine Art in college, but life being what it is, changed her major to Commercial Design and then Architecture, resulting in a career that was “totally contrary to artwork,” as she describes it. It took an extra dose of determination to keep her skills in art not just alive, but thriving.

Determined to Create Art

“Throughout my architectural career, I continued to work in pastels and photography to maintain a creative venue,” she explains. During that time as well, she met other artists who encouraged her through teaching and example. One of those was Ruth Stromswold, an area painter who taught art following the Renaissance method.

pears fruit still life pastel painting kingman

Light and shadows interplay over and around a trio of pears in Marlene Kingman’s original pastel painting, Unwrapped.

“This process starts with studying value, composition, rhythm, unity, balance, and harmony necessary for a painting to capture and hold a viewer’s attention.

“For over four years, I attended regularly scheduled classes learning both oil and pastel painting.”

She also attended and continues to attend workshops, both in plein air and studio settings, under Jim Lamb, Leslie Cain, Paul Murray, Wally Mann, and Richard McKinley.

“I recognize that masters of any profession achieve their talent through continued education.”

Fully Immersed in the Moment

Mount Rainier wilderness landscape forest pastel kingman

Mt Rainier is a place one wants to immerse oneself in, as Marlene Kingman does in her pastel painting, Mt. Rainier.

Now retired, Kingman is finally able to immerse herself in her artwork, and divides her time between painting, volunteering at the Gallery at the Park in Richland, camping, hiking, and traveling to the various galleries where her art is shown. Although she enjoys working in both the studio and out on the field, there is a persistent tug about plein air painting that prompts her to shut the door to her studio and head out into the wild, paints and pastels in hand.

“My most enjoyable moments as an artist are when I do plein air painting.

“There is nothing that equates to doing a sketch or painting while being totally immersed in the surrounding environment.

“I find plein air painting the most challenging but rewarding experience of capturing the essence of the environment into your work.”

Reaping the Benefits of Being Determined

Kingman is a member of numerous art societies, including Plein Air of Washington, the Northwest Pastel Society, Arizona Pastel Society, and the Pastel Society of the West Coast. She has participated in juried shows throughout the Pacific Northwest, and for the last 12 years has been a part of the Kennewick, WA, First Thursday Art Walk Tour at You and I Gallery.

She could have given up at the beginning; lots of people do. But Kingman, like many artists, refused to let the creative element in her bow to the pressures, and paradigms, of societal “norms.” And so throughout her life, she has made a place for art in her life, and now, in this sweet time of retirement that really isn’t retirement because she’s incredibly busy pursuing her second career, she reaps the benefit of determination and persistence.

“All forms of art are challenging,” Kingman observes. “As best described by Edgar Degas, ‘Painting is easy when you don’t know how, but very difficult when you do.’

“Art is where my heart and soul find the greatest satisfaction.”

Wenaha GalleryMarlene Kingman is the featured Art Event at Wenaha Gallery from December 14, 2021 through January 17, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

fence landscape corvallis outside sunset painting montgomery

Outside Adventure — Impressionist Landscapes by LR Montgomery

fence landscape corvallis outside sunset painting montgomery

The last light of the waning sun dances across the landscape. Last Light at Corvallis, original oil painting by LR Montgomery

Get outside.

It’s not bad advice, and we could probably figure out, without promotional public service announcements, that nature is a healing place to be. It’s calm, quiet, and peaceful – three inducements to thinking and reflection. For fine art painters, getting outside is a means of capturing the moment so that when people see the artwork, though they are stuck in an office on a rainy day, they can escape to a place worth being in.

river outside banks trees nature warm hearts montgomery

A slow-moving river invites the viewer to slow down as well and enjoy the sense of quiet and peace. Warm Hearts, original oil painting by LR Montgomery

“I paint original impressionist landscapes with emotion,” says LR Montgomery, an oil painter from Spokane, WA, who enjoys both plein air and studio work.

“My landscapes show the hidden secrets of our forests, ponds, tributaries, rivers, boulders and open spaces.

“They express the joy of being outdoors.”

Celebrating Nature with Paint

Montgomery’s personal philosophy is to create uplifting images that generate a feeling of well-being and reflect the beauty of God’s creation. At the same time, he also wants to draw people’s attention to the fragility and sustainability of our natural environments. If we pave over forests and build high-rise corporate buildings in the meadows, we lose precious resources that we can never get back.

So . . . Montgomery actively seeks out and finds the unspoiled, natural places. His happiest painting moments, he says, are those spent outside, regardless of the weather.

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The colors of spring create an almost audible melody in LR Montgomery’s original oil painting, Spring Birch at Slavin

“I can be found painting out of doors at zillions of Northwest natural areas. I am the Artist in Residence for Dishman Hills Conservancy, so I paint there often.

“Most recently, I have been painting the Palouse, Lake Chatcolet, Spokane River, Little Spokane River, the hills west of Corvallis, OR, and anywhere grapes grow.”

It’s not only when he’s behind the easel that Montgomery enjoys the outdoors. He spends significant time hiking, canoeing, and kayaking throughout the Pacific Northwest, and those outside experiences, eventually, find themselves as paint on canvas or panel.

Getting Outside as Often as He Can

“My art reflects the joy of outdoor adventures.

“Additionally, collectors and organizations often ask me to paint the areas they love or represent. I accept a very limited number of commissions a year.”

trees landscape meadow outside nature blue sky montgomery painting

A bracing blue sky adds to the sense of light and outdoor peace. Blue Halo at Painted Rocks, original oil painting, by LR Montgomery.

Montgomery’s collectors include private individuals, corporations, environmental groups, museums, and educational institutions throughout the U.S., Europe, Russia, China, Mexico, Africa, and Japan. In the Pacific Northwest, his work is in collections at Kaiser Permanente, Spokane Eye Clinic, Pacific Lutheran University, Washington State University, the city of Spokane, Loyola Marymount University, Shriners Children’s Hospital, Providence Medical Center, and the Northwest Museum of Arts & Culture.

“Art is a happy business. People collect it because it brings joy, enhances life, or reflects personal experiences.”

Some families, he adds, have collected his work for generations, and to this day, he remembers the name of his first collector.

“Her name was Helen. I was 12 years old when I painted a watercolor of a cougar, which she and her husband acquired. They inspired my love for the outdoors and being outside in nature through their lifestyle and encouragement.”

In fact, his wife Carole swears that he was born with a crayon in his hand. Her assessment is understandable, given her partnership with him in the painting business: he paints, she is his manager. That responsibility requires as much flexibility, adaptability, creativity, and easygoing humor as wielding the brush.

An Artistic Marriage

“She never knows what will happen next. She may have to drop what she is doing at a moment’s notice to attend to the whims of the art business.

“The left brain of our marriage, she is a great supporter of our creative lifestyle. Her support allows me to focus on painting with purpose.”

And that purpose — celebrating the outdoor world, focusing on nature, pointing people’s hearts toward beauty — is well worth taking time to focus upon. Whether he’s in the comfort of the studio or out on the river bank, doing emergency repairs on the legs of an easel, Montgomery draws upon, and draws viewers into, a world that is far, far from the madding crowd, and crowds, period.

“My paintings bring the ambiance and memories of outdoor experience in. Collectors say they can hear the water and smell the forest.”

Wenaha GalleryLR Montgomery is the featured Art Event at Wenaha Gallery from October 19 through November 15, 2021.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

beach coast oregon small painting paul henderson

Small Paintings Make a Big Impact

beach coast oregon small painting paul henderson

Step into the 9 x 12 painting, and walk onto the big beach. South Cannon Beach II, original acrylic painting by Paul Henderson.

Oftentimes, when we’re told opposites are true, it’s Orwellian-Speak: Peace through War. Submission is Freedom. Love is Tough. The author of 1984 lampooned such verbal flummery and warned wise people to be wary of it.

But when a two-dimensional artist speaks in opposites, he or she does so with magical intent, employing brush, paint, skill, and imagination to create a paradoxical, delightfully contradictory situation that intrigues, fascinates, bewitches, and charms. As in, Small is Big.

bird yellow muse color profile batik denise elizabeth stone

Artist Denise Elizabeth Stone, painter of the original Batik watercolor, Visit from the Muse, describes in haiku, Blackbird asks/What now?/I art my reply

“Painting small is a challenge!” says Batik watercolor artist Denise Elizabeth Stone of La Grande, OR.

“It’s a different way of thinking about my communication with the viewer. I’d compare it to the difference between writing an essay and writing a haiku.”

What Constitutes “Small”?

Because art is, presently, a free industry, unhampered by either medieval guild or governmental licensing and regulations, there is no official definition of what constitutes a small painting, but a loose interpretation is that it is less than 12 inches at its largest dimension. So, it could be 10 x 10. Or 6 x 8. But . . . it could also be 5 x 18, because while 18 is larger than 12, 5 is a lot smaller.

See? No rules. Just approximations. The main point is that a large landscape can, wondrously, fit into a small substrate. It then invites the viewer into a big, big place via a small, small space.

“Small objects, regardless of their detail, require an intimate proximity to appreciate and enjoy them fully,” says West Richland watercolor artist Steph Bucci, who often paints in 6 x 6 format.

“Small paintings are also a terrific opportunity to work out the bugs when planning a larger version.”

hurricane creek autumn landscape small painting bonnie griffith

In less than 7 inches, Bonnie Griffith tucks in a river, its banks, and a forest of autumn trees. Hurricane Creek, original oil painting.

Yakima acrylic painter Paul Henderson agrees:

“Small paintings give you a chance to quickly paint a loose rendition or study for a larger painting, as well as to try out different ideas.

“They also lend themselves to painting plein air painting outdoors where you have a very limited time to catch the essence of the scene. Painting small trains you to quickly establish the main focus and lay in the main shapes.”

The Sun Doesn’t Wait for the Artist

mouse cat friends flower small painting steph bucci

In a 6 x 6 square, watercolor painter Steph Bucci packs in a strong message of friendship. Still Friends? Original watercolor painting.

Montana oil and pastel artist Bonnie Griffith, who lived in Walla Walla, WA, for many years before migrating east, specializes in smaller paintings specifically because of her focus on plein air work. The sun doesn’t stop and stay in one spot simply because the artist needs it to do so.

“The challenge from working plein air is capturing the essence of the subject in that moment, recording the colors, the values, and composition as you are seeing them in real time.

“Small, definitive, and carefully chosen marks are made to create definition and to lead the viewer into the painting so they can make their own story as they enjoy their time in the painting.”

In other words, when the space you’ve got to cover is small, each individual brush stroke makes a big, big impact.

alpine stream wilderness mountains oregon steve henderson

Mountains, river, boulders and trees all fit into a space 4.5 inches wide by 11 inches tall in Steve Henderson’s original oil painting, Alpine Stream

“Painting small is a good challenge for the artist to see how much can be interpreted from the least amount of paint and brush strokes,” Dayton, WA, oil painter Steve Henderson explains.

“I enjoy doing all sizes,” he adds. “Some subjects demand a particular size. A sweeping view of the Grand Canyon just doesn’t quite feel right on something only six inches wide. Whereas a country road wandering through open fields could be interpreted on quite a small panel.”

Perfect for a Small Wall

All the artists agree that small paintings are a bonus for decorating a small wall, and, because small paintings tend to be accomplished more quickly than larger ones, the price is a factor as well.

“They are usually lower in price,” Paul Henderson says.

“Many people want something of the artist, but can’t afford the larger paintings. So they collect many small pieces of their favorite artists.”

Price, portability, placement, giftability, and an opportunity for the artist to experiment — small paintings are big indeed, and as Bucci notes, “Good things really do come in small packages.”

Or as Steve Henderson observes, “Small paintings are in a class all their own, and they call out to be noticed.

“Just because a painting is small doesn’t mean it deserves less attention or respect — it is simply small.”

Wenaha GallerySmall Paintings is the featured Art Event at Wenaha Gallery from September 7 through October 4, 2021. Showcased are Denise Elizabeth Stone, Paul Henderson, Steph Bucci, Paul Henderson, Teresa Adaszynska, Bonnie Griffith and Gordy Edberg.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

balsam root flowers watercolor sketch woods trees helen boland

Sketch, Draw, Paint, Create — The Art of Helen Boland

mountain palouse landscape view watercolor painting wilderness helen boland

Whether painting or sketching, Helen Boland connects with nature on both an artistic and scientific level. Palouse Farmland View, original watercolor painting by Helen Boland.

Too many people, when stuck in a waiting room, spend the time head down, eyes glazed, fingers swiping as they scroll through their phone.

Not so Helen Boland. The Walla Walla, WA, artist carries sketch pad, pen, pencils, even brush and portable paints with her everywhere she goes. Everything she sees, every place she visits, provides an inspiration to capture, on paper, the world around her.

“Waiting in airports or for appointments are opportunities to sketch, capture characters and scenes, and practice technique,” Boland says.

wild garden sketch landscape mountains wilderness watercolor helen boland

Nature’s hand does the planting and cultivation at Wild Garden at the Top. Original watercolor painting by Helen Boland.

“Sketching helps me focus and occupies me while waiting. There is no boredom or impatience. Sketching helps me to be present in the moment.”

This form of daily art practice, she adds, increases her awareness of color, light, and shadow, in addition to fluidity and attention to form. By the time she gets officially behind the easel — which may be at her studio/house, or in the forest as she paints plein air — she embarks upon a more detailed and concentrated form of artistic expression.

Sketching and Painting in Many Media

“I work in watercolor, ink, acrylics, pastel, and also collage,” Boland says.

“As a retired science teacher, homestead farmer, and lifelong naturalist, I focus on art that reflects my love of animals, nature, and landscape. I move between detail, realism, and impression.”

balsam root flowers watercolor sketch woods trees helen boland

Flowers attract the eye and attention of both the scientist and artist within. Balsam Root, original watercolor painting by Helen Boland.

Her habit of sketching and drawing and painting anytime, anywhere, stems from when she was “an often ill but oddly energetic child.

“My mother frequently handed me crayons, pencils and a pad to pacify me during wait time in doctors’ offices or during long visits with relatives when all that was spoken was Portuguese.”

She describes drawing as a permissible activity when she was hospitalized or ill with fever. When convalescing outside, she took note of minute details of light, shadow, and color. She even took advantage of fevers, which brought her view slightly out of focus and allowed her to observe the surrounding world as if it were a Monet painting.

“This is my foundation as an artist as well as a biologist,” Boland says, explaining that while science took the lead in her professional career, she often used art expression as a means of processing, understanding, and teaching scientific concepts. Now retired, she focuses on painting full time, in fulfillment of a promise she made to herself years ago while pursuing her professional teaching career, raising a family, and running a small homestead farm.

Focusing Strongly on Each Painting

“My paintings are like my offspring that I set free. I have a true experience with each one, and they all reflect a piece of me and a moment in my life.

ponderosa pine woods tree forest wilderness helen boland watercolor

The forest is a silent and peaceful place, one worth painting and sketching. Ponderosa Hillside by Helen Boland.

“When I paint a person or an animal, I speak to it, and in a way it speaks back. I develop a love and a relationship through the painting process.

“And then I let them go.”

Some of the places where Boland has let her paintings go to are collectors’ homes in Walla Walla and Eastern Washington, Massachusetts, Colorado, California, Canada, and a goat farm in New Jersey, among others. She has regularly participated in the Artwalla Art Squared event, as well as been a featured artist in the organization’s First Friday Pop Up. She has shown her work at art walks and events throughout the Walla Walla, Dayton, and Tri-Cities regions. And for the last year and a half, she has participated in Sunday Self Portrait, an international Facebook group in which people from all over the world post their portrait, created from their image in a mirror, on Sundays.

Sunday Portraits

“I have posted one every Sunday for the past year and a half. That’s a lot of pictures of me!

“I have learned so much about the lives, experience, and art techniques from all over the world. This helps me keep perspective.

“It also has improved my skill at drawing the face, the same captive face, week after week. They all don’t show an accurate physical likeness of me, but they all show some aspect of me. I can look at the portraits and assess how I am doing emotionally and perhaps spiritually.”

Originally from rural Massachusetts and Vermont, Boland focuses her latest paintings on landscapes from Columbia and Walla Walla counties, reflecting her residence in each: her town home (and studio) is in Walla Walla, and she owns forest management property near Dayton. She is happiest both in the studio and out in the woods, because wherever she is, she is somehow drawing, painting, or sketching.

“Getting out on the land creates opportunities to observe, photograph, and find inspiration for art,” she says.

“The biologist and the artist within are both satisfied with my time spent in nature, both in my garden in town and the forest land in the Blue Mountains.

“My art reflects my world view and my deep love of the natural world.

“It is a truth in a moment.”

Wenaha GalleryHelen Boland is the featured Art Event artists from June 1 to June 28.

Contact Wenaha Gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

 

water dance swan bird painting impressionist relaxed not uptight

Not Uptight but Relaxed — Impressionist Paintings by Carol Betker

water dance swan bird painting impressionist relaxed not uptight

The Water Dance, original oil painting by Carol Betker. Relaxed and calm — you can’t get more opposite from uptight than that.

When you jump out of an airplane with a parachute, you have a pretty good idea of where you’ll end up: on Earth. It’s the process of getting there that you can’t predict. Unnerving? Yes, but that’s also part of the adventure.

For artist Carol Betker, starting each painting is akin to jumping from the plane: she knows what she wants the finished painting to look like, but the process of getting there is flexible, dynamic, even mercurial, more so because she paints Alla Prima, a method by which the artist applies wet paint on wet paint.

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It’s a relaxed splash and plash through the water in Blue Springs, original oil painting by Kennewick artist, Carol Betker

“It’s a method that allows fresh brushwork,” the Kennewick oil painter says.

“I often feel in the beginning of all the creative messiness like I’m sky diving. I know I’ll land eventually, but I have to learn to enjoy the process and not get uptight.”

On Her Feet and Behind the Easel

Betker describes her style as loose, impressionistic, expressive, so she can’t be uptight when she’s behind the easel.  Her background as a public school art teacher (she retired in 2010) means that she has worked in, and taught, many mediums: from pottery to printmaking, and in the painting realm — watercolor, acrylic, oil, charcoal, pencil, and more. For years she worked in acrylic, with which she describes having a love/hate relationship.

“Acrylics are easy to clean, odor free, and dry quickly.

“On the other hand, drying quickly can inhibit the blending of edges which I like in my work. So I’ve been leaning toward oils in the last five years. I am intrigued with how oils blend in the wet on wet technique.”

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Who could feel uptight in a landscape so calm, so peaceful? Breathe, original oil painting by Carol Betker.

Working out of her dining room studio, where she paints pretty much every day, Betker explores subject matter from florals to landscapes, from pet portraits to the human face. If she doesn’t have another painting planned when she finishes her latest project, she doesn’t worry — or get uptight — but rather, relaxes into free fall.

“I think every successful person knows that, if you just show up, that’s half the battle.

“Showing up at the easel — not waiting to be inspired, but simply showing up every day — well, you will BE inspired as you begin.”

Remember the Camera

Exhibiting her work in multiple venues around the Tri-Cities and Prosser, Betker has garnered collectors in Washington and Oregon, as well as Missouri, Virginia, South Carolina, and Canada. She names Richard Schmid, Jessica Zemsky, and Dreama Tolle Perry as artists whose work and technique inspire her. She also credits her education at Central Washington University in Ellensburg, WA, where she received her B.A. in Art Education.

With a husband who loves photography, and with her own trusty Canon Rebel camera nearby when not in hand, Betker says that she reaps the benefit of having more images than she could possibly paint. Her main problem is remembering to bring the camera.

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It’s a place for a quiet and gentle stroll. Color My World, original oil painting by impressionist painter, Carol Betker.

“I can’t tell you how many shots I’ve missed by leaving it behind.

“Judging from sales, though, even using a shot taken at 60 miles per hour through a windshield is usable as inspiration. I love a challenge!”

The image she photographed from the moving car, she explained, was “a spectacular Dogwood tree in full bloom with a little picket white fence, and parts of a white house peeking through. My husband was driving, and for some reason he doesn’t like to stop every time I see a great shot. But it did turn out, as the painting I created from the photo sold very quickly.”

Relaxed, Not Uptight

Betker looks for a feeling in her reference image: the turn of a head, glance of the eyes, a ray of light dancing across the surface of the landscape. When she isn’t in a moving car, she finds inspiration closer by, at a more leisurely pace:

“I enjoy the endearing expressions of my tortie calico cat, Missy, as I maneuver around, camera in her face.”

Seize the moment. Land on your feet. Make sure the parachute is packed. Let go of being uptight. Don’t forget the camera. And show up every day.

Along with art, Betker taught these life lessons to her students at Finley and Burbank schools during her teaching career, and the reason she could do so is because she lives by them herself. Painting art and living life both take imagination, creativity, a willingness to work, and an appreciation of joy. The result is well worth the act of jumping out of the plane.

“I’m in a good spot in my art where more times than not I am finding satisfaction in my work,” Betker says.

“I’m not going for perfection but rather for being authentic — capturing the Creator’s little treasures that come into my view.”

Wenaha GalleryCarol Betker is the featured Art Event at Wenaha Gallery from February 9 through March 8, 2021.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

Time to Paint, Timelessly — Impressionism by Lori Pittenger

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Fruit, flowers, and paintings bloom at their right time. Fruition, original oil painting by Lori Pittenger of Ellensburg, WA

 

Do you remember when you last thoroughly, completely, and absolutely lost track of time?

When was it that you were so absorbed in the task at hand, so utterly involved in what you were doing, so deeply immersed in the moment, that you looked up and were surprised to find that hours flew by in what you thought were minutes?

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Every Good and Perfect Gift, original oil painting by Lori Pittenger

For Lori Pittenger, that would be . . . yesterday. Or even this afternoon. The Ellensburg, WA, painter is so untrammeled by time that when she sits at her easel, paintbrush or palette knife in hand, she enters a state of such intensity that she is physically tired, and yet energized, when she is done.

“I love pouring myself into something to express myself and ‘feel,’ always listening to music and painting for hours at a time,” Pittenger says. “I lose myself in it.”

Taking Time to See

Inspired by landscapes, by concentratedly looking and seeing the colors and light in nature, Pittenger works two to three days straight to take a painting from first brush stroke to last. The process of being present in the painting process, she explains, begins with the first few strokes of paint on the canvas.

“After I have loaded my palette, I take a deep breath and know that I am beginning a journey in which I will lose all sense of time and what is going on around me.

“I have committed in my mind to devote an uninterrupted time to focus on what I am creating, really seeing the scene evolving as if I am in the scene: mixing the paint, feeling the brush in my hand, the sound it makes as it strokes the canvas, even the smell of the paint.”

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Golden Beets, impressionism original oil painting by Lori Pittenger

The View Stays the Same, and Changes, with Time

She works in a spacious room in her family’s ranch house where large windows overlook the pastures of Kittitas Valley and its surrounding mountains. There is a sense of peace and well being, integrated with an inherent excitement derived from a view that stays the same, yet changes with weather and seasons. She looks up to look out. When she tires at the easel, she steps away from the painting and returns with fresh eyes. Throughout the process, she photographs the work in progress, especially as it nears completion.

“I view the photo, and it almost always every time reveals something that I hadn’t seen before.

“Sometimes it’s a little something to blend out or fix, but often it’s something surprising or magical that happened unintentionally — like a little glow glimmer or shape that makes me smile with wonder.

“Being fully present while painting opens not only my eyes, but also my mind, to really seeing.”

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Lavish Sunrise, original oil painting landscape with water by Lori Pittenger of Ellensburg, WA.

When Pittenger isn’t intently reviewing her own work, she curates the paintings of others. An artist member of Fine Art America, the world’s largest online art marketplace, Pittenger manages the Impressionism group, which receives hundreds of submissions every week submitted by its more than 500 members. It is her job to winnow those numbers down while giving all members an opportunity to be featured, and arrange the varied artwork into a pleasing gallery wall for visitors and potential buyers to peruse. She also advises members on everything from how to crop images to watching out for copyright infringement. In her “spare” time, she hosts contests on the site.

A Time of Concentration

It makes for a long, concentrated day. But every hour of it, every minute, packs intensity and movement, as does the art that Pittenger creates.

“My paintings always have a deeper meaning that flows out as I am composing and painting,” she says.

“The title and thoughts about life that I get from each artwork fall into place as I finish each piece, and I love writing about them.”

Her day begins and ends with art, she observes. It makes for an excellent sunrise, and sunset.

“Art touches the soul, creates a mood and expresses often what words cannot.”

Wenaha GalleryLori Pittenger is the featured Art Event at Wenaha Gallery from November 3 through December 31, 2020.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

Take Me Home

Lighting, Drama, Color — The Watercolor Paintings of Cheryll Root

Winsome, furry, cute, waiting to be cuddled — Take Me Home, original watercolor painting by Cheryll Root

The people we envy says a lot about ourselves. Obvious candidates are wealthy people, powerful people, incredibly good-looking people.

These three factors, however, aren’t what attract the attention of Cheryll Root, a watercolor artist from Troy, ID. The people she envies are . . .  zookeepers. Not because they’re rich, influential, or handsome, but because they work with exotic animals.

“I have a passion for painting animals — I LOVE them!” Root says. “If I lived near a zoo now, I’d love to volunteer there.

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Olivia, original watercolor painting by Cheryll Root

“One of my favorite shows is ‘The Secret Life of the Zoo,’ where they take you behind the scenes with the zookeepers and the animals they care for.”

The animals don’t have to be exotic, incidentally. Furry, cute, winsome, noble, adventurous, cuddly will do; just not a snake, though. If there were a position, paid or unpaid, for a “puppy and kitten petter,” Root would gladly apply, but as it is, she finds satisfaction in painting animals, as well as landscapes, floral scenes, and still lifes ranging from tea cups to cowboy boots.

A Doodler from Childhood

An active member of the Palouse Watercolor Socius, where she has served as secretary for numerous years, Root describes herself as a doodler from childhood, when she drew on all the margins of her mother’s piano music books. (Family legend reports that she also drew on white walls with crayon, but Root has no conscious memory of this.) She enjoys the painting challenge of keeping the whites white without using masking fluid. She also tackles the darkest of values, which have a tendency, in watercolor, to dry lighter than one thinks they will. Her goal is to create a work that stops the viewer, attracts their attention, and invites them to step closer and take a long, reflective look.

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Dayton Depot, original watercolor painting by Cheryll Root of Troy, Idaho.

“I hope my artwork treats the eyes to color,” Root says. “I also like to paint work that has some mystery, or some whimsy, to it.”

Dramatic lighting, vibrant color, intriguing shadows — these elements call out to Root, and in taking reference photos for her paintings, she looks for this triad. While she does paint plein air, she prefers studio work, even if the space where she works is not what most artists would desire. But it works well for her.

“I use my office, and the space I work in is rather cramped. But I do have good lighting and a nice view out the window (we live in the country on Moscow Mountain on 50 acres).”

Small Space, Big Output

A still life of pottery, Arizona Pots, original oil painting by Cheryll Root.

When she and her husband first moved to the area from Seattle, Root envisioned using a shop located in a large outbuilding. It has a wonderful view, lots of space, and great lighting. But what it doesn’t have is running water or heat. And as a less than positive bonus to what it does have: there are mice. And while it’s true that mice are animals — furry, cute, winsome, and potentially cuddly, they’re not on Root’s list of studio companions.

“Being a city girl at heart for all those years, I took the comfort of the house, even with its lesser studio space.”

Because ultimately, what matters is what comes out of that studio space: the finished paintings. Root has shown her work at galleries throughout the Pacific Northwest, as well as at juried shows by the Idaho Watercolor Society and the Palouse Watercolor Show, the latter a five-state juried exhibition. In 2016, her painting “Pears” graced the cover of Good Fruit Grower Magazine, reaching subscribers in all 50 states and 50 countries. The space where she works may be small, but the work that she gets done there is big with potential.

“I am always looking to learn more, improve technique, and create work that elicits emotion from the viewer, as well as reflecting my passion for color, and the vibrant world in which we live.”

Wenaha GalleryCheryll Root is the featured Art Event at Wenaha Gallery from October 20 through December 14, 2020.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

pastel landscape canyon mountains edna bjorge art

Pastel Mystique — The Landscapes of Edna Bjorge

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Canyon Light II, original pastel painting by Ellensburg, WA, artist Edna Bjorge

From Oil Paint Murals to Pastel Drawings

She was five. She loved to draw. Her father was an artist.

And there, in her parents’ bedroom next to her father’s palette of oil paints, was a gloriously blank wall.

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Aspenglow, original pastel painting by Edna Bjorge.

“I knew better than to paint on the portrait he had on an easel in the corner,” Ellensburg, WA, artist Edna Bjorge remembers. But . . . there was that wall. What a canvas for small hands and big ideas!

“My mom was horrified, but my Dad went straight out and bought me some art supplies of my own.”

It was an unforgettable beginning to an art career, one that now focuses on pastel and watercolor, with paper as the substrate. As she did from childhood, Bjorge draws every day, working out of a custom-built shed tucked onto her country property. This studio, which she describes as “small but mighty,” also holds her framing supplies and letterpress, because in addition to drawing, she has owned and operated her business, Edna Bjorge Calligraphy, Design and Illustration, for more than 40 years.

Outside and Outdoors

Where she really likes to be, however, is outdoors, in the variety of landscapes of the central Washington region. There, she paints plein air pastel or watercolor — outside, using the natural and changing light of the day. This preference, also, stems from her childhood, when after World War II her mother ran a daycare from the family home while her father finished his college degree. At the “tender age of four,” Bjorge became mom’s helper, responsible for entertaining six younger charges by helping them with games, toys and amusements.

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Gold at River Bend, a view of the Yakima River Canyon in central Washington, original pastel painting by Edna Bjorge.

“Needless to say, I cherished the time when I was outside by myself while everyone else was napping, and times in the evening when I could draw and paint without interruption.

“This probably explains my love of the outdoors, and of plein air painting.”

Bjorge finds the landscapes of Kittitas County multifariously diverse, replete with mountains and forests, from shrub steppe and desert to the lush banks of the Columbia and Yakima Rivers. She not only pastel paints these vistas but writes about them in a regular blog. One of her most passionate “messages,” both written and visual, concerns the fragility of natural landscapes.

Disappearing Landscapes

“I paint the landscape because we are losing it at an alarming rate, due to sprawl and overpopulation,” Bjorge says.

“Once land is ‘developed,’ it’s gone or changed forever.

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Cooper Ridge, mountain and lake pastel painting by Edna Bjorge.

“Many places where I used to roam free are no longer accessible. I have many paintings of places that are gone forever.

“The art is the only thing left to show they ever existed.”

Bjorge’s pastel and watercolor work has sold throughout the U.S., as well as internationally in Norway, Germany, Australia, and New Zealand, among others. Over a long career of painting she has entered many shows and garnished a number of awards, her most recent being an invitational show at the Capitol Theatre in Yakima, where 20 artists created pieces based on the theme of Light.

“Our work hung in the theater’s gallery for a whole year, so was enjoyed by hundreds of patrons.”

Pastel: Sensuous and Immediate

She achieved mastery of pastels by trial and error, describing the medium as “sensuous, very responsive and immediate.” For her, it is the perfect way to capture light and shadows, subtle variations of color, distinct elements of detail incorporated with the bold shapes of mountains, rocks, and rivers. It brings the viewer, she feels, into places she wants them to deeply experience.

“More and more,” Bjorge says, “I find myself focusing on the landscape with a deep sense of urgency.

“I want to record not only the actuality of place, but the essence and spirit of the location as well.”

Wenaha GalleryEdna Bjorge is the featured Art Event at Wenaha Gallery from August 25 through September 18, 2020.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.