spring snow winter memories tulips flowers valerie stephenson photography

Memories of Life: Photography by Valerie Stephenson

harvest memories sunset wheat farmland valerie stepheson photography

Memories of summer transition into fall in Before the Harvest, a photographic capture of life by Valerie Stephenson

We live life day by day, as opposed to a year at a time. Because of this, we assume that the everyday things we did yesterday we’ll do today, and then tomorrow. We won’t forget.

But that’s not the way it is. A year later, two years later, ten, we’re no longer doing the everyday things that we thought would never end. Too often, the only remembrance we have of them is our memory.

Photographer Valerie Stephenson wants to provide something more tangible than memories. Driven by the idea of catching life in its moments, the Burbank artist, who lives just above Sacajawea State Park over the Snake River, works with individual clients to capture vignettes of their day, in effect creating a visual journal of a slice of their lives.

spring snow winter memories tulips flowers valerie stephenson photography

The last memories of winter dance across the tulips of spring in Spring Snow, photography by Valerie Stephenson.

“These types of photos are cherished many years down the road, especially the everyday memories,” Stephenson says. “Because these moments are so everyday, so expected, we don’t realize that we don’t have a photo of them — like reading a book with our child, or the decorations in grandma’s house, a childhood spot by the lake, or the neighbor lady we grew up next to and talked with.

“Often we don’t have those memories captured before the seasons permanently change. I aim to provide a customizable photography experience, one built around a person’s unique story and capturing memories that will be important many years down the road.

“And then when we see these photos, they bring an array of feelings — like thankfulness, joy, wonder — at being able to relive those moments.”

Moments and Memories to Hang Onto

As an example, she described a photo shoot she did with a nephew and his uncle on the family ranch. Before this session, there were no photos of the uncle doing what he had done his whole life on the ranch, and there were no photos of the nephew who spent his childhood summers there working with his uncle. Though she couldn’t go back to the nephew’s childhood, she could capture the essence, the moment, the memories of what the two did every day.

peacock feather green glowing bird valerie stephenson photography

The luminous glow of a peacock’s feather adds a sense of mystique to beauty in Feather Glow by Valerie Stephenson

“The photographs enable us to relive, rewrite, and preserve some of the things we hold dearest in life,” Stephenson says.

When she isn’t doing commissioned photo shoots of people’s lives and memories, Stephenson is outside with her camera, capturing Nature, and her day to day moments. An outdoor enthusiast, Stephenson is a lifelong forager of wild edibles and medicinals, as well as a participant in numerous sports — backpacking, canoeing, road biking, skiing, snowboarding. With a Bachelor’s Degree in Outdoor Recreation, she has a long and varied career of leading and teaching others in these areas.

“I have always found my peace outside, and I enjoy doing most things outdoors,” she says.

“I enjoy most things that go back to a simpler, hands on, more family oriented way of life. That is what I am aiming to capture in my photography — relationships, the emotion of the moment, the wrinkles, the honesty.”

Words to Accompany Photography

power sea memories splash surf rocks ocean valerie stephenson

The Power of the Sea lies not only in the majesty of the ocean, but in its tug upon the memories of those who once visited or lived there.

One of her dreams is to write devotionals that are enhanced with her photography. In them, she wants to include science along with scripture because God, she believes, is the author of both.

“I have been doing lay counseling since I was very young. It involves listening to others, being there as they go through what they’re going through, sharing what I have learned in life. The devotionals are a way of combining visuals with words to create a statement of hope and encouragement.”

Good, bad, funny, sad, light, dark, colorful, grayscale — life is all of these, Stephenson believes, and like a path in the forest, it unfolds before us as we walk, each day, on our journey. There’s so much to it that it’s hard to maintain perspective, keep it fresh in our mind before another experience, another place, another element comes to the forefront. Photography enables us to stop each moment and make a tangible, visible image we can hold onto, hang on our wall, reflect upon before we take the next step.

“Printed photos in my hands bring me back to the moment, the memories, and the feeling,” Stephenson says.

“That’s where I want my photos to take people — to a place they want to be.”

Wenaha GalleryValerie Stephenson is the featured Art Event at Wenaha Gallery from August 23 through September 19, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

weather improvising plein air climate joan eckman

Improvising and Adapting — the Paintings of Joan Eckman

weather improvising plein air climate joan eckman

As any plein air painter knows, sudden changes in weather are an improvising factor that keep us from being static. Weather Moving In, original acrylic painting by Joan Eckman.

You’re taking a journey. You’ve packed your bags, and in short time, get to your destination. And then you discover that you forgot your toothbrush.

While it’s not a disaster, it is an inconvenience, and how far you are from a -Mart store determines how creative you get about improvising.

For Joan Eckman, an acrylic painter from Yakima, the destination was out in the boonies. And the brush, quite unfortunately, wasn’t just a toothbrush. But Eckman wasn’t about to let a major inconvenience become an overwhelming obstacle:

“I was on a plein air painting outing, and I had forgotten my brushes.

“So I wrapped a piece of paper towel around a pencil and painted with that along with a twig to make scratches and some detail lines. It turned out very loose and impressionistic.

Sun river naches woods forest joan eckman

It’s a quiet moment in the wilderness, far from the noise of the city. Sun on the Little Naches, original acrylic painting by Joan Eckman.

“And though it was nothing to brag about, I kept it as a reminder of what can be done, and because I actually like the spontaneity of it.”

Adapting to Change

Improvising, adapting, being willing to change are characteristic of Eckman. An avid enthusiast of the outdoors, Eckman found herself forced into temporary inactivity after a skydiving accident when she was 22 left her partially paralyzed. Rather than rail against fate, she turned fervently to art, focusing on detailed pencil renderings and watercolor paintings. This latter medium was easy for her to take on what she calls her meanderings, which she accomplishes with the aid of crutches and braces.

“I keep a backpack of art supplies for plein air outings,” Eckman explains. “Everything in it is small and lightweight, keeping the pack under 20 pounds for mobility.”

canyon morning improvising wilderness brushes joan eckman

Eckman was far away from a store when she found she had forgotten her brushes on a plein air outing. Improvising was the only solution. Canyon Morning, original acrylic painting by Joan Eckman.

Eckman, who uses a spare bedroom as her studio, has now moved on to acrylics, which she turned to when she became frustrated with not getting the detail and texture that she wanted with watercolor.

“However, there were many attributes that I loved about watercolor, so I chose acrylics as a medium that I could utilize in both those applications. I can get transparent glazes and texture. I’m still learning, and what a fun process it is.”

Right Brain, Left Brain Improvising

Like many artists, Eckman had to put full-time painting on hold while she and her husband raised their family and she pursued her career as the city clerk-treasurer of Connell, WA. Upon her retirement after 25 years with the town of Connell, Eckman and her husband resettled in the Yakima Valley, when she pulled art out of the backseat of the car and plunked it firmly in the front behind the steering wheel.

“My work as a city clerk/treasurer required such high left brain usage! It’s nice to pursue right brain activities to balance things out.

“I enjoyed my job, and now I have opportunity to pursue my art. Life is good.”

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Calmness and stillness reign in a peaceful moment on the pond. Mallards and Lilies, original acrylic painting by Joan Eckman.

Eckman regularly presents her work at various shows in the area, including the Larson Gallery Guild Members Show, the Annual Central Washington Artists Exhibit juried show, and the Oak Hollow Gallery Holiday Show, all in Yakima. She has also exhibited at Gallery One (Ellensburg); the BOXX Gallery (Tieton); and the Plein Air Washington Artists online show. Her sold work resides in the homes of collectors in Oregon, Washington, Idaho, Canada, and Washington, D.C.

Prose, Poetry, and Art

An integral part of Eckman’s creative process involves the use of prose and poetry to help her visualize what she is trying to say with any one artwork.

“My inspiration may come from a song, or even just a word. It may be a beautiful scene outside or a combination of all. Sometimes the picture idea comes first, and sometimes the picture idea develops around some words in my head, which then becomes part of the whole.” She places the prose and poetry journal entries on a note that she attaches to the back of the artwork, and also adds the information to the image description on its website page.

It all integrates, it all matters, and each brush stroke — whether it’s from a sable brush in the studio or improvising a pencil wrapped with a paper towel — is one step further on the artist’s, and viewer’s, journey. Nature is a great teacher, Eckman believes, and there are many life lessons to learn if we take time to ponder and observe the world around us.

“Our world is beautifully created, and we should be diligent caretakers of that.

“Each moment is not its own, not a means within itself, or of itself. It’s a culmination of events leading up to and beyond that moment — as is life.

“There is so much beauty around us and life lessons to be learned.

“Hang on to the beauty.”

Wenaha GalleryJoan Eckman is the featured Art Event at Wenaha Gallery from June 7 through July 4, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

 

peaches colored pencil watercolor fruit art cheryl bush

Painting Beauty — The Artwork of Cheryl Bush

peaches colored pencil watercolor fruit art cheryl bush

A blend of media, Peaches features colored pencil and watercolor. Original mixed media painting by Cheryl Bush.

There aren’t a lot of people who have talked to someone who has met Charlie Chaplin, but Cheryl Ann Bush is one of those people.

The Yakima, WA, artist, who creates artwork in colored pencil, oil pastel, watercolor, acrylic, and pen and ink, remembers the time she met her great-grandfather Herman Steuernagel at a family reunion.

“I was in grade school,” she says. “My great-grandfather was a well-known artist in Germany before retiring to New York in 1910. When he was in Germany, he had done background sets for the theater, and when he relocated to New York, he did background sets for the silent movies. During that time, he met Charlie Chaplin.”

Apples fruit red delicious colored pencil painting cheryl bush

Bush enjoys the incredible detail that working in colored pencil brings. Apples — Nature’s Beauties, original painting by Cheryl Bush.

As the art director of the Pathe Film Company from 1909 to 1917, Steuernagel sold his theater sets worldwide, but what excited the young Cheryl most was that he was a painter.

“It was so special to be able to meet and share my love of art with him,” she says.

Paintings on the Walls

Growing up in a house with lots of art on the walls (Bush’s great aunt, Alice Leo Oldright, was also an artist, a landscape and still life painter who lived in Walla Walla from 1900 to 1921 and later moved to Utah) Bush developed an appreciation for representational art, and regardless of the medium she chooses, she focuses on the essence of her subject matter. It does not matter whether she is painting a landscape in acrylic or a cluster of apples in colored pencil. Each medium has its advantages and disadvantages, and she immerses herself in the uniqueness of each.

“I enjoy the precise detail that can be obtained with colored pencil. It can be tedious and time consuming, but the results are well worth the effort.

“Combining watercolor with colored pen, I believe, gives award winning results, which they literally did with Still Life in Red, White, Blue. That included red petunias from our garden. It received Third for watercolor at the Western Washington State Fair.

blue poppy flower petals oil pastel cheryl bush

The glow of light dances around the petals in Cheryl Bush’s oil pastel painting, Blue Poppy.

“Vine Ripened and Peaches featured colored pencil along with watercolor which gave the results I was looking for.”

Every Painting Has a Story

Not only the medium used, nor subject matter, enhance the story of each artwork, Bush adds. During the process of creating the artwork, life happens, and those moments of life incorporate themselves, visually or metaphysically, into the finished piece.  Bush recalls the time she was working on Hailey’s Dahlia, an oil pastel she focused on one summer.

haileys dahlia flower oil pastel painting cheryl bush

Named for Bush’s granddaughter, Hailey’s Dahlia celebrates the joy of life.

“At the time, my daughter was expecting her first child, and she was two weeks late. I joked that she was waiting for grandma to finish her piece.

“The day after I finished the artwork Hailey was born, so I named the piece for her.”

As an added bonus, the painting was accepted into the South Sound Four League Art Exhibit in Tacoma, where it won the Tacoma Mayor’s award.

Another piece, a charcoal of Mount Rushmore, was accepted into the Puyallup State Fair, a fact about which Bush was happy because it was the first show in which she publicly exhibited her work. She was even happier, however, when the drawing sold.

“I was so surprised I borrowed a Polaroid camera to take a picture of it on the gallery wall so I could have it for a portfolio.”

A Light Happy Space for Painting

Retired from a career in education, Bush is grateful that she is no longer restricted to vacation breaks for working on her art.  For years she set up her studio in a corner of the family room, but since moving to Yakima from Pierce County in 2014, she has worked out of a designated studio room in her house. Ledges on the wall hold finished paintings, and storage cabinets keep in one place all the accoutrements for artistic creativity. It is a light, happy space, and she spends many hours there. That happiness finds its way into her art.

“I believe that God has given us this beautiful world to enjoy, and I love to create works of art that reflect the beauty of His creation,” Bush says.

“It is rewarding when I can bring joy and a smile by bringing happy memories to mind with my work.”

Wenaha GalleryCheryl Bush is the featured Art Event at Wenaha Gallery from May 10 through June 6, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

hiking mountains landscape forest woods pastel kingman

Determined and Persistent: Pastels by Marlene Kingman

hiking mountains landscape forest woods pastel kingman

Camping and hiking provide excellent opportunities for pastel artist Marlene Kingman to capture the landscape on paper. Hiking Trip, original pastel painting by Marlene Kingman.

You wouldn’t think it would be necessary to say this, but it is:

Not everyone likes doing the same things.

And if you don’t — when you don’t — fit into the paradigm that society or its establishments determines as the norm, you either have to be very determined (“difficult,” some people say) or go in a direction you don’t like. Artist Marlene Kingman opted to do the former.

“As early as elementary school, I realized that art and creativity were my preferred classes,” the Richland, WA, pastel and oil painter says.

“I tolerated math and science, but what I really focused on were the classes in art and music.”

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It’s a quiet moment, of of stillness and calm in Marlene Kingman’s original pastel painting, Coastal Bog Evening.

In a world where science, technology, engineering, and mathematics (STEM) stand on pedestals, Kingman’s statement verges on blasphemous, but throughout her life, she has remained committed to the world of art. It started with those elementary and later high school classes, when, along the way, an exceptional art teacher allowed her access to the studio while other children were at recess. Later, she studied Fine Art in college, but life being what it is, changed her major to Commercial Design and then Architecture, resulting in a career that was “totally contrary to artwork,” as she describes it. It took an extra dose of determination to keep her skills in art not just alive, but thriving.

Determined to Create Art

“Throughout my architectural career, I continued to work in pastels and photography to maintain a creative venue,” she explains. During that time as well, she met other artists who encouraged her through teaching and example. One of those was Ruth Stromswold, an area painter who taught art following the Renaissance method.

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Light and shadows interplay over and around a trio of pears in Marlene Kingman’s original pastel painting, Unwrapped.

“This process starts with studying value, composition, rhythm, unity, balance, and harmony necessary for a painting to capture and hold a viewer’s attention.

“For over four years, I attended regularly scheduled classes learning both oil and pastel painting.”

She also attended and continues to attend workshops, both in plein air and studio settings, under Jim Lamb, Leslie Cain, Paul Murray, Wally Mann, and Richard McKinley.

“I recognize that masters of any profession achieve their talent through continued education.”

Fully Immersed in the Moment

Mount Rainier wilderness landscape forest pastel kingman

Mt Rainier is a place one wants to immerse oneself in, as Marlene Kingman does in her pastel painting, Mt. Rainier.

Now retired, Kingman is finally able to immerse herself in her artwork, and divides her time between painting, volunteering at the Gallery at the Park in Richland, camping, hiking, and traveling to the various galleries where her art is shown. Although she enjoys working in both the studio and out on the field, there is a persistent tug about plein air painting that prompts her to shut the door to her studio and head out into the wild, paints and pastels in hand.

“My most enjoyable moments as an artist are when I do plein air painting.

“There is nothing that equates to doing a sketch or painting while being totally immersed in the surrounding environment.

“I find plein air painting the most challenging but rewarding experience of capturing the essence of the environment into your work.”

Reaping the Benefits of Being Determined

Kingman is a member of numerous art societies, including Plein Air of Washington, the Northwest Pastel Society, Arizona Pastel Society, and the Pastel Society of the West Coast. She has participated in juried shows throughout the Pacific Northwest, and for the last 12 years has been a part of the Kennewick, WA, First Thursday Art Walk Tour at You and I Gallery.

She could have given up at the beginning; lots of people do. But Kingman, like many artists, refused to let the creative element in her bow to the pressures, and paradigms, of societal “norms.” And so throughout her life, she has made a place for art in her life, and now, in this sweet time of retirement that really isn’t retirement because she’s incredibly busy pursuing her second career, she reaps the benefit of determination and persistence.

“All forms of art are challenging,” Kingman observes. “As best described by Edgar Degas, ‘Painting is easy when you don’t know how, but very difficult when you do.’

“Art is where my heart and soul find the greatest satisfaction.”

Wenaha GalleryMarlene Kingman is the featured Art Event at Wenaha Gallery from December 14, 2021 through January 17, 2022.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

chocolate labrador dog ringneck ducks wildlife painting catherine temple

Conventional Advice Is for the Birds — Wildlife Art by Catherine Temple

chocolate labrador dog ringneck ducks wildlife painting catherine temple

As an entry to the Washington State duck stamp contest, Chocolate Lab and Ring-necked Ducks was the 2019/20 winner. Original acrylic painting by Catherine Temple. It pays to ignore conventional advice.

When you follow conventional advice, you generally get conventional results.

Some people are fine with this, but others . . . aren’t. They have a dream, a desire, a goal that impels them through each day, and regardless of how many people tell them what they want is impossible, even silly, they keep striving.

“From early on, I knew that I wanted to be an artist and that animals and birds of all kinds would be my subject matter, but it took a good number of years for my dream to become a reality,” says Catherine Temple, an acrylic painter from Clarkston, WA, who focuses on wildlife artwork and pet portraits.

“While many people thought I had a lot of talent, they weren’t very encouraging of my dream to be a wildlife artist. It could be a nice hobby, I was told, but it wouldn’t earn me a living.

“For years, I tried to go the conventional route with things, but it never worked out well.”

bird wildlife green catherine temple art

Green is the backdrop for a contemplative bird in Catherine Temple’s original acrylic painting, Sunlight and Shadows

It didn’t work out well because Temple refused to give up. She kept painting, focusing on what she loved, what she knew. And what Temple — who grew up on a farm with a father who had a passion for exotic animals — loved was the outdoors, wildlife, animals of all kinds.

A Flamingo among the Chickens

“Our backyard was full of a diverse array of birds and beasts. Flamingos lived near cows and chickens. Small Sika deer lived near exotic pheasants and ducks. There was plenty to inspire me.”

When the farmyard wasn’t enough, Temple wandered off to the wetlands and pastures near her home and built a makeshift blind. There, she sat and observed nature in quiet study. For hours at a time she lost herself watching frogs and dragonflies, birds and snakes.

“It didn’t really matter what creature it was, it eventually made it onto the pages of my sketchbook.” She knew, just knew, that she needed to be an artist.

But, as conventional advice warns, you can’t make a living as an artist. At least that’s what “they” say. Fortunately for Temple, other voices were stronger.

“The animals and birds and wild places continued to call strongly to me, and I would find myself frustrated and unhappy with trying to be something I wasn’t.

“I almost gave up on the dream, but then God opened a door for me.”

ducks waterfowl birds wildlife catherine temple

It takes patience and a soft step to capture wildlife in its home, and Catherine Temple has both. Wetland Jewels, original acrylic painting.

She had painted a portrait of her beloved dog, Jake. People seeing it asked if she were able to paint their pets as well. Soon, she was taking commissions and handling a growing client list. At the same time, she kept painting wildlife, because she simply wouldn’t, couldn’t give up. And in 2016, God opened another door through the duck stamp competition. (As an aside, federal and state duck stamps are not postage stamps, but permits for waterfowl hunters. They additionally offer an opportunity for artists to showcase their work, collectors to enjoy it, and the environment to benefit with sale proceeds dedicated to acquiring and protecting wetland habitat.)

From Pet Portraits to Duck Stamps

“I heard about a duck stamp contest for the state of Delaware. The stamp was to feature a Chesapeake Bay Retriever with Canvasback ducks. I had already been painting many hunting dogs with birds in my pet portrait business, so this seemed a good fit for me. Also, the featured dog was the exact breed I owned, giving me more incentive to give this contest a try.”

marsh wren bird wildlife wetlands painting Catherine Temple

Marsh Wren, original acrylic painting by Catherine Temple

Knowing that duck stamp contests drew some of the best wildlife artists in the country, Temple hoped, at worst, that she wouldn’t embarrass herself, and at best, she would win. She didn’t do the first, but she did do the second.

“When I got the call that I was the winner, I could scarcely breathe. That win changed a lot for me.

“Suddenly, I went from fighting for my dream all those years to stepping into the realm of a recognized wildlife artist!”

Two years later she won her second duck stamp contest for the state of Washington and took second for the Michigan Ducks Unlimited Sponsor Print. She began receiving invitations for solo shows and more contests. Presently, several of her pieces are being considered for the Ducks Unlimited National Art Package.

Unconventional, and Blessed

“I feel I have been particularly blessed and privileged to live in an area where I have access to so much of God’s magnificent creation,” Temple says, adding that almost every wildlife painting she creates comes from a personal experience with that bird or animal.

“It is because of these blessings that I feel compelled to create paintings that showcase God’s handiwork.

“Through my art I hope to bring the wild things to those who may not have the opportunity to experience it for themselves.”

And it all started because she refused to be conventional.

Wenaha GalleryCatherine Temple is the featured Art Event at Wenaha Gallery from November 16 through December 13, 2021.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

 

 

fence landscape corvallis outside sunset painting montgomery

Outside Adventure — Impressionist Landscapes by LR Montgomery

fence landscape corvallis outside sunset painting montgomery

The last light of the waning sun dances across the landscape. Last Light at Corvallis, original oil painting by LR Montgomery

Get outside.

It’s not bad advice, and we could probably figure out, without promotional public service announcements, that nature is a healing place to be. It’s calm, quiet, and peaceful – three inducements to thinking and reflection. For fine art painters, getting outside is a means of capturing the moment so that when people see the artwork, though they are stuck in an office on a rainy day, they can escape to a place worth being in.

river outside banks trees nature warm hearts montgomery

A slow-moving river invites the viewer to slow down as well and enjoy the sense of quiet and peace. Warm Hearts, original oil painting by LR Montgomery

“I paint original impressionist landscapes with emotion,” says LR Montgomery, an oil painter from Spokane, WA, who enjoys both plein air and studio work.

“My landscapes show the hidden secrets of our forests, ponds, tributaries, rivers, boulders and open spaces.

“They express the joy of being outdoors.”

Celebrating Nature with Paint

Montgomery’s personal philosophy is to create uplifting images that generate a feeling of well-being and reflect the beauty of God’s creation. At the same time, he also wants to draw people’s attention to the fragility and sustainability of our natural environments. If we pave over forests and build high-rise corporate buildings in the meadows, we lose precious resources that we can never get back.

So . . . Montgomery actively seeks out and finds the unspoiled, natural places. His happiest painting moments, he says, are those spent outside, regardless of the weather.

spring birch forest woods landscape oil painting montgomery

The colors of spring create an almost audible melody in LR Montgomery’s original oil painting, Spring Birch at Slavin

“I can be found painting out of doors at zillions of Northwest natural areas. I am the Artist in Residence for Dishman Hills Conservancy, so I paint there often.

“Most recently, I have been painting the Palouse, Lake Chatcolet, Spokane River, Little Spokane River, the hills west of Corvallis, OR, and anywhere grapes grow.”

It’s not only when he’s behind the easel that Montgomery enjoys the outdoors. He spends significant time hiking, canoeing, and kayaking throughout the Pacific Northwest, and those outside experiences, eventually, find themselves as paint on canvas or panel.

Getting Outside as Often as He Can

“My art reflects the joy of outdoor adventures.

“Additionally, collectors and organizations often ask me to paint the areas they love or represent. I accept a very limited number of commissions a year.”

trees landscape meadow outside nature blue sky montgomery painting

A bracing blue sky adds to the sense of light and outdoor peace. Blue Halo at Painted Rocks, original oil painting, by LR Montgomery.

Montgomery’s collectors include private individuals, corporations, environmental groups, museums, and educational institutions throughout the U.S., Europe, Russia, China, Mexico, Africa, and Japan. In the Pacific Northwest, his work is in collections at Kaiser Permanente, Spokane Eye Clinic, Pacific Lutheran University, Washington State University, the city of Spokane, Loyola Marymount University, Shriners Children’s Hospital, Providence Medical Center, and the Northwest Museum of Arts & Culture.

“Art is a happy business. People collect it because it brings joy, enhances life, or reflects personal experiences.”

Some families, he adds, have collected his work for generations, and to this day, he remembers the name of his first collector.

“Her name was Helen. I was 12 years old when I painted a watercolor of a cougar, which she and her husband acquired. They inspired my love for the outdoors and being outside in nature through their lifestyle and encouragement.”

In fact, his wife Carole swears that he was born with a crayon in his hand. Her assessment is understandable, given her partnership with him in the painting business: he paints, she is his manager. That responsibility requires as much flexibility, adaptability, creativity, and easygoing humor as wielding the brush.

An Artistic Marriage

“She never knows what will happen next. She may have to drop what she is doing at a moment’s notice to attend to the whims of the art business.

“The left brain of our marriage, she is a great supporter of our creative lifestyle. Her support allows me to focus on painting with purpose.”

And that purpose — celebrating the outdoor world, focusing on nature, pointing people’s hearts toward beauty — is well worth taking time to focus upon. Whether he’s in the comfort of the studio or out on the river bank, doing emergency repairs on the legs of an easel, Montgomery draws upon, and draws viewers into, a world that is far, far from the madding crowd, and crowds, period.

“My paintings bring the ambiance and memories of outdoor experience in. Collectors say they can hear the water and smell the forest.”

Wenaha GalleryLR Montgomery is the featured Art Event at Wenaha Gallery from October 19 through November 15, 2021.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

cabin homestead idaho house watercolor gottschalk

Watercolor Wonder: Art by Cathy Gottschalk

cabin homestead idaho house watercolor gottschalk

A weathered old house captures a homestead moment in the Idaho countryside. Original watercolor painting by Cathy Gottschalk

They say that first impressions are lasting impressions. And while this tends to be true, it isn’t necessarily the best thing. Sometimes, many times, it’s beneficial to re-evaluate how we feel about a person, place, or thing and see if, with time and wisdom, we think differently.

Painter Cathy Gottschalk of Deary, ID, discovered this about watercolor, which, ironically, is now her preferred medium. But it didn’t start out that way:

“In high school, I had a wonderful art teacher who exposed us to all types of mediums. I played around with acrylic, oil, and pottery, just to name a few.

birds wildlife waxwing trio calm gottschalk

Quiet and peaceful, a group of Waxwing birds perches atop the branches. Resting Waxwings, original watercolor painting by Cathy Gottschalk

“But when she introduced our class to watercolor, I quickly gave up on this VERY frustrating loose medium in which the paper curled, the water ran, and the paints blended. I was completely overwhelmed.”

And yet she remained fascinated by watercolor, gravitating toward it through the years in galleries or at local fairs, wondering how it was possible for the artists to control the water and the paint.

“Many years later, at a Christmas show, I came across a display of beautiful and controlled watercolors by a well-known artist in Moscow, ID. I visited with him and learned that he taught classes as well. I was finally ready to give this medium another try. My husband contacted him and arranged for a few private lessons for my Christmas gift!”

Diving into Watercolor

That was it. She was hooked. In addition to being a more patient person at 50 than she was at 15, Gottschalk also learned what a difference high quality paint, paper, and brushes make. She dove headlong into the medium, experimenting with different brands of materials, subject matter, and technique. After her class with the professional artist, she joined the Palouse Watercolor Socius and Idaho Watercolor Society, where she continues her life-long journey of learning through interaction, collaboration, and informational critique with the artists there.

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Cows have a way of communicating by simply staring at you. Mooooove Over, original watercolor painting by Cathy Gottschalk

“At the monthly Palouse Watercolor Socius meeting, we have a show and tell or a critique time before adjourning,” Gottschalk explains.

“This can be scary, informative, as well as confidence building. Another painter may see a problem area that you did not notice or your work may help inspire your friends to try a new technique. It is my favorite part of our meeting, besides the group lunch afterward.”

Gottschalk paints both in her studio and outside in plein air, and appreciates each method. One of her favorite aspects of the latter is the camaraderie with other artists as they scout for new locations, chat while working, and, of course, eat lunch together. Learning happens through face to face interaction, and different people, with different ideas, keep us out of ruts, ditches, and mental carpeted cubicles:

“Seeing what my friends in our group select to paint, most often in the same location, is fun and inspiring.”

Lighting and Weather

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An inviting view complements a duo of inviting chairs in Cathy Gottschalk’s original watercolor painting, Please Have a Seat

One of the biggest challenges with plein air painting, Gottschalk adds, is the weather and the lighting. She starts painting in the morning when the colors are vivid and the shadows are long. Three hours of concentrated effort later, all the shadows have moved, the light is overhead, or the clouds have rolled in. One way or another, the landscape has changed.

“It’s usually time for lunch then, and the bees have gathered and the temperature is hot. My inspiration may have become perspiration, and it’s time to quit for the day.” She packs up and goes home, hoping her next planned excursion will have similar lighting.

Recently, Gottschalk has discovered a new source of reference material for her paintings: old family photos. She enjoys bringing old black and white images to new life by painting them in color.

“I do small sketches and experiment with colors to find the effect I’m looking for. The biggest challenge I have using these old photos is the poor quality of the photos itself.

“However, this is also a wonderful experiment in stretching my ability to improvise, to make up what I think a blurred object is.”

Challenge

Challenge: that’s what it’s all about. What frustrated her at 15 fascinates her now, and wherever she sets up her easel — in the studio, in the middle of a creek, or on her back deck overlooking her own private Idaho — Gottschalk continually experiments, learns, tries and fails, tries and succeeds, and keeps moving forward. In the near future she plans to create her own website, try out guache, play with oils, and vary her watercolor technique. She paints what makes her happy, and is gratified when what results makes others happy as well.

“As long as I’m enjoying whatever medium I’m using, then I’ll continue to produce paintings and gain more confidence as an artist.”

Wenaha GalleryCathy Gottschalk is the featured Art Event at Wenaha Gallery from September 21 through October 18, 2021.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

cat leopart spotted wildlife drawing photorealistic aimee croteau

Colored Pencil Photorealism — Wildlife Drawings by Aimee Croteau

cat leopard colored pencil wildlife drawing photorealistic aimee croteau

Big cats are fascinating, but they don’t often let us get close enough to them for us to see the detail. Aimee Croteau’s photorealistic colored pencil drawings give us that closeup. Rarity, original colored pencil drawing by Aimee Croteau.

The last time you saw an Amur leopard on the street, did you stop to truly look, or did you keep walking?

Okay, so maybe an Amur leopard on the street isn’t a common sight. And if it were, we probably wouldn’t sidle close, stop and stare. But thanks to artists like Aimee Croteau, who creates photorealistic wildlife paintings in colored pencil and airbrush, we can take the time to look, to observe, to absorb the detail of a world we otherwise are unable to get close to.

“With my photorealistic animal drawing, I am above all else demanding that more respect be paid to non-human life,” the Post Falls, ID, artist says.

wolf wings fantasy wildlife colored pencil photorealism aimee croteau

Within the detail of photo realism, fantasy has its place. Reborn, original colored pencil and airbrush drawing by Aimee Croteau.

She works in colored pencil because the medium allows her to render her subject matter with extreme — it’s no exaggeration to say exquisite — detail and precision. The addition of an airbrush background softens the effect, highlighting the finer points of the animal’s form and visage.

Taking Time with Colored Pencil

“Taking the time and physical labor to capture each tiny detail in my subjects indicates the importance I place on them,” Croteau explains. This is also an invitation to the viewer as well. They can take all the time they need to absorb the impact of the image, without the disadvantage of the animal not staying around to be looked at.

“Animals are skittish and hide easily, making them difficult to see and connect with. Drawing them gives the viewer an opportunity to look at an animal they would otherwise not be able to see due to the animal’s elusive nature or their geographic location.

“By drawing animals in a photorealistic style, I imply that they demand more than just a quick glance.”

Nothing about the process is quick, she adds, and that’s intentional. From choosing the subject, to composing the image, to rendering it, Croteau’s artwork reflects a sense of respect that encourages the viewer to join her on the journey. Using photos that she has taken herself or accessed through appropriate licensing or royalty-free channels, Croteau looks for a reference that reflects some aspect of herself: a sense of stillness, an expression, or a specific emotion. She then seeks to capture that element in the drawing, while simultaneously preserving and celebrating the animal’s unique personality.

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Every feather, every detail of plumage shines forth in Aimee Croteau’s airbrush and colored pencil drawing, Cynosure

“I encourage the viewer to more carefully consider the individuality and impact of the wildlife that I represent through my work.”

Details Matter

Attention to detail is a part of life to Croteau, who holds a Bachelor of Fine Arts in Studio Art from Eastern Washington University in Cheney, WA. Citing art as a lifelong passion, Croteau decided to be an artist in high school, and says,

“If I go too long without drawing, or painting, or simply making something, I legitimately get depressed. It’s like a piece of my soul is being neglected if I am not making art.” This is the fundamental reason she started doing art in the first place, she adds.

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Caught in the moment — This Magic Moment, photorealistic colored pencil airbrush drawing by Aimee Croteau

Croteau has exhibited in various group shows in the Spokane, Coeur d’Alene, and Cheney areas, and is most proud of her acceptance into the Terrain Show in Spokane.

“It was a juried show, and there were a little over 1,000 entries. They had to severely narrow that number down to fit inside the actual exhibition space, and the jury chose my work to be included in the show.” Nearly 10,000 people attended the one-night-only show.

The Challenge of Colored Pencils

Croteau’s medium of choice — colored pencils — has many advantages, and some challenges, she says. On the plus side, they are a dry medium, requiring little clean up, and they emit no harsh chemicals or odors. They’re portable, and are perfect for achieving the detail she demands. On the challenging side, they require numerous hours of focused concentration since she is covering a large, flat area using a fine point, with mistakes not easily fixed. And,

“It’s not a fun day when the pencil lead keeps breaking!”

Time, intensity, detail, concentration, patience, respect — all of these elements coalesce in each drawing. It’s worth every minute, every stroke of the pencil, every ounce of concentration.

Thanks to Croteau, we can see, really see that Amur leopard. With the advantage that it can’t see us.

Wenaha GalleryAmy Croteau is the featured Art Event artists from July 27 through August 23.

Contact Wenaha Gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

maple burl clock wood pendulum time leonard mcreary

Time to Create: Clocks by Leonard McCreary

maple burl clock wood pendulum time leonard mcreary

Maple Burl Clock with Pendulum, an elegant way to keep time, by Leonard McCreary

Time.

With the advent of a New Year, it is always a . . . timely subject. Like the air we breathe, time is not something that can be conglomerated, hoarded, or created out of nothing. No matter who we are, or who we think we are, we are given a limited supply.

And then there are trees. When it comes to time, they tend to enjoy a greater chunk of it than humans do. Sequoia, yew, Bristlecone pine — these have lived in the low to mid thousands of years. But even trees reach the end of their time, and when they do, Leonard McCreary has a means of keeping them going:

He makes clocks out of them.

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An array of clocks in maple and walnut, by Leonard McCreary

The Salem, OR, artist has been working around wood for most of his 88 years, having worked as a logger and road builder with artistry on the side. He started making clocks 40 years ago.

Clocking Time in the Workshop

“The father of a ‘kid’ I worked with in the woods gave me a 4′ x 7′ piece of redwood burl. I made a table out of it. After that, I discovered making clocks.

“Most of the wood I use is either cedar, maple, or black walnut, and I cut most of it myself when I was clearing land.”

The wood itself is integral to determining the shape of the finished clock. A cross section cut from the felled tree, each clock reflects the unique shaping that time and weather, environment and circumstances played upon the stem and main wooden axis of the tree. One looks like a bursting star in walnut; another, burled maple, features a swinging pendulum in the midst of a hole in the wood. Still another looked so much like the state of Washington that it wound up being so.

maple burl wooden clock time leonard mccreary

Shaped like a heart, a maple burl clock shows a richness of texture and color, reflecting the life of the tree. By Leonard McCreary

Working out of a shop at his home, McCreary says that the sanding process is time intensive, and when he has brought the shaped piece to a state of perfection, he coats the wood with resin to add a shine.

Each Tree Is Unique

In addition to clocks, McCreary continues to make tables, and later added birdhouses to his repertoire. For years, he sold his work at the Saturday market in Salem, as well as a clock store in Sisters, OR. He wouldn’t describe his clock-making as a labor of love, because it’s not so much work as creative joy. Each piece is as unique as the tree from which it comes, and what it eventually results into being is the result of a “conversation” between McCreary and the wood. Trees, like people, are most interesting when they are most individual.

It is time well spent, McCreary feels. Now retired from logging and road building, he enjoys focused time on creating clocks, and appreciates that there is no hurry about the process. Time is something well worth savoring, appreciating, and using for good purposes.

How we spend it, makes a difference.

Wenaha GalleryLeonard McCreary is the featured Art Event at Wenaha Gallery from December 29, 2020, through January 25, 2021.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

Time to Paint, Timelessly — Impressionism by Lori Pittenger

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Fruit, flowers, and paintings bloom at their right time. Fruition, original oil painting by Lori Pittenger of Ellensburg, WA

 

Do you remember when you last thoroughly, completely, and absolutely lost track of time?

When was it that you were so absorbed in the task at hand, so utterly involved in what you were doing, so deeply immersed in the moment, that you looked up and were surprised to find that hours flew by in what you thought were minutes?

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Every Good and Perfect Gift, original oil painting by Lori Pittenger

For Lori Pittenger, that would be . . . yesterday. Or even this afternoon. The Ellensburg, WA, painter is so untrammeled by time that when she sits at her easel, paintbrush or palette knife in hand, she enters a state of such intensity that she is physically tired, and yet energized, when she is done.

“I love pouring myself into something to express myself and ‘feel,’ always listening to music and painting for hours at a time,” Pittenger says. “I lose myself in it.”

Taking Time to See

Inspired by landscapes, by concentratedly looking and seeing the colors and light in nature, Pittenger works two to three days straight to take a painting from first brush stroke to last. The process of being present in the painting process, she explains, begins with the first few strokes of paint on the canvas.

“After I have loaded my palette, I take a deep breath and know that I am beginning a journey in which I will lose all sense of time and what is going on around me.

“I have committed in my mind to devote an uninterrupted time to focus on what I am creating, really seeing the scene evolving as if I am in the scene: mixing the paint, feeling the brush in my hand, the sound it makes as it strokes the canvas, even the smell of the paint.”

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Golden Beets, impressionism original oil painting by Lori Pittenger

The View Stays the Same, and Changes, with Time

She works in a spacious room in her family’s ranch house where large windows overlook the pastures of Kittitas Valley and its surrounding mountains. There is a sense of peace and well being, integrated with an inherent excitement derived from a view that stays the same, yet changes with weather and seasons. She looks up to look out. When she tires at the easel, she steps away from the painting and returns with fresh eyes. Throughout the process, she photographs the work in progress, especially as it nears completion.

“I view the photo, and it almost always every time reveals something that I hadn’t seen before.

“Sometimes it’s a little something to blend out or fix, but often it’s something surprising or magical that happened unintentionally — like a little glow glimmer or shape that makes me smile with wonder.

“Being fully present while painting opens not only my eyes, but also my mind, to really seeing.”

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Lavish Sunrise, original oil painting landscape with water by Lori Pittenger of Ellensburg, WA.

When Pittenger isn’t intently reviewing her own work, she curates the paintings of others. An artist member of Fine Art America, the world’s largest online art marketplace, Pittenger manages the Impressionism group, which receives hundreds of submissions every week submitted by its more than 500 members. It is her job to winnow those numbers down while giving all members an opportunity to be featured, and arrange the varied artwork into a pleasing gallery wall for visitors and potential buyers to peruse. She also advises members on everything from how to crop images to watching out for copyright infringement. In her “spare” time, she hosts contests on the site.

A Time of Concentration

It makes for a long, concentrated day. But every hour of it, every minute, packs intensity and movement, as does the art that Pittenger creates.

“My paintings always have a deeper meaning that flows out as I am composing and painting,” she says.

“The title and thoughts about life that I get from each artwork fall into place as I finish each piece, and I love writing about them.”

Her day begins and ends with art, she observes. It makes for an excellent sunrise, and sunset.

“Art touches the soul, creates a mood and expresses often what words cannot.”

Wenaha GalleryLori Pittenger is the featured Art Event at Wenaha Gallery from November 3 through December 31, 2020.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.