sundance plein air landscape country watercolor vogtman

Plein Air Complexity — Watercolors by Jan Vogtman

sundance plein air landscape country watercolor vogtman

Sundance, plein air watercolor landscape painting by Jan Vogtman

Plein air painters get used to all sorts of weather. Because of the nature of their studio — outside, in the plain air — they operate without a roof over their heads. Unless, of course, they choose to bring one of their own.

“During the Paint du Nord Quick Draw competition in Duluth, MN, we painted in a huge rainstorm,” watercolor artist Jan Vogtman remembers. “The competition lasted two hours, exactly — they blow a horn to start and stop.”

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Bob’s Pond, plein air landscape painting by Jan Vogtman.

Told to paint what she saw, Vogtman took the challenge literally.

“My painting shows all the artists painting around me with colorful umbrellas.”

Another time, the Troy, ID, painter joined three plein air artist friends out in the wilderness, keeping watchful eye as a memorable storm took an hour to build up.

“When the wind and rain came, we huddled in the car, ate lunch, and had a few beers. But the storm had no intention of stopping anytime soon, so we gave it up and went home.”

Even Vogtman’s trip to Puerto Vallarta, Mexico, had its moments. While the weather was grand during the Andy Evansen watercolor workshop she took there with a friend, sunny skies disappeared on the way back.

“We got stranded in Seattle during the Big Blizzard and got home two days later than planned.”

Not Just the Weather

Weather inconsistencies, however, are so much a part of plein air painting that one comes to accept them as constants. So is the issue of travel. Because landscapes do not transport themselves to the artist’s studio, it’s up to the artist to transport herself. And for Vogtman, who lives on Moscow Mountain, four miles from the nearest city of Troy (population 600), getting together with plein air artist friends for an afternoon of painting often involves significant time in the car.

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Exhibit Bee, watercolor painting by Troy, ID, artist Jan Vogtman

“Because I live rural, my travel time is normally one hour each way.”

Vogtman discovered watercolor 24 years ago while working at the University of Idaho. Side by side with students barely out of high school, she took as many university level art classes as she could while maintaining a full work load. Plein air she discovered in 2009, and since then has competed in regional plein air competitions as well as the event in Duluth. She is a member of the Palouse Watercolor Socius, the Idaho Watercolor Society headquartered in Boise, and the Northwest Watercolor Society in Seattle.

All A’s in Art, Not Math

And while art is something she was interested in from a very early age, it was not something she was able to focus on until she was an adult and had a “real career” in the business and academic worlds. That’s just the way things were when she was growing up, even though all her A’s in school were in art, and not math.

Vogtman recalls the time she entered a drawing competition sponsored by the Minneapolis Art Institute in her hometown.

“I was maybe around 12 years old — and when I saw this competition in the newspaper, I entered. I think the amount of the prize was $250, which had to be used for classes.

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Palouse Falls, watercolor painting by Troy, ID, artist Jan Vogtman

“My parents could not afford to send me then or at anytime for art education. I was told I could not collect the award.”

She went to school to become a secretary. In a career spanning 36 years, Vogtman worked up to Executive Assistant to the Vice President of Northern Europe for the Control Data Corporation in Minneapolis, and later, upon moving to Idaho, served as the Coordinator of the Executive Speaker Series, reporting to the Dean of Business and Economics at the University of Idaho. On retiring in 2000, she challenged herself to dive into the art world, returning to the passion of her childhood.

The Hobby That Became a Business

In addition to plein air, Vogtman paints in her studio, a daylight basement of her home where furry forest friends peek through the window and watch. Most recently, she has added teaching workshops to taking them herself, conducting an introductory course for 20 students at the Center for Arts and History in Lewiston, ID. She has had a studio at the Artisan Barn in Uniontown, WA; earned her merit membership with the Idaho Watercolor Society upon being juried into three annual shows; and served as treasurer of the Palouse Watercolor Socius.

What started out as a hobby has become a business. And what’s perfect about that is how the non-art experience blends and melds well with the brush work of paint.

It’s unexpected, and not something that could have been predicted when she exchanged an art scholarship for business school. Life, though, like weather for the plein air painter, is never static. The best stories — and often paintings — involve the stormy days.

Wenaha GalleryJan Vogtman is the Featured Art Event from Monday, July 29, through Saturday, August 24 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

 

 

painted horse equine animal westernmagical landscape oil painting adszynska

Magical Western Landscapes by Teresa Adaszynska

painted horse equine animal westernmagical landscape oil painting adszynska

It’s a magical moment in the desert. Painted Horse, original oil painting by Teresa Adaszynska of Spokane, WA

Teresa Adaszynska paints the magical moments

One moment, the landscape is grey and flat, almost forgettable.

But then, something very strange and yet very ordinary happens: the sun breaks through, and everything changes. This is precisely the place, the moment, and the emotion that artist Teresa Adaszynska looks for and paints.

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Blue Algae Creek, a magical moment in the country, original oil painting by Polish-born oil painter Teresa Adasznyska

“My eyes are always searching for an enchanted moment in nature,” the Spokane artist explains.

“Sometimes, a particular place I may have visited numerous times before may appear magical on the next visit due to extraordinary light and shadows.”

Born and raised in Poland, Adaszynska began her art career with contemporary abstract work. After emigrating to the U.S. in 1982, Adaszynska started hiking the western states in which she lived — California, Colorado, Washington — until a serious illness interrupted both painting and hiking. Upon recovery when she picked both up again, she found she wanted to paint differently than she had before.

The Magical Western Landscape

“The beauty of the western landscape inspires me, especially the light. It can transform even ordinary places into something magical and extraordinary.”

Recognizing that she needed different skills for representational painting, Adaszynska began a self-directed study program incorporating mentorships, workshops, and painting with fellow artists. For three years, she took formal classes in studio and plein air painting at the Art Students League of Denver, studying under Doug Dawson, Molly Davis, Joe Kronenberg, Terry Lee, and others.

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Encounter on the Trail, original oil painting by Spokane artist Teresa Adaszynska.

Adaszynska paints with a combination of plein air — setting up her easel and working outdoors — and studio techniques. She often begins a work by sketching directly onto the canvas, after she has mentally determined the composition by looking at large abstract shapes, light direction, and values. One of her most memorable plein air moments took place near Kenosha Pass, CO, on a day so magical that she knew she had to paint.

A Not So Magical Storm

“I was more than halfway through with my painting when the notorious Colorado mountain thunderclouds started to build,” Adaszynska remembers. “I do not like being outdoors where there are thunderstorms, so I started to quickly finish and pack up.

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Crossing Water. Any moment in which we see a moose in the wilderness is a magical moment. Original oil painting by Teresa Adszynska.

“The storm was coming very quickly with very dark menacing clouds, lighting and rain. I was very anxious to leave.”

While packing her car, Adasyzynska set the painting on top of her vehicle, and in the commotion of the moment, forgot it was there and drove off. It was only when she arrived at a place of shelter that she realized the painting was gone.

“After the storm was past, I went back to find it.

“I did find my painting, but of course it was completely destroyed.”

Although that was most definitely NOT a magical moment,

“I can laugh about it now.”

Describing her hiking excursions as “too numerous to count,” Adaszynska has taken reference photos of, and painted, the Colorado Rockies, Hollywood Hills in California, Yellowstone National Park, Sequoia National Park, Eastern Washington and Oregon, as well as New Mexico, Utah, Arizona, Texas, her native Poland, the United Kingdom, and throughout Europe. The animals she paints are those she sees on her hikes, although the time she encountered a mama bear with two cubs in the Flatirons near Boulder, CO, she was more interested in extricating herself from the situation than taking a family portrait.

“It was extremely frightening, but I cautiously moved forward out of their area as they just observed me.”

Western Art Collectors

A member of the Oil Painters of America, Adaszynska shows her work throughout the Western U.S. She participates regularly in the Western Art Association National Show and Auction (Ellensburg, WA), Heart of the West and Western Masters (Bozeman, MT and Coeur d’Alene, ID), and the Annual Spokane Valley Arts Council Art Showcase and Auction (Spokane Valley, WA). Collectors of her work reside throughout the U.S., the United Kingdom, and Poland.

Light, camera, painting easel, and action: they join together to create vibrant color and magical mood. It is a mood, Adaszynska hopes, that reflects the beauty of the landscape around her, a landscape she never tires of being in. And while she is happy wherever she is painting, she likes it best when she is doing so outdoors.

“I have a separate studio space in my home,” Adaszynska says. “But I consider the majestic outdoors of the Pacific Northwest as my personal favorite studio.”

Wenaha GalleryTeresa Adaszynska is the Featured Art Event from Monday, July 1, through Saturday, July 27 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

 

Teanaway River oil painting landscape laura gable

Plein Air Magic — The Oil Paintings of Laura Gable

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Teanaway River, original plein air oil painting with a magical air, by Kennewick artist Laura Gable

It’s easy to forget that, when we put something in the back seat of the car, it doesn’t go away.  Artist Laura Gable, however, never forgot what she set in the back seat, and when the time came to retrieve it, she readily and happily did so.

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Furrowed Fields plein air landscape oil painting, with a sense of magic, by Kennewick artist Laura Gable

“In college, I loved all my art classes,” the Kennewick oil painter says, “but they started to take a back seat when my family advised I follow more practical pursuits rather than art (which ‘didn’t make any money’).” So she switched her double major from Art and Accounting to Accounting and Data Processing, and entered a career as an accountant and auditor.

“The funny thing about it,” Gable adds, “is that when these business roles needed anything artistic done (posters, invitations), they came to me and I’d create them by hand.”

So, even though art was sort of in the back seat, it functioned in the capacity of back seat driver, ensuring that Gable always heard — and heeded — its voice. When a job layoff prompted Gable to retrain as a graphic designer, the art in the back seat settled into the passenger seat, and not many years later, took over the driver’s position as Gable turned to painting full time.

Plein Air Painting out of the Studio: It’s Magic, and Magical

Gable now works out of a studio in historic downtown Kennewick, maintaining hours “by appointment” because, on any given day, she is more likely in the field somewhere, painting en plein air, a French term which describes painting outside, as opposed to in the studio.

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Lone Pine plein air landscape oil painting, featuring a prominent tree and a magical atmosphere, by Kennewick artist Laura Gable

“I started doing it before all the Plein Air conventions and hub-bub started, and before everyone was doing it and it became the new buzzword, the new ‘golf,'” Gable says. “I thought I knew how to paint until I went outside, and it was like I had to start all over again.

“Painting outside is a constant learning experience, and nature is a consummate teacher.”

There is the weather — which isn’t always, and frequently isn’t — balmy; there are insects and crawling things and larger creatures and other living and unpredictable elements of nature; and there’s the light, which doesn’t stay conveniently in one place for hours on end. Plein air painting, Gable explains, requires that the artist stop and truly see, processing the colors before her eyes, and letting the brush speak with a few expressive strokes as opposed to many smaller, painstakingly detailed ones.

Expressive and Impressionistic, Magical Plein Air

“I want the work to be expressive and thus impressionistic without defining every blade of grass or every ripple. The eye does a remarkable job of filling in what I leave out if I just give the viewer enough information — in fact, I find it more intriguing when an artist leaves out details and can define something with a few strokes of the brush.

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Tranquil Waters, original plein air oil painting with a magical feeling by Kennewick artist Laura Gable

“It’s magic!”

As a longtime resident of the Pacific Northwest, Gable is intimately acquainted with unmagical grey winter days, which she finds aren’t as difficult to handle when she gets outside to paint. Once there, her increasingly trained eye sees beyond the grey to the subtle colors that are everywhere: lavenders within the clouds; bronzes and golds tucked among the sage of desert grasses; teals and aquas hanging around the steely blues of river water.

Also quite colorful is Gable’s painting clothing, most notably a parka she found on the clearance rack that, with every winter season, increasingly shows the colors of her craft.

Painting Nationally

A member of several prestigious, national artist organizations — including the Oil Painters of America, American Impressionist Society, and Outdoor Painters Society — Gable shows and sells her work nationwide. Her awards roster includes Gold, Second, Director’s, Merit, Memorial, and Honorable Mentions, and her most recent accolade was garnered at a month-long plein air show at the Maryhill Museum of Art in Goldendale.

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Meadows and Cottonwoods plein air landscape, magical painting of trees in the field, by Kennewick artist Laura Gable

Her honorable-mention winning piece, Forest Whispers, was painted near Cascade Locks in the midst of smoke drifting down from the British Columbia fires, blanketing the atmosphere with haze. Coupled with the intense heat of a 100-plus summer day, it made for challenging, but ethereal, conditions as constantly shifting light revealed subtle nuances of alluring, dappled patterns.

“It was another magical moment spent painting,” Gable recalls.

Magical Beauty

That’s what painting is, Gable believes — both magic and magical — dependent upon the skill and soul of the artist to create work that is beautiful and has truth in it. She strives for a delicate balance of technical proficiency with informal spontaneity, the resulting work aiming to draw an emotional response from the viewer.

“I don’t have a political platform — I just want to represent the beauty that surrounds us.

“God is the ultimate creator: I show my impression of what has already been created.”

Wenaha Gallery

Laura Gable is the featured Pacific Northwest artist at Wenaha Gallery from Monday, November 20 through Saturday, December 16, 2017.   Gable will be at the gallery in person Saturday, November 24 from 3 p.m. to 6 p.m., for a special show also featuring The Talented Trio, a family of artists from Kennewick.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

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