bottom blue fusion coral glass bowl art gregory jones pasco

Glass Fusion — Vintage Wave and Coral Bowls by Gregory Jones

bottom blue fusion coral glass bowl art gregory jones pasco

Bottom Blue, a coral glass fusion bowl by Gregory Jones, guest artist at Wenaha Gallery from Pasco, WA

While the question, “What is art?” isn’t about to be satisfactorily resolved anytime soon, what it takes to make and be an artist is less ambiguous:

Determination.

Curiosity.

And the willingness to make a lot of mistakes.

“I am self-taught, and stubborn,” says glassmaker Gregory Jones of Pasco, who works with new and recycled glass to create bowls, plates, and platters using a technique called glass fusion.

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An orange glass wavy bowl, with vintage form fused to modern color choices, by Gregory Jones of Pasco, WA

“The technical aspects of working with glass have been a long and interesting process,” Jones adds, explaining that he began working with glass in the 1970s as physical therapy for his fingers after a hand injury. He started with stained glass, but eventually settled on fusion, which involves joining two or more glass pieces together under high (think 1100 to 1700 degrees Fahrenheit) heat, and often shaping it over a mold.

Calling the three kilns in his studio the heart of his creations, Jones spends a lot of time in the shop attached to his house, with the result that, “I don’t have to far to go to lose myself in my craft.

“I have no day job — I’m retired, and am loving the freedom to create my art.

“Art is so much better than a real job.”

Vintage Wavy and Coral Glass Bowls

Using both new and recycled glass, Jones creates artistic, yet functional wavy glass bowls with a vintage yet modern feel, as well as coral bowls, which look like what they sound like: coral reefs from the sea.

“Nothing inspires me more than the beautiful ocean — with all of that life under the seas, on the beaches.

periwinkle coral blue glass fusion bowls gregory jones pasco

Three Periwinkle blue glass fusion coral bowls by Gregory Jones, glass artist from Pasco, WA

“Coral bowls are proving to be a great challenge and very labor intensive, taking a number of days to make a single piece. I have been inspired to make these by my diving and exploring the Pacific Ocean from Southern California to beautiful Hawaii.”

It’s a process indeed, requiring the laying of glass strips one over another, firing the shape at a temperature far higher than what’s needed to bake a cake, and then annealing — or allowing the hot glass to cool slowly to strengthen the final piece. Then the artist can add more strips and fire again, followed by another annealing. In the final firing, the artist sets the shape over the bowl-shaped mold, often made of stainless steel to withstand the heat, and fires it all up again.

Of course, writing it out in one paragraph grossly simplifies the matter, and a series of sentences does not begin to describe the potential for the unexpected, which happens so much with creative glass making, experimentation, and the continual learning curve that it’s . . . almost expected.

Experimenting with Glass

“It has taken a lot of trial and error to get the pieces I like, and a lot of errors have ended up in the landfills,” Jones says.

yellow fusion glass coral lace bowl gregory jones costalota Pasco

A yellow glass fusion coral bowl, filled with the treasures of the sea, by Gregory Jones from Pasco, WA

“I’ve never been to a workshop — I’ve always been self taught. Maybe that’s why there have been so many errors, but there are also many beautiful and unique pieces which make a lot of people smile.”

For Jones, making people smile is as important as creating the artwork itself, and whether he sells his work or gives it away, success lies in the reaction of the person seeing, and holding, his art. For years, Jones has been creating and gifting the Jewish Star of David to synagogues throughout the Pacific Northwest, out of deep respect for what the symbol means in his family heritage.

“A lot of times I make things just for the love of making a piece and seeing the smile and joy on a person’s face.”

The Challenges of Recycled Glass

When it comes to using recycled, vintage glass — which is increasingly difficult to find — Jones looks for old windows in old buildings, explaining that the bubbles, waves, and imperfections inherent to vintage windows translates into fun and exciting patterns in the final piece. Several contractors in the region keep him in mind when they are dismantling structures, and Jones is constantly up to the challenge of working with a material that is eminently unpredictable.

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Blue fusion wavy glass bowl, a touch of vintage, a touch of modern, by Pasco glass artist Gregory Jones

“After several years and lots of effort, I have developed a workable process that has been very rewarding.”

It goes back to that determination, curiosity, and willingness to make a lot of mistakes.  The result — beautiful artwork and the beautiful people who are drawn to it, is a winning combination indeed.

Meeting People

“My art is a unique way to meet so many people,” Jones says. “There is no boundary as to the type of people you can visit with, and hear the great stories of their lives.

“I think that might be the best part: the people you meet and interact with, and who knows? You may have a new friend.”

Whatever the definition of art, that sounds like an important component.

Wenaha Gallery

Gregory Jones is the featured Art Event artist at Wenaha Gallery from Monday, February 26, 2018, through Saturday, Saturday, March 24, 2018.  He will be at the the gallery Saturday, March 3, showing his glasswork and chatting with visitors from 1 to 4 p.m.  Joining him that day will be artist, writer, and historian Nona Hengen of Spangle, WA, who will be speaking on the Native American/U.S. Government wars at 1:30 and 3, and watercolor artist and musician Roy Anderson of Walla Walla, who will play live music in between Hengen’s talks.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

dove guitar pal obsession roy anderson watercolor painter musician

Beautiful Obsession: Watercolors and Music by Roy Anderson

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Travel Guitar, one of several musical instruments loved, and obsessed, by watercolor painter Roy Anderson of Walla Walla, WA

There’s something to be said about being obsessed. The strong focus and concentration required to acquire and finesse a skill demand time, practice, thought, and . . . obsession.

For Walla Walla watercolor artist Roy Anderson, obsession is part of the road to expertise — and because his interests are varied and diverse, he has a variety of things to obsess about.

dove guitar roy anderson walla walla artist watercolor painter musician

Walla Walla artist and musician Roy Anderson is obsessed by both music and art, and shares both in performances and shows throughout the region

“I am a guitar-playing, fly-fishing, watercolor artist who likes to do still life, portrait, wildlife, and landscape paintings,” Anderson explains. Married to Joyce, a colleague watercolorist who teaches regular painting workshops at Walla Walla Parks and Recreation, Anderson collaborates with his wife to provide exhibitions of art for galleries, restaurants, wineries, and art centers throughout the region.

Art Is His Obsession

A full time painter, Anderson launched his second career in 1995, the day he retired from civil engineering, or as he puts it,

“I am retired. Art is my obsession. Art is my day job.”

Training himself through an extensive array of workshops, Anderson began publicly exhibiting four years later  and has shown his work at the Bonneville Power and Army Corps of Engineers, WSU Tri-Cities, Port of Walla Walla, Whitman College, Walla Walla Community College, and area furniture stores, restaurants, private businesses and professional offices.

For the last 20 years, Roy and Joyce have shared a studio at the Walla Walla Airport in one of the former military complex buildings: “Artport Gallery” announces the sign to the right of the door, upon which Roy has painted an image of the airport control tower standing behind the studio.

“It’s a great getaway,” Roy says of their work space, pointing out that it has light and heat. That it has no water or bathroom is no big deal considering that the windows face north with an open view of the tower and flightline, the studio is spacious, there is no telephone, and it’s an easy two-mile bike ride from the couple’s house.

Obsessed by Subject Matter

In this retreat of artistry, Anderson delves into and completely explores a particular subject matter, painting it from one perspective and another until he feels it is time to move on.

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My Pal Dove, a watercolor portrait of a much beloved obsession, Roy Anderson’s guitar Dove, which has been part of his life for 60 years

“I work within a theme,” Anderson explains. “I determine the theme based upon future exhibition or current obsessions.

“When I coached soccer, I painted portraits of every player.

“When I started teaching ukulele, I painted portraits of every student.

“When I caught a fish, I painted its portrait one inch bigger and brighter than it was.”

Anderson’s most recent obsession, and the theme of his month-long Art Event and upcoming special show at Wenaha Gallery, revolves around musical instruments, specifically those in his personal collection that he has used in his frequent, free, and public performances, which include providing regular music at the Walla Walla Senior Center.

Obsessed by Music and Musical Instruments

“I wanted to eulogize my personal collection of instruments,” Anderson says. “The ‘Dove’ guitar has been with me 60 years. I am committed to the guitar as much as I am to painting — my music composes my art, and the two are one in this exhibition.”

Anderson will perform musically during a special show at Wenaha Gallery Saturday, March 3, from 1 to 4 p.m., in between two historical lectures to be given by artist and writer Nona Hengen of Spangle. The music adds dimension to the art he is exhibiting, Anderson says, and he will be playing on the very instruments that he so carefully painted.

ukulele lady musical instrument roy anderson obsessed watercolor artist

Ukulele Lady, set against an abstract background of striped fabric, by Walla Walla watercolor painter Roy Anderson, who gladly admits his obsession to both painting and music

“Adding sound is very important to viewing each painting — just as it was in producing it.”.

In describing the style of his painting, Anderson says, “Think of stained glass on white paper,” as glazes of transparent watercolors are layered, one over another, on watercolor paper substrate.

“The technical aspect is the most challenging — how to mix and apply the pigment onto watercolor paper. With proper training, watercolor painting is easy.

“The final product is more brilliant than any other painting medium.”

Watercolor: The Perfect Medium

It is, he feels, the perfect medium, and considering that he has created a LOT of paintings in this medium — from fish to ukuleles, from animals to people, from mountains and meadows to a series of domestic rabbits — he is in a place to state his position with conviction and assurance. Maybe even a little . . . positive, confident, enthusiastic obsession.

“Every piece of art is a statement. The subject is always larger and brighter than reality.

“I want the viewer to see and feel. When a painting brings forth a memory or an emotion, it is a success.”

Wenaha Gallery

Roy Anderson is the featured Art Event artist at Wenaha Gallery from Monday, February 12, 2018, through Saturday, Saturday, March 10, 2018.  He will be at the the gallery Saturday, March 3, showing his work and playing live music from 1 to 4 p.m.  Joining him that day will be artist, writer, and historian Nona Hengen of Spangle, WA, and glass artist Gregory Jones of Pasco.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

steptoe battlefield spokane indian wars 1858 nona hengen historical painting

Native American & Pioneer History: The Paintings of Nona Hengen

steptoe battlefield spokane indian native american wars 1858 nona hengen historical painting

Steptoe Battlefield, depicting the war between the U.S. Government and the Spokane, Coeur d’Alene, and Palouse Native American tribes, by Nona Hengen

It’s easy to forget that, for most of history, there were no cameras.

So when we see a movie of an historical event, or an illustration, or a painting, we rely upon the artist’s interpretation of what they thought happened, hopefully based upon scholarly historical research.

steptoe government indian native american wars historical painting nona hengen

Steptoe Meets the Coeur d’Alene, historical painting of the U.S. Government and Native American conflict, by Nona Hengene

“There are no photographs, no ‘cast of thousands’ to help establish placement, maneuvering, long shots, medium shots or close-ups for cameras,” says artist and historian Nona Hengen, who has spent 30 years researching, and painting, the “Indian Wars” of the Inland Northwest. One of Hengen’s focus has been the Steptoe Battles of 1858, in which government troops led by Colonel Edward Steptoe were routed and defeated by the Spokane, Couer d’Alene and Palouse tribes.

On the eve of the Civil War, this battle, also known as The Battle of Pine Creek, set into motion events that led eventually to the extermination of the Native Americans’ traditional way of life. And because this happened in the region where Hengen presently lives, she has studied it, spoken on it, and painted it extensively. It’s what she does: she brings history to visual life, whether that history is the war between the Native Americans and the U.S. government, the life of the pioneers and immigrants in the region, or even carousel horses.

History and the Present

horse buggy nostalgic history vintage painting nona hengen

Don’t Sell the Horses Yet, Bob! Vintage nostalgia, capturing early 20th century pioneer life, by Nona Hengen

“The subject matter of her realistic canvases are the houses, the barns, the tractors, the horses, hills, and fields of the Palouse country,” wrote Dr. W. Robert Lawyer, director of libraries at Western Washington University, in an introduction to a showing of Hengen’s works in Bellingham.

“Her deep attachment to the land and to country  life, coupled with her fine powers of observation, find expression in genuine recreations infused with the life, the strength, the vigor, the loneliness, and the vastness of life in the country.”

Hengen, who at 10 years old wrote to her uncle that she planned to be an artist, took the long way round, earning her PhD in education and history, then teaching at universities, because there were no art schools in the area. When her mother became ill, she returned to the 1904 family homestead in Spangle, later settling in permanently and picking up the dream she had set aside 23 years before.

carousel odyssey vintage nostalgia horses nona hengen poster

Carousel Odyssey, an exploration of a different kind of history, by Nona Hengen

She began writing and illustrating for numerous magazines — Cats and Kittens, Dog and Kennel, Bird Times, Wheat Life — and authored 16 books on life in the Palouse region. Her artwork appeared on cards from Leanin’ Tree, as puzzles from Sunsout, and on the front page of the 1998 Voters Pamphlet. National Geographic has contacted her, seeking permission to include paintings from her historical series in two recent publications.

Preserving the Barn, and History

In 2014, Hengen applied for, and received, a grant to restore the homestead’s historic barn, which now houses a generous selection of her many, many paintings. By appointment, she shepherds interested groups through the gallery, explaining the rich and diverse history of the area, seeking to show the people of today their connection to the people of the past, whether those people were the pioneers, or the people who were here long, long before that.

To bring this life to visual life, Hengen pores over historical accounts: diaries, memoirs, letters, sketches by eyewitnesses, and then adds a dose of artistry to the research. For one of her historical works, Horse Slaughter Camp, depicting the U.S. Army’s shooting of more than 800 Indian horses in 1858, Hengen relied heavily upon the cooperation of her Quarter Horse, Sam.

“I spent numerous leisure moments on hot days observing my horse cooling himself off in a dust wallow he had made for himself in the farmyard,” Hengen explains.

horse slaughter camp history government indian native american wars nona hengen

Horse Slaughter Camp, a depiction of the U.S. Army’s shooting of 800 Native American horses by Nona Hengen. Hengen’s quarter horse, Sam, served as the principal model for this artwork.

“I would nudge him and coax him to pull himself up on his front legs, giving me opportunity, sketchbook in hand, to observe the ‘getting up’ maneuver.

“At other times, he seemed to say, ‘Really? And just what is the purpose of this unwarranted pestering and intrusion into my naptime?'” Eventually, many photos and sketches later, Hengen had the material she needed to work out a composition.

Native American and Pioneer Life

It’s a combination of history, research, reading, sketching, writing, artistry, and imagination, and the result is a body of work that invites the past into the present, encouraging people of modern day to notice not only the differences between the eras, nor the similarities as well, but the pain and the joy, the injustice and the adventure.

Such is human history: family, hard work, leisure time, hopes, dreams, disappointments, the day to day activities that comprise a lifetime, violence, peace — it can all be found in the Palouse region.

“These are the sorts of subjects that revive family memories and look back at the experiences of pioneering in the Palouse — in short, the tie to the land, and the shared bonds of a life lived in earlier times.”

Wenaha Gallery

Nona Hengen is the featured Art Event  at Wenaha Gallery from Monday, January 29, 2018, through Saturday, Saturday, March 3, 2018.  She will speaking at the gallery Saturday, March 3 at 1:30 and 3, discussing the U.S. Government/Native American conflicts of the Inland Northwest. Joining her that day will be watercolorist Roy Anderson of Walla Walla and glass artist Gregory Jones of Pasco.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

 

horse equine painting chocolate chip zippo debbie hughbanks

Animal Lover — Horse & Wildlife Paintings by Debbie Hughbanks

horse equine painting chocolate chip zippo debbie hughbanks

Chocolate Chip and Zippo, equine horse art by Debbie Hughbanks

She was the little girl who was certain, every year, that she would get a horse for Christmas.

That she lived in town was no obstacle to Debbie Hughbanks, who now, as a grown-up, specializes in creating wildlife, equine, and domestic animal paintings.  Now also — as a grown up living in the country — she does own a horse (two, actually), and the dreams she had as a child result in artwork celebrating country living, western art, and the “cowboy lifestyle.”

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Coyote Winter, wildlife animal painting by Debbie Hughbanks

“I am extremely passionate about animals,” the Loon Lake pastel, scratchboard, and acrylic painter says. “I feel that animals are an extremely important part of our existence and should be treasured and celebrated by human beings, and that is what I attempt to do through my art.”

Frequently exploring a particular theme — ranging from cowboy boots to birds and glass bottles — Hughbanks enjoys creating a series of pieces, seeking to elicit a strong emotion in connection to each image. Connecting with viewers on universal or shared emotions, Hughbanks feels, is one of two-dimensional visual art’s major strengths: nostalgia, poignancy, pathos, joy, wonder — art is capable of evoking a full range of human feelings.

A Forgotten Animal Toy, Always Remembered

“One painting I did, Long Forgotten, is part of a series based upon forgotten toys/things — it shows a toy once well loved, played with often, then left behind and forgotten as the child becomes older and moves on to more grown up toys,” Hughbanks says.

long forgotten childhood baby pull toy blue elephant debbie hughbanks

Long Forgotten, a childhood animal toy that tugs on the emotions, by Debbie Hughbanks

Belonging to one of her grandsons when he was a baby, the blue elephant pull toy in the painting had a smile on its face when it was brand new, “but I imagined his toy heart was breaking as he sat abandoned in the corner, so I turned his smile upside down.”

Another work, Kindred Spirits, featured a happier ending for the subject matter. Selected for the Trail of Painted Ponies three-dimensional painted horse sculpture contest, the work was eventually licensed and sold through Dillard’s Department Store and turned into a collectible figurine.

“That little pony went all over the world!” Hughbanks marvels.

Animals Traveling the World

Not only the little pony, but Hughbanks’ art portfolio travels the planet, some of the more far flung venues embracing collectors in Australia, as well as a piece selected for show at Qingdau City, China, as part of the Artists for Conservation International Exhibit. A member of numerous professional organizations, including American Women Artists, Women Artists of the West, and the International Society of Scratchboard Artists, Hughbanks is accepted into many prestigious shows each year, and in addition to painting the works, she has become an expert at packaging and mailing them.

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Sleeping on the Job, feline cat animal painting by Debbie Hughbanks

“I am kept fairly busy shipping work to shows and collectors,” Hughbanks says. “A good box is ‘key’ to shipping successfully . . . I wrote an article, Shipping Pastel Paintings for the Faint Hearted, that addressed shipping if you don’t purchase one of the professional art shipping boxes.”

Hughbanks’ resume of awards and publications in which she has appeared is long, with Best of Show, 1st, 2nd, 3rd, Honorable Mention, Juror’s, and People’s Choice Awards ranging from the Kittitas Fair Poster Award of the National Western Art Auction in Ellensburg to making the Top 40 in the Wyoming Conservation Stamp Competition in Cheyenne, WY. Her work has appeared in Wildlife Art, Western Horseman, Cowboys and Indians, Western Art Collector and Art Chowder Magazines, and was cover art on The Journal of the American Veterinary Medical Association.

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Out of Serengeti, wildlife elephant animal painting by Debbie Hughbanks

Crayons for Grown-ups

It’s a lot of activity generated from a former children’s bedroom turned into studio, and Hughbanks retains the enthusiasm of a child when it comes to her full-time vocation as an artist. She loves using acrylics, because they dry quickly, which is the same reason why she finds them such a challenge. And when it comes to pastels, well, they’re like crayons for grown-ups:

“I LOVE the immediacy of the medium, as well as its tactile nature. Since I do most of my pastel work with my fingers, I do become quite literally involved with every piece — very connected.

“At the end of the day, I am usually covered from top to bottom with color. But what fun!”

Horse, Wildlife, Elephant and Fun

It is fun, the dream day job that incorporates the things that mean most to her, and fulfill the yearnings of that long ago little girl who faced every Christmas morning . . . without a horse. It  took awhile, but now she lives that dream come true.

“I just want to paint the subjects that I am passionate about, and in doing so, I hope my work will bring a little joy or happiness to those who view it.

“I hope my paintings make people smile or possibly remember fond memories.

“Good times — things like that.”

Wenaha Gallery

Debbie Hughbanks is the featured Art Event  at Wenaha Gallery from Monday, January 2, 2018, through Saturday, February 10, 2018.  

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

harvesters two sisters children picking autumn grapes steve henderson

Community Giving — All Year Round

harvesters two sisters children picking autumn grapes steve henderson

What is a community, really, but a family of human beings who share their resources? The Harvesters, by Steve Henderson

Life happens.

And while there are other, more expressive ways of voicing this observation — some singularly  inappropriate for the family newspaper — the intimation is the same: people lose their jobs, get sick, or have an accident, resulting in life not going on the way it did before.

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Food is a celebration, a necessity, and a gift. Art of a Peel by Ken Auster

When we learn of another’s pain, our common response as decent human beings is to feel a sense of sympathy, sometimes going beyond this to see what we can tangibly do to help our fellow humans in their distress. After all, we realize, the unexpected blows of life can hit any of us, at any time.

But sometimes, in our effort to keep our own world secure and safe (because who wants to feel that we can be hit, randomly, by a meteorite?) we probe and parse the issue:

“I bet he was texting too much at work. Maybe a little alcohol problem there, too, eh?”

“I heard she smoked a lot when she was younger. It was lung cancer, wasn’t it?”

“All those kids in the car making noise — it’s a clear case of distraction and not paying attention. Distracted driving is against the law in this state.”

We Are a Community of Family, and Families

And then, once we imagine a possible cause unlikely to mirror any in our own experience, we’re off the hook when it comes to feeling compassion, because, really, the person sort of deserved what they got. It’s tempting to assign a mental number to the tragedy — with 1 accorded very little sympathy because the person acted foolishly and really should have foreseen the consequences and 10 scoring high because this tragedy was in no way the person’s fault.

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Things seem bleaker, and colder, in the winter, especially after the holidays. Candleman by James Christensen

But there are problems with this natural tendency to sort through our world and makes sense of it by classification, notably,

  1. We are not gods, and never, ever know the full situation, and
  2. Because we are not gods, we chronically, consistently, and masterfully make very human mistakes, many of which frequently do not — fortunately for us — result in our getting the desserts we “deserve.” But sometimes . . . they do.

A wise person once said that the criteria we use to judge others will turn around and be used thusly on us ourselves, and if this is so, it is sensible to approach the misfortunes of others with compassion, understanding, thoughtfulness, and empathy — reactions we ourselves embrace with relief when undergoing our own trials.

Supporting Our Community

It is with this awareness that Pat and Ed Harri, the owners of Wenaha Gallery in Dayton, started an annual canned food drive at the gallery, with everything collected during the month of January dedicated to the Community Food Bank in Dayton.

“We purposely chose January, because during the Christmas season, there is so much focus on gift-giving and celebration that once you are over the seasonal holidays, people are almost burnt out,” Pat explains.

Canned food community drive wenaha gallery

It’s a sculpture of canned food, representing the bounty given by community members to the Dayton Food Bank

“But when it comes to helping people, this is a need that exists all year. And January can be a very cold, bleak month.”

Entering somewhere around its tenth year (Pat isn’t sure), the Annual Canned Food Drive regularly brings in some 500 pounds of food, spanning everything from tuna fish and diced tomatoes to artisan chocolate bars and organic sugar. The gallery collects it through the month and creates an artistic display, one that changes as new items are dropped off.

Having Fun Giving Back

“We’ve had several  people through the years who really get into the spirit of the giving,” Pat says. “They go shopping especially for our canned food event, and ask themselves — ‘What would I buy to put in my own cupboard?’ and that’s what they bring.” Others burrow through their pantries and gather largesse. All leave off their wares with a sense of satisfaction and joy.

It’s fun — and humbling — to see what arrives each day, Pat adds, and by the end of the month, what starts out as a trickle winds up as a flood. Before food bank volunteers arrive to cart the food away, the gallery staff enjoys setting up the totality and taking a photo, adding with it their own warm wishes to fellow community members who are going through a tough time.

“The cans of food that people bring in are gifts — gifts to people in our community who are having a hard time and need encouragement from others,” Pat says. “I never cease to be amazed at the generosity of the people in this area.”

Wenaha Gallery

The Annual Canned Food Drive is the featured Art Event  at Wenaha Gallery from Thursday, December 28 through Wednesday, January 31, 2018.  During this time, for every can or non-perishable item of food brought into the gallery, the giver will receive $2 off their next framing order, up to a total of 20% off. Additional cans brought in after the 20% maximum will apply toward a subsequent framing order.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

tea towel aprons by sewist kathy snow

Sew Happy — Fiber Artist Kathy Snow Creates the Perfect Gifts

tea towel aprons by sewist kathy snow

A series of decorative apron towels, to be used in the kitchen or worn by a doll, by sew happy sewist Kathy Snow

Santa Claus could use a person like Kathy Snow on his staff, and not just because her last name fits well into his company theme.

Nor is it because the Dayton sewist  (a recently coined term that combines the words “sew” and “artist”) creates doll clothes to fill the dream wardrobe of every child who owns and loves an 18-inch American Girl style doll.

holiday themed nostalgic hand sewn aprons by kathy snow

Holiday themed, hand sewn aprons with a nostalgic flair, by sewist Kathy Snow

Snow’s prowess with the sewing machine, and her ability to transform fabric, notions, lace, and buttons into intricately sewn items of art, approaches a proficiency that borders on wizardry, a level of achievement in line with what St. Nicholas demands at his North Pole shop.

Appropriate for the correlation, Snow discovered the magic of hand sewing as a 9-year-old child, fully launching into the craft in 7th grade, when she took a sewing class and decided to never stop.

The Sewist in the Studio

“I have made LOTS of things in my lifetime,” Snow says. “Dresses for myself, dresses for my daughter when she was growing up, costumes for her and my grandchildren. I have made many many things through the years that I have given away to family and friends.”

Snow’s present passion focuses on dresses, coats, nightgowns, jackets, slacks, skirts, and blouses for those 18-inch dolls, which she purchases on sale at box stores and decks out in fashion for every season. But that doesn’t mean she doesn’t have time to create a multiplicity of items from fabric, ranging from kitchen tea-towels that look like old fashioned aprons (and fit, incidentally, an 18-inch doll, should you happen to have one on hand) to quilts, from full-sized 1930s style aprons for full-sized humans to Christmas stockings.

quilted christmas stockings by sewist kathy snow

Quilted Christmas stockings by sewist Kathy Snow, sewing holiday happiness of which Santa would approve

“I  get involved in making other things that steer me away from the doll clothes,” Snow says. “I tend to start too many things at the same time, but I do  manage to get things done, just not as quickly as I once did.”

Business Is Sew Good

After all, she does this for fun, although like many endeavors we start, fall in love with, and get really proficient at doing, Snow has turned a lifetime love into a business, and operates a regular booth at the Village Shoppes in Dayton. After retiring four years ago from her position as a pharmacy technician, she finds time to spend in her basement sewing studio, complete with the ironing board that is supposed to easily fold away, but never does; a wall peg board loaded with thread and other notions; and a prominent sign that announces, MY HAPPY PLACE.

“And of course, I have cupboards of fabric and lots of totes full of fabric — Imagine that! Sometimes I wonder if I will get all of this sewed up into something.”

matching doll and girl frilly dresses by sewist kathy snow

Frilly, matching dresses to fit a doll and her girl, by sewist Kathy Snow, sewing good cheer throughout the year

And while Snow has been sewing pretty much all of her life, she’s managed to tuck in a few unexpected experiences between the seams, so to speak, offhandedly mentioning that she used to sing professionally, notably in California with the Doodletown Pipers, an easy listening group of the 1960s and early 1970s, as well as The Kids Next Door group at Walt Disney World in Florida, in 1972. After her daughter was born, she left the music business, but that’s when she discovered the County Fair:

“I entered several items I had made and won several First Place, Second Place, and Third Place ribbons.” If she wasn’t hooked on sewing before, she was now.

Sewing Happiness

But actually, it’s all about the sewing, whether the work sells (it does) or whether it wins ribbons (how can it not?). The items Snow creates in her Happy Place spread a message of joy to whoever buys or receives the final work, and in these glad tidings, Santa would be pleased as well, because Snow’s mission statement closely parallels his own.

“This is something that I choose to do for fun, and hopefully if I sell some things that make others happy, that makes me happy.

“That’s what I want to do: make others happy with the things I create.”

Wenaha Gallery

Kathy Snow is the featured Pacific Northwest artist at Wenaha Gallery from Monday, December 4 through Saturday, December 30, 2017.   

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

Teanaway River oil painting landscape laura gable

Plein Air Magic — The Oil Paintings of Laura Gable

Teanaway River plein air magical oil painting landscape laura gable

Teanaway River, original plein air oil painting with a magical air, by Kennewick artist Laura Gable

It’s easy to forget that, when we put something in the back seat of the car, it doesn’t go away.  Artist Laura Gable, however, never forgot what she set in the back seat, and when the time came to retrieve it, she readily and happily did so.

plein air landscape magical oil painting eastern washington laura gable

Furrowed Fields plein air landscape oil painting, with a sense of magic, by Kennewick artist Laura Gable

“In college, I loved all my art classes,” the Kennewick oil painter says, “but they started to take a back seat when my family advised I follow more practical pursuits rather than art (which ‘didn’t make any money’).” So she switched her double major from Art and Accounting to Accounting and Data Processing, and entered a career as an accountant and auditor.

“The funny thing about it,” Gable adds, “is that when these business roles needed anything artistic done (posters, invitations), they came to me and I’d create them by hand.”

So, even though art was sort of in the back seat, it functioned in the capacity of back seat driver, ensuring that Gable always heard — and heeded — its voice. When a job layoff prompted Gable to retrain as a graphic designer, the art in the back seat settled into the passenger seat, and not many years later, took over the driver’s position as Gable turned to painting full time.

Plein Air Painting out of the Studio: It’s Magic, and Magical

Gable now works out of a studio in historic downtown Kennewick, maintaining hours “by appointment” because, on any given day, she is more likely in the field somewhere, painting en plein air, a French term which describes painting outside, as opposed to in the studio.

forest tree plein air magical landscape oil painting laura gable

Lone Pine plein air landscape oil painting, featuring a prominent tree and a magical atmosphere, by Kennewick artist Laura Gable

“I started doing it before all the Plein Air conventions and hub-bub started, and before everyone was doing it and it became the new buzzword, the new ‘golf,'” Gable says. “I thought I knew how to paint until I went outside, and it was like I had to start all over again.

“Painting outside is a constant learning experience, and nature is a consummate teacher.”

There is the weather — which isn’t always, and frequently isn’t — balmy; there are insects and crawling things and larger creatures and other living and unpredictable elements of nature; and there’s the light, which doesn’t stay conveniently in one place for hours on end. Plein air painting, Gable explains, requires that the artist stop and truly see, processing the colors before her eyes, and letting the brush speak with a few expressive strokes as opposed to many smaller, painstakingly detailed ones.

Expressive and Impressionistic, Magical Plein Air

“I want the work to be expressive and thus impressionistic without defining every blade of grass or every ripple. The eye does a remarkable job of filling in what I leave out if I just give the viewer enough information — in fact, I find it more intriguing when an artist leaves out details and can define something with a few strokes of the brush.

tranquil waters river plein air magical landscape oil painting Laura Gable

Tranquil Waters, original plein air oil painting with a magical feeling by Kennewick artist Laura Gable

“It’s magic!”

As a longtime resident of the Pacific Northwest, Gable is intimately acquainted with unmagical grey winter days, which she finds aren’t as difficult to handle when she gets outside to paint. Once there, her increasingly trained eye sees beyond the grey to the subtle colors that are everywhere: lavenders within the clouds; bronzes and golds tucked among the sage of desert grasses; teals and aquas hanging around the steely blues of river water.

Also quite colorful is Gable’s painting clothing, most notably a parka she found on the clearance rack that, with every winter season, increasingly shows the colors of her craft.

Painting Nationally

A member of several prestigious, national artist organizations — including the Oil Painters of America, American Impressionist Society, and Outdoor Painters Society — Gable shows and sells her work nationwide. Her awards roster includes Gold, Second, Director’s, Merit, Memorial, and Honorable Mentions, and her most recent accolade was garnered at a month-long plein air show at the Maryhill Museum of Art in Goldendale.

plein air magical landscape tree field meadow oil painting laura gable

Meadows and Cottonwoods plein air landscape, magical painting of trees in the field, by Kennewick artist Laura Gable

Her honorable-mention winning piece, Forest Whispers, was painted near Cascade Locks in the midst of smoke drifting down from the British Columbia fires, blanketing the atmosphere with haze. Coupled with the intense heat of a 100-plus summer day, it made for challenging, but ethereal, conditions as constantly shifting light revealed subtle nuances of alluring, dappled patterns.

“It was another magical moment spent painting,” Gable recalls.

Magical Beauty

That’s what painting is, Gable believes — both magic and magical — dependent upon the skill and soul of the artist to create work that is beautiful and has truth in it. She strives for a delicate balance of technical proficiency with informal spontaneity, the resulting work aiming to draw an emotional response from the viewer.

“I don’t have a political platform — I just want to represent the beauty that surrounds us.

“God is the ultimate creator: I show my impression of what has already been created.”

Wenaha Gallery

Laura Gable is the featured Pacific Northwest artist at Wenaha Gallery from Monday, November 20 through Saturday, December 16, 2017.   Gable will be at the gallery in person Saturday, November 24 from 3 p.m. to 6 p.m., for a special show also featuring The Talented Trio, a family of artists from Kennewick.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

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talented trio artists rastovich ostergaard

Talented Trio — Three Different Artists Keep it All in the Family

talented trio artists rastovich ostergaard

The Talented Trio of Michael Rastovich, LuAnn Ostergaard, and Joseph Rastovich inspire one another to heightened creativity

We’ve all heard that two heads are better than one.

But then again, too many cooks spoil the broth. And because it’s wise to take all maxims with a grain of salt, we recognize that the truth lies somewhere in between.

Numachi abstract photograph print LuAnn Ostergaard talented trio

Numachi, abstract photograph print by LuAnn Ostergaard, one of the Talented Trio family of artists

Such is the experience of the Talented Trio — a husband/wife, parent/son amalgamation consisting of Michael Rastovich, illustrator and animator; his wife LuAnn Ostergaard, digital abstract photographer; and their son Joseph Rastovich, metal sculpture artist of both home decor and public art.

The Kennewick family works, lives, collaborates, encourages, critiques, and innovates together as professional artists, or as LuAnn puts it,

“We are closely connected in our personal lives, and it shows in our collaborative, creative professions as artists. There’s a lot of cooperation. We work together to help the others with inspiration, new ideas, and methods of creating.”

Joseph agrees, wryly observing:

“Art by committee is fraught with difficulties.

“However, when the right minds come together, the synergy can create outstanding results.”

Joseph: “Powerful Brainstorming” by the Talented Trio

Crediting his parents as critical mentors in his creative career, Joseph describes “powerful brainstorming” sessions featuring (three) different perspectives, sometimes vastly contrasting, with an outcome that is often superior to the original single perspective.

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A metal sculpture home decor lamp by Joseph Rastovich, the youngest member of the Talented Trio

For Joseph, art has been a part of his life since childhood, growing up with full-time artist parents, and being “unschooled” in a creative environment that allowed him to have the time, freedom, and tools to create whenever he wanted. By the age of 25, he had installed 11 public art projects throughout the Pacific Northwest, in addition to creating an array of home decor wall art and furniture that he sells through various art galleries, festivals, and retail stores.

“He literally grew up with a paintbrush in his hand, and flourished as a young artist,” LuAnn says.

LuAnn: Leaving the Corporate World

She, however, experienced a different world before she entered that of a full-time independent artist. Though LuAnn comes from a long line of artists dating back to her great grandfather, she started out in a corporate work environment. The memory of a different way of doing things enhances her gratitude for the way things are now.

“After spending five years working in a windowless office with a powerful, good -paying job in the corporate world, I made the decision to take the journey as an artist,” LuAnn says.

“Some evenings, when I came out of the building to go home after work, I would see a glorious sunset and realize I was missing it. I would just stand there, reveling in it as it quickly faded away.”

chalice drawing colorful michael rastovich illustration talented trio

Chalice, original drawing by Michael Rastovich, the patriarch of the Talented Trio

She wanted to do work that she believed in, experiencing a flow of creativity in which she expressed her own ideas. Seeing the world with an intensity that caused her to notice thing other people didn’t, she wanted to bring her creative visions to tangible reality. So when she walked away from her corporate job, she never looked back: every day since then reaffirms that decision.

“I take pride and have a sense of accomplishment when completing my creative work for the day.”

Michael: A Passion for Drawing

Michael knew from a very young age that he was an artist, incorporating both commercial and independent work into his professional dossier: he does design, animation, illustration, etching, digital, and graphics, with his true passion being drawing.

“I have spent my life trying to understand our world, by drawing it,” he says. “The challenge of seeing the world, and suggesting its forms with accuracy, economy and simple tools is joyful for me.”

Michael studied under master artists Siegfried Hahn and Howard Wexler, living in an adobe hut in the New Mexico desert while honing and perfecting his skills. He has worked for a museum design company in Portland, OR, creating conceptual drawings for the creation of new museums through the U.S., and presently develops animation projects for businesses of all sizes and scope. He also custom builds the framing boxes upon which LuAnn mounts her digitally enhanced, abstract photographs.

A Trio of Talent and Collaboration

It’s all part of working together.

“As a family of working artists, we spend nearly every waking moment creating and helping each other with our creations,” Michael says. “Over the years, we have each developed specific skills, and we depend on each other for support in this sometimes challenging, but always rewarding, life as artists.”

“Holidays, weekends, and down-time are meaningless,” LuAnn adds. “You are an artist, and your life’s work is all that matters.

“You were born to be an artist, and it is your purpose in life and your life’s work — you can do nothing else.”

Wenaha Gallery

LuAnn Ostergaard, Michael Rastovich, and Joseph Rastovich are the featured Pacific Northwest artists at Wenaha Gallery from Monday, November 6 through Saturday, December 2, 2017.   The Talented Trio will be at the gallery in person Saturday, November 24 from 3 p.m. to 6 p.m., for a special show also featuring Kennewick watercolor artist Laura Gable.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

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exit to pataha landscape clouds barb thrall fine art photography

Painterly Photography — Fine Art Photographs by Barb Thrall

exit to pataha landscape clouds barb thrall fine art photography

Exit to Pataha, fine art photography landscape by Kennewick photographer Barb Thrall

Whoever coined the axiom, “The camera cannot lie,” probably didn’t believe it himself, because photo editing and manipulation have been around almost as long as photography. One of  U.S. history’s most iconic photographs, that of a full-length Abraham Lincoln standing with one hand resting against his vest, is actually an 1860s composite of the president’s head set atop another man’s body.1

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Lilacs and Artichokes, fine art still life photography by Wenaha Gallery guest artist, Barb Thrall

“There is an idea that all photography must be realism — that if anything is manipulated in Photoshop then the photographer is cheating,” says Barb Thrall, a Kennewick artist who creates photographic fine art images incorporating her intellect and skill, digital camera, judicious use of Photoshop and Lightroom, and a wise selection of paper.

“In the same breath,” Thrall continues, “people will mention Ansel Adams or any other famous landscape photographer — but taking the photo is only half of the creative process for these photographers. The other half occurs in the darkroom or in Photoshop or whatever process they are using to get their photos to the printer.”

Painterly Photography

In other words, not all photography is the same, just as not all painting styles are the same. It’s one thing when the photo is on the front page of the newspaper, purporting to accurately represent an actual event, and a totally different element when the photo is an art piece, with keen attention to color, subject matter, perspective, layout, and, as Thrall describes it, connecting the viewer with a visceral or “gut” feeling in the soul.

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Evening Sun at Schrag, fine art photography landscape by Barb Thrall

“The editing I do, while certainly giving the photos a painterly feel, is more about experience,” Thrall explains. “How can I translate the feeling of a moment into a photo?” For Thrall, this involves not only the initial capture of the image, but the processing of it afterwards, which in earlier years took place in a traditional darkroom, but now involves photo software allowing the artist to work with light, texture, shadow, shading, and more. Also involved is compositing, the merging of one or more separate images into one.

Photography Mimicking the Old Masters

“There is a certain subtlety to processing photos this way,” Thrall says. “I love the photography that mimics the Old Masters — there is an elegance and romance to this.” And while there are diehards who insist that “a photo should be a photo” and “a painting should be a painting,” the play between painting and photography has been around as long as there have been cameras, Thrall explains.

three pears fine art photography still life barb thrall

Three Pears, fine art photography still life by Barb Thrall

“Anyone who takes their photos straight out of a camera and doesn’t process them is doing themselves a disservice. Ansel Adams was a great photographer, but he was a master in the darkroom.”

Thrall has had a camera in her hand from childhood, starting with a Kodak 110 cartridge and working her way through various models as she has shot images of landscapes, floral still lifes, portraiture, and black and white flora macro images with a graphic abstract feel. Vindication of her artistic passion came from, of all places, the State of Washington and its pre-college personality test that Thrall took in high school. The top jobs recommended for Thrall were photography and wildlife biology.

Interior Design, Paralegalism, and Fine Art Photography

And in what did Thrall receive her degrees? Interior design and paralegal studies, neither of which were in the top ten career choices on her test results. But because passion frequently trumps practicality, Thrall incorporates both interior design and paralegal principles into her photography.

after crush vineyard landscape grapes barb thrall larson gallery

After the Crush, vineyard landscape at the permanent collection of Larson Gallery, by Barb Thrall

“Color theory and the theory of thirds are certainly part of an interior design education, and a paralegal ought to be good with details.” A recent interest in architectural photography is “nothing but details.” The combination of those details with the love of the Old Painting Masters results in a lot of breaking of the rules, and advancement in technique.

“One of the biggest influences in my work is Vermeer. I love that light — truly, truly love that light.”

Capturing Attention

Thrall has shown her work in juried shows throughout the Pacific Northwest, with one of her pieces in the permanent collection at Larson Gallery in Yakima. She takes a workshop every year in a different aspect of photography, and has studied under Ray Pfortner — who worked under wildlife photographer Art Wolfe — and received a photography certificate from the Rocky Mountain School of Photography, whose founder  studied under Ansel Adams.

A finished work, for Thrall, starts in the field and ends with an image that captures the attention, the eye, and the soul.

“I want people to just slow down a bit, to breathe in and out.

“One of the series that I did focused on just shooting at rest stops or in places very close to the I-90 Freeway. I wanted to show the beauty in places not that far off the road.

“We don’t have to go very far to see beautiful places.”

Wenaha Gallery

Barb Thrall is the featured Pacific Northwest artist at Wenaha Gallery from Monday, October 23 through Saturday, November 18, 2017.   

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

1McKay, Katie. “Photo Manipulation Throughout History: A Timeline.” Ethics in Photo Editing: WordPress, April 1, 2009.

 

 

Gathering Wool — The Felt Art of Linnea Keatts

felted wool scarf with silk highlights linnea keatts felt artist

A felted scarf with gossamer drape, by Walla Walla felt artist Linnea Keatts

Some of the most enduring technology is the oldest.

Long before the development of Kevlar vests, Roman soldiers wore felted breastplates to deflect arrows. And even longer before that in Turkey, evidence of felting — non-woven fabric created when sheep’s wool and other natural animal fibers are subjected to heat, moisture, and agitation — dates back to 6500 BC.

felted wool santa squares felt artist linnea keatts

Sweet Little Lady and Pierre, felted art squares by Walla Walla felt artist Linnea Keatts

“Felting is an old hand craft,” says Linnea Keatts, a fiber artist who, over 40 years, has explored weaving, Navaho Weaving, creative stitchery, knitting, and felting.

“The techniques are quite simple using controlled shrinkage of carded wool, soapy water, manipulation, and agitation to create a fine lightweight fabric. This technique is called Nuno-felting or wet felting.”

Some people, who have accidentally tossed Aunt Minerva’s Christmas gift of hand-knit, woolen sweater into the washing machine, have discovered — to their chagrin or relief, depending upon Aunt Minerva’s skill and taste — that wool turns into a completely different, um, animal, when it encounters hot, soapy, moving water.

Felting by Choice, Not Accident

Keatts embraces the felt process by choice and design, creating everything from lightweight, gossamer scarves out of merino fleece and silk to heavier, three-dimensional pieces shaped into purses, vases, and bowls. Recently, she has been incorporating recycled fabrics and silk embellishments into the mix, blending them with the wool to create pictures and special design elements.

textured felt layered wool square linnea keatts

A layered, textured, wool felted square by Walla Walla felt artist Linnea Keatts

“It’s fascinating to watch the colors of the fleece and fabric designs blend together,” the Walla Walla artist says. “The shrinkage that occurs during the felting process creates unique designs in the finished product.”

From the very first felting class she took in 1981, with the thought that, “Hmm . . . this would be interesting to learn,” Keatts has developed her artistry and skill through hours of practice, as well as numerous classes and workshops. Several of these took place in Norway where she lived on and off during her career as an Occupational Therapist. Instrumental in founding, and later directing an occupational therapy school in Trondheim, Norway, Keatts later hosted in Walla Walla, with her husband, 25 Norwegian students for their three-month long OT internships.

Wasting Time on Video Games, Not Felting

One of these students is the reason why her home studio, where she works prodigiously to create her art, is called The Wasting Time Room.

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A collection and selection of wearable, wool, felted artwork by Walla Walla felt artist Linnea Keatts

“At the time the student was staying with us, from 1999 to 2000, the space was only a room with a TV, where he and his friends played X-Box and other games,” Keatts explains, adding that the student himself aptly named the space. “We have since redone the room, but the name stayed.

“The TV is still there and I do tend to watch and work at times — but I am wasting time with the watching, not the felting!”

Upon retirement in 2005, Keatts devoted more time to felting, but found that she didn’t have as much time as she wanted because she also served as Master Gardener through the Washington State University Extension program, participated in the Choral Society and Walla Walla Community Band, and volunteered as hosting coordinator for the American Field Service International Exchange Program in Walla Walla, Columbia, and Garfield counties.

“Needless to say, there was enough to do in retirement!” Keatts observes.

Too much, in fact. In 2015 Keatts scaled back,  focusing  primarily on felting. But because she wants others to know about this ancient craft, she took on another project and began teaching classes through the Quest program at Walla Walla Community College.

“My statement with my felting and especially with my teaching is for the students to learn to enjoy this amazing craft and make something that makes them happy and satisfied,” Keatts says. “In my scarf classes, I always tell them they will go home with something beautiful, and so far that has happened to the 20+ students I have had.”

Penguins, Penguins, and More Felt Wool Penguins

Always up for a personal challenge, Keatts used a trip to Antarctica as the springboard for her penguin project, in which she created 10 felted penguins, representing double the number of species she had observed on her trip. One penguin found its home in the office of a University of Washington professor involved in researching Magellanic Penguins of southern Chile.

wool felt artist linnea keatts and felted penguin

Wool felt artist Linnea Keatts with one of her felted penguins

“The professor can enjoy him without worrying about  being attacked by his very sharp beak!”

Locally, Keatts is a member of ArtWalla of Walla Walla and Arts Portal of Milton-Freewater, and on a more global note, the International Feltmakers Association in London, England. She recently participated in Art Squared at Cavu Cellars.

“My goal as a felt artist is to make beautiful things that are pleasing and also practical,” Keatts says. “And my goal as a teacher is to encourage others to try this unique activity by exploring and expanding their creativity.”

 

Wenaha Gallery

Linnea Keatts is the featured Pacific Northwest artist at Wenaha Gallery from Monday, October 9 through Saturday, November 11, 2017.  She will be at the gallery in person Saturday, October 7, from 11 a.m. to 4 p.m., during Wenaha Gallery’s Art Walk, part of the Dayton on Tour and Fall Festival Celebration. She will be joined by Dayton watercolor artist Jill Ingram; Walla Walla musician Roy Anderson; Winthrop basket weaver and singer Lauralee Northcott; and Richland watercolor painter Maja Shaw.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.