While Lauri Borer did not learn all she really needed to know in kindergarten, she did pick up a lot from the world of Walt Disney. The Walla Walla artist, before she moved to the Land of Many Waters in 2005, lived in Florida and worked with merchandising and human resources at the Walt Disney Company.
“It’s worth remembering the characteristics that made me successful in my positions there,” the painter — who specializes in hot wax (encaustic) creation — describes how she applies past experiences to present endeavors. “Show up every day and do the work. Be flexible and open-minded. Don’t give up when something doesn’t work.
“Call it a lesson, not failure.”
Borer, who has been creating art since she was 7 and holds a fine arts degree from the University of South Florida in Tampa, focuses on the landscapes of wherever she finds herself, capturing that world in both representational and abstract formats.
Currently, that capture employs “the seductive mediums of encaustic painting and oil and cold wax,” Borer says, explaining encaustic as an ancient art form dating back to at least ancient Greece.
“The derivation of the word is from the Greek word enkaustikos which means to burn in. Heat is necessary to call the work encaustic as opposed to painting with cold wax.”
Mixing molten beeswax with damar resin – a hardening agent which increases the melting point of the wax — Borer paints on wood substrates that do not flex and thereby cause the cooled wax of the finished work to crack. Her preferred surface shape is square, a non-traditional dimension that adds a sense of stability, solidity, and balance.
“The versatility of the medium is unlimited,” Borer says.
“Paintings can be finished to a smooth polished surface; transparent layers reveal colors and dimension as wax cures and hardens over time.
“Textures can be created, marks made with ink or graphite, ephemera added . . . on and on.”
Frequently, she finds a work takes on a life of its own, starting initially with her plan for its existence, but resulting in something pleasingly, uniquely different.
“One of the paintings that I had in the last show in Joseph (Wallowa Valley Valley Festival of Arts) began its life as a very realistic landscape — it looked exactly like the photo from which I drew my inspiration.
“But the photo was perfect — it didn’t need to be copied.
“So I scraped and moved the paint around until it was almost broken, a de-constructed and abstract interpretation of a Hell’s Canyon sunset.”
In addition to creating her artwork, Borer draws upon her organizational skills to showcase area and regional art, encouraged by the first person she met in Walla Walla, former area artist Bonnie Griffith, to volunteer at the Carnegie Art Center, then active as a community gallery.
“I became part of the gallery committee responsible for hanging the shows each month, and became close friends with Bonnie and the other committee members, M’Lisse Moerk and Dianna Woolley.
“I found my tribe.”
Later, Borer jumped into ArtSquared, Art Walla’s annual fundraiser benefiting arts education, becoming active on the committee from the event’s inception in 2013, and from there, joined a series of local artists producing a regular winter group show at CAVU Cellars.
“Half a dozen artists of various mediums share our work in a lively, colorful, and diverse, yet cohesive show.”
Presently showing at Wenaha Gallery, Borer is preparing for a summer exhibition at Initial Point Gallery in Meridian, Idaho. With artworks found in personal and corporate collections throughout the U.S., Borer has participated in juried shows in the Pacific Northwest; Santa Fe, NM; California, and Montana. One of her pieces is in the permanent collection of the Encaustic Art Institute in Santa Fe.
She’s busy, active, moving, creating, snapping reference photos with an enthusiasm and diligence that even has her husband alert to a potential painting.
“He’s become an expert at quickly pulling over or spotting vistas he knows I’ll want to capture.
“I see ideas for paintings everywhere, even abstract paintings.”
In the spring, summer, and early fall the couple goes fly-fishing (with camera) on the Wallowa River. Summer finds them (with camera) on their small boat on the Snake River, fishing for bass and scavenging for flotsam for Borer’s art. All year round is studio time, and studio time is creation time.
“I paint landscapes because I love nature,” Borer says.
“From wide vistas to macro views, towering mountains and crashing seas, stormy lines of hurricane clouds and endless blues of a summer sky — it’s all inspiration.”
Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail firstname.lastname@example.org. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.
Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists. Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit the gallery today!