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A hand-thrown pottery Brie baker, with curled handle, by Rose Quirk

Timeless Fashion: The Functional Pottery of Rose Quirk

A curved, hand-built pottery platter by Rose Quirk, Wenaha Gallery guest artist from Richland, WA

A curved, hand-built pottery platter by Rose Quirk, Wenaha Gallery guest artist from Richland, WA

Human beings are not machines.

Sounds sort of obvious, doesn’t it? While the statement would make a fine social media meme — short, punchy, rhyming, and good for a share or two and 7.5 seconds of fractured reflection — it makes a point well  worth comprehending:

Human beings are not machines.

A hand-thrown pottery Brie baker, with curled handle, by Rose Quirk

A hand-thrown pottery Brie baker, with curled handle, by Rose Quirk

And when those human beings are artists, creating items with their very human, very skilled hands, the resulting craftsmanship is not designed to be found, shrink-wrapped, in a child’s meal.

“Each piece I create is unique, handmade, and even pieces that are part of a set can be different,” says Rose Quirk, a ceramic artist from Richland who specializes in functional wheel-thrown and hand built pottery.

“Mugs are slightly different sizes; the glaze on each piece is unique and has its own personality. This is both wonderful, and challenging.”

Consider, for example, a stack of dinner dishes, she adds. They must, and do, stack evenly, but part of their singular, unparalleled charm is that they do not look like precisely the same piece, eight times over. Before approaching the wheel, Quirk meticulously weighs out the clay, apportioning an equal amount for each item. One after another a plate is shaped on the wheel, guided by steady hands that, after more than 20 years, know what “feels” right. A ruler measures and confirms the final step. The resulting dinnerware, while close in size and shape, is far from being a clone.

Fractured Fish ceramic wall art by Rose Quirk

Fractured Fish ceramic wall art by Rose Quirk

“Because each piece is hand-formed, there’s not going to be that exactness that you get in commercial pottery,” Quirk explains. “There are ways to control it without using a mold, but you can’t control it exactly,” nor should this be the driving focus.

“You can go to Walmart and buy a mug for a dollar, but when you spend $25 or $30 on a hand-thrown mug, you appreciate the aspect of its being hand-thrown.”

Such attention to detail, in conjunction with an understanding that nothing is 100 percent predictable, reflect the duality of Quirk’s professional background: a biochemist who has worked for medical and pharmaceutical firms throughout the nation, Quirk concurrently pursued her interest in pottery. Upon moving to Washington State with her husband (“I think we’re here permanently, now”), Quirk focused her attention on the art side of things.

Interior and exterior views of large pottery serving bowls by Rose Quirk

Interior and exterior views of large pottery serving bowls by Rose Quirk

“Science and art have frequently gone hand in hand for me,” Quirk says. “There is a strong correlation between the visualization skills needed to see and understand chemical elements and molecules and the art of creating a three-dimensional piece of pottery.”

Precision, experimentation, observation, research, creativity — a host of elements come to play as Quirk works in her 500-square foot home studio, where half the room is devoted to throwing and firing clay (“This can be quite messy . . . “) and the other half is devoted to finishing, including the addition of embellishments such as collage and fiber.

With an eye on food an entertainment trends, Quirk combs through Pinterest for ideas, which she then transforms into signature, trendy pieces of timeless appeal: a delicately curved, hand-formed platter to hold hors d’oeuvres and finger foods; a shallow dish for creamy Brie cheese; a gently sloping, texturized serving bowl that looks as good everyday on the coffee table as it does in the middle of a holiday gathering. The glazes are rich, warm, earth-toned, and perpetually in vogue.

Celestial Dream ceramic wall art by Richland, WA artist Rose Quirk

Celestial Dream ceramic wall art by Richland, WA artist Rose Quirk

“My art is in kitchens all across the Mid-Columbia,” Quirk says. “It is to be handled, used and enjoyed every day.”

A member of the Allied Arts Association in Richland, Quirk is a longtime board member who serves as the Featured Artist Chairperson, responsible for setting up and managing the exhibits that rotate through the facility’s 1800 square feet of gallery space. In 2015, she was honored by receiving the coveted Szulinski Award, recognizing artists who have distinguished themselves by their excellence of craftsmanship in a three-dimensional medium.

Such recognition is always positive, but for Quirk, an even greater joy is the creation of her work,  melding science with art, and finding that harmonious balance of individuality with congruity. An achievement like this, she notes, is lasting success.

“It has always been my goal to create beautiful, one-of-a-kind, functional pieces.”

Wenaha GalleryRose Quirk is the featured Pacific Northwest Art Event artist from Monday, June 20 through Saturday, July 16.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

The Land of Chief Joseph inspirational original oil painting by Wenaha Gallery artist Steve Henderson

The Art of Appreciating Art

The Land of Chief Joseph inspirational original oil painting by Wenaha Gallery artist Steve Henderson

Regional artists of the Pacific Northwest capture the area in which they live. The Land of Chief Joseph by Wenaha Gallery Artist Steve Henderson.

Most of us understand and empathize with our fellow humans who are afraid of mice, spiders, snakes, small spaces or vampire movies starring Christopher Lee. We all have our fears and foibles, and they vary depending upon the person.

Many people, however, are frightened — in a different way — of something that is designed to bring joy and dimension to their lives: fine art, as in paintings and sculpture, jewelry and prints, woodwork and photography. Whether it is years of the discipline being overrun and overruled by the extreme abstract movement, resulting in viewers being condescendingly ushered from the room when they asked, “Why is this piece worth $25,000? It really looks like something an eight-year-old could do,” or not, too many individuals are missing out on an element of life that should be part of all our lives.

Kokopeli Dancer birdhouse by Papa Jon's Fly Inns of Wenaha Gallery

Sculpture comes in all shapes and forms, and Papa Jon’s Fly Inns creates birdhouses that are functional and decorative. Kokopeli Dancer, by Wenaha artists Jon and Marilu Bryan of Wenaha Gallery.

So, let’s change this, and aggressively make art  part of our lives.

Appreciating fine art, like most skills, is easy yet difficult, but it doesn’t start at all until we begin. While it sounds simplistic, initiating the process involves nothing more than looking at art — in books, online, or in person — and doing just that: looking at it. The more we expose ourselves to different styles, different media, different subject matter, the more experience we gain in art, and of art, and soon find ourselves developing a sense of confidence in our judgment.

“I don’t know much about art, but I know what I like,” is a common phrase of the common man, and like most such phrases, it imbues a factor of commonsense as well. Art, which is both subjective and objective, appeals to different people for different reasons, and in the same way that some people love goat cheese and others don’t, or some people prefer a red Malbec over a white Pinot Grigio, or a black Nilgiri tea over a South African honeybush tisane, some viewers gravitate toward bold brushstrokes and vibrant color, while others prefer subdued colors and a smooth, blended surface.

Great Blue Heron Wildlife painting by Hiroko Cannon of Wenaha Gallery

Original watercolors and prints are available by wildlife and Wenaha artist Hiroko Cannon. Shown is Great Blue Heron.

Most fortunate of all are those whose experience is so wide and diverse that they see merits in various styles — they like herbal infusions as well as white tea, bitter dark chocolate and the sweeter milk kind, representational art and abstract.  And, because they’ve looked at a lot of art, and asked questions about what they’ve seen, and pondered the various answers they were given, they are free as well to say, “This is good, and this is not,” because art — while it is very, very subjective — possesses objective elements as well, although, within certain areas of the art world, this is a well kept secret.

Because art, in various forms, is literally everywhere, the ability to see it, and learn from it, is open to anyone with access to books, images on a computer, or — and this very much an option for people in Southeast Washington — brick and mortar galleries that house and showcase art. Known for being an art community, Walla Walla — and the area around it — is fortunate to possess private and community establishments that show art, sell art, and encourage people to visit and physically view art.

Pierced wood bowl by wenaha gallelry artists pat and peggy bookey

Pat and Peggy Bookey of Alaska join forces to create hand pierced wooden vessels that are both functional and decorative.

Any fears that aspiring aficionados have about walking into a gallery and feeling like an idiot should be immediately put to rest, because anyplace that prompts a reaction of insecurity in its patrons is not a place where they will learn about art. And it’s not a place that viewers will find in this area, which enjoys a number of ways to view original art.

In Walla Walla, WA, Kingfisher Gallery and Custom Framing at 11 South Spokane Street features original art from Walla Walla based artists including Carol Cole, Bob Baker, Ed Stone and Mark VanDonge, and new works are added on a changing basis through the year.

Darrah’s Framing and Decorator (39 East Main) focuses on artists of the Walla Walla Valley, spotlighting the work of one artist for special two-month-long shows.

Todd Telander Gallery at 34 South Colville features landscapes, still life, and wildlife work of the artist.

A  short drive away, Wenaha Gallery (219 East Main) in Dayton showcases Pacific Northwest artists in its Art Events, every two weeks bringing in the two-  or  three-dimensional work of regional painters and sculptors. The gallery also houses the original work of some 30 artists from Washington, Oregon, Idaho, Montana, and Alaska.

On the John Day inspirational original oil painting by Wenaha Gallery Artist Judy Robertus

Dayton artist Judy Robertus paints the Pacific Northwest in which she lives, and which she loves. On the John Day by Wenaha Gallery artist Judy Robertus.

Dayton artists with studios include Monica Stobie (610 North Touchet Road)  and Steve Henderson (by appointment: 509.382.9775); and the Delaney building, next to the public library (111 South Third Street) hosts a monthly rotating display of artwork by the Blue Mountain Artists Guild.

Further afield, but still within an afternoon’s drive, are the Valley Art Center in Clarkston, WA (842 6th Street); the Pendleton Center for the Arts (214 North Main Street,  Pendleton, OR); and the Allied Arts Gallery (89 Lee Boulevard, Richland, WA). All three of these community art organizations operate a rotating monthly calendar of juried competitions, regional exhibitions, and individual and group artist shows. A short hop from Clarkston (16 miles northeast in Uniontown, WA), the Dahmen Barn carries the work of 120 artists, some of whom maintain studios in the building and are more than happy to talk with visitors.

This is, indeed, an area rich in the visual arts, and the opportunity to make art a part of our daily lives — viewing it, appreciating it, and owning it — is big and bold and beautiful. Let’s make 2015 the year to embrace art.

Websites:

Todd Telander — http://www.toddtelander.com/

Kingfisher Galleries and Custom Framing — Kingfisher Walla Walla (Facebook)

Darrah’s Framing and Decorating — http://www.darrahsdecorating.com/

Wenaha Gallery — https://wenaha.com/

Monica Stobie — http://www.monicastobie.com/

Jill Ingram — http://www.jillingram.com/

Steve Henderson — http://stevehendersonfineart.com/

Allied Arts Gallery — http://www.alliedartsrichland.org/

Pendleton Center for the Arts — http://www.pendletonarts.org/

The Dahmen Barn — http://www.artisanbarn.org/

Wenaha GalleryWenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com; website https://wenaha.com/ 

This article was written by Carolyn Henderson.