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kneeling woman green ceramic pottery figurative statue collista krebs

What’s Important? Then Do It — Pottery by Collista Krebs

cowboy bull important pottery ceramics western collista krebs

The texture, the feeling, the form of the pottery work is as important as its visual presence. Cowboy and Bull, original pottery sculpture by Collista Krebs.

If something is important to us — really REALLY important — we somehow find time for it. Given that we are human and not omniscient, omnipresent, and omnipotent, this commitment means that something else has to go by the wayside, but the exchange, we feel, is worth it.

For Collista Krebs, the choice came during nursing school, when one of her classmates announced that she was leaving the program. The colleague had just taken a ceramics class and decided to pursue pottery instead of nursing.

kneeling woman green ceramic pottery figurative statue collista krebs

In a state of gentle repose, a seated woman is graceful and relaxed. Original pottery sculpture by Collista Krebs.

“Right then and there I made up my mind: ‘I am going to do that too, only I am going to become a nurse first,’ and so I did,” the Colbert, WA, pottery artist says.

“After getting a BSN, I enrolled in a community clay class, and depending on my job, children, injuries and travels, I have always carved out time for clay.”

Time and Practice Are Important

That time has not always been a wild foray into creativity, along the lines of what we would see glorified in a movie. In real life, Krebs has worked as a ghost potter and “clay slave,” both experiences important to honing her skill through hard work and repetition.

“A ghost potter is someone who throws someone else’s shapes and signs the work as coming from that gallery,” Krebs explains.

A clay slave, she adds, loads and fires kilns, makes glazes, and does “other unglamorous jobs that only a true clay junky would find exciting.”

cows daisies flowers important time collista krebs pottery ceramics

An important part to the day is sitting and thinking, as do these ceramic cows with daisies, by Colbert potter Collista Krebs

Years of this work developed her skill with both handling clay and designing, and she now runs her own business, Jupiter’s Clayworks. She specializes in high-fire stoneware that is reduction fired, a technique that her husband dubs high stakes gambling for potters.

“I will take three months’ worth of work and put it into the kiln and cross my fingers. I’m hoping that the bottom of the kiln reaches the correct temperature before the top of the kiln overfires and destroys the glaze.”

When you fire clay up to temperatures of 2,400 Fahrenheit, she adds, things stick to the shelves or get bumps or pockmarks — “all sorts of things.

“I have come to love these blemishes. They are texture, stories, experience gained by fire.”

Unique and Individual Are Important

Each piece is unique, as is the creator. And this is important, as it should be, Krebs believes, because art, like its creator, reflects the individual — his or her outlook on life, experiences, likes and dislikes, interpretation of the world surrounding. To elucidate, Krebs described an experience that “rocked her world,” one that now permeates her work as a potter:

ceramic pottery bats wall hanging collista krebs artist

A series of ceramic bats by Colbert artist Collista Krebs hangs on the wall

While at Boston University Hospital, Krebs interviewed a young, suicidal blind woman and asked her to describe something that she was proud of. The woman responded that she was proud of her ability to dress well, going into great detail about her fashion talent.

“I was thankful that she could not see my face, because my first thought was, ‘Man, someone is really messing with this woman because she looks terrible!’

“But with further exploration, she revealed how she had been totally blind since birth, and how she dressed for sound and texture. How she ‘looked’ to people with vision had absolutely no influence on her decisions.”

Different textures rubbing together made distinctive sounds — bells on her purse and crumpled up chip bags sewn into her pockets warned of pick pockets.

“Ever since that encounter, I have asked myself, Would a blind person like my work? Does it feel good and balanced? Is there texture? Could one conjure up a tale after holding it in their hand?

“Personally, I think that even sighted people should ask themselves these questions.”

New and Innovative Are Important

She is always trying new things, Krebs says — both in how she thinks, and what she does. Success is determined by an assortment of factors, most of which, ironically, can’t be seen.

“If my work feels good and rings true when flicked with my finger, I consider it a success.”

That’s important. Important enough to take time to do.

Wenaha GalleryCollista Krebs is the featured Art Event at Wenaha Gallery from December 1 through December 31, 2020.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 5 p.m. from Monday through Friday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

David Wyatt, simultaneously flying and photographing

Flying to New Heights — The Aerial Photography of David Wyatt

Infinite Palouse, aerial photograph by Wenaha Gallery guest artist, David Wyatt.

Infinite Palouse, aerial photograph by Wenaha Gallery guest artist, David Wyatt.

“You need more elective credits.”

While few university students rejoice when told that they require additional classes, it takes a measure of adventure with practicality to come up with the solution that David Wyatt did. It was 30 years ago, and he was transferring to Oklahoma State University for his engineering degree.

Fingers of the Jolly Green Giant, aerial photography by David Wyatt

Fingers of the Jolly Green Giant, aerial photography by David Wyatt

“OSU offered Private Pilot Ground School, which I enjoyed so immensely, that I spent the next summer working three jobs in Alaska to earn money to do the flight training,” the Kennewick artist remembers. “But it wasn’t until I bought a small airplane in 2005 and started carrying a camera that I discovered my eye and passion for artistic aerial photography.”

That’s right: he flies and takes photos at the same time. And yes, it’s challenging.

“Combine photography with flying an airplane, and the challenges increase exponentially!” Wyatt says. “Weather, of course, can aid or hinder the drama of the aerial photo. And then there’s equipment cleanliness and maintenance — both the photography gear and the aircraft. Regulations, air traffic control, licensing, terrain!

“If it gets too complicated, I hire a pilot to handle the flying so I can focus on the photography.”

David Wyatt, simultaneously flying and photographing

David Wyatt, simultaneously flying and photographing; photo credit Brian Powers

Focusing on photography has taken Wyatt to new heights, literally, and his views of Eastern Washington’s landscape from above are resonant of textured paintings, almost abstract in their lines and form, but recognizable as fields, rivers, hills, and plains. He has garnered awards locally and nationally, this year being named the 2016 EPSON Aerial Photographer of the Year by the international Professional Aerial Photographer’s Association.

A number of Wyatt’s works, including Canyon Gold — an overhead view of the Palouse River Canyon at Lion’s Ferry State Park — have received awards at PAPA’s annual competitions, and in May he received People’s Choice at Tri-Art for Giving’s regional and community show, for an aerial view of humpback whales in Hawaii. People are drawn, Wyatt says, to the different view of things.

Canyon Gold, aerial photography by Kennewick artist David Wyatt

Canyon Gold, aerial photography by Kennewick artist David Wyatt

“A couple from Boston walked into a local winery and saw my award-winning Canyon Gold. Realizing that just one day before they had been kayaking on the stretch of river featured in the photograph, they bought the piece.”

A licensed professional engineer at Pacific Northwest National Laboratory, Wyatt flies and shoots as schedule and weather permit, and participates in a number of local activities each year, including Art in the Park in Richland, winery events, open studio tours, soirees, and holiday festivals. In addition to fine art prints of his work, he has created stone tile coasters, and this year began printing on, appropriately, metal aircraft aluminum.

Clients and customers live as far away as Spain, France, Australia, the Ukraine, Uganda, and Honduras. Wyatt mentally gathers ideas for future subject matter based on a location, season, or event, constantly thinking ahead about a particular place in the sky from which to photograph for a uniquely different perspective. Viewing things from above, he muses, brings one’s thoughts to a higher plain.

“It doesn’t jump out at you when you see my aerial artistic images, but if you get to know me and listen to the stories of how I ‘got the shot,’ there is a core belief — that is, that God is the Creator,” Wyatt says. “I give Him the honor and glory for allowing me to be at a point in the sky where I can capture in a photograph the amazing moment and grandeur of the earth He made.”

Ancient Flood Rhythmites, aerial photography by David Wyatt.

Ancient Flood Rhythmites, aerial photography by David Wyatt.

One morning, he continues, he awoke while it was still dark and drove to the airport, where he performed the preflight inspection of the aircraft while sunrise’s first light appeared on the horizon.

“Before I started the engine to take flight, I prayed, ‘Lord, I have no idea where you are taking me this morning. I ask that you lead me to something beautiful and amazing.'”

Strong winds carried him east, where he spent three hours over the Snake River and the Palouse taking photos of a spectacular landscape.

“It was an answer to my prayer.”

So, perhaps, was OSU’s demand for more elective credits — what initially seems vexatious turned into a boon.

Or as contemporary Turkish playwrite Mehmet Murat Ildan puts it,

“Flying is not only the art of the birds, but it is also the art of the artists.”

Wenaha GalleryDavid Wyatt is the featured Pacific Northwest Art Event artist from Monday, October 24 through Saturday, November 19.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit the gallery today!