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Dawn's Jade Glow by Paul Henderson, guest artist at Wenaha Gallery.

Expressions in Espresso — The Coffee Art, and More, of Paul Henderson

Dawn's Jade Glow by Paul Henderson, guest artist at Wenaha Gallery.

Dawn’s Jade Glow by Paul Henderson, guest artist at Wenaha Gallery.

Very few of us, after watching a movie, embark upon a yearlong project of intense and highly disciplined creativity, but fine artist Paul Henderson of Yakima, WA, finds insight in uncommon places.

“My artistic interests are wide and varied,” the painter says. “I love the Northwest wilderness and wildlife, but I also enjoy world history, cultures, and geography; therefore I call myself the ‘Northwest Artist with an International Touch.'”

Coffee is the medium of choice in Paul Henderson's Coffee Capital, Seattle painting.

Coffee is the medium of choice in Paul Henderson’s Coffee Capital, Seattle painting.

Inspired by the film “Julie and Julia,” in which blogger Julie Powell challenges herself to cook, within one year, all 524 recipes in famed chef Julia Child’s first book, Henderson embarked upon his “Modern and Experimental Series,” with the intent of creating two paintings per week for 52 weeks.

The spirit of the project never stopped, and while Henderson fell just short of 104 paintings (he completed 90), he continued the challenge, and in the five years since then has been finessing the sheer art of experimentation:

“I decided to not limit myself to detail but to do any style or subject from abstract to detail, to fantasy, to loose style, and to just experiment,” Henderson says.

“This has literally set my creative juices on fire, and I will continue even more creative techniques and mixed media. I love to try different methods; it keeps me fresh and invigorated.”

Color Storm by Paul Henderson, guest artist at Wenaha Gallery.

Color Storm by Paul Henderson, guest artist at Wenaha Gallery.

Some of those methods involve fiberglass taping mesh, highly textured papers, netting, plastic, or styrofoam from packing boxes which Henderson attaches to the canvas, conveying a 3-D effect to a two-dimensional substrate. Another innovation revolves around something most of us have in our kitchen cupboards — coffee — to give new perspective upon the medium of watercolor.

“In 1986, after my then five-year-old daughter accidentally splashed coffee over one of my sketches, voila! Espresso art was born,” Henderson remembers. “At that time, I became known as the ‘original fine art coffee painter,’ and my story appeared in newspapers and TV all around the Northwest.”

Planetory by Paul Henderson, guest artist at Wenaha Gallery.

Planetory by Paul Henderson, guest artist at Wenaha Gallery.

Henderson’s coffee paintings — which use both regular and decaf, and whatever brand of coffee he happens to be drinking at that time — remain consistently popular, capturing Americana themes including both wildlife and western. He has shown at grand openings of many Nordstrom coffee bars as well as at Starbucks, and he offers both originals and prints through his studio and at local coffee bars.

Henderson’s philosophy of art, in short, can be expressed in one simple sentence:

Don’t limit yourself.

“I’ve drawn since I could walk,” Henderson says, “and I’ve been painting for 42 years.”

With a skill repertoire that ranges from highly detailed, almost photo-representational wildlife to dreamily hued abstract, Henderson is not circumscribed by any subject matter, and not only does he create Native American art as well as planetary fantasy, he also incorporates the two. In the same manner, his floral and landscape representational works dance in a background of abstract. It is all part of the spirit of exploration and adventure, an insistence upon not being boxed in, nor expecting his viewer to be so.

Forest Glow by Paul Henderson, Wenaha Gallery guest artist.

Forest Glow by Paul Henderson, Wenaha Gallery guest artist.

“I am free to create anything, to experiment and have fun along with the learning,” Henderson explains. “Art really comes from within the artist and expresses it in the physical.”

Henderson has exhibited in shows and galleries throughout the west, including Reno, Nevada, Hawaii, and California, and at one point was contacted by a gallery in Hawaii asking if he would paint a falcon to be presented at a private showing for the king of Saudi Arabia.

Autumn Glow by Paul Henderson, Wenaha Gallery guest artist.

Autumn Glow by Paul Henderson, Wenaha Gallery guest artist.

He has studied under Don Crook, affectionately known as the “Rockwell of Western Art,” and attended workshops by pastel and portraiture artist Daniel Green. His learning, his creating, his innovation and research — including classes on animal anatomy and taxidermy to give him a better understanding of his subject matter — have revolved around a schedule that involves full-time employment in a different arena than art. After hours, it’s time to create.

“My studio is in my home — I use one bedroom, half of the family room, and store in the garage — I also blitz on large projects in the garage where I take the cars out and go at it.”

There is a reason that the movie, “Julie and Julia,” resonated so much with Henderson — he really does approach life with an international flair.

Wenaha GalleryPaul Henderson is the featured artist at Wenaha Gallery’s Art Event from Saturday, April 4 through Saturday May 2, at Wenaha Gallery, 219 East Main Street, Dayton, WA. There is an artist’s reception April 4, from 1-4 p.m. Free refreshments will be served, and Paul plans to create one of his coffee paintings during the reception.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

A wall of ready-made frames is an art statement in itself at Wenaha Gallery, Dayton, WA.

Modish, Voguish, DIY

A wall of ready-made frames is an art statement in itself at Wenaha Gallery, Dayton, WA.

A wall of ready-made frames is an art statement in itself at Wenaha Gallery, Dayton, WA.

DIY — Do It Yourself — is a trend that never goes out of style.

With many people seeking to incorporate a uniquely personal touch into their home decor, DIY is chic and in vogue. It’s a great way to update the walls — some people create entire art installments using nothing more than well-placed, ready-made picture frames. And with a little effort and minor financial investment, even the least artistic crafter can put together something useful and attractive, a boldly bordered mirror, say;  or a memo board that looks like something Jane Austen would have used if she had had access to dry erase markers; even a place to hang jewelry.

A classy refreshment tray holds ceramic cream and sugar holders by Wenaha Gallery artist Caprice Scott, as well as a DIY ring holder.

A classy refreshment tray holds cream and sugar ceramic-ware by Wenaha Gallery artist Caprice Scott, as well as a DIY ring holder.

“Excluding the price of the frame, you can construct a classy looking craft project for $20 or so in materials,” says C.J. Horlacher, a lifelong DIYer who recommends Pinterest as an excellent site for creative inspiration. In the last several weeks, Horlacher has created frame-based projects ranging from a ring-holder incorporating folded fabric onto quilt matting and tucked into a small, deepset wooden frame, to a refreshment tray consisting of foam core (available in any art, frame, or craft store), topped by wallpaper, and then protected by glass. The entire sandwich is mounted into a carved wooden picture frame and attached to the back using offset clips (available at hardware stores). Adhesive felt or rubber protector pads add the finishing touch.

“Many materials I found just around the house, or in my husband’s shop,” Horlacher says. An especially popular project, one that she has been asked to make many times, is a jewelry holder consisting of small-meshed welded wire adhered to the back of a ready-made frame. A dab of glue in the corners ensures that the mesh, and any jewelry adorning it, stays in place.

“These are fun, and depending on the frame you use, you get a different feeling. An ornate gold frame is romantic; a clean, smooth wooden frame is sleek, almost glamorous,” Horlacher says.

A ready made frame and fine welded wire mesh join together to create a classy way to keep one's earrings in place.

A ready made frame and fine welded wire mesh join together to create a classy way to keep one’s earrings in place.

Ready-made frames, of all sizes and styles, are everywhere, she adds — from box stores to craft outlets to frame shops, and they make up about half the price of the project.

“It’s worth getting a high-quality frame, because the finished piece, whether it’s a mat-covered bulletin board that you’re going to pin things to, or a mirror that will dress up your bedroom, is part of the art itself.

“I happen to work in a frame shop and gallery, so that’s where I pick up my frames, but even if I didn’t, I wouldn’t use a cheap plastic or faux wood frame — the small extra cost is worth it, because it individualizes the finished craft piece, and makes it something you’re pleased to show off in your home.”

It's modern, it's classy, it's quick-to-make and it's useful -- a bulletin board doesn't have to look like cork.

It’s modern, it’s classy, it’s quick-to-make and it’s useful — a bulletin board doesn’t have to look like cork.

Mat remnants, available at many frame shops for a fraction of the original cost, add color and texture to a project, and set behind glass that is then mounted into a frame, they reconstruct themselves as a memo station; adhered to foam core or some other pinnable surface, they transmogrify into a swanky, upscale bulletin board. Useful, practical items don’t have to look like what they are.

Not everyone can paint a painting, carve a wooden  bowl, fashion a bronze sculpture, or shape a clay pot, but many of us still desire to create something artistic — that doesn’t look like something we fashioned during summer camp — which we can proudly display to our friends and family. And because we’re a practical people, the functional nature of many of these DIY wall projects is an added bonus.

They’re artistic. And they’re functional. And they’re inexpensive, expressive, and customizable. What’s not to like?

Wenaha GalleryThe Ready-Made Frame Extravaganza is the Art Event at Wenaha Gallery through April 4, 2015. C.J., our DIY expert, is also on hand many days for those who want to learn more about DIY creations using ready-made frames.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

Ring Handled Vessel, pottery sculpture by artist Anne Bullock at Wenaha Gallery.

Celebrating the Extraordinary of Ordinary — Anne Bullock’s Raku, Stoneware, Pottery and Multi-Media Art

 

Ring Handled Vessel, pottery sculpture by artist Anne Bullock at Wenaha Gallery.

Ring Handled Vessel, pottery sculpture by artist Anne Bullock at Wenaha Gallery.

Woven baskets and clay pots — these humble vessels have been used by ordinary people throughout history. And although they have been and still are a major factor in the daily lives of many, humble vessels are frequently overlooked and discounted in the worlds of both academia and fine art.

Corn Box potter sculpture by Anne Bullock at Wenaha Gallery

Corn Box potter sculpture by Anne Bullock at Wenaha Gallery

It is the rare, sensitive eye that sees the value of the prosaic, and Anne  Bullock, a Walla Walla mixed media artist who, until her death in 2014, celebrated the history and culture of the Plateau people, recognized and respected the expertise and creativity of Pacific Northwest, Native American artisans.

“Anne always worked from a place of deep spiritual meaning,” her husband, David Bullock, remembers. “She found meaningful inspiration in the way these skilled designers used materials at hand in environmentally sound ways to create beauty as well as function.”

Anne’s interest in indigenous baskets took her throughout the region, as she explored the exhibits of the Wanapum Heritage Center Museum, Maryhill Museum, The Columbia Gorge Discovery Center, Sacajawea State Park, Tamastslikt Cultural Institute, The Northwest Museum of Art and Culture,  the Fort Walla Walla Museum, and numerous other historical locations.

Blue Vase pottery sculpture by Anne Bullock at Wenaha Gallery

Blue Vase pottery sculpture by Anne Bullock at Wenaha Gallery

“Vessels are a metaphor for my life and work,” Anne said in her artist statement. “I’m impressed with how early Native American Indian artisans worked with indigenous ‘of the earth’ materials. The gifts of the earth were revered; only what was needed was taken.”

In the spirit of the people she admired and honored, Anne worked in multiple mediums, both two- and three-dimensional, primarily in pottery, but her skills, like her interests, extended a wide range.

“She worked with charcoal, colored pencil, pastel, acrylics, and mixed media assemblage,” David says. “She also augmented her art with work in bamboo, wood, stone, wool, and paper.”

Untitled pottery sculpture by Anne Bullock at Wenaha Gallery

Untitled pottery sculpture by Anne Bullock at Wenaha Gallery

A most outstanding piece, remembered by artist friend and curator of Anne’s work Colleen Sargen, is “Earth, Wheat, Fire,” consisting of 36 tiles which needed to be precisely placed at the former Willow Gallery in Walla Walla, WA, during Anne’s Interwoven Exhibition there in 2010.

“She impressed wheat, other flora objects to honor the earth, bark of trees lost in the Walla Walla wind storm of 2007, and specific items such as sand dollars carefully placed, to honor individuals dear to her who have passed on,” Sargen says.

Adding especial interest to the installation was that the tiles were still being created during the week that Sargen was installing the show. “Because the tiles were still smoldering in the fire pit, the fire needing to extinguish naturally, we waited, realizing it would be the last piece installed!” Sargen recalls. But the wait was worth it.

Plateau Series Relief on Panel by Anne Bullock at Wenaha Gallery

Plateau Series Relief on Panel by Anne Bullock at Wenaha Gallery

“It is a stunning work, and Anne’s wish was that it be placed in a health care facility.”

These wishes are completely in line with who Anne was, Sargen continues, describing her friend and colleague as “so very tender hearted, it seemed that she herself suffered for the pain of others and actively took steps in daily life to ease pain and bring peace.” One means by which Anne accomplished this was through the March of Peace events that she organized in 2008, involving community members in the creation of small, clay “pinch pots” that were placed in an outdoor art installation at the Walla Walla Foundry’s sculpture garden.

David explains, “Anne sought every opportunity to involve community in her art, in ways such as attaching prayers to her bamboo prayer walls, tying personal mementos to a community memory strand, and even using puzzle pieces from second-hand puzzles to make vessels.”

Throughout Anne Bullock’s life, and during the 38 years she worked and created in Walla Walla, community was a driving factor. Whether that community consisted of the town in which she was living, or the memories of the people who had lived in the area centuries beforehand, she devoted her energy, her skill, and her art to acknowledging and honoring the contributions of ordinary, every day people:

“I am compelled to tie, bind, glue, blend, melt, carve, coil, weave, overlap or somehow piece together media in any way materials allow or dictate,” Anne’s artist statement outlines her deep-set beliefs.

“Integrating materials through these processes gives voice to my themes of honoring the earth, its resources, and inhabitants.”

Wenaha GalleryAnne Bullock’s collection of two- and three-dimensional work is the Art Event: Pacific Northwest feature at Wenaha Gallery from February 23, 2015 through March 21, 2015 at Wenaha Gallery’s historic Dayton, WA location, 219 East Main Street.

“Anne had a special connection with the Wenaha Gallery for many years, and I hope this showing of her work here can honor that connection and provide her community of friends the opportunity to remember and appreciate her creative endeavors.” — David Bullock

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

Crazy about Art — The Eclectic Paintings of the Blue Mountain Artist Guild

An eclectic show of various media, subject matter, and art styles by the Blue Mountain Artist Guild, at Wenaha Gallery

An eclectic show of various media, subject matter, and art styles by the Blue Mountain Artist Guild, at Wenaha Gallery

There are so many misconceptions about artists, the most pronounced being that they are solitary creatures, reluctant to appear in daylight, preferring instead to lurk like hermits in their attic-loft studios.

Chickens, original watercolor by Sylvia Beuhler of the Blue Mountain Artist Guild, Dayton, WA, showing at the Wenaha Gallery.

Chickens, original watercolor by Sylvia Beuhler of the Blue Mountain Artist Guild, Dayton, WA, showing at the Wenaha Gallery.

Outside of mass media interpretation, however, artists are people like any other, and many of them enjoy assembling to socialize and encourage. One such group is The Blue Mountain Artist Guild of Dayton, WA, consisting of some dozen painters, who gather monthly to provide new artwork for the community — which they hang at the Delaney Building near the library and the Dayton General Hospital lobby.

“Our meetings are generally informal, sometimes a program is presented, and we always discuss the inspiration for our latest work and any special technique or process used in its creation,” according to Meredith Dedman, current president of the group, who, with  longtime area resident Vivian McCauley, co-created the BMAG in 2008.

Number 500, original watercolor by Meredith Dedman of the Blue Mountain Artist Guild, at Wenaha Gallery.

Number 500, original watercolor by Meredith Dedman of the Blue Mountain Artist Guild, at Wenaha Gallery.

“We had both belonged to art associations in Arizona and Florida, and we missed the camaraderie and inspiration when a group of artists get together,” Dedman explains.

That camaraderie these days revolves around the challenge of painting to a monthly theme, which the group decides upon and schedules up to a year in advance. This year’s challenges range from Something Red — to be shown in February — to Collage in April, Caricatures in October, and Toys in December. Summer’s challenge, in July and August, requires each artist to paint from the same reference.

Evening Meal, original acrylic painting by Brenda North of the Blue Mountain Artist Guild, at the Wenaha Gallery.

Evening Meal, original acrylic painting by Brenda North of the Blue Mountain Artist Guild, at the Wenaha Gallery.

“I was excited when I joined the Guild to find that they had a ‘theme’ for each month’s display of paintings,” member Brenda North says. “It was good to have fresh ideas and feedback from other artists.”

Co-member Sylvia Beuhler, who holds a Bachelor of Fine Arts and taught art in public school, initially was not as enthusiastic about the concept.

“At first, I didn’t like the theme idea,” she says, “but after about a year, I really started to enjoy playing with the theme to see what I could come up with.”

The Conversation, original watercolor painting by Michele McIntire-Smith of the Blue Mountain Artist Guild, at the Wenaha Gallery.

The Conversation, original watercolor painting by Michele McIntire-Smith of the Blue Mountain Artist Guild, at the Wenaha Gallery.

Beuhler and North join Dedman, along with Kris Takemura and Michele McIntyre-Smith, to present a guild showing of their work at Wenaha Gallery, Dayton, WA, through March 7. A reception is scheduled Saturday, February 21, from 1 – 4 p.m., with all five artists in attendance, reflecting a subject matter ranging from seascapes to chickens, in acrylic and watercolor media, the latter the preferred medium of the exhibitors.

“Watercolors can produce beautiful and sometimes unforeseen results because of the difficulty of control,” Takemura, a retired early childhood and elementary teacher, observes.

Ballerina, original watercolor by Blue Mountain Artist Guild member Kris Takemura, for the Wenaha Gallery

Ballerina, original watercolor by Blue Mountain Artist Guild member Kris Takemura, for the Wenaha Gallery

Dedman thrives on the medium, having studied under well known watercolorists such as Sue Archer, Ann Pember, Tom Jones, Pat Weaver, Diane Maxey, and Karlyn Holman. In the spirit of learning and sharing, Dedman offers watercolor classes of her own, and several guild members take advantage of the opportunity..

As is the situation with many artists, guild members paint where they can, some in designated studios, others in spaces that become studios by virtue of being made to function as one. North turned a spare bedroom into a space to create; Takemura expropriated a table in her Rec room; McIntire-Smith chose a room in her home where she looks out at, and is inspired by, the deer-filled, bird habitat adjacent to the Touchet River.

“There is never a shortage of beauty in nature where we live,” North says. “And it’s good to have fresh ideas and feedback from other artists.”

McIntire-Smith agrees, echoing the sentiments of others in the group:

“I am grateful to the other members,” she says, “for their insights and encouragement.”

So, the next time you see the crazy artist, in the movies, mumbling and muttering to himself, and plucking at his ear, remember that they’re not all that way.

Wenaha GalleryThe Blue Mountain Artist Guild is the Art Event: Pacific Northwest Feature at Wenaha Gallery from February 9, 2015 through March 7, 2015 at Wenaha Gallery’s historic Dayton, WA location, 219 East Main Street. There is a reception with the artists present on Saturday, February 21, from 1 to 4 p.m. Free refreshments provided.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

Handcrafted rolling pins by Wenaha Gallery guest artist Rick Woodard.

Art That Is Meant to Be Used — the Woodturning of Rick Woodard

Handcrafted rolling pins by Wenaha Gallery artist Rick Woodard.

Handcrafted rolling pins by Wenaha Gallery artist Rick Woodard.

A work of art.

Generally, when we use this phrase, one of the last images that comes to mind is a French rolling pin, but woodturner Rick Woodard blends and integrates four hardwoods — Walnut, Maple, Osage, and the exotic, richly purple-brown African Padauk — into a smoothly sensuous kitchen utensil that is as beautiful as it is pragmatic.

“My work is to be used,” the Burbank, WA woodturner says. “I haven’t gotten into the real artsy stuff, but focus on bowls and platters and rolling pins with the idea that people will use them.

American Elm Bowl by Wenaha Gallery artist Rick Woodard

American Elm Bowl by Wenaha Gallery artist Rick Woodard

“I have my own rolling pin that I pull out for making pie crusts, and bowls that I use for different things.”

Woodard, who has been creating wood-turned, functional art since 1995, learned under noted Alaskan wood artist Buz Blum, who taught Woodard, over a period of time, how to turn natural edge birch bowls using freshly harvested, green birchwood. Sometimes called “bark edge” or “live edge” bowls, the bowls are created with a base originating in the center of the log, and the edges incorporating the bark from the outer edge of the tree, according to fruitofthelathe.com.

“I wanted to make bowls, for some odd reason,”Woodard remembers.

“I had been in construction all my life, and because of this, I found myself around different kinds of machinery, including lathes, and one day, I just bought one. I started messing around with it for awhile and decided I wasn’t getting anywhere, so I looked around for someone to help me advance.”

Maple Bowl by Wenaha Gallery artist Rick Woodard

Maple Bowl by Wenaha Gallery artist Rick Woodard

Because when he decides to do something, he figures that there’s no reason to wait around to get started, Woodard saw Buz’s work in an Anchorage shop, liked it, and contacted him directly after running into Buz’s name, again, in a woodturning magazine. Quite fortunately, they both lived in the same state at the time, and 50-some miles was a manageable distance to travel for lessons from a master.

In a short time, the student was creating bowls and platters worthy of being sold, collected, and used, and Woodard offered his woodturned art through All Alaska and Gifts, an artists’ co-op located in downtown Anchorage.

“Tourists from around the world would come into the store, and there are people from Japan, England, Australia, Germany, and all over the lower 48 states who have my turnings,” Woodard says.

Lidded Flower Bowl by Wenaha Gallery artist Rick Woodard.

Lidded Flower Bowl by Wenaha Gallery artist Rick Woodard.

When he headed south and wound up in Burbank, Woodard transitioned from using greenwood birch to experimenting with the many hardwoods, seasoned and cured, that he found in his new Washington home.

“There’s a lot of maple around here, oak, walnut, black locust, honey locust; there’s a lot of variety around here,” Woodard says. “But it’s not like you can just go out there and cut it down.

“The trees are pretty big, and it involves a lot of wood. I generally find someone who is cutting down a tree — for firewood — and arrange to purchase some large pieces from them.”

Like many serious woodturners, Woodard has a stash of wood — most definitely not intended to be burned — which he stores in a shop behind his house. When it has dried to less than 10 percent moisture, the wood is ready to be worked, with no worries that the final piece will crack or misshape as it dries.

Woodard finishes his woodturnings with a blend of beeswax and carnauba wax, both food grade, and he encourages purchasers to not be afraid to use his art for its intended purpose.

“Just don’t wash it in soapy water,” he says. “Clean it with a damp cloth and wipe it with walnut oil or olive oil — not cooking oil — because those two don’t turn rancid.

“Like I said, it’s made to be used.”

Wenaha GalleryRick Woodard is the Art Event: Pacific Northwest Artist at Wenaha Gallery from January 26, 2015 through February 21, 2015 at Wenaha Gallery’s historic Dayton, WA location, 219 East Main Street.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

At the Beach original watercolor by Wenaha Gallery guest artist Vivian McCauley

Prolific, Determined, and 95 — Vivian McCauley, Painter of Just about Everything

At the Beach original watercolor by Wenaha Gallery guest artist Vivian McCauley

At the Beach, original watercolor by Vivian McCauley, guest artist at the Wenaha Gallery

It sounds like a riddle that Gollum would propound to Bilbo Baggins in The Hobbit:

How does someone paint like Picasso, without painting like Picasso?

The answer, in the Shire of Dayton, WA, where fine artist Vivian Eslick McCauley has lived and painted for nearly 90 years, is this:

Barn with Wheat original oil painting by Wenaha Gallery guest artist Vivian McCauley

Barn with Wheat original oil painting by Wenaha Gallery guest artist Vivian McCauley

Both Picasso and McCauley are versatile in their art, never limiting themselves to a particular style or subject matter.And as a bonus, both artists painted into their 90s, with McCauley, at 95, still actively at work:

“My paintings are smaller now that I have moved from Dayton, to an apartment in Arizona,” McCauley says, “but I still do them and display them at my entry way or next to my door.

“Down here they have beautiful sunsets, and I’ve been painting them, along with some florals and a few Western pictures. Through the years I’ve done animals, flowers, landscapes, just whatever interests me at the time, and I’ve worked in all media. Right now, I’m focusing on pastels.”

Life slows down at 95, McCauley concedes, but that doesn’t mean it stops, and since her move to the desert two years ago, McCauley has painted both indoors and out in plein air, as well as taught a beginning watercolor class, something she would like to do again.

“I’ve taught classes in the community for years,” McCauley, who received her teaching degree in 1967 from the Laguna Beach School of Art in California, says. Although she started out in the elementary school classroom, she quickly broadened out to the adults in the area, offering classes to small groups of beginning and intermediate artists.  “Walla Walla, Tri-Cities, Dayton — I think just about every adult artist in Dayton can verify that they took lessons from me.

“Sometimes I would travel to the Tri-Cities and just stay, teaching classes throughout the week — drawing, portrait, oil, pastels — I taught all of them.”

Daffodil Pitcher by Wenaha Gallery guest artist Vivian McCauley

Daffodil Pitcher by Wenaha Gallery guest artist, Vivian McCauley

For McCauley, who farmed and raised her family in the Dayton area, art worked itself around daily life, but it always had a way of making itself known: through the years, McCauley painted public art for the Columbia County Fairgrounds; volunteered with the local art club to run the art department at the fair; and spearheaded the Columbia County Mural Society, which in the mid-90s commissioned muralist Robert Thomas to sketch out the mural outlines, that McCauley, and the dozen-plus members of the society, then painted in.

Abstract Mixed Media by Wenaha Gallery guest artist Vivian McCauley

Abstract Mixed Media by Wenaha Gallery guest artist Vivian McCauley

In 2008, McCauley joined forces with Dayton resident and artist Meredith Dedman to create the Blue Mountain Artist Guild, bringing rebirth to the area’s flagging art club, and within a short time, she arranged for local art to be in the public eye: Guild members create regular displays at the Delaney Building, next to the public library; the Liberty Theater; and most recently, the hospital.

“Vivian is very dogged when she sets her mind to it,” Dedman says. “She talked to the CEO and the board members and kept at it, and now we have a space in the entryway and the hallway. People love it.”

Regarding McCauley’s art, Dedman says, “Art is such a passion with Vivian, and she has such a good eye. She’s always been interested in taking a new class and learning something new.”

Through the years, McCauley has studied under noted artists such as Merlin Enabnit, Robert Wood, Frank Webb, Morten Solberg, and Barbara Nechis, defining and refining a style that is predominantly representational, with a nod now and then to the abstract. An interest that started with her first award, in first grade, and the assurance that she has a “God-given talent for art,” has led this prolific painter to show, sell, and teach her art wherever she finds herself. Intriguingly, she has done all of this without ever having enjoyed a proper art studio.

“I wish I could have had a studio,” McCauley says with a sigh. “I painted in the garage, sometimes on the patio, and sometimes on the kitchen table, depending on the weather. This means that when it was cold outside, I painted inside!”

Now, she paints in a small apartment, still with no proper studio, but also still with the dogged, indefatigable attitude that Dedman observed.

“I’m 95,” McCauley says.”But I just try to ignore that 95 and do what I can.”

Wenaha GalleryVivian McCauley is the Art Event: Pacific Northwest Artist at Wenaha Gallery from January 12, 2015 through February 7, 2015 at Wenaha Gallery’s historic Dayton, WA location, 219 East Main Street.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.

 

 

 

The Land of Chief Joseph inspirational original oil painting by Wenaha Gallery artist Steve Henderson

The Art of Appreciating Art

The Land of Chief Joseph inspirational original oil painting by Wenaha Gallery artist Steve Henderson

Regional artists of the Pacific Northwest capture the area in which they live. The Land of Chief Joseph by Wenaha Gallery Artist Steve Henderson.

Most of us understand and empathize with our fellow humans who are afraid of mice, spiders, snakes, small spaces or vampire movies starring Christopher Lee. We all have our fears and foibles, and they vary depending upon the person.

Many people, however, are frightened — in a different way — of something that is designed to bring joy and dimension to their lives: fine art, as in paintings and sculpture, jewelry and prints, woodwork and photography. Whether it is years of the discipline being overrun and overruled by the extreme abstract movement, resulting in viewers being condescendingly ushered from the room when they asked, “Why is this piece worth $25,000? It really looks like something an eight-year-old could do,” or not, too many individuals are missing out on an element of life that should be part of all our lives.

Kokopeli Dancer birdhouse by Papa Jon's Fly Inns of Wenaha Gallery

Sculpture comes in all shapes and forms, and Papa Jon’s Fly Inns creates birdhouses that are functional and decorative. Kokopeli Dancer, by Wenaha artists Jon and Marilu Bryan of Wenaha Gallery.

So, let’s change this, and aggressively make art  part of our lives.

Appreciating fine art, like most skills, is easy yet difficult, but it doesn’t start at all until we begin. While it sounds simplistic, initiating the process involves nothing more than looking at art — in books, online, or in person — and doing just that: looking at it. The more we expose ourselves to different styles, different media, different subject matter, the more experience we gain in art, and of art, and soon find ourselves developing a sense of confidence in our judgment.

“I don’t know much about art, but I know what I like,” is a common phrase of the common man, and like most such phrases, it imbues a factor of commonsense as well. Art, which is both subjective and objective, appeals to different people for different reasons, and in the same way that some people love goat cheese and others don’t, or some people prefer a red Malbec over a white Pinot Grigio, or a black Nilgiri tea over a South African honeybush tisane, some viewers gravitate toward bold brushstrokes and vibrant color, while others prefer subdued colors and a smooth, blended surface.

Great Blue Heron Wildlife painting by Hiroko Cannon of Wenaha Gallery

Original watercolors and prints are available by wildlife and Wenaha artist Hiroko Cannon. Shown is Great Blue Heron.

Most fortunate of all are those whose experience is so wide and diverse that they see merits in various styles — they like herbal infusions as well as white tea, bitter dark chocolate and the sweeter milk kind, representational art and abstract.  And, because they’ve looked at a lot of art, and asked questions about what they’ve seen, and pondered the various answers they were given, they are free as well to say, “This is good, and this is not,” because art — while it is very, very subjective — possesses objective elements as well, although, within certain areas of the art world, this is a well kept secret.

Because art, in various forms, is literally everywhere, the ability to see it, and learn from it, is open to anyone with access to books, images on a computer, or — and this very much an option for people in Southeast Washington — brick and mortar galleries that house and showcase art. Known for being an art community, Walla Walla — and the area around it — is fortunate to possess private and community establishments that show art, sell art, and encourage people to visit and physically view art.

Pierced wood bowl by wenaha gallelry artists pat and peggy bookey

Pat and Peggy Bookey of Alaska join forces to create hand pierced wooden vessels that are both functional and decorative.

Any fears that aspiring aficionados have about walking into a gallery and feeling like an idiot should be immediately put to rest, because anyplace that prompts a reaction of insecurity in its patrons is not a place where they will learn about art. And it’s not a place that viewers will find in this area, which enjoys a number of ways to view original art.

In Walla Walla, WA, Kingfisher Gallery and Custom Framing at 11 South Spokane Street features original art from Walla Walla based artists including Carol Cole, Bob Baker, Ed Stone and Mark VanDonge, and new works are added on a changing basis through the year.

Darrah’s Framing and Decorator (39 East Main) focuses on artists of the Walla Walla Valley, spotlighting the work of one artist for special two-month-long shows.

Todd Telander Gallery at 34 South Colville features landscapes, still life, and wildlife work of the artist.

A  short drive away, Wenaha Gallery (219 East Main) in Dayton showcases Pacific Northwest artists in its Art Events, every two weeks bringing in the two-  or  three-dimensional work of regional painters and sculptors. The gallery also houses the original work of some 30 artists from Washington, Oregon, Idaho, Montana, and Alaska.

On the John Day inspirational original oil painting by Wenaha Gallery Artist Judy Robertus

Dayton artist Judy Robertus paints the Pacific Northwest in which she lives, and which she loves. On the John Day by Wenaha Gallery artist Judy Robertus.

Dayton artists with studios include Monica Stobie (610 North Touchet Road)  and Steve Henderson (by appointment: 509.382.9775); and the Delaney building, next to the public library (111 South Third Street) hosts a monthly rotating display of artwork by the Blue Mountain Artists Guild.

Further afield, but still within an afternoon’s drive, are the Valley Art Center in Clarkston, WA (842 6th Street); the Pendleton Center for the Arts (214 North Main Street,  Pendleton, OR); and the Allied Arts Gallery (89 Lee Boulevard, Richland, WA). All three of these community art organizations operate a rotating monthly calendar of juried competitions, regional exhibitions, and individual and group artist shows. A short hop from Clarkston (16 miles northeast in Uniontown, WA), the Dahmen Barn carries the work of 120 artists, some of whom maintain studios in the building and are more than happy to talk with visitors.

This is, indeed, an area rich in the visual arts, and the opportunity to make art a part of our daily lives — viewing it, appreciating it, and owning it — is big and bold and beautiful. Let’s make 2015 the year to embrace art.

Websites:

Todd Telander — http://www.toddtelander.com/

Kingfisher Galleries and Custom Framing — Kingfisher Walla Walla (Facebook)

Darrah’s Framing and Decorating — http://www.darrahsdecorating.com/

Wenaha Gallery — https://wenaha.com/

Monica Stobie — http://www.monicastobie.com/

Jill Ingram — http://www.jillingram.com/

Steve Henderson — http://stevehendersonfineart.com/

Allied Arts Gallery — http://www.alliedartsrichland.org/

Pendleton Center for the Arts — http://www.pendletonarts.org/

The Dahmen Barn — http://www.artisanbarn.org/

Wenaha GalleryWenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com; website https://wenaha.com/ 

This article was written by Carolyn Henderson.

 

 

Dayton Community Food Bank near city hall in Dayton, WA

It Takes a Village — or a Friendly Small Town — to Keep a Community Food Bank Full

Dayton Community Food Bank near city hall in Dayton, WA

Organization doesn’t just happen. A dedicated group of volunteers is an important component to the success of the Dayton, WA Community Food Bank.

 

Community.

Before it became a television sitcom, the word was used, and overused, by businesses and organizations trying to infuse a sense of humanity into the corporate framework. Before all that, however, the word had a viable meaning describing a group of dedicated people who — in a small, friendly town sort of way — pull together to do good things.

In Dayton, WA, the Community Food Bank lives up to that cozy, friendly definition.

Dayton's Community Food Bank is located in the former fire station next to City Hall in Dayton, WA

Dayton’s Community Food Bank is located in the former fire station next to City Hall in Dayton, WA

“We are a volunteer organization with our own time and often money going into the system to keep it running,” Laura Thorn, director of the food bank, says. “We distribute food to clients whose income falls below 185% of the federal poverty level. We do this on Tuesdays, from 2 – 4 p.m., but besides all that, we need people to manage the accounts, order the food, schedule the volunteers, arrange the call lists, make the decisions, and keep the unit together.”

Volunteers do everything from sort and pack food to lift heavy boxes –(“We’re always looking for people who can lift weight to unload a monthly delivery truck on the third Wednesday of the month,” Thorn slips in) — and one dedicated couple cleans and guts fresh fish that the bank receives in the fall and spring through the Department of Fish and Wildlife.

“Many of us organize our life around Tuesday distribution day, taking vacations from Wednesday to Monday,” Thorn adds.

The thing about a community food bank is, not only are a lot of volunteers needed, but so is, quite naturally, a quantity of food. Serving between 140-160 households, representing up to 550 people, per month, the non-profit organization works in conjunction with federal, state, and local agencies, including the Blue Mountain Action Council of Walla Walla, which once a month sends the aforementioned truck with federal and state food supplies. Those supplies include 4,000 to 6,000 pounds of food — hence, the request for people who, literally, lift weight.

Winter squash provided by local gardeners to the Dayton, WA community food bank

Local gardeners, generous with their bounty, are an important part of the Dayton Community Food Bank.

But while agencies and organizations and boards are all part of the team, the “community” factor of the food bank is supplied by just that — the local people and civic groups who live in the area and care about their fellow residents who struggle to get food on the table.

“Many family gardeners share their food with us as a project,” Thorn says. “Last year we received strawberries and vegetables from local growers.

“Another family volunteers regularly with their two young daughters.”

Throughout the year, the Country Cupboard bakery donates surplus products; McQuary’s Grocery provides freezer space beyond what the food bank enjoys at its location in the former fire station next to City Hall; and many businesses and school organizations make a yearly tradition of gathering food.

“Food drives are particularly useful for us because they promote awareness and publicity in addition to gathering food,” Thorn says.

Laura Thorn, director of the Dayton Community Food Bank, keeps food and paperwork smoothly moving.

Laura Thorn, director of the Dayton Community Food Bank, keeps food and paperwork smoothly moving.

“We enjoy visits from Vacation Bible Schools every summer. Community events — like Dayton Mule Mania, the Wellness Coalition, Relay for Life, and Turkey Bingo — include us.

“In the fall, the Future Business Leaders of America did their major food drive, going door to door at Halloween, gathering 300 pounds of food.”

And coming up in January, Wenaha Gallery downtown embarks upon its 6th annual month-long food drive, which last year collected 550 pounds of food. While the gallery offers an incentive of $2 off framing for each can donated, (up to 20 percent off), gallery manager Lael Loyd says that many people are equally enthusiastic about adding to the growing display of food that the gallery features near the front window.

“They see the display in the window one afternoon, and the next day they’ve parked their car in the front and are bringing in cans,” Loyd says. “They’re really excited to see us as a convenient drop off point.”

Extra excited this year is gallery associate CJ Horlacher, who creates art displays throughout the year, and considers the aesthetic arrangement of disparate cans and boxes and bags a satisfying challenge. Thanks to another local grocery, Dayton Mercantile, Horlacher will have a shopping cart as part of this year’s display, and she is already running through ideas, none of which she will share early.

“It’s a surprise,” she says with a smile. “Even to me.”

Food is, obviously, one of the essential elements of life, and giving it to those who don’t have enough is an act about which one can feel good.

“Our goal is to provide a few days of balanced meals to enable our regular clients to afford some of their other basic necessities,” Thorn says.

“We are privileged to be part of a strong local base for funding and support.

“It takes a community working together to fight hunger.”

Wenaha GalleryWenaha Gallery’s 6th Annual Food Drive for the Dayton Community Food Bank runs from January 2 through January 31, 2015, and people may drop off non-perishable canned and boxed food, as well as personal care items such as deodorant or toothpaste, at the gallery, 219 East Main Street, Dayton, WA, from 9 a.m. to 6 p.m., Monday through Saturday.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.

This article was written by Carolyn Henderson.

Bend in the River, original oil painting by Wenaha Gallery Artist Jim McNamara.

Mountain Man Painter — The Landscapes of Jim McNamara

Bend in the River, original oil painting by Wenaha Gallery Artist Jim McNamara.

Bend in the River, original oil painting by Wenaha Gallery Artist Jim McNamara.

Jim McNamara is a man who moves mountains, because that is what landscape painters do.

“Cameras can do a better job at exact duplication,” the Walla Walla fine artist says, “but one of the great advantages of being a painter is the freedom to move elements around to suit the needs of the composition. So if a tree isn’t where I want it to be, I move it.”

McNamara, whose day job until retirement 15 years ago was in public education as a school psychologist, has been drawing and painting all his life, thanks to a bunch of determined women:

Dirt Road, Big Sky by Wenaha Gallery Artist Jim McNamara

Dirt Road, Big Sky by Wenaha Gallery Artist Jim McNamara

“The nuns at St. Bridget Elementary in Omaha saw a spark in me and coaxed my parents into sending me to summer school at Joslyn Art Museum when I was barely old enough to ride the bus,”  McNamara remembers. Art classes continued in high school and college — interspersed with courses in English literature, counseling, and school psychology — and specialized workshops followed throughout adulthood, as McNamara studied under some of today’s outstanding outdoor painters: Jim Lamb, Ned Mueller, Ken Roth, Matt Smith,  John Budacin, and Ralph Oberg.

The result of all the study, eclectic interests, and hard work has been McNamara’s unique style, blending brushstrokes with realism, plein air with studio work, a painterly attitude with attention to detail:

“My colors and shapes are broadly realistic but I prefer to employ a ‘painterly’ style,” McNamara explains. “I think painting is more interesting and involving if it leaves something to the viewer’s imagination.

“I like to see brushstrokes in a finished painting: it adds a textural dimension, and makes the work more fun to look at close up.”

McNamara, who prefers oil but forays into watercolor on occasion, is a consummate landscapist, focusing on broad, sweeping images of the Pacific Northwest and West, which he captures both on scene — en plein air  — and in his studio, inside an old house, built in 1900, with the high ceilings and quantity of windows that prompt other artists to sigh with envy.

“Where I paint is what I imagine was once the master bedroom,” McNamara says. “There are paintings on the walls, as well as art books, paints and brushes set up. I have an iMac with four or five thousand images to keep my mind occupied in the winter, when it’s hard to get outside.”

Trailhead View by Wenaha Gallery artist Jim McNamara

Trailhead View by Wenaha Gallery artist Jim McNamara

With such an ideal set-up, one would think that McNamara would stay in the studio all the time, content with the absence of rain and wind, but the Great Outdoors seductively calls,  and McNamara has painted en plein air from the Rockies to the coast, covering most of the western states in his travels with his wife. His favorite painting experiences involve backpacking to some remote location, setting up his easel, and painting directly from nature.

“Painting outdoors produces the most accurate color and the most spontaneous result,” McNamara says. “But because outdoor conditions are not always ideal in the Northwest, especially in winter, I do rely on reference photographs, which are always taken by me.” Hence, the iMac, with its 5,000 images.

While in the earlier years of his full-time painting McNamara entered juried shows and competitions throughout the  region — the Wallowa Valley Festival of the Arts and the former Walla Walla Carnegie Art center, the latter where he won People’s Choice Award and sold the painting the same day — the artist now concentrates his time on as much painting as he can get in. Most of his sales generate from his home studio, The Fort Walla Walla Winery on Main Street, or Wenaha Gallery in Dayton, with one of the most pleasurably memorable sales being to a collector in France, in Walla Walla for a wine tasting — from one area known for its wines, to another.

“I think representational art always makes a statement because it regards its subject as important and significant,” McNamara reflects upon what he does. “Just the act of intensely looking at a subject for the sometimes lengthy time required to render it gives it significance.

“I believe the natural world deserves being looked at intensely and wordlessly.”

Wenaha GalleryJim McNamara is the Art Event: Pacific Northwest Artist at Wenaha Gallery from December 16, 2014 through January 10, 2015 at Wenaha Gallery’s historic Dayton, WA location, 219 East Main Street.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.

This article was written by Carolyn Henderson.

Win Big at Dayton’s Scavenger Hunt!

Here's the list of questions, and the participating businesses for the Dayton Scavenger Hunt, which runs through December 6, 2014. Drop in to any of the businesses and grab your card today!

Here’s the list of questions, and the participating businesses for the Dayton Scavenger Hunt, which runs through December 6, 2014. Drop in to any of the businesses and grab your card today!

Who doesn’t love a scavenger hunt?

By the time we’re old enough to get really good at it, however, they’re difficult to find — but not in Dayton, WA!

Seventeen Dayton businesses have joined together to create a fun hunt for the Christmas Kick-off season that involves grabbing a Signature/Stamp card, visiting each shop, and determining which question on the back of the card has to do with that business — like this:

At Wenaha Gallery, what artist has bird sculptures on display?

or

What type of milk does Little Dipper Dairy use in their cheese?

The Gardener wooden sculpture by Wenaha Gallery artist Jordan Henderson

It’s a sculpture! Ah, but not a bird. Keep looking and you’ll find the answer to question 6. (The Gardener Sculpture by Wenaha artist Jordan Henderson)

In cases like these, finding the business that has the answer to the question is pretty straightforward, but other questions get a little tricky:

Where can you find Yankee Candles?

or

Where can you find a shuffle board countertop at a local restaurant?

Once you figure out the right business to go with its question, you’re in the right place to find the answer. And when you do, a representative at the business will provide a stamp or initial in the box on the Signature Card for their business. Participants have until December 6, 2014, to complete the card and drop it off at any of the 17 businesses, or at the Dayton Chamber of Commerce.

Then what?

Then your card with your name is entered into a drawing with three winners:

First Prize — $100 in Dayton Dollars

Second Prize — $50 in Dayton Dollars

Third Prize — $25 in Dayton Dollars

Redtailed Hawk by Hiroko Cannon at the Wenaha Gallery

It’s a BIRD! But not a sculpture. But you’re close — if you’re in the Wenaha, you’re in the right place to answer question 6 (and we’ll help you, you know). Red Tailed Hawk by Hiroko Cannon, Wenaha Gallery guest artist.

AND — even if you don’t win, each business is providing a gift or offering a special exclusively for the customers playing the scavenger hunt. At Wenaha Gallery, we are giving a coupon for $3 off jigsaw puzzles of 500 pieces or more.

Got questions? Call Wenaha at 509.382.2124 or drop in and ask.

This event is sponsored by Pacific Power and brought to the good people visiting and living in Dayton by the Dayton Business Association in collaboration with the Dayton Chamber of Commerce and the Port of Columbia.

These are the 17 participating businesses where you can go and pick up you Scavenger Hunt card:

  1. Wenaha Gallery
  2. Little Dipper Dairy
  3. Boldman House
  4. Crofts Floral & Gifts
  5. Weinhard Hotel Gift Shop
  6. PDQ
  7. Blue Mountain Station Co-op
  8. Historic Depot
  9. General Store at Conoco
  10. Jacci’s Yarn Basket
  11. Rey’s Coffee
  12. Dingles
  13. Skyline Parts
  14. Village Shoppes
  15. Chief Springs & Iron Brew Pub
  16. Weinhard Cafe and Bakery
  17. Hometown Carpets