Posts

Spalted Maple Bowl by Wenaha Gallery guest artist Craig Hardin

Don’t Burn That Wood! Turn It into Art — the Wood Sculpture of Craig Hardin

Spalted Maple Bowl by Wenaha Gallery guest artist Craig Hardin

Spalted Maple Bowl by Wenaha Gallery guest artist Craig Hardin

 

As winter sets in and the days — and nights — get colder, a warm, merry fire in the hearth cheers the hearts of most. But for woodworker Craig Hardin, who turns wood on a lathe to create bowls, platters, lidded boxes, wine stoppers, bottle openers, and Christmas ornaments — fine hardwood has better uses, and a longer life ahead of it, after it has been through his capable hands.

“It is rewarding to turn a piece of hardwood into a bowl that someone will appreciate for years instead of burning it in their stove,” the Vancouver, WA woodworker says.

“There are many different types of hardwood to work with, and they each have unique characteristics.”

Birdseye Maple Wine Stop by Wenaha Gallery guest artist Craig Hardin

Birdseye Maple Wine Stop by Wenaha Gallery guest artist Craig Hardin

Whether a block of wood finds new life holding jewelry or keeping air out of the wine depends upon the wood itself, which in its own way speaks to Hardin — along with friends, family, and a growing list of clients — to determine what the final piece of functional art will be. For now, Hardin’s day job is at an electric utility company, and in his off time, he focuses on wood, with a significant amount of energy being devoted to finding it first, before ever he turns his attention to repurposing it:

“I cut and dry most of the hardwood myself that I turn. Friends and neighbors donate hardwood trees that they are removing from their property, and occasionally we come across a development where they are removing the trees. After asking permission, we are allowed to acquire some very nice hardwood for our use.”

An unusual, but rewarding source of exotic wood from other countries is the humble shipping pallet, and when Hardin finds a hardwood treasure in his forays to the Port of Portland, he jumps on it, not, perhaps, literally, but with decided enthusiasm.

“It’s so rewarding to recycle the hardwood in these pallets into amazing pieces of artwork,” Hardin says.

Small Birdhouse by Wenaha Gallery guest artist Craig Hardin

Small Birdhouse by Wenaha Gallery guest artist Craig Hardin

Black walnut, cherry, locust, maple — these are trees that are familiar to many, and the wood from them possesses a beauty that enhances any art item into which they are turned. Also in Hardin’s arsenal are ebony; madrone, or bearberry, which is native to western coastal North America from British Columbia to California; and camphor, described by the website Eat the Weeds as “cinnamon’s smelly cousin.” Native to Japan, China, and North Vietnam, this “exotic pest plant,” increasingly being planted on this side of the Pacific, is a favorite with woodworkers for its red and yellow striping.

Spalted maple, out of which Hardin has fashioned decorative bowls, features dark contrasting lines and streaks resulting from, of all things, fungus, and the challenge is allowing the wood to decay for as long as possible — to increase the complexity of design — but not so long that the material is weakened.

Zebra wood, which describes its appearance as opposed to its source, features strong dark stripes on a light background. Recently, Hardin donated a zebra wood wine stopper and pewter-headed bottle opener to a private nonprofit fund raiser for a Haitian children’s relief fund.

“Much of my work is shared with family, friends, and nonprofit organizations,” he says.

While at the moment, Hardin considers woodturning a pleasant hobby, in the future, after retirement, he plans to devote more time, and space, to re-creating new items out of the forest’s bounty.

“Currently, my studio is our third car garage bay at our house,” Hardin says, “but down the road we’ll have a dedicated space for a wood shop.”

The whole adventure began three years ago with a used lathe from Craig’s list that Hardin’s wife gave him for Christmas, but, “after the motor failed from my using it so much, we decided to purchase a new lathe.”

The new lathe has been receiving happy and generous use, and the consistent and varied supply of raw material on hand enables Hardin to continue experimenting, creating, and fashioning whatever the wood demands to be.

“Wood turning is unique,” Hardin says. “Each individual piece presents its own challenge, and reward.”

Wenaha GalleryCraig Hardin is the Art Event: Pacific Northwest Artist at Wenaha Gallery from November 28 through December 27, 2014. He joins College Place, WA, watercolor artist Hiroko Cannon at an artist’s reception Friday, November 28, 2014, at Wenaha Gallery during Dayton’s annual Christmas Kick-off.

Meet Hardin at the evening reception, from 4-7 p.m., and enjoy good company, fine art, and free refreshments at Wenaha Gallery’s historic downtown location, 219 East Main.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.

This article was written by Carolyn Henderson.

Hiroko Cannon drawing of Great Blue Heron in Brown Grass at Wenaha Gallery

Life Outside the City Really Is for the Birds — the Wildlife Art of Hiroko Cannon

Hiroko Cannon drawing of Great Blue Heron in Brown Grass at Wenaha Gallery

Great Blue Heron in Brown Grass by Hiroko Cannon at Wenaha Gallery

The world of birds is thoughtful, peaceful, meditative, a far cry — or chirp — from the hustle and noise of Osaka and Tokyo, Japan, two metropolises known for their economic and commercial activity.

Fine artist Hiroko Cannon, who now calls Pendleton, OR home, was for many years a commercial and graphic designer in Japan’s two largest cities, creating illustrations for department stores during the day, and studying under her dream teacher, noted fashion and figurative illustrator Setsu Nagasawa, at night — that is, when she wasn’t still completing drawings for work:

“It was very hectic — projects came in the morning for the next morning’s newspaper,” Cannon remembers. “I would finish the drawings in the afternoon and wait for the first proof prints to come out for me to check. After the second and final checks I was free, to catch a taxi to go home in the middle of the night.”

And the next day, it started all over again.

Swainson's Hawk by Hiroko Cannon at the Wenaha Gallery

Swainson’s Hawk by Hiroko Cannon at the Wenaha Gallery

The quantity of work required, at the speed it demanded, was an art school all its own, and this in conjunction with studying human figure drawing and watercolor painting at the prestigious Setsu Nagasawa Seminar pushed Cannon to finesse her skills, and accuracy, in drawing.

“How to quickly catch the human movement on paper was one of Nagasawa’s curriculum, which I enjoyed a lot,” Cannon remembers.

In 1985 Cannon immigrated to the United States, and while she continued to produce illustrations and write articles on a freelance basis for women’s magazines in Japan, life changed from hectic to busy, simply because Pendleton, at its most frenetic, is not Tokyo. In the midst of raising two children, Cannon took a break from art, exchanging painting  for chauffeuring:

“Both children were heavily involved in music and required lots of shuttling to and from practice sessions, performances, and other activities,” she explained. But life goes on and children grow up, and when Cannon’s youngest child hit high school and began driving, Cannon knew that it was time to pick up painting again.

It was sheer happenstance that Cannon turned her skill, background, passion, and expertise to birds, sparked by a donation request from Lynn Tompkins of Blue Mountain Wildlife Rescue, who asked if Cannon would create a painting for the organization’s annual auction. Always a bird lover, as well as a strong supporter of the area’s non-profit organizations, Cannon agreed.

Redtailed Hawk by Hiroko Cannon at the Wenaha Gallery

Redtailed Hawk by Hiroko Cannon at the Wenaha Gallery

The public’s enthusiastic reaction to that first painting took its creator by surprise. Quickly sold for a good price, the painting sparked comments from others at the auction, who wanted to know where they could purchase more of her work. Cannon painted more originals which she reproduced as fine art prints, selling them briskly at the Pendleton Center for the Arts. Twice, Cannon walked away with the coveted People’s Choice Award at the center’s Open Regional Exhibit, and the demand for her work continued to increase. She then added greeting cards to her offerings.

Now working out of her house, which she uses as her work and storage place, Cannon explores the intricate detail and coloration of nature around her, concentrating on the big world of small things: birds, in their habitat; insects; spiders; flora; and the occasional snake. Her style is delicate, yet firm; accurate in detail; capturing the personality of her subject matter through its pose, or the expression upon its face. There is a sense of peacefulness far removed from sights and sounds and demands of a huge city.

“Looking back on my life in Tokyo, it was not for me anymore,” Cannon muses.  “Now, with my paintbrush, I am gently and slowly observing nature, including my life.”

Wenaha GalleryHiroko Cannon is the Art Event: Pacific Northwest Artist at Wenaha Gallery from November 17 through December 15, 2014. She joins Vancouver, WA, wood artist Craig Hardin at an artist’s reception Friday, November 28, 2014, at Wenaha Gallery during Dayton’s annual Christmas Kick-off.

Meet Cannon at the evening reception, from 4-7 p.m., and enjoy good company, fine art, and free refreshments at Wenaha Gallery’s historic downtown location, 219 East Main.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.

This article was written by Carolyn Henderson.

Sunday Morning Coming Down painting by Janene Grende

Horses, Birds, and Wildlife — the Exuberant Art of Janene Grende

Sunday Morning Coming Down painting by Janene Grende

Sunday Morning Coming Down by Wenaha Gallery Artwalk Featured artist Janene Grende

The Lemonade Stand: many successful entrepreneurs remember starting their career with paper cups, a rickety table, and a pitcher of summer brew. Wildlife artist Janene Grende, however, approached things differently:

“My sister Carol and I both drew and painted from childhood,” the Sandpoint, ID painter remembers. “We had a little painting stand out by the road like other kids would have a lemonade stand. Our first sale was 25 cents.

“Carol went running to the house yelling at mom, ‘We have a cuspidor! We have our first cuspidor!'”

Grizzle by Janane Grende, Wenaha Gallery Art Walk featured artist.

Grizzle by Janane Grende, Wenaha Gallery Art Walk featured artist.

Since that momentous day, there have been many cuspidors, and clients, for both Grende sisters, with the excited Carol advancing to a career in bronze sculpture (her full-size statue of Sacagawea is a public art piece in Dayton, WA), while Janene directed her attention toward two-dimensional painting in oils, acrylics, gouache (rhymes with wash), and silk dye on silk substrate.

A prolific artist, Janene has licensed her work to Leanin’ Tree cards; designed plates, ornaments, and sculptured items for the Bradford Exchange; and provided original paintings, limited edition prints, and gift items to Wild Wings, a leading publisher and retailer of wildlife art that distributes its products to more than 150 galleries and gift shops nationwide.

In a career spanning more than 40 years, Grende has made a name for herself in the wildlife and western art world, completing several paintings for the Rocky Mountain Elk Foundation, where she has twice been chosen the Artist of the Quarter; the National Wildlife Federation; and the United States Humane Society.

Selected as the Ducks Unlimited artist of the year for Idaho, Grende was the first woman to win this honor, and the first person to win it twice.

Her horse-inspired paintings have been featured at the American Academy of Equine Art, and among her many national awards is the Best of Show at the “In the Company of Cowgirls” art show at the Pendleton Cattle Barons Weekend.

Of the many awards under Grende’s belt buckle, however, her most prized accomplishment is the Susan Kathleen Black Foundation Award of Excellence, given once a year to the most well-rounded  artist for the accomplished artwork and teaching skills.

Two Girls on Horseback by Janene Grende, Wenaha Gallery Art Walk featured artist.

Two Girls on Horseback by Janene Grende, Wenaha Gallery Art Walk featured artist.

“I have paintings all over the world, in many different mediums,” Grende says. “One of my favorite commissions was a silk dye of two young girls who were avid English riders in New York State.

“They dreamed, however, of riding out west as cowgirls. Their dad sent me a variety of photos and I made them into cowgirls with wild rags, chaps, hats and spurs.

“Ridin’ right at ya whoopin’ and hollerin’ . . . with some great mountains behind.”

Another treasured memory involves a purchaser from Bonners Ferry, Idaho, who moved to Iran.

“He was in the evacuations when the U.S. needed to get out of Iran in a hurry,” Grende explains.

“He was wounded in the leg from a mortar round and airlifted out in a helicopter while holding my painting on his chest.”

Horses painting by Janene Grende

Horses in Hill Pasture by Janene Grende, Wenaha Gallery Art Walk featured artist.

An artist can’t ask for much better endorsement than that.

Grende paints and teaches from two studios in her Sandpoint, Idaho location, and while time to paint is never unlimited, ideas for what to paint next are boundless.

“I never have any trouble thinking about what I will create next — I have lists of ideas and more ideas come every day,” Grende says of the creative process.

“My favorite subjects are horses, birds, wildlife and scenery, in that order.

“I mean, have you ever seen anything as beautiful as a horse prancing about? Or an eagle stretching its wings as it glides off a branch into the sky? Or how about a huge bull elk strutting along in all his glory.

“A cascading waterfall, fireflies at dusk, autumn trees reflected in a mirror-still lake, spring flowers and that first hummingbird.

“How would anyone run out of ideas to paint?”

Janene Grende is the featured  Art Event Pacific Northwest artist at Wenaha Gallery (219 East Main Street, Dayton, WA) from October 4-31. On the opening day of her show, Saturday, October 4, Grende joins Lewiston artist Craig Whitcomb at a special Art Walk reception in the gallery, from 10 a.m. to 2 p.m., part of the Dayton on Tour celebration.

Wenaha GalleryContact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.

This article was written by Carolyn Henderson.

 

Welded horse sculpture by wenaha gallery artist Carlos Acevedo

A Boy’s Insistent Dream Becomes Reality — The Welded Metal Sculpture of Carlos Acevedo

Welded horse sculpture by wenaha gallery artist Carlos Acevedo

Untitled welded sculpture by Wenaha Gallery artist Carlos Acevedo

From the time Carlos Acevedo was a little boy, he wanted to be an artist. He knew that he was an artist.

But like many determined people with a strong dream and an equally strong personality to make it happen, he didn’t always have the support of the people around him.

“I can remember, in grade school, when the art teacher came into my fourth grade classroom to pick out the students who were ‘privileged,'” Acevedo says. He was never chosen.

Circumstances notwithstanding, Acevedo never gave up, and the way he let his wishes be known is one that generations of artistic students have used, and generations of teachers have scolded about:

Touchet welded metal horse sculpture by wenaha artist Carlos Acevedo

Touchet by Wenaha Gallery sculpture artist Carlos Acevedo

“I doodled on all of my homework and class worksheets, and was always trying to demonstrate to my teachers that I, too, had artistic abilities.”

It was not until three years later, however — upon entering junior high school — that Carlos achieved his goal of art study when he was now required to take the class as an elective, and all those years of persistent tenacity finally accomplished their purpose:

“That is when I was introduced to clay, block prints, drawing and painting,” Acevedo remembers.  “More importantly, I learned a valuable lesson back then — to never give up on what you dream.”

Acevedo’s dreams achieve reality these days in sculpture: his signature creations, many of which are horses, start out as eclectic fabrications of wood, metal, wire, and paper which he intertwines into the finished form, then casts into bronze. The resultant work of art is fluid with movement, spirited, conveying a sensation of action skillfully woven with a singular sense of tranquility.

Acevedo credits seven years of working at Walla Walla and Trevor Hunter Foundries with expanding his skill, his understanding of the different ways that metals interact, and his confidence as an artist:

“During my time working at these foundries, I had invaluable access to the contemporary art world,” Acevedo says. “It was there that I helped fabricate large and small-scale bronze sculptures for national and international artists.” Now, as a student at Columbia Basin College in Pasco, working on his AAS Welding Degree, Acevedo continues to learn, and when he isn’t studying, Acevedo creates in his art studio, an old army bunker at the Walla Walla Airport which he shares with photographer Amahra Leaman and two studio cats, Noche-No-Tail and Professor Tubby.

“The cats earn their keep,” he observes.

Welded metal horse sculpture by wenaha gallery artist Carlos Acevedo

Untitled 3 by Wenaha Gallery sculpture artist Carlos Acevedo.

So . . . why welded art?

“The welding process has always fascinated me,” Acevedo explains. “When I was a young boy, I watched my brothers fix broken bikes and other metal objects. It was truly remarkable that they could take something that was broken and make it function again.”

And the horses?

It’s back to those brothers again: “I remember my oldest brother, Jose, being placed on a beautiful black and white ‘Paint Horse’ to have his picture taken with his cowboy boots, caballero suit, and sombrero. I looked at that photo of Jose on that horse, wishing I too could only be placed on that same beautiful black and white paint horse to have my picture taken.”

Like the grade school art lessons, it never happened, but the love for horses, and the desire to sculpt, draw, and paint them, was born in that moment.

In many ways, the young boy in Acevedo — the one who watched other children attend classes he longed to be in, and an older sibling sit proudly astride the horse he would only admire in a photograph — has never grown up, but he’s done something better:

Welded metal horse sculpture by Wenaha Gallery artist Carlos Acevedo

Untitled IV metal sculpture by Wenaha Gallery artist, Carlos Acevedo.

He has taken the setbacks of youth and its frustrated dreams and translated them into a reality of adulthood. Like many artists, he juggles school and work and family to achieve that precious, never-enough-time in the studio, and the finished pieces reflect all of the time and process it takes to create them:

“Emotion for each piece is born simply by using my hands and physically feeling the materials,” Acevedo says. “It is this emotion, the tactile act of creating, and allowing my heart a chance to speak, that drives me to continue to create.”

Carlos Acevedo is the featured Art Event Pacific Northwest Artist at Wenaha Gallery, August 11 through September 6, 2014. Come see the exhibit at the gallery’s downtown Dayton, WA location, 219 East Main Street.  Wenaha Gallery

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.

This article was written by Carolyn Henderson.

The Artist’s Life, and Wife — A Different Perspective on Fine Art Painter Steve Henderson

The Land of Chief Joseph, original oil painting by Wenaha artist Steve Henderson

The Land of Chief Joseph, original oil painting by Wenaha artist, fine art painter Steve Henderson.

“It must be fascinating, being married to an artist!”

This is one of those less than profound comments one encounters in social situations in which the speaker is really looking for someone else to talk to, but you’re the only one next to a free chair.

Child of Eden, original oil painting by Wenaha Gallery artist, Steve Henderson.

Child of Eden, original oil painting by Wenaha Gallery artist, fine art painter Steve Henderson.

But yes, since you asked, it is fascinating being married to an artist, and my particular artist, painter Steve Henderson of Dayton, WA, is a man I haven’t completely figured out in 32 years of being together. (Of course, he’s still puzzled about me, and this is a good thing.)

The other day, we were sitting in the river — not just dabbling our feet, but immersing the bottom part of the canvas chairs and everything that was resting upon them, chatting. Steve had spent the afternoon in his renovated barn studio, working on an oil painting teaching DVD, and the river is our air conditioning.

Midway through an observation on the genius of Nikola Tesla and the lack of any serious follow up on his many and varied discoveries in electricity, the man stops.

Most of the time, this means that he has heard or seen an animal — a deer, a dog, a snake, this latter not a comforting thought since these reptiles manage to swim — but  this time it was the river itself.

The Musing Artist

“That light, reflecting on the water,” he mused.”And the canopy of vegetation. I wonder if I can get  my camera out here without slipping on the rocks?

“Ah, but we were talking about Tesla . . . ”

Three Horses, original oil painting by Wenaha Gallery Artist Steve Henderson

Three Horses, original oil painting by Wenaha Gallery Artist and oil painter Steve Henderson

(He did manage to get the photo, and he didn’t slip on the rocks. He has the balance of a mountain goat, the hearing of a deer, and the eye of an eagle which occasionally requires reading glasses.)

In movies and books, artists are unbalanced, eccentric creatures, and the only reason in a murder mystery that they are not the perpetrator is that they are so scatty in their random, disparate thoughts. It’s a wonder that they manage to hold a paintbrush, much less wield it, but given the artwork that they purportedly create on screen, perhaps this isn’t such a surprise after all.

Artists Are Real, Ordinary but Extraordinary People

But in the real world, at least in the world I inhabit with Steve Henderson, the artist is an organized, well read, soft spoken, articulate, intelligent man who at any given moment is either digging up potatoes in the garden, taking photos of a model in Dayton’s Boldman house for a future series of 1940s period paintings, mending  a goat fence, dressing up as Santa Claus for one of his holiday works, or reading George Orwell’s 1984.

In the Workshop, original Santa oil painting by Wenaha Gallery artist Steve Henderson.

In the Workshop, original oil painting by Wenaha Gallery Artist and oil painter Steve Henderson.

He hikes to and through the landscapes he paints. He does not mind rain or inclement weather. He eats anything, with gratitude, and he treats every person as if they were equal to one another. His artwork is a fusion blend of representational attention to detail with impressionistic brushwork, and he loves rich color, complex light, and intricate shadow.

What he creates on canvas is the result of years — years — of time behind the easel, experimenting, learning, trying, retrying, and absorbing himself in beauty.

His philosophy of art — and  of  life — is that the world is a rough, cruel place, and it doesn’t need yet another painting about darkness, despair, gloom, hopelessness, discouragement, and muddy, mangled, greyed out colors.

“Hope, peace, joy, goodness — those are part of reality, too,” he says. “And they certainly look better on the living room wall.”

Creating Fine Art for Real People to Enjoy

As an ordinary man, one who spent many years in the cubicle business world of commercial illustration, he is committed to getting art in the hands of real, regular people, and to this end he keeps the prices of his original works reasonable, and partners  with his agents to get his works licensed and available at online and retail establishments.

“Art is a necessary component to a well-rounded life,” he says. “Everyone should have an opportunity to own, and enjoy it.”

By choosing to focus on goodness, one is not denying the existence of evil,  he adds. Rather, one is not allowing evil to triumph over good by feeding it, extolling it, concentrating upon it.

“Artists interpret the times,” he says. “And in every historical time you will find children, family, people who love one another, picnicking, reading, walking, daydreaming. You will find trees, mountains, rivers, clouds, deserts, meadows, beaches, and sunsets — and all of these aspects of nature are filled with color and complexity.

“That’s what I paint.”

Steve Henderson  is the featured Art Event Pacific Northwest Artist at Wenaha Gallery, July 13 through August 9, 2014. Come see the exhibit at the gallery’s downtown Dayton, WA location, 219 East Main Street.  Wenaha Gallery

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.

This article was written by Carolyn Henderson.

A Connoisseur of Trees and Wood — the Hand-Carved Sculpture of Jordan Henderson

Carved goat in cherry wood by Wenaha Gallery artist Jordan Henderson

Goat in Cherry Wood by Wenaha Artist Jordan Henderson.

Sustainability: it’s contemporary, fashionable, sensible, and beautiful, and for woodcarver Jordan Henderson of JDC Woodcarving, there is an art to doing it right.

“I source all of my wood locally,” the Dayton, WA artist explains, “People contact me regularly to let me know that a tree has blown down, and am I interested in the wood? Sometimes they drive up — in the night — and leave the wood by the studio. It’s an unusual, but pleasant, surprise in the morning, and most of the mystery is figuring out who brought the wood.

Carved wood sculpture portrait in cottonwood by wenaha gallery artist Jordan Henderson

Portrait in Cottonwood, by Wenaha Gallery Artist Jordan Henderson.

“I have acquired some really unusual pieces for sculpture this way — my favorite is locust, but I’ve worked with lilac, cherry, walnut, oak, white pine. We are fortunate to live in an area with a lot of trees.”

From a block of wood, Jordan uses hand and power tools to tease out the animal, or the plant, or Viking warrior, that is hidden there, waiting for him to create it into existence. The son of Dayton painter Steve Henderson, Jordan learned to draw as a child, and he uses this skill extensively in making preliminary sketches for each piece.

“I study the subject from all sides and perspectives before actually starting to carve,” Henderson explains. “This allows me to make bold, clear shapes and cuts, which I believe are absolutely essential, because hesitant shapes and cuts in carving look terrible.

“Wood is a very unforgiving medium,” he continues. “If you make a serious mistake your carving is ruined. The time spent on preliminaries is well worth it if it means that you don’t have to  throw out a carving that is three-quarters done.”

That time spent on preliminaries shows: Henderson’s carvings are free flowing yet accurate in detail, occasionally whimsical yet respectful of their subject: the trees curve as if dancing,  the chicken exudes nobility somehow, the bust of an Arikira Indian — based on a photo by Edward Curtis — stares forward with dignity and pride. Each piece expresses the individuality of the subject.

Carved wood sculpture rockfish by wenaha gallery artist Jordan Henderson

Rockfish, by Wenaha Gallery Artist Jordan Henderson.

Because of the dust inherent to carving from wood, Henderson prefers to work outside, which is pleasant in the summer months, he observes. However, due to his seasonal day job — growing and marketing organic produce for his business, Deer Pond Gardens — Henderson spends the warmer months with a shovel in his hand, as opposed to a chisel. Quite fortunately, since he is a man who wears shorts in January, he has no problem working outside when the temperature is more . . . brisk, shall we say.

carved wooden sculpture the gardener by wenaha gallery artist Jordan Henderson

The Gardener, by Wenaha Gallery Artist Jordan Henderson.

“It’s still pleasant,” Henderson comments in his direct, yet soft spoken way. “And though in the summer — when it would be even more pleasant to be carving outside — I’m not able to devote as much time to it, I get many ideas for the winter.

“And in the winter, it’s very enjoyable, sitting by a woodstove, to do the preliminary sketches for sculptures by the fire. Or poring through seed catalogs. The two facets — gardening and carving — work well together.”

It’s back to that sustainability again — using wood that many people  would burn, to celebrate the world of wildlife, domestic animals, trees, fish, and — quite appropriately —  a gardener, leaning on a shovel.

“My goal is to create a clear and aesthetically pleasing rendition of the subject, with the aim to cause viewers to also see the beauty of these subjects,” Henderson says.

“The real benefit of wood is its inherent beauty: a woodcarving is not just a way of creating a form, it is also a way to show off the beauty of the wood it is carved from. That’s why it’s so important to have many different types of wood from which to choose, and thanks to the people who keep me in mind when they’re cutting wood, I’ve got that.”

Jordan Henderson  is the featured Art Event Pacific Northwest Artist at Wenaha Gallery, July 3 through July 26, 2014. Come see the exhibit at the gallery’s downtown Dayton, WA location, 219 East Main Street.  Wenaha Gallery

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.

This article was written by Carolyn Henderson.

Water, Water Everywhere — Just Not in the Studio — the Pastel and Watercolor Paintings of Judy Robertus

coastal meadow original pastel by wenaha gallery artist Judy Robertus

Coastal Meadow, original pastel by Wenaha Gallery artist, Judy Robertus.

Water is one of our planet’s most valuable resources, and other than air, it’s probably one of our most vital.

For Dayton landscape artist Judy Robertus, water is a focal point of her work: it is one of her mediums of choice (watercolor), and she incorporates it, one way or another, in much of her work.

“My passion must be rivers, since most of my work depicts them,” Robertus says. “My husband suggested I call my enterprise, Many Rivers Studio. He has a point.”

From her studio, which is close to several local waterways but not right on them, Robertus creates soft, dreamy landscapes of the region’s streams and rivers with their aspen trees and vegetation. With an emphasis on local scenes, Robertus frequently draws upon photos by local photographers Mel Bohleen and Carson Frankie.

Birchfield Evening original pastel painting by wenaha gallery artist Judy Robertus

Birchfield Evening, original pastel painting by Wenaha Gallery artist Judy Robertus

“They travel the back roads of Eastern Washington and then entice me with their photos, encouraging me to paint them,” Robertus says. “One painting leads naturally to another.

“I haven’t given much thought about how I gravitate toward rivers,” Robertus muses, “and actually, I never noticed that I did until it was pointed out to me.”

When she and her husband, both now retired, are traveling, Robertus seeks out small rivers in quiet, intimate settings. Another favorite landscape subject matter — with or without water — are canyonlands, reflecting Robertus’ growing up in Utah.

“They’re so beautiful,” she says. “I am fascinated by them.”

So we have water on one hand, and canyon drylands on the other. In her choice of mediums, Robertus expresses a similar polarization:

“I go back and forth between doing watercolor and pastel work,” she says. “For many years, I only did watercolor, but about five years ago I started doing pastels and got really involved in it.

“The challenges of watercolor are also its benefits: it likes to do its own thing. It takes you where it wants to go and you follow.

Stand of aspen original pastel painting by wenaha gallery artist judy robertus

Stand of Aspen, original pastel painting by Wenaha Gallery artist Judy Robertus

“But I also love pastels and their softness and immediacy.

“Both mediums are perfect for landscapes.”

Art became a part of Robertus’ life years ago when she attended the University of Utah, and while her professional career  was in social and community service counseling, her painting was an important part of her schedule, and she fit it in around and about her work life. Now with more time to devote to the endeavor, she has developed the artist’s coveted, and designated, studio space:

“My studio is in the center of my home, where a band of windows provides an abundance of northern light. A very large poster of Beethoven looms overhead.

“He is my muse.”

The muse must smile, because Robertus’ works have been shown in various regional and local venues and exhibitions, one of which resulted in an award from the Eastern Washington Watercolor Society. A member of the Blue Mountain Artists Guild in Dayton, Robertus regularly shows her work in local landmark locations like the Historic Depot and the Weinhard Hotel, in addition to being represented at the Wenaha Gallery.

“The practice of art encourages one to notice Nature’s beauty,” Robertus says.

“Over the years, I have come to believe that within each of us there is a basic wellness, a sense that all is ‘right with the world’ when we are absorbed in the moment in the world around us.

“Painting a scene or observing a painting of a landscape allows us to connect with this wellness.”

Judy Robertus is the featured Art Event Pacific Northwest Artist at Wenaha Gallery, June 23 through July 12, 2014. Come see the exhibit at the gallery’s downtown Dayton, WA location, 219 East Main Street.  Wenaha Gallery

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.

This article was written by Carolyn Henderson.

The Best Thing to Do with Wood in Alaska — the Sculpture of Pat and Peggy Bookey

a selection of woodturning and wood piercing art by Pat and Peggy Bookey

A selection of woodturning and wood piercing art by Pat and Peggy Bookey.

When you live in Alaska, what do you do with wood?

For wood artists Pat and Peggy Bookey of North Pole, AK, you don’t necessarily burn it, even though, according to Pat, “The lows here can be between -50 and -60 F!”

When you are the Bookeys, both retired teachers, you fuse your separate skills together to create ethereal, airy sculpture out of native Alaskan birch (Betula neoalaskana) or Koa (from Hawaii). Pat turns the wood into thin-walled bowls, vases, bottle stoppers, and pet urns while Peggy, often using a dentist’s drill, pierces the creations with intricate, lacelike designs incorporating flowers, birds, Pacific Northwest animals such as wildcats or wolves, and, oddly for people who live in a place called North Pole, Hawaiian flora, birds, turtles, and whales. There’s a reason for that, which we’ll get to later.

Birch Butterfly Bowl by Pat and Peggy Bookey

Birch Butterfly Bowl by Pat and Peggy Bookey

“This all started because I needed something to do during the long Alaskan winters,” Pat says of their joint effort at producing fine, yet functional, three-dimensional art. In the initial years, Pat worked alone on his woodturning creations, while Peggy focused on hand carving,  delicately etching scenes on eggs from chickens, ducks, guinea fowl, and eventually, the exotic emu and ostrich. Despite working side by side, in a small garage workshop,  for several years, the couple never thought of coalescing their skills until one day, Pat happened to ask Peggy to carve a scene on one of his turnings.

They never looked back. The ensuing collaboration has taken them out of the workshop into various geographical areas as they distribute their work to galleries and gift shops, and one of those areas has been Hawaii.

“We love to visit that state every year to defrost, so it made sense to seek out opportunities there,” Peggy explains. Their big break came when a sales associate at Martin and MacArthur, an island-based dealer in fine gifts, home accessories, and furniture, insisted that they show their work to the CEO, Michael Tam, who fell instantly in love:

“He couldn’t stop turning the bowl over and over, commenting on the intricate pierced holes and scenes on the wood,” Peggy says. With a strong presence and interest in Hawaii, the couple  added Acacia Koa, a native Hawaiian wood, to their materials, and began incorporating native designs and elements.

In the earlier years of their working together, it was difficult finding the enough time, because even though Pat and Peggy were retired, “We had a significant role in raising our two grandchildren,” Peggy says. When the children were younger,  “we developed a system where Pat would turn a vessel while I looked after the kids, then we would switch and I’d work as fast as possible on the piecing . . . it was one heck of a feat working at that speed. I really pushed that drill!”

Dragonfly Lidded Koa by Pat and Peggy Bookey

Dragonfly Lidded Koa by Pat and Peggy Bookey

As the grandchildren grew older, Pat and Peggy were able to slow down from high speed, but so much practice resulted in pretty near perfect: PJ Percy of TreelineUSA, a woodcarving supply establishment, says of Peggy:

“She is one of the fastest piercers I’ve ever seen.”

The Bookeys, and their work, have been featured in Woodturning, the largest international woodturning magazine, as well as Woodturning Design. One of their favorite sales stories involves the King of Morocco, who visited one of the Martin and MacArthur stores and purchased several pierced Koa bowls to be shipped home.

“The employees couldn’t wait to tell us this good news!” Peggy remembers. Another favorite sale happened at the museum gift store at the University of Alaska at Fairbanks, involving a large pierced vase, entwined with dragons, that the new owner hand carried back to China.

Pat and Peggy work together, and work together well, constantly encouraging, pushing, nudging each other to new heights of skill and art:

“Peggy’s relentless suggestions give me the confidence to continue to improve,” Pat says while Peggy notes,

“I was going to stop piercing about six years ago, but Pat pushed me on and supported me along the way. If it wasn’t  for him, we wouldn’t be where we are today.”

Pat and Peggy Bookey are the featured Art Event artists at Wenaha Gallery June 9  through June 28, and you can  enjoy a selection of both their Alaska birch and Hawaiian Koa creations at the downtown Dayton, WA gallery, 219 East Main Street.  Wenaha Gallery

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.

This article was written by Carolyn Henderson.

One, Two, Three Artists Are a Charm — Caprice Scott (Ceramics), Joyce Wilkens (Author) and Wanda Thompson (Graphite)

porcelain art by caprice scott

Porcelain art by Caprice Scott.

Good things come in threes. Consider this: how many important decisions are made with the simple game, Rock, Paper, Scissors?

There were three wise men, three Bronte sisters, and three muskateers; there are three essential ingredients in the bacon, lettuce, tomato sandwich, no recipe necessary.

And for three weeks in June, three Pacific Northwest artists in three completely different mediums, will collaborate on an Art Event at the Wenaha Gallery, Dayton, WA.

Two are from College Place; all three have studied at, or graduated from Walla Walla University. And all three are fervent about what they do: Caprice Scott from College Place creates functional and decorative porcelain; Joyce Wilkens of Spokane is the author of coffee table books; and Wanda Thompson of College Place captures nature’s quiet places in graphite.

Caprice Scott

“God created me to create, and I feel a spiritual connection with Him when I’m working on pottery or sculpture,” says the maker of three-dimensional ware that spans the gamut from vases to lidded boxes, from ceramic fruit to purses in porcelain.

“In creating something I feel is of beauty, I have a tiny idea of who God is and the joy He takes in His creations.”

Scott’s hand-built pottery incorporates images from the natural world , and inspiration derives as well from her three years of living in Europe and traveling the globe to 11 countries. Throughout the seasons, Scott takes regular drives to the Blue and Wallowa Mountains, in search of greenery to press into clay.

teacup art book by joyce wilkens

Teacup Art . . . and Reflections by Joyce Wilkens

“In the Wallowa Lake area, there is a small grove of Aspen trees where I clip some leaves,” Scott explains. “I also look for pine cones. Although I’ve used a lot of things for clay impressions, my go-to and first choice is always something from nature.”

Language, as well, is a driving force in Scott’s art, and she finds various way to incorporate the written word into her work.

“It is beauty in itself, whether in a book, a love letter, or scrawled by a child with a piece of chalk on the sidewalk.”

Joyce Wilkens

While watercolor, oil, wood, and fabric are all mediums in which Wilkens works, books are a focus of her time these days, and her two recently published works are Teacup Art . . . and Reflections and Walking Sticks — Wanderings and Wonderings. The unusual subject matter appeals to a broad audience, and copies of her books reside in the libraries of Conrad Anker, the renowned mountain climber of Everest and K2; Tom Till, one of the nation’s top photographers; artist Guy Buffett; and former President George Bush.

The books, it seems, are as well traveled as their author.

“We spent three months working in Africa in 1985, ” Wilkens says. “That’s when I started up photography.”

That’s also when she and her husband, Keith, started their walking stick collection, which has grown, along with Joyce’s passion for hiking, nature, the beauty of wood, and the stories behind what is made from that wood, all of which fuel Wilkens’ inspiration for her books.

graphite art by wanda thompson

Langs De Stuwepad Dichbij Vilsteren by Wanda Thompson

“On a mission service trip in 1998, I traveled to a very primitive area of southern Madasgascar,” Wilkens remembers.”I took with me a watercolor painting I had done of lemurs in trees. I found a small craft store and asked if someone there could carve me a walking stick with a lemur on it, in exchange for the watercolor painting.”

The deal was struck, a one-of-a-kind walking stick found its way to Wilkens’ home and into her book, and “Madagascar not only has a piece of my art, but also a part of my heart.”

Wanda Thompson

Finding inspiration in nature and the quiet places of Europe, Thompson focuses on peacefulness, and often, on trees.

“I love trees!” Thompson says. “In our home, we have eight tall-to-the-ceiling Ficus trees plus two other large ones.

“But my favorite theme is bare trees because I love the shapes of the bare branches.”

While Thompson’s primary focus is on graphite and watercolor drawing, lately she finds that her camera is becoming a close friend, because she is always keeping her eyes open for unique trees and unusual landscapes to interpret in her studio.

From the highlands and islands of Scotland, to the Dolomites in Italy and Lapland in Finland and Norway, Thompson absorbs nature through hiking and hillwalking, “away from the rush and noise of the world.”

They are three different artists, working in three completely different formats, who all share an appreciation of nature, peacefulness, serenity and form. Come to think of it, that’s a pretty good working definition of art.

Wenaha Gallery’s Triple Play Art Event, featuring Caprice Scott, Joyce Wilkens, and Wanda Thompson, begins May 27 and runs through June 14 at the downtown Dayton, WA gallery, 219 East Main Street. A reception for the artists is scheduled Sunday, June 1 from 1-4 p.m., with all three artists in attendance and refreshments served. Wenaha Gallery

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.

This article was written by Carolyn Henderson.

 

Exploring the Pacific Northwest — All of It — with the Photography of John Clement

the pacific northwest sunset photograph by John Clement

The Pacific Northwest is landscape in motion, and John Clement’s painterly treatment captures the moment photographically. December Twilight Columbia River by John Clement.

Those of us who live on the east side of the Washington State Cascade Mountains know that there is more to the Pacific Northwest than the city of Seattle.

“Oh, it rains all the time over there,” outsiders comment. “And people throw fish at you in the waterfront marketplace.”

Thanks to master photographer John Clement of Kennewick, WA, the rest of the region is exposed — no pun intended — to those unfamiliar with one of the most uniquely beautiful areas of the world, the rest of the Pacific Northwest. It is as varied as it is vast, embodied by its mighty mountains — Rainier, St. Helens, Adams, Hood — meadows, fields, rural roads, waterways, and drylands.

And Clement captures it all.

“My studio is the Eastern Washington landscape and its weather, which I have been photographing since 1970,” Clement says.

morning glory rattlesnake mountain photograph by wenaha gallery artist John Clement

The most dramatic color imbues the early morning, or late evening, sky. Morning Glow Rattlesnake Mountain, photography by John Clement.

It’s odd how the smallest decisions can make the biggest impact. During Clement’s senior year at Central Washington University in Ellensburg, WA, where he double majored in geology and cultural geography, John needed an elective class to round out his schedule, and chose photography. Borrowing cameras from two friends, Clement shot local scenes including barns in the Kittitas Valley, and was encouraged by one of his instructors who saw potential in John’s artistic eye.

After graduation, a job opportunity was offered in photography, doing pictorial church directories in the eastern part of the U.S. Because many of the churches he visited — in a territory that reached from Texas to New York — were located in rural areas, John spent his spare time capturing the landscapes and their people.

“One of the frequent comments I hear about my images is that they remind the viewer of a place or past experience they had when they were younger,” Clement says. “They start their conversation with, ‘this reminds me of . . .’ and then share their story of why this image is meaningful to them.”

Returning to the Pacific Northwest in 1974, John worked for Battelle Northwest Laboratories as lead photographer, documenting research and production at the company’s 17 scientific departments. In 1980, he decided to devote his skills full time to landscape photography, and since then, “The Lord has blessed me beyond my wildest dreams,” Clement says.

Vineyard grape harvest photo by wenaha gallery artist John Clement

For the eye that knows where to look, color and form are everywhere. Heart of the Harvest, photography by John Clement.

“I believe that God has given everyone a gift, and that he wants us to use our gifts for the benefit of those around us.

“My gift is the art of seeing his creation in a way that will inspire people to recognize who he is and want to know more.”

Clement, who holds a Master of Photography degree from the Professional Photographers of America, has won more than 65 regional, national, and international awards for his work, and one of his images, “Red Dawn,” hangs in the International Hall of Fame of Photography. Four of his prints were accepted into the Washington State University Museum of Art, and 17 murals of his Eastern Washington landscapes are installed in the Seattle Seahawk Stadium. How apt.

Corporate purchasers of John’s work include Swedish Hospital, Battelle Research and Development, Dade Moeller & Associations, Westinghouse, McGregor Company, and Lamb Weston. Clement and writer Richard Scheurman have published six books featuring Clement’s photography.

“I enjoy the landscape because of its diversity, its everchanging colors, light, and the quiet peace it brings to me when I’m out capturing God’s creation.”

Because of that light — which is most striking in the early morning or around evening’s gloam — capturing the right image involves getting up very very early, or staying out rather late. In viewing Clement’s work, one is conscious that the geology degree didn’t go to waste, at all, because John’s eye is open to the color, textures, lines, form, and patterns of the world around him.

“When you look at the images, don’t just glance,” Clement says. “Look.

“Absorb the colors, lines, textures and subject, then ask yourself, ‘What am I really seeing — a moment in time never to be repeated . . .

“Hopefully, your emotions are stirred, and the images warm your soul.”

Clement’s panoramic photographs are featured at Wenaha Gallery’s Art Event, with his show running from Wenaha GalleryMay 12 through May 31, 2014  at the downtown historic gallery, 219 East Main, Dayton, WA. An Artist’s Reception is scheduled for Saturday, May 24 from 10:30 to 1:30 at the gallery. Refreshments will be served.

Contact the gallery by phone at 800.755.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online.

Wenaha Gallery,  located in historic downtown Dayton, Washington,  is your destination location for Greenwich Workshop Fine Art Prints, professional framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton; phone 509.382.2124; e-mail art@wenaha.com.  Gallery Website: www.wenaha.com

Read more about Art Event, our celebration of Pacific Northwest Artists,  here.

This article was written by Carolyn Henderson.