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lavender light sun flowers heidi presse art

Stay in the Light: Lavender by Heidi Presse

lavender light sun flowers heidi presse art

It is a clear, sunny day outside, and the flowers reach up toward the light. Lavender, limited edition print by Heidi Presse.

In a dark place, where shadows reign, it is hard to see. Cockroaches and rats delight in such an environment, and those who don’t want to share their home with these pests do their best to bring light and air and space into confined, closed places.

Light, especially sunlight, is a golden treasure that no money can buy. And without light — especially sunlight — no money has worth. Light has a value that is priceless.

The artwork, Lavender by Heidi Presse, invites the viewer into a place of beauty and light, aromatic with the scent of blooming, purple flowers. The air is fresh. A mother and child, perhaps an older sister and younger one, stroll through the hedge rows, gathering blossoms in their baskets. There is a feeling of goodness, of rightness, of calm and peace, as the two women walk under the sun and feel the breeze on their faces.

There are no cockroaches and rats here, because this is not where they thrive. Under the light, which exposes all to its scrutiny, people are free to live and laugh, converse and sing, communicate and be together, enjoy the goodness and beauty that life — under light — offers.

Stay in the Light Where You Can See

Wenaha GalleryThe featured image to this article is Lavender by Heidi Presse. You may purchase the print online at this link. We would be absolutely delighted to frame the work for you, working online and by phone — something we have been doing successfully for many years with out out-of-town clients. Email us at Wenaha.com to start the conversation.

More works by Heidi Presse are available at this link.

If this post has encouraged you, please pass it on.

 

 

painted horse equine animal westernmagical landscape oil painting adszynska

Magical Western Landscapes by Teresa Adaszynska

painted horse equine animal westernmagical landscape oil painting adszynska

It’s a magical moment in the desert. Painted Horse, original oil painting by Teresa Adaszynska of Spokane, WA

Teresa Adaszynska paints the magical moments

One moment, the landscape is grey and flat, almost forgettable.

But then, something very strange and yet very ordinary happens: the sun breaks through, and everything changes. This is precisely the place, the moment, and the emotion that artist Teresa Adaszynska looks for and paints.

blue algae creek country streammagical landscape adaszynska painting art

Blue Algae Creek, a magical moment in the country, original oil painting by Polish-born oil painter Teresa Adasznyska

“My eyes are always searching for an enchanted moment in nature,” the Spokane artist explains.

“Sometimes, a particular place I may have visited numerous times before may appear magical on the next visit due to extraordinary light and shadows.”

Born and raised in Poland, Adaszynska began her art career with contemporary abstract work. After emigrating to the U.S. in 1982, Adaszynska started hiking the western states in which she lived — California, Colorado, Washington — until a serious illness interrupted both painting and hiking. Upon recovery when she picked both up again, she found she wanted to paint differently than she had before.

The Magical Western Landscape

“The beauty of the western landscape inspires me, especially the light. It can transform even ordinary places into something magical and extraordinary.”

Recognizing that she needed different skills for representational painting, Adaszynska began a self-directed study program incorporating mentorships, workshops, and painting with fellow artists. For three years, she took formal classes in studio and plein air painting at the Art Students League of Denver, studying under Doug Dawson, Molly Davis, Joe Kronenberg, Terry Lee, and others.

trail-encounter-western-landscape-country-sagebrush-painting-adszynska

Encounter on the Trail, original oil painting by Spokane artist Teresa Adaszynska.

Adaszynska paints with a combination of plein air — setting up her easel and working outdoors — and studio techniques. She often begins a work by sketching directly onto the canvas, after she has mentally determined the composition by looking at large abstract shapes, light direction, and values. One of her most memorable plein air moments took place near Kenosha Pass, CO, on a day so magical that she knew she had to paint.

A Not So Magical Storm

“I was more than halfway through with my painting when the notorious Colorado mountain thunderclouds started to build,” Adaszynska remembers. “I do not like being outdoors where there are thunderstorms, so I started to quickly finish and pack up.

moose crossing water magical landscape western country adaszynska

Crossing Water. Any moment in which we see a moose in the wilderness is a magical moment. Original oil painting by Teresa Adszynska.

“The storm was coming very quickly with very dark menacing clouds, lighting and rain. I was very anxious to leave.”

While packing her car, Adasyzynska set the painting on top of her vehicle, and in the commotion of the moment, forgot it was there and drove off. It was only when she arrived at a place of shelter that she realized the painting was gone.

“After the storm was past, I went back to find it.

“I did find my painting, but of course it was completely destroyed.”

Although that was most definitely NOT a magical moment,

“I can laugh about it now.”

Describing her hiking excursions as “too numerous to count,” Adaszynska has taken reference photos of, and painted, the Colorado Rockies, Hollywood Hills in California, Yellowstone National Park, Sequoia National Park, Eastern Washington and Oregon, as well as New Mexico, Utah, Arizona, Texas, her native Poland, the United Kingdom, and throughout Europe. The animals she paints are those she sees on her hikes, although the time she encountered a mama bear with two cubs in the Flatirons near Boulder, CO, she was more interested in extricating herself from the situation than taking a family portrait.

“It was extremely frightening, but I cautiously moved forward out of their area as they just observed me.”

Western Art Collectors

A member of the Oil Painters of America, Adaszynska shows her work throughout the Western U.S. She participates regularly in the Western Art Association National Show and Auction (Ellensburg, WA), Heart of the West and Western Masters (Bozeman, MT and Coeur d’Alene, ID), and the Annual Spokane Valley Arts Council Art Showcase and Auction (Spokane Valley, WA). Collectors of her work reside throughout the U.S., the United Kingdom, and Poland.

Light, camera, painting easel, and action: they join together to create vibrant color and magical mood. It is a mood, Adaszynska hopes, that reflects the beauty of the landscape around her, a landscape she never tires of being in. And while she is happy wherever she is painting, she likes it best when she is doing so outdoors.

“I have a separate studio space in my home,” Adaszynska says. “But I consider the majestic outdoors of the Pacific Northwest as my personal favorite studio.”

Wenaha GalleryTeresa Adaszynska is the Featured Art Event from Monday, July 1, through Saturday, July 27 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

 

exit to pataha landscape clouds barb thrall fine art photography

Painterly Photography — Fine Art Photographs by Barb Thrall

exit to pataha landscape clouds barb thrall fine art photography

Exit to Pataha, fine art photography landscape by Kennewick photographer Barb Thrall

Whoever coined the axiom, “The camera cannot lie,” probably didn’t believe it himself, because photo editing and manipulation have been around almost as long as photography. One of  U.S. history’s most iconic photographs, that of a full-length Abraham Lincoln standing with one hand resting against his vest, is actually an 1860s composite of the president’s head set atop another man’s body.1

lilacs artichokes still life floral fine art photography thrall

Lilacs and Artichokes, fine art still life photography by Wenaha Gallery guest artist, Barb Thrall

“There is an idea that all photography must be realism — that if anything is manipulated in Photoshop then the photographer is cheating,” says Barb Thrall, a Kennewick artist who creates photographic fine art images incorporating her intellect and skill, digital camera, judicious use of Photoshop and Lightroom, and a wise selection of paper.

“In the same breath,” Thrall continues, “people will mention Ansel Adams or any other famous landscape photographer — but taking the photo is only half of the creative process for these photographers. The other half occurs in the darkroom or in Photoshop or whatever process they are using to get their photos to the printer.”

Painterly Photography

In other words, not all photography is the same, just as not all painting styles are the same. It’s one thing when the photo is on the front page of the newspaper, purporting to accurately represent an actual event, and a totally different element when the photo is an art piece, with keen attention to color, subject matter, perspective, layout, and, as Thrall describes it, connecting the viewer with a visceral or “gut” feeling in the soul.

evening sun forest landscape photography barb thrall

Evening Sun at Schrag, fine art photography landscape by Barb Thrall

“The editing I do, while certainly giving the photos a painterly feel, is more about experience,” Thrall explains. “How can I translate the feeling of a moment into a photo?” For Thrall, this involves not only the initial capture of the image, but the processing of it afterwards, which in earlier years took place in a traditional darkroom, but now involves photo software allowing the artist to work with light, texture, shadow, shading, and more. Also involved is compositing, the merging of one or more separate images into one.

Photography Mimicking the Old Masters

“There is a certain subtlety to processing photos this way,” Thrall says. “I love the photography that mimics the Old Masters — there is an elegance and romance to this.” And while there are diehards who insist that “a photo should be a photo” and “a painting should be a painting,” the play between painting and photography has been around as long as there have been cameras, Thrall explains.

three pears fine art photography still life barb thrall

Three Pears, fine art photography still life by Barb Thrall

“Anyone who takes their photos straight out of a camera and doesn’t process them is doing themselves a disservice. Ansel Adams was a great photographer, but he was a master in the darkroom.”

Thrall has had a camera in her hand from childhood, starting with a Kodak 110 cartridge and working her way through various models as she has shot images of landscapes, floral still lifes, portraiture, and black and white flora macro images with a graphic abstract feel. Vindication of her artistic passion came from, of all places, the State of Washington and its pre-college personality test that Thrall took in high school. The top jobs recommended for Thrall were photography and wildlife biology.

Interior Design, Paralegalism, and Fine Art Photography

And in what did Thrall receive her degrees? Interior design and paralegal studies, neither of which were in the top ten career choices on her test results. But because passion frequently trumps practicality, Thrall incorporates both interior design and paralegal principles into her photography.

after crush vineyard landscape grapes barb thrall larson gallery

After the Crush, vineyard landscape at the permanent collection of Larson Gallery, by Barb Thrall

“Color theory and the theory of thirds are certainly part of an interior design education, and a paralegal ought to be good with details.” A recent interest in architectural photography is “nothing but details.” The combination of those details with the love of the Old Painting Masters results in a lot of breaking of the rules, and advancement in technique.

“One of the biggest influences in my work is Vermeer. I love that light — truly, truly love that light.”

Capturing Attention

Thrall has shown her work in juried shows throughout the Pacific Northwest, with one of her pieces in the permanent collection at Larson Gallery in Yakima. She takes a workshop every year in a different aspect of photography, and has studied under Ray Pfortner — who worked under wildlife photographer Art Wolfe — and received a photography certificate from the Rocky Mountain School of Photography, whose founder  studied under Ansel Adams.

A finished work, for Thrall, starts in the field and ends with an image that captures the attention, the eye, and the soul.

“I want people to just slow down a bit, to breathe in and out.

“One of the series that I did focused on just shooting at rest stops or in places very close to the I-90 Freeway. I wanted to show the beauty in places not that far off the road.

“We don’t have to go very far to see beautiful places.”

Wenaha Gallery

Barb Thrall is the featured Pacific Northwest artist at Wenaha Gallery from Monday, October 23 through Saturday, November 18, 2017.   

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

1McKay, Katie. “Photo Manipulation Throughout History: A Timeline.” Ethics in Photo Editing: WordPress, April 1, 2009.