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Exhausted pickup truck old abandone vehicle randy klassen watercolor

Old, Bold, and Beautiful — Pickup Trucks by Randy Klassen

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Plein Air Complexity — Watercolors by Jan Vogtman

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Sundance, plein air watercolor landscape painting by Jan Vogtman

Plein air painters get used to all sorts of weather. Because of the nature of their studio — outside, in the plain air — they operate without a roof over their heads. Unless, of course, they choose to bring one of their own.

“During the Paint du Nord Quick Draw competition in Duluth, MN, we painted in a huge rainstorm,” watercolor artist Jan Vogtman remembers. “The competition lasted two hours, exactly — they blow a horn to start and stop.”

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Bob’s Pond, plein air landscape painting by Jan Vogtman.

Told to paint what she saw, Vogtman took the challenge literally.

“My painting shows all the artists painting around me with colorful umbrellas.”

Another time, the Troy, ID, painter joined three plein air artist friends out in the wilderness, keeping watchful eye as a memorable storm took an hour to build up.

“When the wind and rain came, we huddled in the car, ate lunch, and had a few beers. But the storm had no intention of stopping anytime soon, so we gave it up and went home.”

Even Vogtman’s trip to Puerto Vallarta, Mexico, had its moments. While the weather was grand during the Andy Evansen watercolor workshop she took there with a friend, sunny skies disappeared on the way back.

“We got stranded in Seattle during the Big Blizzard and got home two days later than planned.”

Not Just the Weather

Weather inconsistencies, however, are so much a part of plein air painting that one comes to accept them as constants. So is the issue of travel. Because landscapes do not transport themselves to the artist’s studio, it’s up to the artist to transport herself. And for Vogtman, who lives on Moscow Mountain, four miles from the nearest city of Troy (population 600), getting together with plein air artist friends for an afternoon of painting often involves significant time in the car.

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Exhibit Bee, watercolor painting by Troy, ID, artist Jan Vogtman

“Because I live rural, my travel time is normally one hour each way.”

Vogtman discovered watercolor 24 years ago while working at the University of Idaho. Side by side with students barely out of high school, she took as many university level art classes as she could while maintaining a full work load. Plein air she discovered in 2009, and since then has competed in regional plein air competitions as well as the event in Duluth. She is a member of the Palouse Watercolor Socius, the Idaho Watercolor Society headquartered in Boise, and the Northwest Watercolor Society in Seattle.

All A’s in Art, Not Math

And while art is something she was interested in from a very early age, it was not something she was able to focus on until she was an adult and had a “real career” in the business and academic worlds. That’s just the way things were when she was growing up, even though all her A’s in school were in art, and not math.

Vogtman recalls the time she entered a drawing competition sponsored by the Minneapolis Art Institute in her hometown.

“I was maybe around 12 years old — and when I saw this competition in the newspaper, I entered. I think the amount of the prize was $250, which had to be used for classes.

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Palouse Falls, watercolor painting by Troy, ID, artist Jan Vogtman

“My parents could not afford to send me then or at anytime for art education. I was told I could not collect the award.”

She went to school to become a secretary. In a career spanning 36 years, Vogtman worked up to Executive Assistant to the Vice President of Northern Europe for the Control Data Corporation in Minneapolis, and later, upon moving to Idaho, served as the Coordinator of the Executive Speaker Series, reporting to the Dean of Business and Economics at the University of Idaho. On retiring in 2000, she challenged herself to dive into the art world, returning to the passion of her childhood.

The Hobby That Became a Business

In addition to plein air, Vogtman paints in her studio, a daylight basement of her home where furry forest friends peek through the window and watch. Most recently, she has added teaching workshops to taking them herself, conducting an introductory course for 20 students at the Center for Arts and History in Lewiston, ID. She has had a studio at the Artisan Barn in Uniontown, WA; earned her merit membership with the Idaho Watercolor Society upon being juried into three annual shows; and served as treasurer of the Palouse Watercolor Socius.

What started out as a hobby has become a business. And what’s perfect about that is how the non-art experience blends and melds well with the brush work of paint.

It’s unexpected, and not something that could have been predicted when she exchanged an art scholarship for business school. Life, though, like weather for the plein air painter, is never static. The best stories — and often paintings — involve the stormy days.

Wenaha GalleryJan Vogtman is the Featured Art Event from Monday, July 29, through Saturday, August 24 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

 

 

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Magical Western Landscapes by Teresa Adaszynska

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It’s a magical moment in the desert. Painted Horse, original oil painting by Teresa Adaszynska of Spokane, WA

Teresa Adaszynska paints the magical moments

One moment, the landscape is grey and flat, almost forgettable.

But then, something very strange and yet very ordinary happens: the sun breaks through, and everything changes. This is precisely the place, the moment, and the emotion that artist Teresa Adaszynska looks for and paints.

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Blue Algae Creek, a magical moment in the country, original oil painting by Polish-born oil painter Teresa Adasznyska

“My eyes are always searching for an enchanted moment in nature,” the Spokane artist explains.

“Sometimes, a particular place I may have visited numerous times before may appear magical on the next visit due to extraordinary light and shadows.”

Born and raised in Poland, Adaszynska began her art career with contemporary abstract work. After emigrating to the U.S. in 1982, Adaszynska started hiking the western states in which she lived — California, Colorado, Washington — until a serious illness interrupted both painting and hiking. Upon recovery when she picked both up again, she found she wanted to paint differently than she had before.

The Magical Western Landscape

“The beauty of the western landscape inspires me, especially the light. It can transform even ordinary places into something magical and extraordinary.”

Recognizing that she needed different skills for representational painting, Adaszynska began a self-directed study program incorporating mentorships, workshops, and painting with fellow artists. For three years, she took formal classes in studio and plein air painting at the Art Students League of Denver, studying under Doug Dawson, Molly Davis, Joe Kronenberg, Terry Lee, and others.

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Encounter on the Trail, original oil painting by Spokane artist Teresa Adaszynska.

Adaszynska paints with a combination of plein air — setting up her easel and working outdoors — and studio techniques. She often begins a work by sketching directly onto the canvas, after she has mentally determined the composition by looking at large abstract shapes, light direction, and values. One of her most memorable plein air moments took place near Kenosha Pass, CO, on a day so magical that she knew she had to paint.

A Not So Magical Storm

“I was more than halfway through with my painting when the notorious Colorado mountain thunderclouds started to build,” Adaszynska remembers. “I do not like being outdoors where there are thunderstorms, so I started to quickly finish and pack up.

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Crossing Water. Any moment in which we see a moose in the wilderness is a magical moment. Original oil painting by Teresa Adszynska.

“The storm was coming very quickly with very dark menacing clouds, lighting and rain. I was very anxious to leave.”

While packing her car, Adasyzynska set the painting on top of her vehicle, and in the commotion of the moment, forgot it was there and drove off. It was only when she arrived at a place of shelter that she realized the painting was gone.

“After the storm was past, I went back to find it.

“I did find my painting, but of course it was completely destroyed.”

Although that was most definitely NOT a magical moment,

“I can laugh about it now.”

Describing her hiking excursions as “too numerous to count,” Adaszynska has taken reference photos of, and painted, the Colorado Rockies, Hollywood Hills in California, Yellowstone National Park, Sequoia National Park, Eastern Washington and Oregon, as well as New Mexico, Utah, Arizona, Texas, her native Poland, the United Kingdom, and throughout Europe. The animals she paints are those she sees on her hikes, although the time she encountered a mama bear with two cubs in the Flatirons near Boulder, CO, she was more interested in extricating herself from the situation than taking a family portrait.

“It was extremely frightening, but I cautiously moved forward out of their area as they just observed me.”

Western Art Collectors

A member of the Oil Painters of America, Adaszynska shows her work throughout the Western U.S. She participates regularly in the Western Art Association National Show and Auction (Ellensburg, WA), Heart of the West and Western Masters (Bozeman, MT and Coeur d’Alene, ID), and the Annual Spokane Valley Arts Council Art Showcase and Auction (Spokane Valley, WA). Collectors of her work reside throughout the U.S., the United Kingdom, and Poland.

Light, camera, painting easel, and action: they join together to create vibrant color and magical mood. It is a mood, Adaszynska hopes, that reflects the beauty of the landscape around her, a landscape she never tires of being in. And while she is happy wherever she is painting, she likes it best when she is doing so outdoors.

“I have a separate studio space in my home,” Adaszynska says. “But I consider the majestic outdoors of the Pacific Northwest as my personal favorite studio.”

Wenaha GalleryTeresa Adaszynska is the Featured Art Event from Monday, July 1, through Saturday, July 27 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

 

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Travel the World — Summer Barcenas Paints Europe

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Motovun, original acrylic painting by Walla Walla artist Summer Barcenas, chronicling her European travel

Travel changes things.

Stop and think about where you live — Walla Walla, Dayton, Waitsburg, the surrounding areas. This is home. But for others passing through, it’s a destination spot, a place to vacation, a tourist experience. What’s ordinary and everyday for us is new and exciting for them.

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Andalucia, original acrylic painting by Summer Barcenas of Walla Walla, painting her travel images of Europe

Capturing that ordinary and everyday, in conjunction with new and exciting, is the artistic challenge for Summer Barcenas, a lifelong Walla Wallan who visually chronicles her European travels in acrylic paint on big, big canvases.

“The main theme of my art is wanderlust,” Barcenas says. “I want to open people’s minds to the journey, the exploration, and the beauty of each culture, country, and place.”

Bitten by the travel bug when her family uprooted itself  to journey throughout Europe for two years, Barcenas returned for another year as an exchange student in France. During her sojourn there she haunted the Louvre, Picasso, Matisse, and Magritte museums. She sought out perches over picturesque landscapes, where she opened her sketchbook, and drew.  She took endless photos of everything, with the intention of recreating the feeling, the emotion, and the color of her experience so that others, too, could experience it.

After Travel: She Wanted Two Things

And by the time she returned to Walla Walla, she wanted, really, only two things:

“I requested to be met with dill pickles and thin mints.”

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Bicycle and Flowers, original acrylic painting of her travel Europe experience, by Summer Barcenas of Walla Walla

That’s one, even though it’s sort of two.

The second thing she wanted was retreat to her art room and paint.

“When people look at my art, the bright colors, textures, and strokes of the paint, I want them to feel something,” Barcenas explains.

“I want them to feel the emotion that I pour into each painting, because every piece of art is dedicated to a moment in my life when I was full of emotion.

“Awe, wonder, excitement, tranquility, everything. I want people to feel those emotions, to step into that painting and experience it for themselves.”

Painting, and Dreaming about Travel, from Childhood

Barcenas has been drawing, sketching, painting, and creating from childhood. Her decision to paint large came about when she was raising money for her travel exchange student year. That’s when her mother, whom Barcenas describes as having a “go big or go home” attitude, purchased 25 canvases up to 5 x 4 feet in size.

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Downtown, original acrylic painting by Walla Walla artist Summer Barcenas

“I tried my luck on a canvas working for the first time with acrylic paints and a surface that big. I repainted the painting six times.

“When I finally had an art show at age 17 to raise money for my year abroad, that painting was the first to sell.”

Through her paintbrush, Barcenas believes, she can travel anywhere. Describing painting as not a hobby, but a way of life, Barcenas mentally returns to the places she has seen, discovering, during this revisit, things that she didn’t fully appreciate before.

“As I paint, I am mesmerized by the beauty I may have missed. I recreate these places that I long to travel back to, painting them exactly as they were on the most perfect of days.

“So later, I can stare at my canvas and remember.”

Being an Artist

The very process of painting is one of exhilaration and satisfaction, Barcenas says. Each stroke of paint on canvas adds to the story that the artist is painting, and the possibilities of what and how to paint are endless.  This is the “rush” of being an artist.

“Being an artist isn’t easy,” Barcenas says. “But it’s not always a choice. It’s who you are.

“Creating art is what fuels your soul, and you can’t imagine doing anything else. That’s how it is for me.

“It’s how I’m wired, and I wouldn’t change it for the world.”

Wenaha GallerySummer Barcenas is the Featured Art Event from Monday, June 3 through Saturday, June 29 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

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Partridge and Soap — Overcoming Obstacles & Creating Art

cow baby calf farm animal david partridge oil painter artist

Cow, original oil painting by Walla Walla artist David Partridge. In addition to painting, Partridge also creates metal sculpture, woodcarving, and tooled leatherwork.

David Partridge’s 60 years (and counting) as an artist started with a fourth grade art assignment and a bar of soap. Or rather, the lack of a bar of soap.

“We were told to carve a buffalo out of soap, but my family did not have the money for a bar of Ivory Soap,” the Walla Walla oil painter recalls of his childhood in rural Idaho.

“The teacher, Mrs. Hill, wanted to know what I was going to do for a grade. I told her I was going to do a painting of a buffalo.”

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Hooked Fish, original oil painting by Walla Walla artist, David Partridge.

“Amazed” upon seeing the completed watercolor, Mrs. Hill framed and hung the work in the school trophy case for a year. Partridge, encouraged and emboldened by the experience, began incorporating art studies and artwork in all his grade school and high school classes. As an adult in the early 1960s, he took advantage of two six-month tours for the Navy in Naples, Italy, to learn oil painting techniques from local artists.

Millwright Partridge

And then later, during a 33-year career as a journeyman millwright with Boise Cascade, he honed his art skills, both two- and three-dimensional, at every opportunity.

“The meaning of the word ‘millwright‘ comes from making the mill right, so my job was to keep Boise Cascade running properly and to fix anything that was broken,” Partridge explains. The welding skills he developed to both fix broken things and create new ones — such as catwalks and handrails — now translate into metal art sculptures, many of which incorporate horseshoes in their design.

Colleagues and management at the mill, when they noticed Partridge’s ability to draw, increasingly approached him with art-based projects and jobs.

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Colorful Bear, original oil painting by David Partridge of Walla Walla.

“Boise Cascade commissioned me to do as many paintings as I could do in thirty days for the new human resource building,” Partridge remembers. They also commissioned him to paint a mural depicting how paper is made, create coloring books for children on safety issues at the mill, and develop the image for Gus the Goose, the mascot for the Wallula Paper Mill. Engineers at the plant asked him to make drawings of projects so they would have an idea of what the job would look like when it was done.

Painting Partridge

Outside the mill, Partridge painted western landscape and wildlife scenes, which he showed and sold throughout the Northwest. In the 1990s, he joined a group of artists who worked with the late Idaho artist Robert Thomas to paint the murals on Main Street in Dayton. Upon retirement from Boise Cascade, Partridge plunged full time into art, varying what he does with the seasons: in the winter, he paints, carves wood, and tools leather; in the warm months he welds, sculpts, and builds covered wagons reflecting the 19th century. His latest summer project is a doctor’s buggy fashioned from white oak. The wheels, made out of hickory, took two years to complete.

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Barn, original oil painting by Walla Walla artist David Partridge.

“I like to change what I do so I don’t get tired of the same medium,” Partridge says.

Hundreds of Paintings

Over the years, Partridge estimates, he has done hundreds of paintings, including a large image of an elk that hung for years at the former Walla Walla Elks Lodge on Rose Street. Locally, he has shown at various Walla Walla businesses and The Little Theatre, and served as a coordinator for a Fort Walla Walla western art show. His most memorable award to date is the Grumbacher Award for best use of color, which he received at a Milton-Freewater art competition.

But what is most satisfying, Partridge says, is challenging himself to do new things and create artwork that others enjoy.

“To brighten just one person’s day with a form of art — that is why I paint. I love having the opportunity to take a small portion of what surrounds us every day and put it on canvas for people to enjoy.”

And to think that it all started, really, because of an inability to buy a bar of soap, and Mrs. Hill’s insistence that the problem, somehow, be solved.

Whatever happened, by the way, to that very first painting that launched it all?

“I gave it to Mrs. Hill.”

Wenaha GalleryDavid Partridge is the Featured Art Event from Monday, May 6 through Saturday, June 1 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

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Wildlife World — The Acrylic Paintings of Keith Rislove

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Storm Coming, original acrylic painting by wildlife painter Keith Rislove of Salem, OR.

If the world existed of only science, there would be no art. If all people focused on technology, no one would create paintings. If there were only engineers, there would be no poets. In math class, there is no time or reason to discuss literature.

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Winter Silence, original acrylic painting by wildlife artist Keith Rislove

Life without art is incomplete, and just tucking it in alongside the “important” subjects — science, technology, engineering, math and saying this adds STEAM to the mix — isn’t enough. Being an artist demands as much time, focus, intelligence, and determination as being a rocket scientist — whatever a rocket scientist is — and many people who consider themselves artists pursue this path even in the midst of doing something else to make a living. The very fortunate ones find a career involved with art, honing skills and abilities throughout their lives.

A World of Art and Wildlife

Keith Rislove is one of these people, a lifetime artist who actually started out to be a baseball player, and credits his experience in the Korean War for his eventual career choice.

“When I was in high school, I studied art, and I also played all the sports — after graduation  I received two offers from major league teams,” Rislove, a wildlife acrylic painter from Salem, OR, says. Like many young men of the early 1950s, he found his plans rearranged for him, and a few months after high school was in the Air Force. During his three years in the military, he was assigned to work with an event coordinator doing graphic arts, and when that event coordinator left, found himself with the job.

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Foxy Lady, original acrylic painting by wildlife painter Keith Rislove of Salem, OR

“That’s where my art career began,” Rislove says. “After being discharged, I enrolled in Lewis & Clark College (Portland, OR) where I was an art major, then majored in advertising and graphic design at the Los Angeles Art Center.” Over the next 37 years, he worked in advertising and graphic design for national and Pacific Northwest companies, in addition to being a freelance designer, retiring in 1990. Five years later he started his second career as a fine artist, still going strong 23 years later. He focuses on wildlife set within pristine outdoor scenes.

Discovering Wildlife at an Early Age

“My love for the outdoors started with my grandfather who introduced me to fishing and hunting at a very early age,” Rislove explains.

“My approach to wildlife is to be as realistic as possible, which gives me a great deal of satisfaction. Living in the Northwest provides the many visual images of wildlife and landscapes that give me the inspiration.”

A prolific painter, Rislove fits everything he needs into 6 x 10 foot enclosed space in his garage, complete with window, heat, air, shelves, two bookcases and a filing cabinet.

“And I still have room to paint!” he exclaims. “There’s also room for frames, tools, saws, etc., and storage — you have to see it to believe it.”

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Tru Grizz, original acrylic painting by wildlife artist Keith Rislove of Salem, OR

He has shown in galleries in the Salem and Portland areas, as well as the Oregon State Fair, and has served as show judge, teacher, and volunteer for various community art agencies and galleries. His roster of awards — displayed within that 6 x 10 foot studio — include three Best of Show, two People’s Choice, eight blue ribbons, two Judge’s Choice, and a bevy of red, white, honorable mentions, and senior artist awards. His work is in the homes of collectors throughout the Pacific Northwest, as well as Texas and Minnesota.

The Hidden World of Wildlife

Getting into some math here, since we started out talking about STEM, 37 years as a graphic designer, plus 23 years as a fine artist, add up to 60, not to mention the time spent with art in high school and the military. Regardless of the final, official number, this signifies a lot of years as an artist — sketching, drawing, painting, creating — and Rislove’s contribution to the world around him consists of showing that world just what is around it — the wildlife that is hidden away, frequently unseen, but extraordinarily beautiful.

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The Catch, original acrylic painting by wildlife artist Keith Rislove of Salem, OR

There is a fox, curled up within a bed of wildflowers. A snowy owl flies over a winter landscape. Mama bear and cub forage for food. An eagle flies, dance-like, over still, mirrored water.

The biologist can define the animals’ kingdom, phylum, class, order, family, genus, and species. The engineer studies the birds’ wings and how they achieve flight. The mathematician calculates the weight of food both mama and cub bear need to maintain optimal health — all very important work.

And equally important, Rislove captures the moment, creates the setting, invites the viewer to stop what he or she is doing and enter a quiet, peaceful world. He completes the picture, so to speak, and adds soul to the equation.

“Nature and wildlife are in my heart.”

 

Wenaha GalleryKeith Rislove is the Pacific Northwest Art Event artist at Wenaha Gallery through Saturday, January 12, 2019. 

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

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Beauty, Hope, and Joy — The Paintings of Steve Henderson

Indian Summer eastern washington country rural farm ranch beauty painting steve henderson

Indian Summer, original oil painting by Dayton, WA, artist Steve Henderson. “I find much beauty in the patterns of fields cut through by country roads,” Henderson says of why he paints local, Eastern Washington landscapes.

It’s easy to point out what’s wrong with the world. We all do this, although only a few are paid well to impose their opinions on others.

It is far more difficult to see and identify beauty, truth, goodness, joy, peace, and love, and even more challenging to impart these elements in two dimensional form on canvas. But for oil painter Steve Henderson of Dayton, this is what he does every day.

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Moon Rising, original oil painting by Steve Henderson. “The Southwest — its canyons are so deep, so profound, its land is so ancient and yet so quiet and peaceful.”

“I paint in what is called the ‘representational’ style — the world around us that we all see,” Henderson says. “But oftentimes it takes an artist to help us ‘really see’ it. And while items I paint are easily identifiable — that’s a tree; that’s Santa Claus; that’s the Grand Canyon —  each one of these subjects is interpreted by the artist to convey its deeper levels behind the lighting, the shadows, the turn of a face, the brush strokes that make up the form.

“The canvas becomes a stage upon which the artist presents the character actors — color, texture, form, design, value. On that stage, I choose to invite beauty, reminiscence, nostalgia, feelings of serenity, peace, tranquility — those emotions.”

A Tale of Beauty

Henderson’s scope of subject matter reads a bit like the opening lines to Charles Dickens’ Tale of Two Cities: He paints the Pacific Northwest forests; he paints the Southwest canyons. He paints the ocean; he paints the desert. He paints very young children; he paints adult women. What he does not paint is ugliness, despair, angst, fear or hatred: not because those elements don’t exist, but because they do, in too much quantity. It is far too easy, Henderson believes, to spark an emotional response by negativism, and it becomes a cheap, easy way to achieve a reaction.

Although Henderson has always wanted to be an artist — drawing his first three-masted sailboat at the age of five and attracting teachers’ attention throughout his schooldays because of his rendering skill — he almost quit, simply because what he was taught in his university art studies was so opposite to what he believes is commonsense, truth, beauty, and common good.

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Tea for Two, original oil painting by Steve Henderson. “Children can teach us so much — they remind us to look at the world with fresh eyes,” Henderson says, adding that there is great beauty in innocence.

“At the end of four years, I was more confused than ever,” he recalls. “One moment, the professors instructed us not to listen to a thing they said, but to simply follow our muse; another moment they insisted that we essentially copy the latest post-modernist fads emanating from New York City. I found myself painting gritty purple abstract cityscapes, which my professors assured me was expressing what was deep inside me.”

Seeking Beauty, Truth, and Skill

For awhile, Henderson walked away from fine art into the illustration and graphic design industry that his professors declared would destroy him as an artist. Instead, his time in the publishing field further honed his skills as Henderson worked in a wide variety of media, creating everything from cartoon drawings to medical illustrations.

Time, life, and raising a family instilled in Henderson the confidence he needed to eschew the teachings of his fallible professors, and he resumed studying art his own way: one by one, he amassed a library of artists through the ages, and spent uncounted hours poring over their work, analyzing thousands of paintings and the varying techniques and styles of their painters. In the studio, he practiced. He knew what he wanted to achieve — skill, mastery, and the ability to convey beauty and truth — and he also knew that simply relying upon “the Muse,” or the “soul of an artist” was insufficient to do so.

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Sea Breeze, original oil painting by Steve Henderson. “I find the ocean to be a central place for clear thoughts and meditation.”

“We all acknowledge that the piano player requires years of intense practice — his performance is proof of his obvious skill, or lack of it,” Henderson says.

“But in visual arts — both two and three dimensional — we glibly refer to anything as ‘art,’ and anyone as an ‘artist.’ I believe an artist should learn, train, and study as seriously as any orchestral musician.”

The World Needs Art, and Beauty

This learning, he adds, never ends, and there is no pinnacle ledge at which the artist arrives, shouts out Hallelujah, and quits learning, seeing, and experimenting. An artist’s education continues for as long as the artist is breathing, and the beauty that the artist (skillfully) paints gives life and hope to the world in which the artist lives.

“The world needs art.

“It sounds trite, but I believe it deeply.

“It has always been so, but especially today with our corporate, cubicle world and its emphasis on cold scientific facts, we need something more than ever before that speaks of beauty and something deeper that those cold facts.

“We need something that speaks to the soul, the heart, the inner working of our being.”

Wenaha GallerySteve Henderson is the Pacific Northwest Art Event artist from Monday, November 19 through Saturday, December 15, 2018. He will be at the gallery in person during the Christmas Kickoff Holiday Art Show Friday, November 23, from 2 to 6 p.m., joined by Joseph, OR folk art gourd sculptor Sheryl Parsons. Also at the show will be holiday music, artisan treats, a drawing for 3 holiday gift baskets, and up to 25% off purchases of $250 or more made on November 23 and/or 24.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

acrylic pour abstract painting home decor art joyce klassen walla

Acrylic Pour — The Happy Abstract Art of Joyce Klassen

acrylic pour abstract painting home decor art joyce klassen walla

Acrylic Pour 9, original painting by Walla Walla artist Joyce Klassen

We’ve all heard of peculiar artists and capricious ones, edgy sculptors and angry painters, those who love to offend and shock, unsettle or antagonize. They are the stuff of movie fantasia and social media hype.

acrylic pour abstract painting home decor art joyce klassen walla walla

Acrylic Pour 5, original painting by Walla Walla artist, Joyce Klassen

But in the real world, populated by real people,  there is another kind of artist: a happy person, loving what they do, creating with the idea of making others happy as well. Fitting into this paradigm is Joyce Klassen, a Walla Walla artist who has worked in everything from watercolor realism to her present abstract acrylic pours. She uses words like “fun,” “rewarding,” and “beautiful” when she talks about her art, as well as life itself.

“I’ve been interested in art since I was in preschool when I cut up my mother’s Simplicity patterns to make my own paper dolls and dress them in pieces of fabric — I only did that ONCE!” Klassen remembers.

This is a person who launches into the room with a smile, who experiments with new techniques and recognizes that failure is as much a part of success as, well, success is. It’s an attitude worth honing when it comes to the challenge of acrylic pour, a process that involves layering multiple colors of paint in a cup and cascading it onto the canvas:

Fun, Caution, Wisdom

The FUN comes from quickly flipping the cup upside down.

The CAUTION demands that the artist upright the cup quickly, then tilt the canvas back and forth so the colors run from top to bottom and side to side.

The wisdom of EXPERIENCE shouts “Stop!” when the pattern looks just right.

“Knowing when to stop is the secret to a successful acrylic pour,” Klassen explains. “Once you have learned to do this — EXPERIMENT and come up with your own unique method.

acrylic pour abstract painting home decor art joyce klassen walla walla

Acrylic Pour 6, original painting by Walla Walla artist Joyce Klassen

“When you find something that really works for you, keep it a secret! You want this to be your creation.”

Acrylic Pour Discovery

Klassen discovered acrylic pour literally by accident when she spilled mixed paint on a surface. Fascinated by the resulting texture, color formation and shape, she researched the technique, spending “hours and hours” learning from YouTube.

“I’ve done many forms of art, but I think I love this one the very best because I get so excited as I watch the colors evolve and mix — it often gives me terrific surprises.

“If the surprise happens to not be a good one, I simply wash it down the drain (followed by a healthy dose of drain cleaner) and start over. It’s a ‘Can’t Lose’ process.”

Acrylic Pour: Breaking and Following Rules

As Klassen is discovering, acrylic pour painting involves breaking the rules at the same time one adheres strictly to them, celebrating spontaneity in perfect proportion to meticulous thought. In some ways, this mirrors the yin-yang relationship she enjoys with her husband Randy, also an artist, but in a polar opposite sort of way:

acrylic pour abstract painting home decor art joyce klassen walla walla

Acrylic Pour 1, original painting by Walla Walla artist, Joyce Klassen

She does abstract; he paints realism.

She’s messy; he’s neat.

She takes up three quarters of their shared studio; he carved out a small space against the window, just enough for his easel and palette.

“When I work on encaustic, he leaves when I light the blow torch.

“When I work on acrylic pour, he covers his work and leaves to avoid the mess.

“He has to find a lot of errands to run .  .  . ”

Oddly, for a person who describes her creative process as messy, Klassen spends a lot of time cleaning their house, because both she and Randy sell from the studio within their home.

“We never know when someone might ‘drop in’ to view the art. We love to share a glass of our local wine as we go from room to room looking at art.

“I’m often told that a viewer is amazed that I work in such a messy art form while still being such an intense ‘neatnik.'”

acrylic pour abstract painting home decor art joyce klassen walla walla

Acrylic Pour 8, original painting by Walla Walla artist, Joyce Klassen

Helping the Homeless

When she isn’t creating in the studio — something that can happen anytime of the day or even at 2 a.m. if she finds she can’t sleep — Klassen works with the homeless through the Walla Walla Alliance for the Homeless, coordinating the weekly shower project held Mondays at the Pioneer United Methodist Church.

She and her crew of 10 volunteers serve the needs of 10 to 17 people who would otherwise have nowhere else to shower, providing basic toiletry needs along with clean socks, underwear, and other clothing.

It’s all part of a happy artist’s life — giving, experimenting, dreaming, doing, making a mess and cleaning it up. With so much creativity and beauty, there is no place for angst, anger, shock, or awful.

“I love to watch ideas and colors evolve.

“And I love it when someone looks at an acrylic pour that I’ve done and sees something totally different than what I do — it’s almost like playing the game of ‘find Waldo.’

“Art should be rewarding, and especially, fun!”

Wenaha Gallery

Joyce Klassen is the featured Art Event artists at Wenaha Gallery from Monday, September 24, 2018, through Saturday, October 20, 2018.  She will be at the gallery Saturday, October 6, from 10 a.m. to 2 p.m., as part of Wenaha Gallery’s Autumn Art Show, which also features jewelry artist Venita Simpson, a tribute to the late astronaut/artist Alan Bean, and a talk and visit by retired astronaut Dottie Metcalf-Lindenburger.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

big sky mustangs dream old west montana horses tobias sauer

Montana Dreams — The Western Art of Tobias Sauer

big sky mustangs dream old west montana horses tobias sauer

Big Sky Mustangs, capturing the old west and the new, by oil painter Tobias Sauer. Sauer’s childhood dreams, while growing up in Montana, were to be a full time painter, and he is turning this dream into reality.

Dreams. Goals. Aspirations.

All humans have these, born within our childhood when we don’t realize how impossible what we want to do actually is. Some people abandon these dreams entirely, citing the need to be “realistic,” but others, who combine realism with hope, hard work, and a stubborn tenacity to get up when they’re knocked down, keep chipping away, moving forward, walking steadily toward that dream.

ogalala cowboys horses night dreams tobias sauer western art

All Night to Ogalala, oil painting by Coeur d’Alene artist Tobias Sauer, who is turning his childhood dreams into a very realistic art career.

Tobias Sauer is one of these people. As a child, raised in the Montana outdoors, he and his father biked, hunted, kayaked, and hiked; evenings, he joined his artist mother in trying to paint what he had experienced that day, frequently getting frustrated when what he saw in his mind did not make it successfully onto canvas.

“These are 40-year-old artist’s hands,” his mother would tell him. “You have little 5-year-old hands. When you have 40-year-old artist’s hands, you’ll be able to make it look just right, too.”

Dreams Die before They Live

Long before those hands could be 40, however, it looked like the dream had died.

“I started off as an art major in college, but quickly became disillusioned with the emphasis of abstract expressionism and the lack of instruction in form and technique,” the Coeur d’Alene, Idaho, oil painter says. “I graduated in environmental science and worked in that field for years.”

Though he tried to continue painting, an injury followed by surgery and a series of painful life events drove him into what he calls a personal “wilderness,” one that drained him of time and energy, of dreams and the desire to create.

herdsire cow bull livestock cattle Montana rancher's dreams tobias sauer western art

Herdsire, embracing the rancher’s dreams of the future herd. Oil painting by Coeur d’Alene oil painter Tobias Sauer

But he kept chipping away, continuing to get up each time he was knocked down. After a long hiatus from painting, Sauer found an old watercolor set while going through his storage unit, and gave it a try.

“I wondered if I could still paint, or if I had lost it all . . . but you know, after all that time of not painting, I had somehow gotten better. It was the weirdest thing, and I still can’t figure it out — I don’t know if it was that suffering or just age had made me a more mature artist, or just a more patient person.”

Visions of Montana

Whatever it was, it impelled him forward, and Sauer found that his hands — still not yet 40 — were capable of making things look just right. Bison, elk, moose, cowboys, mountains, meadows — Sauer draws, literally, upon the scenes of his Montana childhood in celebrating both the Old West and the New.

“I grew up in Charlie Russell country, and I grew up wanting to ranch,” Sauer says. “My heroes were cowboys. I loved rodeo, ranching, and outdoors, and since I couldn’t live the life of a cowboy, I like to paint it.”

intense montana mountain lion puma wildlife cat western art tobias sauer

Intense, a moment of big cat reflection and dreams by western artist Tobias Sauer.

As paintings began to sell, Sauer gained confidence along with skill, and he soon entered the world of major juried and invitational shows: The Cowboy Classics Western Art Show in Phoenix, Arizona; Heart of the West in Bozeman, Montana; Miniatures by the Lake in Coeur d’Alene, Idaho; The Oldfield Art Show in Puyallup, Washington; and, appropriately, The Russell Exhibition and Sale in Great Falls, Montana.

Because he is gregarious and enjoys connecting with clients and art lovers, Sauer attends many of these shows in person, traveling back to back from March through September with his wife in a camper trailer.

The Reality of Living Dreams, In and out of Montana

“I see new places, go to places I never thought I’d go to,” Sauer says.

“I like the personal connection with the collectors and the feeling that the collector is buying a part of me.

“I also travel to workshops because I want to seek out the best artist to study from for the kind of work I want to do, and the artist who will most likely help me with specific goals I am trying to achieve.”

office space Montana cowboys herding cattle livestock cows western art tobias sauer

Office Space, embracing the dreams of office workers everywhere, by western artist Tobias Sauer of Coeur d’Alene, ID.

And then, when he isn’t traveling, Sauer is painting, marketing, blogging, connecting with collectors and galleries who are increasingly noticing his work. He presently sends his art to galleries in Sedona, Arizona; Coeur d’Alene and Moscow, Idaho; Whitefish and Billings, Montana; and, most recently, Jackson, Wyoming, resulting in his paintings residing in homes throughout the nation, west and east, north and south.

Dreams Achieved

It’s a lot of work for those not quite yet 40-year-old hands, but Sauer delights in the busy schedule, in the challenge, in the fulfillment of dreams that are very much imbued with reality. Because achieving dreams is not necessarily unrealistic:

“I thought an art career would be like the closing credits of Little House on the Prairie, with Laura Ingalls running through a beautiful field without a care in the world, but it’s not like that,” Sauer observes.

“It’s hard, stressful, nerve-wracking, self-esteem killing, and filled with deadlines and insecurity.

“But I wouldn’t trade it for the world. It’s the most rewarding thing in my life outside of my marriage and my daughter.”

Wenaha Gallery

Tobias Sauer is the featured Art Event artists at Wenaha Gallery from Monday, August 27, 2018, through Saturday, September 22, 2018.  

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

ashton idaho silhouette sky storm clouds joyce anderson watercolor painting

Brilliant Clouds — The Watercolor Paintings of Joyce Anderson

glenns ferry cliffs storm clouds sky joyce anderson watercolor art

Glenns Ferry Cliffs — storm clouds in the sky, original watercolor painting by Walla Walla artist, Joyce Anderson

It is fortunate for Joyce Anderson that her latest series of paintings did not involve monsoons or hurricanes.

ashton idaho silhouette sky storm clouds joyce anderson watercolor painting

Ashton, Idaho Silhouettes — dramatic clouds sweeping over the landscape, original watercolor painting by Joyce Anderson of Walla Walla

Because the watercolor artist tends to get really involved with her subject matter, it was wet enough focusing on clouds, many of which were heavy with rain and portending inclement weather.

“Holy cow! We were in our tent trailer during many a torrential, drumbeat, wind-shaking, storm,” the Walla Walla painter says of a recent trip she took to Idaho and Wyoming with husband and fellow artist, Roy.  Other times they were outside, clad in waterproof ponchos as Anderson studied the sky, took notes, and captured reference material in preparation for a series of paintings based upon “spectacular skyscapes.”

“The series incorporates a cornucopia of colors and forms of clouds,” Anderson says, adding that she has spent so much time painting since the couple returned from their trip, that Roy has posted a picture of her on the refrigerator so that he can remember what she looks like.

Creating Clouds on Paper

“My self-set goal has been to use the white of the paper to give me the brilliant gilded edges (of clouds) rather than incorporate white paint,” Joyce explains. “At times it’s been like trying to manipulate a real cloud into a shape I wanted.”

impending storm rain clouds sky joyce anderson watercolor painting

Impending Storm — rain clouds in the distance — original watercolor painting by Walla Walla artist Joyce Anderson

Observing clouds, studying them, learning their names and attributes, wondering how their shapes will change, this is all part of capturing their essence on paper, creating a landscape into which the viewer enters and feels the very breeze on his or her face. After such an intense time of focus, Anderson says that she looks at weather, not to mention clouds, differently:

“I find myself easily distracted now when I see clouds . . . that’s not always good when I am driving.”

The Curious Artist

Doing any kind of art, Anderson feels, requires curiosity — the heart of the eternal student, even when one becomes a teacher. And as a teacher of watercolor for more than 36 years, Anderson has kept that eternal student vibrant and alive, imparting a love of the medium to adults through classes at Walla Walla Community College Continuing Education, Walla Walla Parks and Recreation, the Carnegie Art Center, Allied Arts of Tri-Cities, the Pendleton Center for the Arts, and more.

meadow pond storm sky rain clouds joyce anderson watercolor painting

Meadow Pond — sweeping clouds over a green landscape — original watercolor painting by Walla Walla artist Joyce Anderson

She has also volunteered at local schools, working with elementary students to integrate art with curriculum requirements. One of the best benefits of teaching children is the same as that of teaching adults: seeing the light go on, the face animate, as the student watches the magic of color on paper, and realizes that combining one line at a time will create any manner of subject.

“None of us need to know it all in order to try something new.”

Anderson has shown her work in regional juried shows, garnering Best of Show at the Allied Arts Juried Show in Richland in 2007, with the added bonus of the painting being sold to a private collector in New York.  She also has work in the city hall of Sasayama, Japan, Walla Walla’s “sister city,” as well a Spokane City Hall. The majority of her collectors live in the Pacific Northwest.

Painting Clouds at ArtPort

Both Joyce and Roy share a studio at the Walla Walla airport region, housed in one of the former military complex buildings. Announcing itself as ArtPort, which most people driving by interpret as Airport, misspelled, the building is large enough to accommodate both artists, and separately and together, the couple puts in hours of painting time each day. It changes the way she sees things, Anderson says.

“Not a day goes by that I don’t observe a subject that could become a painting — the interplay of colors in clouds, the effect of light or lack of, or the patterns of nature.

“Painting allows me to appreciate the ‘eye candy’ around each of us.”

Clouds of Beauty, All Around

But it isn’t just eye candy, she reflects, because the images of nature are more than just pretty scenes, superficial color that sparks a momentary interest, and no more. The images of nature provoke a sense of wonder, of contemplation, of appreciation for the world in which we live and breathe. And that is what she wants to viewer to take away with them when they see her latest series on clouds.

“The message I would like to extend with this display is to take a moment to truly observe the clouds in the sky, colors, shapes, designs, and patterns repeated in everything we see.

“Stop to appreciate what is all  around us.”

Wenaha Gallery

Joyce Anderson is the featured Art Event artists at Wenaha Gallery from Wednesday, July 18, 2018, through Saturday, August 25, 2018.  She will join two other artists, Batik watercolor artist Denise Elizabeth Stone and Garrett and Beth Lowe of Timber Bronze 53 home decor at the Summer Celebration Art Show Saturday, July 21, from 10:00 a.m. to 2 p.m. Free Artisan Treats will be provided, as well as a free Steve Henderson fine art note card to each visitor. 

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

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