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moccasin lake evening landscape photography bill rodgers

Landscape Magic — the Photography of Bill Rodgers

moccasin lake evening landscape photography bill rodgers

For Bill Rodgers, photography is all about capturing the mood, the moment, the emotion of the landscape. Moccasin Lake Eve, fine art photography by Bill Rodgers.

Because we are all incredibly unique human beings, we gravitate toward interests that fit our distinctive abilities. It is for this reason that not everyone is a mathematician, or a writer, or a mechanic.

And it is the reason that Bill Rodgers, of Waitsburg, is a photographer as opposed to a painter.

“For as long as I can remember, I have always loved landscapes,” Rodgers says.

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On a cloudy day, the transition of winter into spring adds an element of delightful drama to the landscape. Snow Drifts, fine art photography by Bill Rodgers.

“I originally wanted to be a landscape painter until I realized that I would probably starve for a very long time.

“My eyes and hands have never communicated well, and after a few college painting classes I realized that I was not going to be able to paint the kind of landscape I wanted to paint.”

But Rodgers is an imaginative, creative man, and he was not satisfied with not being able to do what he set his mind upon doing. When, 51 years ago, he received his first “real” camera, a 35mm Mamiya DTL 1000, Rodgers began a lifetime journey of fulfilling his goal with landscapes.

Being in, Moving through, the Landscape

“I like being in landscapes, moving through them, looking at them,” he says. His images, he adds, are a playground for the eyes and mind of the viewer.

old grain elevator country landscape rural farm bill rodgers photography

An old grain elevator stands sentinel in a timeless rural landscape. Old Grain Elevator, fine art photography by Bill Rodgers.

Many of his fine art photography pieces focus on the landscapes within a 30-mile radius of his Waitsburg studio, a region he has dubbed “The Wallouse,” to distinguish it from the rolling hills of the nearby Palouse. And while he loves the Palouse (he grew up in Spokane), he finds the landscapes of the Wallouse to be subtly distinctive. Traveling along remote, gravel roads, he teases out emotional impact through the composition of his images, instead of heavily relying upon subject matter.

His goal as an artist, he says, is to take beautiful photographs. This differs from just taking pictures of things, or worse, depending upon familiar landmarks to carry the day.

“I know the ‘great places to photograph,’ and religiously avoid them because they have been photographed to death.”

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Just the right amount of mist creates the perfect feeling. Stonecipher Trees, fine art photography by Bill Rodgers.

Rodgers’ photos reside in the homes of collectors throughout the country, and a number have been used in brochures and periodicals published by the Blue Mountain Land Trust, a conservation group that focuses on the scenic, natural, and working lands of 11 Washington and Oregon counties. The Trust’s coffee table books of the Blue Mountain region include many of Rodgers’ works. He is presently compiling and editing Volume 5, which will feature landscapes in the Trust’s eight-county John Day service area.

The Waitsburg School of Landscape Photography

A retired geologist, Rodgers turned to full-time photography in 2012. Part of this second career includes teaching at his Waitsburg School of Landscape Photography, where he leads regular workshops.

“The focus of the WSLP workshops is not technical. It is more about learning to find beauty in the mundane. I also teach my students to look for compositions — not things — to photograph. For me, it is the composition that makes a strong image — not the subject.”

He is always looking for what he calls a Magnificent Image. Rodgers defines this as a two-dimensional image in which all the elements of composition and content work perfectly to create a sublime whole that compels the eye to return and linger again and again. If he makes any statement with his art, this is it:

“My statement is, ‘Isn’t this a just a gorgeous landscape? I was privileged to be there at that time.’

“Enjoy.”

 

Wenaha GalleryBill Rodgers is the featured Art Event at Wenaha Gallery from July 28 through August 21, 2020.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

mountain sunrise photography landscape wessels galbreath

Photography in Action — By Gary Wessels-Galbreath

mountain sunrise photography landscape wessels galbreath

Rich colors in the clouds portend a magical day in the landscape photograph, Mountain Sunrise by Gary Wessels-Galbreath

A simple gift does more than tell the recipient that you care about them. Many times, that Christmas or birthday present sparks a response in the receiver that lasts far beyond the holiday.

This is what happened to Gary Wessels-Galbreath, who received a 110 Kodak Camera for Christmas when he was a teenager. The Olympia photographer and graduate of Dayton High School went on to complete his Bachelor of Fine Arts Degree, with an emphasis on photography, from Evergreen State College in Washington in 1985. He has been snapping, and shooting, and experimenting with both film and digital photography, as well as printmaking, ever since.

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Light, shadow, texture, silhouette — all work together in Moss on Limb, photography by Gary Wessels-Galbreath

“I enjoy ‘bending’ the rules that I am presented with and taking things a step further,” Wessels-Galbreath says, explaining that he works out of both his home studio and at community and university photo labs to produce his work. One of his experimental forays is cyanotype printing, high contrast images on paper, canvas, and metal, through solar printing in his front yard.

“I focus on landscape images for the most part,” Wessels-Galbreath says. “I attempt to allow viewer to see things they walk by every day without noticing the intricate details of the natural world.

“My hope is that they slow down, stop for more than a moment, and really see the beauty of nature.”

Slowing Down and Seeing the World

Slowing down, Wessels-Galbreath feels, is integral to seeing and understanding the world around us. That world is varied and changing, colorful and unusual. One thing it necessarily isn’t, however, is perfect, a message he tries to get across in the many photography workshops that he leads in the Olympia area.

highway 12 photography landscape farm dayton washington wessels galbreath

A graduate of Dayton High School in Dayton, WA, Wessels-Galbreath photographs his childhood town.

“Last year I worked with a group of 12 high school students collaborating on my American Crow series,” Wessels-Galbreath recalls.

“Each student was given a high contrast crow image and invited to create whatever inspired them.

“Of course I heard, ‘But I’m not an artist — what if I ruin it?’ I reminded them that we all have the ability and magic to create, and that in itself is art.

“All the images created in that workshop were beautiful. There are many more workshops that I have presented, but I really enjoyed that one.”

In addition to conducting workshops, Wessels-Galbreath also regularly participates in collaborative artistic gathering with photographers throughout the world. Through both these collaborations as well as sales, his photography has found collectors in Hawaii, New Mexico, California, Washington, New Zealand, and Canada. In 2018, his work was accepted into the International Juried Exhibition, Natural Studies of Wonder, at the Spectol Art Space in Bridgewater, VA.

Teaching Life, and Photography, by Example

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Fascinated by crows, Wessels-Galbreath experiments with their shape and from in his photography.

That same year, Wessels-Galbreath received the “Teaching by Example” award from the Longhouse Educational and Cultural Center at the Evergreen State College. The award honors artists who have made significant contributions to their community.

With a day job as bulk foods buyer at the Olympia Food Co-op, Wessels-Galbreath volunteers three days each week at Evergreen, working with photography students. He wants to inspire them with the same sense of wonder he received upon opening that 110 Kodak Camera. That great big world out there, he believes, is worth exploring, seeing, celebrating, and capturing as artwork.

In that way, he believes, we share the wonder with those around us.

“I start by taking a long walk, and begin listening with my eyes.”

Wenaha GalleryGary Wessels-Galbreath is the featured Art Event at Wenaha Gallery from July 14 through August 7, 2020.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

shell butterfly beach coast sand doug paulson details photograph

Details Matter — The Photography of Doug Paulson

shell butterfly beach coast sand doug paulson details photograph

Most people walking by see broken shells, but Doug Paulson sees a butterfly. Sun Kissed Wings, photography by Doug Paulson.

People who go on hikes with Doug Paulson don’t just move their feet. After few minutes with the nature photographer, they learn that details matter. And to see detail, you have to look not just around, but up and down, with a willingness for and expectation of encountering the unusual.

“My focus of detail runs deep,” the Salem, OR, artist says. “I even work and play with a focus on detail.”

On hikes, he frequently points out things that are “old hat” to him, but never noticed before by his companions.

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Lost in Thought, an owl perches by a rippling river. Photography by Doug Paulson.

“My hikes are a learning experience to fellow hikers whether they like it or not.

“And I do have an overwhelming sense of humor (whether you like it or not). I call it the family curse. My dad’s side is full of undiscovered comedians.”

God’s Handiwork

Paulson has been playing around with a camera since he was twelve, and after years of working with images on film, he is especially appreciative of digital technology. Carrying his camera with him wherever he goes, he likes the freedom of taking numerous shots from varying angles, without having to wait days to see if they turn out.

“I work in God’s world, and capture bits and pieces of his handiwork,” Paulson says.

“My material is everywhere — I can find a picture that is unique just about anywhere. Thank God for digital and no cost to take pictures other than a new SanDisk card.”

Paulson is rarely still, his mind and eye as active as his feet. Prior to retirement five years ago, he worked 33 years in a factory making Andersen windows and doors. He also coached wrestling — in both volunteer and paid positions — and extols the benefits of the sport for the determination and perseverance it demands, as well as . . . attention to detail.

“Wrestling is definitely in my blood — I am a former wrestler in Osceola, Wisconsin, wrestled varsity as a freshman on, and was a co-captain of the school’s best record team my senior year — still the record today.

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White water cascades over the rocks and through the forest in River Rush, photography by Doug Paulson

“I recognize the life benefits wrestling gives to the participants. I’ve been there hands on with plenty of kids who have had great success — in wrestling, and in life.”

Wrestling with the Details

This year, in “retirement,” Paulson is head wrestling coach at Judson Middle School in Salem. It keeps him in top form both physically and mentally, so that when he heads out to the woods with the camera, he’s good to trek for hours, or, when need be, stand patiently for what seems like hours until the light is right, the atmospheric conditions perfect, and the necessary moveable details to the picture naturally fallen into place. Rather than let photo manipulation finish the picture, Paulson prefers to cooperate with nature.

“I will stand at a wonderful coastal sunset and wait for a seagull to fly through, to add the bird to the picture.”

Paulson says he learned early on that it’s the details in the photo that establish the mood, rather than his trying to fit a large panorama into a set space. In focusing on the details, he also pays attention to the background, because it sets the stage.

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It’s a matter of being at the right place, at the right time. Birds on the Rocks, photography by Doug Paulson

“Background  adds or highlights the color in the subject, and it can wash out the subject, too.

“I do a lot of foreground inclusion, too, and also like to shoot through trees to get a silhouette. The ability to isolate or focus on details — this is what makes my pictures unique.”

Details, Not Defects

Some of those details, Paulson adds, other people would describe as “defects,” but he doesn’t consider them that way. With a little time and patience, a changing of perspective, one sees the same scene in a different manner.

“I will circle a subject until I get the best contrast of color and light, thus enhancing the subject.

“Shapes and features in wood, stumps, leaves — these all attract my attention. Sometimes I will let my shadow cast over the subject, as light will wash out the colors.”

It’s a matter of, well, wrestling with the subject matter, not so much to dominate it as to pin it down to its essential, and most interesting, elements. And it’s also a matter of stopping, looking, observing, not being in a hurry — of allowing the wonder of what is there to slowly reveal itself. You have to be willing to admit that you don’t know everything, and then willing to learn.

“I am a gotta know why guy.

“I see pictures everywhere, so I take them.”

Wenaha GalleryDoug Paulson is the featured  Art Event from Monday, February 10 through Saturday, March 7 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

 

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Clouds Fascinate — The Photography of Nancy Richter

bateman island fall autumn columbia river richter

Bateman Island Fall, a photographic landscape of water, trees and sky by Nancy Richter of Kennewick

Clouds fascinate her

She is a grandmother now. But Nancy Richter has never lost a child’s fascination for a sky full of clouds.

As a kid, she did what lots of kids — even in today’s techno-world of substitutionary reality — still do: she lay in the grass and watched the world above.

“I grew up in Montana — Big Sky Country,” the Kennewick photographer says.

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Fog and mist are simply clouds that decide to come a little closer to earth . . . Foggy Drive, photograph by Nancy Richter

“I never tired of the surprising shapes and colors of clouds. Their randomness, unpredictability, and beauty are fascinating to me.”

It is no wonder then that from the time Richter received her first camera — a Brownie Instamatic for Christmas when she was ten — she has focused on capturing the form, the mystique, the emotion, and the feeling of clouds. As technology advanced and Richter exchanged her Brownie for a Minolta SLR, then a digital camera, she kept chasing the timeless yet ever-changing vista of clouds. And though she photographs much more than the sky overhead — landscape, macro, flowers, rusty abstract surfaces, portraits, events — she retains a lifetime goal of finding the perfect combination of landscape and clouds.

Moody, Brooding Clouds

In 2011, she met photographer John Clement, of whom she had been a fan for years. The two arranged a photography day trip to the Blue Mountains in Southeast Washington. And from 3 a.m. to 11 p.m. they went to one wonderful spot after another.

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In Nailed It, a country landscape and brooding, moody clouds form one of Nancy Richter’s favorite photographic combinations.

After this most amazing day, one Richter affectionately dubs “John Clement Day,” she discovered that she had taken yet another step on her photographic journey.

“I find my own way to the loveliness that’s out there, following dusty farm roads, stopping along the banks of lakes and rivers, and making my way up to the top of hills covered with wildflowers,” Richter says.

She likes her photos to be unconventional, a bit off balanced and moody, she adds. Art is best, she considers, when its subject or material is unexpected, inviting the viewer to stop beyond a first glance, teasing him or her to discover new elements and depth.

“That’s what I want to convey: something a bit off the beaten path, something that holds the observer’s interest.”

Clouds Combined with Landscapes

Within a short radius of her Kennewick studio, unusual and intriguing landscapes abound. Less than 15 minutes from her home are spots in the Horse Heaven Hills that open out into vistas of Rattlesnake Mountain and other significant ridges of the Tri-Cities area.  There’s the Palouse (“That place is divine. Nowhere exactly like it on earth”). And there are the Blue Mountains, a combination of bare grass hills with forest in the ravines, farmland interwoven between.

The roads to these places can be a little dicey, though, but than again, that adds to the adventure of it all.

“One time I got stuck in the mud up to half my tire,” Richter remembers.

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A flower peeks from its foliage in Pink, photography by Nancy Richter of Kennewick

“A man and his 5-year-old daughter just happened to be out in the middle of nowhere with a jeep and pulled me out with a strap.

“When I first told them of my dilemma, the daughter’s comment was, ‘My dad can do anything!'”

Such is the mindset of a child, a mindset that Richter maintains with that persistent, lifelong, deep-rooted fascination with clouds. And to this day, in the process of looking up, she often finds that the ground beneath her feet is steadier, firmer, more secure.

“Sometimes when I am dealing with unpleasant emotion, the sky provides pleasant distraction,” Richter muses.

“It gets me outside and moving and enjoying. It helps ground me.

“Funny, that the sky would help me touch the earth.”

Clouds, Light, Quality, and Emotion

Richter shows and sells her work throughout the Tri-Cities area, and participates in the Thursday Art Walk in Kennewick. She has exhibited at the Richland library, You and I Framing in Kennewick, the Crossroads and Carnegie Art Center in Baker City, OR, and the Larson Gallery in Yakima. At the latter, she received the Women in Photography Award, as a well as a Purchase Award.

Richter doesn’t remember whatever happened to her old Brownie — she could have sold it at a yard sale; it may be in one of those memorabilia boxes we all cart around. But what it started will never be lost, as she discovers, and captures, a world of possibility, imagination, and enchantment. These elements transcend time and technology.

“When I take photos I feel an attraction to the scene. I’m feeling excited or having fun or am just delighted with the amazing light in that moment.

“I want people to enjoy what they see, to feel pleasure in the colors, to experience the light and the quality.”

Wenaha GalleryNancy Richter is the Featured Art Event from Monday, November 18, through Saturday, December 14 at Wenaha Gallery. She will be at the gallery for the Christmas Kickoff Art Show Friday, November 29, from 2 to 6 p.m. Richter will be joined by Colfax rope basket creator Nancy Waldron and jewelry artist Andrea Lyman.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

 

Sentinel gap camera photo landscape eastern-washington columbia river john clement

Camera Magic — The Photography of John Clement

Sentinel gap camera photo landscape eastern-washington columbia river john clement

Sentinel Gap, capturing the Eastern Washington landscape on camera by John Clement, Kennewick photographer

Everyone has a camera these days.

Whether it’s at an office party or the family Thanksgiving dinner, many people have been buttonholed by an enthusiastic traveler’s  sharing a (seemingly endless) collection of photos. It doesn’t take long to realize that enthusiasm does not always equate with expertise, and while anyone can press a button, far fewer people know how to capture a moment, a memory, and an emotion.

“The challenge of being a photographer is capturing the images that I have created in my mind’s eye — capturing an emotion that connects someone with that image and draws them into it,” says Kennewick photographer John Clement, who has had a camera in his hand for more than 49 years now and counting.

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The Eiffel Tower, by John Clement, photographer and camera artist from Kennewick, WA

“Finding those type of images takes lots of planning, prayer, and knowing your landscape locations. It’s understanding how and when the weather, the light, and the subject all work together for that moment in time, never to be repeated. There is so much to this side of the story . . . ”

He Borrowed His First Camera

Clement’s story started in 1970 at Central Washington University in Ellensburg, where he double majored in geology and geography. Needing an elective class to fill a gap in his schedule, he chose photography — although to get through the class he had to borrow a camera because he didn’t own one.

“But I was hooked,” he said. He spent five years with a church pictorial directory company in St Louis, and another five with Battelle in Tri-Cities doing lab and photography assignments. On the side, he shot landscapes and marketed his work, and in 1980, left Battelle to venture out on his own.

“I’ve been really blessed in this business by faithful clients and opportunities to try new ventures in photography,” Clement explains. “I’ve been involved in book publishing, calendars, multimedia production, and scouting movie locations for clients in California.

“I have clients all around the world, and have prints in more than 80 countries.”

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Morning, capturing on camera that moment in the morning, by photographer John Clement of Kennewick, WA

Clement’s photos have garnered more than 65 regional, national, and international awards, including first place at the National Park Service’s National Natural Landmark Photo Competition. He has been published in Country Music and Northwest Travel Magazines, and one of his prints hangs in the permanent collection of the International Hall of Fame of Photography in Missouri. He installed 17 of his works as murals at the Century Link Field in Seattle, home of the Seahawks and the Sounders, and an additional 17 as 4×8 glass panels at the recently remodeled Pasco Airport. Last year he completed a major project at the Othello Medical Clinic where nearly 200 images — ranging in size from 24 inches to 35 feet — decorate the facilities.

Traveling with Family and Camera

For 20 years, Clement operated a gallery at the Columbia Center Mall in Kennewick, but closed it in 2005 so that he could devote more time to traveling with his wife, Sharon, and capturing landscapes on camera from different locations. The past several years, he has traveled regularly to the Midwest with his daughter, Colleen, for storm chasing. (“My interest is in the big skies and the landscape.”) Other travels have taken him to Russia, China, continental Europe and the British Isles, “with more to come, Lord willing.”

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Vineyards, by camera and photography artist John Clement of Kennewick, WA

“I have thousands of stories — some funny, some serious, and some scary,” Clement says. “When you do what I do, you can get into some interesting situations, places, and crazy scary weather.” One major memory is the time he lugged his 42 pounds of camera equipment onto a four-foot wide, mid-range ledge at Palouse Falls. Without warning, a baseball-sized rock hurtled from above, barely missing him.

“Quit throwing rocks! There are people below you!” Clement shouted to the voices overhead. The next voice he heard was that of an upset mother yelling, “I told you not to throw rocks, didn’t I?” There was a slap, a wail, and then silence. But at least there were no more rocks. Clement stayed on the ledge, unmolested from above, for four hours, waiting until the light and the sky were just the way he wanted.

Camera and the Artist’s Eye

“This world is a wonderful place of color, textures, lines, and patterns,” Clement says. “When some or all of these elements come together in the right light, they can stir the emotions to stop and think.”

It’s his job, he says, to capture that moment on camera, and translate it visually into an image that speaks to the heart as well as the eye.

“I believe God has given each one of us a gift to share with others,” Clement says.

“My gift is seeing his wonderful creation in a unique way that communicates His love for all of us — through what He has created for us to see.”

Wenaha GalleryJohn Clement is the Featured Art Event from Monday, April 8through Saturday, May 4at Wenaha Gallery. He will be at the gallery Saturday, April 13, from 10 a.m. to 2 p.m. for a special Spring Art Show, where he will be joined by Milton-Freewater steel sculptor Anne Behlau and Dayton jewelry and nostalgia journal artist Dawn Moriarty.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

butterfly blooms photography fractal art tulips debbie lind

Fractal Fascination — Photographic Art by Debbie Lind

butterfly blooms photography fractal art tulips debbie lind

Butterfly Blooms, Debbie Lind’s first, and prize winning, foray into photographic fractals art.

You don’t have to like broccoli to admire it.

Seriously.

Broccoli and its close friend, cauliflower, consist of the same small shape multiplied into a larger one, a phenomenon both scientists and artists call fractal or algorithmic art. The term, coined in the 1960s by Polish mathematician Benoit Mandelbrot, describes using mathematical formulas to create digital artwork from the same repeating shape.

love layers red heart flower fractal art photography debbie lind wallowa

Love in Layers, photographic fractal art by Wallowa, OR, artist Debbie Lind

“Fractals are a repeated shape that I didn’t give much thought to until I discovered them when reading a book about shapes to kindergartners visiting our public library where I’m the library director,” says photographer Debbie Lind of Wallowa, OR.

“I read to them about shapes like circles, triangles, squares and all the basic shapes we know, but when I read to them about fractals, a light went off and I thought right then, ‘How can I use fractal art in my photography?'”

Fractal Tulip Turns into Butterfly

Lind’s first experiment with fractal art involved her photographic image of a red tulip with rain drops on it. She began playing about with the shape, intending to create a conch-like snail shell from the repeating tulip blossoms, but “it wasn’t meant to be.

“What I created instead was a butterfly wing. From that I created a butterfly I named ‘Butterfly Blooms.’ I entered it in my first professional art show and won a blue ribbon.” (As an added bonus, a monetary prize accompanied the ribbon, a fact Lind says came as a complete, but welcome, surprise.)

Money or not, from that point on, Lind was hooked on fractal art, experimenting with more flowers and butterflies, then moving on to other shapes and subjects, such as a bright orange Koi fish, repeated smaller and smaller, in a series of bubbles. She prints her images on canvas and paper, as well as large format art cards that she sells in galleries, gift shops, and local businesses.

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Dragonfly Delight, photographic fractal art by Wallowa, OR artist Debbie Lind

Describing herself as a photo artisan, Lind has been playing with imagery, cameras, and technology since she was 15, when she received a 110 pocket camera as a gift. From there she moved onto an Olympus OM-1 35 mm, and once she entered the digital age, she found that the time spent behind the computer screen playing with an image was as fascinating as time behind the camera lens.

Fractal Art and Emotive Photography

“My goal is to create photography — fractal or not — that moves me first: it can be a child, flowers, landscapes, or a person leaning up against a truck,” Lind explains.

“My other goal is if my art can give someone a good feeling — to enhance their good day and help them on their bad day — then this is what I hope my art can do for them, even if it’s just one person.”

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Koi Joy, photographic fractal art by Wallowa, OR, artist Debbie Lind

Since that first memorable and financially satisfying professional art show, Lind has entered many others, as well as published her work in calendars, telephone books, brochures, and flyers. Wherever she goes she has an eye out for the next intriguing shot, and while she describes herself as not a photojournalist, she seeks to create images that spark conversation, imbue emotion, and catch the viewer’s eye and soul.

“If I’m in the right place at the right time, I’ll be taking photos of it.”

Living in a rural area provides plenty of subject matter, but the downside is that if the printer runs out of ink, only two sheets of photo paper remain in the packet, or none of the frames in her studio are the right size, she can’t pop down to the local office or art store to replenish supplies. For this reason, she has commandeered the largest bedroom in the house for her studio, occasionally spilling into the guest bedroom with supplies and inventory.

Letting the Creative Process Lead

Prominent on the studio wall is a quote she found in a magazine, which she says encapsulates how she approaches her photographic and fractal art:

“Let go of needing to know what you will create before you have begun. Instead, allow the creative process to be one of self-discovery, moment-to-moment revelation, and pure freedom.”

Every day is a new opportunity to learn more about art, photography, the digital world, fractal creativity, running a business, and life in general, and while trying new things has its unnerving side, it results in great satisfaction as well. Lind reminds herself of this as she experiments with new ways of marketing her photography, the latest involving selling fine art cards at local farmers’ markets where, incidentally, one finds broccoli, and cauliflower.

“As I get older, I feel a little braver in putting myself ‘out there.’ I’ve been telling myself, if not now, when?” Lind muses.

“I’m almost, or already, considered a senior citizen: I already get discounts at restaurants.

“So what’s next for me? I’m taking chances.”

Wenaha Gallery

Debbie Lind is the featured Art Event artist at Wenaha Gallery from Monday, October 22 through Saturday, November 17.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

autumn sunflower floral mixed media photographic art gay waldman

Digital Revolution — The Enhanced Photographic Art of Gay Waldman

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Autumn Sunflower, mixed media photographic digital art by Spokane artist Gay Waldman.

The great thing about the digital revolution is that Gay Waldman can now wash clothes in her laundry room.

For years, the Spokane artist — who creates digitally enhanced photographs through Adobe Photoshop, Corel Painter and Nik Software  — set up a darkroom in either her bath or laundry room so that she could build collages and enlarged images of her abstract/representational fusion art.

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Autumn Gold Sentinels, digital photographic art by Spokane artist, Gay Waldman — celebrating the world of nature with an abstract twist.

Leaping into the Digital Revolution

“I am very fortunate to have taken the leap into the digital world in 1994,” Waldman says, explaining that she build upon computer skills in marketing and bookkeeping to  achieve prowess in photo-restoration. As the Internet improved, so did her abilities, to the point that she eventually built her own computer to meet the unique digital needs of her art. She also dismantled her physical darkroom and turned to professional photo lab processors for her printing needs, allowing her to focus exclusively on multimedia photomontage that integrates the light, color, texture, and form of natural images.

“My photographs record reality and are the starting point of all my images,” Waldman says. “When I depress the shutter, the image is captured, and I will use it at a later date as a component in a new work of art.”

Digital Art: More Than Pressing Buttons

It’s much more than pressing a button or clicking on a few keyboard keys, she adds, with even seemingly simple images requiring a good eye, technical prowess, and experience stemming from years of exploration and experimentation. Originally trained as a painter, Waldman also employs traditional media such as colored pencils, pastel, acrylic paint, and oil to add detail and color, resulting in a mixed media melange that encourages the viewer to pause a moment, absorb the image, and make a connection with form in color, line and shape.

women's medical center gritman moscow idaho gay waldman digital photography art

In the reception area of the Women’s Imaging Center of Gritman Medical Center in Moscow, ID, four of Gay Waldman’s digital photographic artworks add a glow of color and form.

“My artwork making is a never-ending, intuitive journey of my fascination of the relationship between organic object and man-made objects,” Waldman says. “I love the intricacy of leaves, tree patterns, flower petals, vines, how light falls everywhere, shadows, horizons, water, and all sorts of growth.”

Endless Ideas

Never far from a notebook to jot down ideas which exhibit no sign of stopping, Waldman draws upon a vast collection of photographs taken through the years to develop concepts expressing an appreciation for design.

“Art making is my addiction: I crave the exploration and the creative process of manipulating images, and my passion is to push my photographs into images that expose my originality.”

why we live here public art installation spokane convention center gay waldman

“Why We Live Here,” Gay Waldman’s public art installation at the Spokane Convention Center.

Waldman sells her work through galleries, her studio, her website, and at Northwest festivals including those in Boise, Seattle, and Coeur d’Alene.  A permanent collection of 24 of her works hangs in the Women’s Imaging Center of Gritman Medical Center in Moscow, ID. Additional public art includes “Celebrate Our City,” a five-panel installation at the Wells Fargo Building in Spokane, as well as “Why We Live Here,” an 85-foot wide by 20-foot tall mural at the Spokane Convention Center.

This latter project, which Waldman identifies as her most notable to date, involved a two-year process of applying, presentation, designing, and engineering, and the benefits have been enormous. Most gratifying is when individuals enter Waldman’s booth at an art festival and recognize her work from a public installation.

“When they meet me, it provides them a connection between the art and the artist.”

Samba garden floral flower digital photographic art gay waldman spokane

Samba Garden, a digital array of flower blossoms and petals by photograph enhancer Gay Waldman of Spokane, WA

An Artist before the Digital Age

Like many highly creative people, Waldman has wanted to be an artist for as long as she can remember, and has never forgotten her kindergarten teacher’s comment on a report card — “Gay might be a great artist one day!” Her unique niche in photography came about because of a lack of time: upon graduating from the university and working many, many jobs to get by, Waldman found time and money short for painting. When she was approached about exhibiting her artwork at a special show, she supplemented paintings with photographs she had taken with the intent to paint someday. The next gallery show was all photographs, incorporating mixed media and collage, and a career was born.

“At that time, I didn’t realize photographs would be the foundation of all my artwork.

“My artwork and I keep growing with every exhibit, festival, and commission.

Pleasantly Busy

It’s a lifestyle that keeps an artist consistently but pleasantly busy, and while there may not be enough time to fold clothes in neat, organized piles, it’s nice to know that they don’t have to share space with bins of liquid chemicals. And while any given day looks remarkably different — from photographing to interior design consulting, from providing custom framing services for other artists to participating in an invitational, juried show, it’s all about art — and that’s worth spending time on.

“I am completely captivated with making art, because it’s the only thing in my life where I have total control of the outcome.”

Wenaha Gallery

Gay Waldman is the featured Art Event artist at Wenaha Gallery from Monday, April 9, 2018, through Saturday, Saturday, May 5, 2018.  

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

exit to pataha landscape clouds barb thrall fine art photography

Painterly Photography — Fine Art Photographs by Barb Thrall

exit to pataha landscape clouds barb thrall fine art photography

Exit to Pataha, fine art photography landscape by Kennewick photographer Barb Thrall

Whoever coined the axiom, “The camera cannot lie,” probably didn’t believe it himself, because photo editing and manipulation have been around almost as long as photography. One of  U.S. history’s most iconic photographs, that of a full-length Abraham Lincoln standing with one hand resting against his vest, is actually an 1860s composite of the president’s head set atop another man’s body.1

lilacs artichokes still life floral fine art photography thrall

Lilacs and Artichokes, fine art still life photography by Wenaha Gallery guest artist, Barb Thrall

“There is an idea that all photography must be realism — that if anything is manipulated in Photoshop then the photographer is cheating,” says Barb Thrall, a Kennewick artist who creates photographic fine art images incorporating her intellect and skill, digital camera, judicious use of Photoshop and Lightroom, and a wise selection of paper.

“In the same breath,” Thrall continues, “people will mention Ansel Adams or any other famous landscape photographer — but taking the photo is only half of the creative process for these photographers. The other half occurs in the darkroom or in Photoshop or whatever process they are using to get their photos to the printer.”

Painterly Photography

In other words, not all photography is the same, just as not all painting styles are the same. It’s one thing when the photo is on the front page of the newspaper, purporting to accurately represent an actual event, and a totally different element when the photo is an art piece, with keen attention to color, subject matter, perspective, layout, and, as Thrall describes it, connecting the viewer with a visceral or “gut” feeling in the soul.

evening sun forest landscape photography barb thrall

Evening Sun at Schrag, fine art photography landscape by Barb Thrall

“The editing I do, while certainly giving the photos a painterly feel, is more about experience,” Thrall explains. “How can I translate the feeling of a moment into a photo?” For Thrall, this involves not only the initial capture of the image, but the processing of it afterwards, which in earlier years took place in a traditional darkroom, but now involves photo software allowing the artist to work with light, texture, shadow, shading, and more. Also involved is compositing, the merging of one or more separate images into one.

Photography Mimicking the Old Masters

“There is a certain subtlety to processing photos this way,” Thrall says. “I love the photography that mimics the Old Masters — there is an elegance and romance to this.” And while there are diehards who insist that “a photo should be a photo” and “a painting should be a painting,” the play between painting and photography has been around as long as there have been cameras, Thrall explains.

three pears fine art photography still life barb thrall

Three Pears, fine art photography still life by Barb Thrall

“Anyone who takes their photos straight out of a camera and doesn’t process them is doing themselves a disservice. Ansel Adams was a great photographer, but he was a master in the darkroom.”

Thrall has had a camera in her hand from childhood, starting with a Kodak 110 cartridge and working her way through various models as she has shot images of landscapes, floral still lifes, portraiture, and black and white flora macro images with a graphic abstract feel. Vindication of her artistic passion came from, of all places, the State of Washington and its pre-college personality test that Thrall took in high school. The top jobs recommended for Thrall were photography and wildlife biology.

Interior Design, Paralegalism, and Fine Art Photography

And in what did Thrall receive her degrees? Interior design and paralegal studies, neither of which were in the top ten career choices on her test results. But because passion frequently trumps practicality, Thrall incorporates both interior design and paralegal principles into her photography.

after crush vineyard landscape grapes barb thrall larson gallery

After the Crush, vineyard landscape at the permanent collection of Larson Gallery, by Barb Thrall

“Color theory and the theory of thirds are certainly part of an interior design education, and a paralegal ought to be good with details.” A recent interest in architectural photography is “nothing but details.” The combination of those details with the love of the Old Painting Masters results in a lot of breaking of the rules, and advancement in technique.

“One of the biggest influences in my work is Vermeer. I love that light — truly, truly love that light.”

Capturing Attention

Thrall has shown her work in juried shows throughout the Pacific Northwest, with one of her pieces in the permanent collection at Larson Gallery in Yakima. She takes a workshop every year in a different aspect of photography, and has studied under Ray Pfortner — who worked under wildlife photographer Art Wolfe — and received a photography certificate from the Rocky Mountain School of Photography, whose founder  studied under Ansel Adams.

A finished work, for Thrall, starts in the field and ends with an image that captures the attention, the eye, and the soul.

“I want people to just slow down a bit, to breathe in and out.

“One of the series that I did focused on just shooting at rest stops or in places very close to the I-90 Freeway. I wanted to show the beauty in places not that far off the road.

“We don’t have to go very far to see beautiful places.”

Wenaha Gallery

Barb Thrall is the featured Pacific Northwest artist at Wenaha Gallery from Monday, October 23 through Saturday, November 18, 2017.   

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

1McKay, Katie. “Photo Manipulation Throughout History: A Timeline.” Ethics in Photo Editing: WordPress, April 1, 2009.

 

 

mountain river pass abstract scrapyard photograph LuAnn Ostergaard

Scrapyard Beauty — The Fine Art Photography of LuAnn Ostergaard

scrapyard photography color beauty texture LuAnn Ostergaard

Beauty from the scrapyard: Evening Shimmer III, fine at photography by LuAnn Ostergaard

Etiquette matters. And when you’re visiting a scrapyard, the rules of behavior are even stricter, because they have to be.

“Stay far away from the large pieces of heavy equipment being operated, employing big swinging arms with grasping tools or huge magnets that lift metal from place to place,” advises LuAnn Ostergaard, a fine art photographer who creates abstract art using digital images taken from . . . scrapyards.

mountain river pass abstract scrapyard photograph LuAnn Ostergaard

Mountain River Pass, photographic beauty from the scrapyard by LuAnn Ostergaard

“The equipment may back over you, so watch their movements,” she adds. One must also be aware of protruding points; razor sharp edges; slippery, oily areas; and huge piles of metal that may cascade down on visitors at any time.

While not a particularly friendly place, scrapyards are special locales unknown by many, the Kennewick artist explains. She first discovered them as a child, accompanying her father on his quest to glean car parts; she now visits with her son, Joseph Rastovich, a Kennewick public sculptor who buys metal there for his huge-scale projects, as well as watches out for his mom while she loses herself “in the moment and into the flow of capturing images.”

Ostergaard, who has identified herself as an artist since the first grade, comes from a long line of artists: her mother; her grandmother the singer and seamstress; her great-grandfather the concert pianist and sketcher. She married an artist, illustrator and animator Michael Rastovich, and with their son, Joseph, the three — dubbed the Talented Trio by friends — make their living creating in a home studio blurring any distinction between the two words.

“Our entire house is a studio, office, work space! We live, eat, and breathe our work.”

scrapyard photograph abstract landscape LuAnn Ostergaard

Evening Shadows, scrapyard photographic image by LuAnn Ostergaard

Upon first viewing Ostergaard’s art, many people regard her photographic images as paintings, and indeed, one of the most difficult aspects of her artwork is explaining what it actually is. They are photographs, with an attention to shape, texture, color and contrast, captured from the harsh places of the world and transformed into images enticing and enchanting.

“On the computer, I bring up the saturation and contrast, and that usually reveals gorgeous color combinations and textures that I would never think of creating on my own,” Ostergaard says.

“It’s magical, and I feel a bit of an alchemist as I transform an image of scrapyard castoffs to a thing of beauty that resonates with harmony and balance.”

Ostergaard sells her work to both private and corporate collectors, with pieces throughout the U.S. and in Sweden, Germany, UK, and Australia. One of her images is at 3 Lincoln Center, New York, NY, the building in which singer and actress Liza Minnelli lives. Others are at the Grand Hyatt Lodge, Denver, CO; Hilton Hotel, Charleston, SC; and Atlantis Hotel, Bahamas; and closer to home at the Trios Hospital in Kennewick. She sells her work at galleries, furniture stores, and jewelers throughout the Pacific Northwest.

abstract photograph landscape scrapyard art LuAnn Ostergaard

Beautiful Dream, abstract scrapyard-inspired photographic artwork by LuAnn Ostergaard

Clients exude enthusiasm, with one purchaser commenting,

“Your camera skills are so evident — that, combined with your painting gift, puts your work in a special field: painterly photographs transposed to imaginative paintings bordering on modernity from your unique application and expression.”

What she is looking for, Ostergaard says, is an essence of genuineness, revealing the most simple bit of beauty in something that, at first glance, may appear decrepit and ugly — junk, say, in a scrapyard. It is in these harsh and forgotten places that beauty resides, hidden within and around substances that are imperfect, impermanent, and incomplete, many in a state of deterioration or decomposition from entropy, the gradual decline into disorder that is a part of life on earth.

abstract photograph multnomah falls landscape LuAnn Ostergaard scrapyard

Multnomah Falls II, fine art photography from scrapyard images by LuAnn Ostergaard

Ostergaard describes this concept of entropy in conjunction with Wabi Sabi, the Japanese aesthetic philosophy that prizes the essential beauty of imperfect and impermanent things, and to which she ascribes inspiration.

“This is represented in my art by rough textures as well as marks that time and use leave behind,” Ostergaard says.

“Think of the story that can be told by the face of a very old person — the beauty of their perseverance and of the experiences they have gone through.

“This is what I want to relay through my photography: the beauty of time and experience.”

It is what keeps her going back to the dusty, noisy, aromatic, dangerous world of the scrapyard, a place with a sweet, oily smell emanating from the mixture of every imaginable chemical thrown together, including, she suspects, possible radiation from the loads of materials received from the Hanford Nuclear Reservation for more than 70 years. It is a harsh, acrid, inhospitable, gritty, forgotten place, but it is Ostergaard’s wild, wonderful, wilderness world, one to which she invites the viewer.

“I want the viewer to see the subtle beauty all around them, and that beauty can be found even in things that are far from beautiful at first glance.”

Wenaha Gallery

LuAnn Ostergaard is the Featured Pacific Northwest Artist at Wenaha Gallery from Monday, May 22 through Saturday, June 16, 2017. Ostergaard will be at the gallery Saturday, May 27 for a special two-person art show with Portland painter David Schatz, and both artists will be on hand to meet and greet visitors from 10:30 a.m. to 2 p.m. Free refreshments are provided.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

 

Cathedral in the Forest, fine art photography by Wenaha Gallery guest artist Patricia Fleming

“This Is What We Do” — The Photography, Painting, and Pottery of Pat and Patricia Fleming

Cathedral in the Forest, fine art photography by Wenaha Gallery guest artist Patricia Fleming

Cathedral in the Forest, fine art photography by Wenaha Gallery guest artist Patricia Fleming

At social events, we all field the question,

“So, what is it that you do?” with an expected answer of, “I am a ____,” and subsequent filling in of the blank.

Wine Glasses, original acrylic painting by Wenaha Gallery guest artist Pat Fleming

Wine Glasses, original acrylic painting by Wenaha Gallery guest artist Pat Fleming

When that query is posed to Pat and  Patricia Fleming, a husband-wife artistic team from Kennewick, WA, the answer — even a vastly simplified one — requires more than one to five words.  And even afterwards, one gets the feeling that all the blanks haven’t been filled in.

“We live in a clay house that I built from 2002 to 2005,” Pat Fleming says. That’s a good start, because the potter, who is also a painter, who is also a retired art instructor regularly returning to the classroom to part-time teach, is known for digging his own clay from a spot in Othello, WA.

The corresponding pottery he creates from this activity is truly unique, if for no other reason than that many pottery artists, as well as pottery purchasers, rarely consider the possibility of such a DIY attitude. But, as Pat points out, digging one’s own clay is not a new concept:

“My pottery statement is,  ‘See what our ancestors did for over 12,000 years, and we can still do it.’ It is cost efficient, it is possible, it is the ultimate craft.

Tulips, fine art photography by Patricia Fleming

Tulips, fine art photography by Patricia Fleming

“Also, ‘See what this stuff that I dug out of the ground can do with the guidance of a knowledgeable practitioner.'”

One thing this particular knowledgeable practitioner — whose expertise extends beyond creation of individualized pieces to the production of nationally distributed wholesale restaurant dinnerware — has done is share the wisdom base of a very ancient craft. During a 33-year teaching career at Kennewick schools, Pat led groups of students on weekend field trips to collect material.

At one point, “we had so much local clay accumulated that we never had to buy any for 12 years.”

One of Pat’s favorite phrases, and indeed the one upon which he grounds his professional career, and life, is,

“This is what I do.”

Created using hand-dug clay from Southeastern Washington, customized pottery pieces by Pat Fleming are like no other. They are literally unique.

Created using hand-dug clay from Southeastern Washington, customized pottery pieces by Pat Fleming are like no other. They are literally unique.

Pottery is one element, teaching another (“I have been called out of retirement for a fourth time”); even bricklaying, originating from work as a hod carrier when he was 14, forms a part of What Pat Does. He also paints, but in archetypal Fleming fashion, in his own way.

“I mix powdered tempera with masonry acrylic additive which I buy at Lowe’s by the gallon . . . My paintings are about everything from, ‘Look at what the light did to that wine bottle,’ to ‘Ode to Retired Bankers Everywhere.'”

Well, that’s Pat, simplified. What about Patricia?

A photographer who greets each day for its potential of perspective, chroma, and form, Patricia teases out the unique attributes of landscapes and still life, transforming everyday views into, “Stop. Look at me now,” visual monographs.

“I love the light and became interested in reflections, shapes, and shadows,” Patricia says. “Everyday items take on a whole new perspective when the sun and shadows hit them — that’s when I feel a great urgency to record the scene I am seeing.”

Yaquina Bay Bridge, fine art photography by Patricia Fleming

Yaquina Bay Bridge, fine art photography by Patricia Fleming

No Photoshopping, other than cropping, she adds. The artist’s eye directs the final view. It is a view that insists upon being seen:

“While I have sold many photographs, the one that means the most to me was a patient at a hospital who said she strolled by my photograph called Bella Beach many times, and felt a real sense of peace when she looked at it.

“She later purchased it, and I love  the thought of her looking at it in her own home. I think of her and hope she is now healthy and happy.”

When they’re not creating their own art, the Flemings focus on the work of others, cofounding Cyber Art 509 (www.CyberArt509.com), an online group of 57 artists in the 509 phone area code. Members show their work at local restaurants, shops, wineries and offices in the form of rotating exhibits.

It’s all part of what they, the Flemings, do — potter, photographer, painter, teacher, writer, marketer, artist. As Pat says,

“I don’t golf, I don’t bowl, I don’t own a boat. I paint and make pots.”

Patricia photographs and conquers the computer and the website.

It satisfies them to say, “This is what we do.”

Wenaha GalleryPat and Patricia Fleming are the featured Pacific Northwest Art Event artists from Monday, May 9 through Saturday, June 4. Pat will be showing his pottery and paintings, and Patricia will be showing her photography.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

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