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Wildlife & Western Living — Paintings by Jan Fontecchio

horse wild animal painting equine jan fontecchio

A horse finds itself in A Little Bit of Heaven by western and wildlife artist Jan Fontecchio of Moscow, Idaho.

Wildlife Wonder

Parents remember the oddest things about their children. And given that most adults do not recall their toddler years, we accept those memories with a gracious nod. Our own recollections often start later.

“I’ve done art since my first memory,” western and wildlife painter Jan Fontecchio says.

rancher cowboy western horse equine jan fontecchio art

Rancher, by western and wildlife painter Jan Fontecchio

“My parents say I drew a three-dimensional wedge of cheese when I was three. I don’t remember that, but my book covers at school were covered in sketches. A pencil was always in my hand, and if the teacher didn’t grab my tests quickly enough, there might be a little horse drawn in the corner of the paper.”

When Fontecchio was 10, a family friend who worked as an artist for Disney drew a horse portrait in charcoal for her. The resultant memory of this event stayed in Fontecchio’s mind and affected her life’s future plans: she went to art school.

“I think it took him two minutes or something. That little demo hooked me good!”

Western Upbringing

Raised on a horse ranch in the low deserts of California, Fontecchio spent her growing years immersed in the worlds of western wildlife. While earning a degree in fine art, she worked at California wild animal and big cat rescues, including the Wildlife Way Station, a non-profit sanctuary that for over 43 years housed, cared for and rehabilitated more than 77,000 wild animals; and the Shambala Preserve, which provides sanctuary to wild felines.

puma mountain lion cat feline panther parowan jan fontecchio wildlife

Puma of Parowan Gap, portrait of a cougar by western and wildlife artist Jan Fontecchio

Later, while working in the craftsman department of Six Flags in Los Angeles, Fontecchio — who moved to Moscow, ID, ten years ago — befriended one of the dolphin trainers, who helped her get hired as the trainer’s partner. Every experience added to Fontecchio’s captivation with animals: their form, their thought process, their movement and grace and beauty.

A Fascination with Animals

“I became especially fascinated with the musculature of animals in stressful situations: stalking, fighting, running, etc., and in the case of dolphins, swimming and leaping.”

Fontecchio has explored this world of wildlife in a variety of mediums, beginning with baling wire, which was plentiful on the ranch where she grew up. She has sculpted in wire, clay, and blown glass. A stamped leather cover found itself on a Hollywood movie (“I wish I could remember the name of the movie, but I’m pretty sure it wasn’t a blockbuster or anything!”), and the first pieces she sold to her first gallery were colored ink on textured board. From there she moved to watercolor, then to pastel, and finally to oil, which she calls her dream medium.

cow cattle livestock animal farm ranch jan fontecchio

Summer Pasture, by western and wildlife artist Jan Fontecchio of Moscow, ID

Her studio situation is as eclectic as her experience. As the mother of four children, Fontecchio carves out a working space from what is available:

From Floor, to Washing Machine, to Studio

“I used to paint on the floor, then switched to the top of the washing machine in the laundry room.

“I did that for years until a room opened up when our two oldest moved out.”

While the space is still small (does any artist every consider the studio big enough?), it is Fontecchio’s sanctuary, filled with her collection of skulls, furs, Indian artifacts, cactus skeletons, a vintage can of her dad’s favorite beer, and the skin from the rattlesnake that Fontecchio shot in the barn when she was 15: (“It was coiled, so there are three bullet holes in it”).

Fontecchio is a member of the American Plains Artists, Women Artists of the West, and the Out West Artists. Through the latter, she has participated in Western Art Week in Great Falls, MO, the biggest art show of western and wildlife art in the U.S., revolving around the CM Russell Art Auction. Her art resides in the homes of collectors throughout the nation — including the CEO of Exxon Mobil — as well as from England to South America to Australia, with buyers from the latter especially drawn to her horse paintings. In 2016, her painting, On the Upper Pecos, juried into the prestigious London, UK, show, The Wildlife Artist of the Year Exhibition. What makes this notable event extra memorable is that it represented the very first time she applied for this particular show.

From Cheese to Western and Wildlife

Whether or not Fontecchio’s first foray into art was a three-dimensional wedge of cheese, her artistic portfolio today revolves around the western lifestyle, and the animals she loves. The subject matter is endless, and the main problem she sees is the lack of time to paint it all.

“I have so many things I want to paint. They’re stacked up in my mind and I’m always working on the comps for new work.

“I’ll never run out of things that I want to bring to life on canvas.

“That’s the reason I’ll live to be 100.”

Wenaha GalleryJan Fontecchio is the Featured Art Event from Monday, October 21, through Saturday, November 16 at Wenaha Gallery.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment.

 

 

 

Cowboys Still Exist — The Western Art of Chris Owen

BackToYourMomma.ChrisOwen

Back to Your Momma by Chris Owen

Thanks to the movies and TV, even the most citified of urban dwellers has a working knowledge of America’s icon, the cowboy: this legendary person wears a unique hat, sits a horse with cool assurance, swings a lasso, drinks appalling coffee, and speaks with a drawl.

But does this person still exist? Are there cowboys in the 21st century?

Comfort, by Chris Owen

Comfort, by Chris Owen

Yes, there are. According to Wide Open Country, an online platform showcasing country music and the rural lifestyle, more than one million beef producers in the U.S. are responsible for more than 94 million head of beef cattle. From major establishments to small ranches, cowboys are an essential part of cattle’s lives.

“My grandparents were salt-of-the-earth ranchers who lived the simple life,” western art painter Chris Owen of Billings, who was born and raised in Montana’s modern west, told writer Mark Mussari in  Southwest Art Magazine’s article, Chris Owen: Setting a Mood.

As a young boy spending summers on his grandparents’ small ranch in the Judith Basin, Owen embraced rural life, developing an appreciation for the importance of the agricultural community. His grandfather’s stories of meeting C.M. Russell — the late 19th, early 20th century cowboy, writer, environmentalist and artist — inspired dreams in a young boy that later, after art studies at Montana State University in Billings, and the Art Center College of Design in Pasadena, CA, grew into a professional career as a painter, capturing the real, gritty, literally earthy life of the contemporary cowboy.

Holding Things Together by Chris Owen

Holding Things Together by Chris Owen

“After my formal art education, I decided to work with the western cowboy and horse theme,” Owen explains. “I spent the first few years on several operating ranches in the region, and made acquaintance with working cowboy owners and employed cowboys.

“The experiences with them taught me a great deal.”

Not only from humans did Owen learn his subject, and learn it well. The owner of three horses — Jake, Buck, and Badger — Owen clues in on the animals’ non-verbal language with each other and their human companions, translating that language to canvas in works that, according to Mussari’s article, “are surprisingly dark and make rich of contrasts between light and dark.”

“There is a difficulty of the subject matter, painting human and horse figures with gesture, light, shapes, color and anatomical accuracy,” Owen says.

“Much of the western art has been more about illustration than the use of a more subjective approach of nonrepresentational art.

Early Morning y Chris Owen

Early Morning y Chris Owen

“I wanted to establish my own unique style which moves more toward these fine art concepts.”

By major indications, Owen has successfully created his signature style, garnering both awards and exhibitions at major western art events such as the Cheyenne Frontier Days Western Art Show, Cheyenne, WY; the National Coors Western Arts Exhibit, Denver, CO; and the C.M. Russell Western Art Auction, Great Falls, MT. In addition to Southwest Art Magazine, Owen has been featured in Heartland USA, Wildlife Art, and Western Horseman magazines.

In 2001, Owen contracted with Ashton Company, and later Somerset Art, to create prints of his work, but in 2011 he began his own publishing company, which provides high quality giclee art prints through select galleries.

Standing By, by Chris Owen

Standing By, by Chris Owen

With a strong focus on earth tones — browns, umbers, burnt orange, and gold — Owen’s work celebrates the symbiotic relationship between cowboys and their horses. This is the real world of today, not a pretend or romanticized view of the past, with movement, action, and force, even when the subjects are standing still.

“I soon learned taking pictures from a horse on the gallop was not going to work,” Owen says of capturing the action of real life. “So, the idea of riding a horse at a loop, keeping up with a cowboy on the move at the same time taking pictures at the right angle in the right light was not a viable option.

“There is a challenge of painting action pieces.”

It is a challenge he has solved, fusing representational art with abstract overtones, translating a world that most of us know only as legend into images that the viewer can experience today, in real time.

“The cowboy endures as the foremost American icon,” Owen says. “His ongoing endurance as the premier American cultural hero stands as testament to the spirit and values that have made the West great.”

Wenaha GalleryChris Owen is the featured Pacific Northwest Art Event artist from Monday, June 6 through Saturday, July 2.

Contact the gallery, located at 219 East Main Street, Dayton, WA, by phone at 509.382.2124 or e-mail art@wenaha.com. Gallery hours are 9 a.m. to 6 p.m. from Monday through Saturday, and by appointment. Visit the Wenaha Gallery website online at www.wenaha.com.

Wenaha Gallery is your destination location for Greenwich Workshop Fine Art Prints, professional customized framing, and original fine art paintings and sculpture by notable Pacific Northwest artists.   Books, gifts, note cards, jigsaw puzzles, and more are also available. Visit at 219 East Main, Dayton, WA.

This article was written by Carolyn Henderson.